CoK)3a nHcarejieM CCCP H MHHHcrepcTBa KyjibTypw CCCP r^ V

CoK)3a nHcarejieM CCCP H MHHHcrepcTBa KyjibTypw CCCP r^ V

r^
-OpraH
CoK)3a nHcarejieM CCCP
H MHHHcrepcTBa KyjibTypw CCCP
HHBapb
1973
roAa
V.
B HOMepe
•<
n
noprpeTbi
MOJIOAUX
OScyxflacM
npoSjieMbi
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TeaipajibHWH
AHeSHHK
TpHSyna
Byaymee Hameft cueHbi
M. UJeudKou. OTBercTBeHHOcTfa MOJIOAOCTH
3
4
AnacTacHa BaKJiaHosa * CseTJiaHa BoaAbipeBa * K);io BHJiUMaa * BaJieHTHHa FpOMOBa •* BjiaflHMHp JluceHKOB * Cepreii MyieHHKOB •* Ojifara OcrpoyMOBa * TeoprHii TapaTopKHH * BajiepHHbi: JIioSoBb KynaKOBa * MaprapHTa
ilposflOBa * JlraxMUjia CeMeHHKa * 3HTa 3 p c * JIiofioBb FepmyHOBa
9
Hropb BjiaflHMHpoB * Cepreii /taHHCHKo •* A3ep6aft>KaH MaMfiexoB * FenHaflHil OnopKOB * Bojibflenap FlaHco * Anflpeii TIonoB * JICOHHA Xefiijieu,
35
T. nyiuHu,eea. BopoHexcKHe TpaflHUHH
Jlana Fapon. CeroflHH y MapAJKanoBueB
M. lUocTaK. i^epes nsiTb a e r
51
58
65
K. LU,ep6aKoe. «JIomaflb np»ieBa.nbCKoro» * B. CeMCHoacKuu. «KBaApaTypa Kpyra»
* JX- PoMaduHoea. «noprH H Becc» * M. MeAKyjunn. T. HHKy.nHHa — COHH * t . EpodCKaH. O. Zfajib — JlBoiiHHKOB * E. FoptpyHKeAb. A. <I)peHHAJiHX — Ma^aM AjiHca *
K. EepesuH. «CHfl» •* H. flAsiiiKoecKaa. «TejieHvKa c H6ji0KaMH» * A. JJeMudoe. «flBa
aHCKAOTax
70
CJIOBO — ApaMaTypraM: OTHB HocejiHaHH * PaiiMOHa
MaiuoT rianaHH •* FyHap n p n e n e
90
TejieBHACHHe
E. FlyAbxpuTydoea.
ripoSjieMbi
pyccKOH
miaccHqecKofi
flpainaTyprHH
M. BuuiHeecKaa.
Kayrsep •* HOH
Xl,pyU3 "* Apa-
SaSbixas! K.naccnKa '
95
O qem nanncaHa «JKeHiiTb6a»?
98
F a u n a H acHsub
113
ribeca
Bepa Flanoea.
135
3 a pySeKOM
K. CrapocBAbCKan. Mexbipe cneKraKjia BcirapcKoro
C. FpumeHKO. HiajiHa: nojiHXHKa H l e a r p
Ha cueHax MHpa
ribeca
HednAKo HopdaHoe. Monea. JInpHHecKaH KOMeana B flByx fleftcxBHHX. FlepeBOa c
CojirapcKoro JIHAHH Bama
CBaAb6a KaK CBaflbSa. Hbeca B a s y x aeiicTBHHX
MOJiOAexHoro
.
.
.
.
153
159
165
170
Contents
Portraits
of the
young
Directing
problems in
discussion
The Future of Our Scene
The Responsibility of Youth. M. Shvydkoy
3
4
Anastasia Baklanova * Svetlana Boldyryeva * Youiio Vilimaa* Valentina Gromova * Vladimir Lysenkov * Sergey Moutchenikov * Oiga Ostroumova * Georgy Taratorkin "* Ballet-dancers: Lyoubov -Kounakova * Margaritta Drozdova'* Lyoudmila
Semenyaka * Zita Ers * Lyoubov Gershounova
• . . .
.
9
Igor Vladimirov * Sergey Danchenko * Azerbaygean Mambetov * Gennady
kov *Voldemar Panco •* Andey Popov •* Leonid Heiletz
3&
Voronezh Traditions. T. Poutiritzeva
Mardgeanov's School Today. Lana Garon
Five Years Past. /. Shostak
Theatre
diary
Tribune
Opor-
51
58^
65.
. •
«PrzhevaIsky's Horse». K- Scherbakov * «To Square the Circle». V. Semenovsky *
«Porgy and Bess». D. Romadinova * G. Nikoulina — Sonya. M. Melkoumyan *
O. Dahl — Dvoynikov. G. Brodskaya. A. Freindlich — Madam Alice. E. Gorfunkel*«Cid».
K- Berezin * <iThe Apple Cart». A'. Plyatzkovskaya * «Tv/o Jokes».
A. Demidov
JQI
Playwriles speaking: Otia loseliani * Raymond Caugver * Ion Droutze * Aramashot
Papayan •* Gunar
Priede
90
Television
The Classics Forgotten. E. Poulkhritoudova
95.
Problems of the
Russian classical
drama
What is «The Marriage* About? /. Vishnevskaya
98.
Footlights and Life
II3.
Play
Wedding Like Wedding. Two acts. Vera Panova
135
Theatre
abroad
Four Plays By The Bulgarian Youth Theatre. K. Staroselskaya
Italy: Politics and Theatre. 5. Grischenko
Stages of the world
153I59165
Play
Motor Bicycle. Lyrical comedy in two acts. Nedyalko lordanov. Translated
the Bulgarian by Lidia Basha
from
170)
4
OpraH
CoK)3a nMcarejiefi CCCP
M MMHHCTepcTBa KyjibTypw CCCP
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1973
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3
A. 3aK, H. Kyaneqoe.
B AByx nacxHX
6
BeceHHHfl aeHb TpHAuaroro anpejiH... ApaMaTHMecKaa xpoHHKa
H. CMOAUtiKaM. ByAHH BoeHHoro xeaxpa
M. naBAOeui. TpH cesona B Cesacxonojie
33
42
/I. AABKcudse. FjiySoKHe KopHH
P. KpeieToea. FIOHCKH esHHcxBa
52
58
O. ff3l06uHCKaH. «npH6jlH3HXbCH AO XOMHOCXH...»
K. UlepOaKoe. BoccxanHe H yxoA
A. HeMudoe. Op(J)eif B aay
BuKTop KdAuiu. riecHH npo 6oiiu.a
68
^'
'^
85
3 . FAysdepe. OnpaBAaHHe HejiorntiHocxn
90
BoAecAae
95
pexcHccypu
CneKxaKJiH
riojieMHKa
POCTOHKUU. Bepneivicsi K ^aKxaM
McxopHa
MuHa CoAOBbeea. Saqen pe)KHCcepy 6biTb renHajibHUM
104
£ . FIoAHKoea.. BcxpeiH B HCKyccxae
121
K. KpueuUiKuu. Zlpyw6a, npoBepcHHan cxoJiexHCM
Jlecb TaniOK. HpeeMCTBeHHOCTb aasexoB
MocKOBCKHe npeMbepu * A. TuM0(pee8. O rex, KXO Bceraa Ha l a c a x * U. CocppoHoe.
BcnOMHHaH AaJieKHe roAU... * E. FoprnKuna. HeAOBeK BO BpemeHH * A. AHUCUMOB.
KaKHM 6yAeT Teaxp Ha TaranKe * npeMbepw JleHHnrpaAa * H. AAenceeB. AKxep,
pe)KHCcep, yMHxeAb * P. AAbTuiyAep.
ApxHcxu HxpaiOT c noAHpHHKaMii * XpoHHKa
123
125
KHHrH
PaMna H x(H3Hb
3 a py6eat0M
JOAUU KAeMOHOB. CoBBTCKHe 0({)Huepbi B rocxflx y raynxMana
Ha cuenax MHpa
Ilbeca
PycraM H6paeuM6eKoe.
127
146
154
JKeHUiHHa sa seAenoft ABepbio.
Obeca B xpex AeflcxBHSix
163
1 py^Ji
^ — —
06cy ^''^^^^^^'
Bonpi
peH^H
Al<ii!r iiiid ^i{-vu[ fcals... C. Sredin
Play
April ,'i()ili. .Si)i jngliiiic... Play in two acl.s. By A. Zak, I.
Tho v./ar(iiiie theatre day by day. A'. Smolilskiya
Thii'C seysous in Sevastopol. M. Pavlovitch
.
.
.
.
33
i
Direcliiig
problems in
discussion
Deep rools. D. Aleksidze
Ill search ol inlegrily. R.
Productions
"To eoiiie close to e.xaefness...". O.
Dzyubinskaya
1^1)1 isin<j ami retreat. K.
Scherbakov
Orpheus
in Ihe Inferno, A. Demidov
. . . .
Kreicheiova
.S<jn^s n'.iiiiii the s o l d i r . Victor
Defeiidiiit; Ihe i l l o g i c a l . Z.
51'
58:
68'
71,
77
85:
90
Kalisli
Glusberg
D'ibpule
l.i I's look i)ail> [or Ihe larl.s... Boleslav
iiislory
Why tlir ilirii (or lias (o IK- a man of genius. /.
Books
I lie\ luel in \\:v :iit. /:'. Polyaitova
! i u i'i(lslii|) ])ri)\eil liy a eeiiliiry. A'. Krivilsky
Belk'sts miiaiii aiiolu'ri'ii lo. I.es Tanyouk
I i)<>iii<>lils and Life
Kouzneisov
Ruslotsky
95
Solovyova
104;
12B
123'
126i
^i m o l l i s in Alosl.ow * W h o s e , wl'.o a i c a l w a y s o n g u a r d . A. Timofeew.
* Hei-olleeling i h e y o a i s loiij^ past,,, P. Sofronow.
* T h e m a n a n d t h e t i m e . E. Go-
rijaichkiua. ' Wlial will be Ihe Theatre on Taganka. A. Anisiniov. * First nights
)!i l.cMiiii^'i ad ' Aelor, direclor, teacher, N. Alekscew. * Chess: actors vf polar
men
Abroad
l-i. Allxhnler.
I laiipiiiiani,
lio^;
' Diary
ul
,Soviei
• .
offii'eis,
1',
Klcmaiioo
127:
14l
.Stages of the world
Play
.
154:
I III' "OMi.iii Behind a (jieeii Door, Play in lliroe aef.s. By Roustam
Ibragimbekoo
163";
H<
>K
He
>K
H€
>Ki
He
'leNoiieKHii nojiiupa())M'iocKiiH KOMGimar «Coio3noJinrpa
iipoMa» iipH FocyAapcTBCHHOM KOMiixexe Cosexa MHHH-:
erpoB CCCP no AOJiaM HSAaxcAbcxB, noAiirpa(j)HH H|
Kiiii>i<noH ToproB.nii, r. Mcxon, MOCKOBCKOH o6AacTH. •;
CAaiio B uaGop 25/Xl 1972 r,
FlOAiiiicaHO n ne^aTtJ
0/1 197.1 r. AOUai TripaJK 20 000 s o , <topMax 84X '
XI08'/ir, OC'beM 12,25 n,ji. YCA. A. 20,58 y-i.-HSA- Ji-22."'
3aKa3 2305
( > 1;
OpraH
Coiosa nHcarejiefl CCCP
H MHHHCTepcTBa KyjibTypbi CCCP
MapT
1973
roAa
B HOMepe
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npoCJieMbi
pexHccypbi
FAeO
/3,po3AOB * HKOB
KHpxHep * BacHAHfl
KHceAes * Po6epx
CeAJieuKHii
* Cepreii CMCHH
10. HuMurpuH. B noHCKax xeaxpaAbHocxH
E. XoAodoB. OcxpoBCKHii npoflo.njKaexca
TeaxpajibKbifl
AHeSHHK
E. ILlaMOBUH. ,«noeAHHOK BeKa» * 0. Paduinesa. «C AKDCHMUMH He paccxasaiixecb*'''
E. TyAUHUiBB. «Lfapb OcAop HoaHHOBHM» * B. EsepcKan. BosBbimcHHoe H seMHoe *
dAbHUH. «AiiAUH» * M. lUebidKou. «A.iHca B Cxpane «iyAec» * H. Tapiuuc.
«3xox
MHjiuii cxapuii AOM»
I
Tlbeca
KaATau MyxaMedxaHoe. TaK wne H aaAo! KoiaeAHH B AByx AeiicxBHHX, mecxH KaptHHax, ABxopH30BaHHbiii nepesoA c KasaxcKoro AHApeH KyiaeBa
'
Scxpafta
3. BAaduMupoBa. O cxapHHHOM poinaHce
riopxpeTbi
C, CauToa. B
K 100-AexHH)
CO AHfl
pOXAeHHSI
HpaKAUu AndpoHHUKOB. Ta.Tanx Ula.HHnHHa
Ha apxHsa UlaAflnHHa
* . H. UlaAsinHHa
(ppaHTumeK KySKO. MacKn IHajianHHa
IC
BocnoMHHauHn
O. M. Fibixoea.
11
cxpane
Aviry..ib
HpHaBaHHe
t
£
9
KHHrH
H. FopeHKOBa, A. Auaendepe. 3a HeJioBCKa!
Kupa Kanaeea. «Cjiy>KeHbe Mys He xepnirx cyexbi,,,»
K). Mupea. B npouecce nepecMoxpa
12
13
13'
MocKOBCKHe npeMbepw * Teaxpy Moccosexa — 50 * B EepesKUH. 3cKH3bi 71-72 *
Penepxyap xeaxpoB B 1971 roAy * XpoHHKa
.
.
.
.
;
13f
3 a pyfiexcoM
3. BouHOBU. Ha 3AHH6yprcKOM (|)ecxHBaAe H BOKpyr
E. FputuuHa. HcKyccxBO Ernnxa
I5E
164
ribeca
AypeA Eapama. 05m,ecrBeHHoe vnieHHe. Hbeca B AByx Macxsx. ITepeBOA c pyMHHCKoro
E. AaepHHKOBOH
171
PaMna H KHSHb
Contents
Directing
problems in
discussion
Theatre
diary
Play
Gleb Drozdov * Yakov
Sweyan
Kirzhner * Vastly
Kiselyov * Robert Sedletsky * Sergei
3
In search of theatricality. Y. Dlmitrin
Ostrovsky continued. E. Kholodov
14
21
„Duel of the century". E. Shamovich * „Don't part with your beloved". O. Radischeva * „Tsar Feodor loanovich". B. Tulintzev * Inspired and earthey. B. Yezerskaya * „Aidyn". Elchin * „Alice in Wonderland". M. Shvydkoi * „This lovely old
house". A'. Tarshis
: :
30,
It serves me right! Comedy
in two
acts,
six scenes. Kaltai Muchamedgeanov.
Authorized translation from the Kazakh by Andrei Kuchaev
49
About old romances.
75
Variety show
V. Z. Vladimirova
Portraits
In Aigul's land. 5. Saitov
84
Shalyapin's talent. Irakly Andronikov
From Shalyapin's archives
94
99
Jttemoirs
Shalyapin's masks. Frantishek Kubka
108
Books
The calling. 0. /. Pyzhova
HO
For Shalyapin's
centenary
'
For The Man! N. Gorenkova, A. Aisenberg
«No fuss withstood when arts are served*. Kira Kanaeva
In the process of reconsidering. Y. Chirva
First nights in Moscow * Fifty years of the Mossoviet Theatre * Sketches of 71-72.
V. Beryezkin * Theatres' repertory in 1971 * Diary
136
Abroad
Around Edinburg Festival. Z. Voinova
Arts of Egypt. E. Grishina
155
164
Play
Public opinion. Aurel Baranga. Translated
Footlights and
life
from the Roumanian by E. Azernikova
129
132
134
171
OpraH
CoK)3a nHcaiejieM CCCP
M MHHHCTepcTBa KyjibTypbi CCCP
Anpejib
1973
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K 150-jieTHio
H. BuuMeacKan. noHCMy OcxpoBCKHii — BeAHKHii apaMarypr
CO Ana pojKAeHHn
A . H. OcTpoBCKoro
OCXpOBCKHfi
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OcTpOBCKHii
B MOeH
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OcrpoBCKHJi
B MOeH
3KH3HH
TearpaAbHbifi
AHeBHHK
MnxaHA IJ,apeB * MapHH Ba6aH0Ba * AAeKceft rpH6oB * AAeKcaHAp FpHropsiH *
KDpHii fleMHi * MnxaHA XapoB * KDpHii BaBaACKHii * MnKOAa SapyftHuft •* BAaflHMHp HBaHOB * K)pm KaiopoB * EBreHHH KosbipeBa * BaKen KwAUKeeBa
10
E. nyAbxpurydoea. Heo6uiiHocTb npHBwiHoro
BAaduMup CoAOSbee. JlsHKCHHe HCKyccxBa
22
37
AAeKcaHAp JIaaapeB * PHMMa ManyKOBCKaH * Anflpefi MaxBeeB * BaAeHXHHa HHKHXHHa •* HHKOAaii riAoxHHKOB * JIHAHH PwenKaH * HHKOAaii PUXOB * Anna
TapacoBa
47
Ha cueHax OpaxcKHx pecnyfiAHK
E. PuKUTUHa. CAOBO—TeaxpaAbHUM xyAoxHHKaM
56
61
IlIyKyp BypxaHOB * Apxyp XaiiKHH •* BopHc ^HpKOB * Jles UterAOB * fOpnii 5IKOBAeB * MHxaHA JIHIUHH
67
E. XoAodoe. OcxpoBCKHH npoAOAwaexcH
77
AnaTOAuH AAbTuyAep. «rpo3a» * M. PoaaHeecKuU. «nyqHHa» "* A. CaxaAryee.
«BoAKH H OBUH» * K). Ba6uHe8a. «BecnpHflaHHHua» * A. FIopaaTOe. «BeHHocxb ne
nopoK» '• MoAMfa KOH. «rpo3a»
. '
86
M. Ceeraeea. «06 aKxepax no CeqenoBy* — roA 1886-ft
97
CoUHOAOrHH MOCKOBCKOfi nyfiAHKH
101
B. MacAux. lUeAHKOBO
103
3a py6e»0M
JI. CoAHiteea. Co(})Hfl—BeArpafl
K. 0UAOHoea. MioaxeH — MHKaro
Jl. Jleeuna. TerepaH — VAaH-Baxop
112
119
123
Ha cuenax
MHpa
r. Kopo6HuHCKu(l. riepBbifl nepeBOA «rpo3bi> B «PyMUHHH * H. XoAMoaopoea. «rpo3a» Ha onepHofi cuene *• f. lUepduHa. «Jlec» B OoAbKcCiOHe "* JI. FureAbMoH. «JIec»
B napHKCKOM «AxeAbe» * 5. MaKapoaa. BoArapcKHfi xeaxp B KneBe * E. Mapnoaa.
MapceAK) Mapco — 50 Aex * E. Fpuumna. HHAHiiCKHe xaHUopM B MocKse
.
125
llbecbl
FeHuaduu BoKapee. CxaAeBapbi. Hbeca B AByx qacxax
Andped MaKaenOK. TafiAexKy noA H3UK. KoMCAHfl-penopxax
138
169
Contents
Ostrovsky's
150th birthday
What makes Ostrovsky a great dramatist. /. Vishnevskaya
Ostrovsky
in my life
Mikhail Tsarev * Maria Babanova •* Alexei Gribov * Alexander Grigorian *
Yuri Demich * Mikhail Zharov •* Yuri Zavadsky * Mikola Zaroudny * Vladimir
Ivanov * Yuri Kayurov * Evgenia Kozyreva * Baken Kydykeeva
. . . .
10
The novelty of the conventional. E. Poulkhritoudova
The movement of art. Vladimir Solovyov
22
37
Alexander Lazarev •* Rimma Manoukovskaya •* Andrei Matveev * Valentina Nikitina * Nikolai Plotnikov * Lidia Rzhetskaya * Nikolai Ryzhov * Alia Tarasova
47
In the fraternal republics
Theatre artists speaking. E. Rakitina
56
61
Ostrovsky
in my life
Ostrovsky
in my life
Theatre diary
3-
Shukur Bourkhanov * Artur Khaikin * Boris Chirkov * Lev Shcheglov * Yuri Yukovlev * Mikhail Yanshin
67
Ostrovsky continued.
77
E. Kholodov
"The Storm". Anaioly Altshuler * "Abyss". * M. Rogachevsky * "Wolves and Sheep".
A. Sakhaltouev * "A Bride Without Dowry". Y. Babicheva * "Powerty Is No
Crime". A. Porvatov * "Tne Storm". Militza Kon
"About actors according to Sechenov" — 1886... M. Svetayeva
The sociology of the Moscow public
Shchelykovo. V. Maslikh
.
.
.
8697
101
103
Abroad
Sofia — Belgrade. L. Solntseva
Munich — Chicago. K. Filonova
Teheran — Ulan Bator. L. Levina
112
119
123
On world
stages
The first translation of "The Storm" in Rumania. G. Korobchinsky * "The Storm"
on the opera stage. /. Kholniogorova *"Forest" at Vollcsbiihne. G. Shcherbina *
"Forest" at the Paris Theatre de I'Atelier. L. Gitelman * Bulgarian theatre at Kiev.
E. Makarova *Marcel Marceaus 50th birthday. E. Markova* Indian dancers at
Moscow. E. Grishina
125
Steelworkers. Play in two parts. Gennady Bokarev
A Pill under the Tongue. A comical reporting. Andrei Makayenok
138
169.
Plays
.
.
.
.
; ?'
(•,,)'Ai^"-\.:\
l.lu:\J\
i^m
M mvmiTf
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Coiosa nHcaiejieft CCCP
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--"*
/
*y, - »
iC'l.'
r/-r"**
v/
\
!'%»?»:
Maw
1973
roAa
B HOMepe
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M. Kapea. HcKyccxBo, oe^eAHHSfiomee AiOAeii
Ha Bonpocu wypnaAa «Teaxp» oxBeqaex npesHAeHx Me>KAyHapoAHoro
xeaxpa Pady BeAuean
MejKAyHapoAHHii HHcxHxyx xeaxpa
3
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5
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F. KooKyxoaa. ReAOBeK leAOseKy
MHHOKeHTuu Flonoe. Ho saMUCAy FAHHICH
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23
3 a py6e%0M
HaTSAAa EamundoicaesiH, EoAecAae PocTOu,Kuil. Hpo^HAH noAbCKoii pexHCcypu
A. Cao6oduH. BepAHHCKaa MosaHKa
H. MeeuH. ByAanemx B pasrap ceaona
H. AABKceea. SaMexKH aKxepa
H. KoaaAee. AnrAHflcKHH «4)PHHA>K» pasABHraex rpaHHUw
riojieMHKa
A. HeuepoacKuu.
BocnoMHHaHHa
O. H. FlbiMoea. npHasaHHe
'03
PaMna H KHSHb
MocKOBCKHe npeMbepw * AAAa KoHCxanxKHOBna TapacoBa * HapoAHbie apxHcxu
CCCP * JI. EyAzax. MaxepHHCKHe cepAUa •* F. EaKuesuH. «BpecxcKasi Kpenocxb»
B yOO-flpaa * JIaypeaxbi FocyAapcxBenHbix npeMHfi P C O C P 1972, roAa B OSABCXH
xeaxpaAbHoro HCKyccxsa * PaHHHii nepnoA pyccKoro xeaxpa * H. FUepeMeTbeacKan.
HcKyccxBo xaHua Ha KOHbKax * E. FIoAeoKaeaa. FAaBHan xeMa * MapHH OcHnoBHe
KneCeAfa 75 Aex •* HpeMbepw JleHHHrpaAa * FI. XOMCKUH. Ceprero BAaAHMHpoBHiiy
MHxaAKOBy 60 Aex * XpoHHKa
117
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Contents
To the Moscow
Congress of I. T. J.
Art that unites people. M. Tsarev
Radu Beligan, President of the International Theatre Institute answers "Teatr"
magazine's questions
The International Theatre Institute
Productions
Man to man... G. Kozhoukhova
According to Glinka's conception. Innokenty Popov
Directing
problems in
discussion
Vanishing space. Nina Velekhova
Abroad
Profiles of Polish stage-directing. Natella Bashindzhagyan,
Berlin mosaic. A. Svobodin
Budapest at the peak of the season. N. Zhegin
Notes of a player. A'. Alekseev
English "fringe" extends its bounds. /. Kovalev
Dispute
"Beautiful poses". A. Nemerovsky
Memoirs
The calling. 0. /. Pyzhova
Footlights
and life
First nights in Moscow * Alia Konstantinovna Tarasova I* Mothers' hearts. L. Boulgak * "Brest Fortress" for the 700th time. C. Bakievich * Winners of 1972 RSFSR State prizes in the field of the theatre * Early period in Russian theatre * The art of ice
dancing, N. Sheremetyevskaya *The main theme, E. Polezhaeva * Maria Osipovna
Knebel — 75* First nights in Leningrad * Sergei Mikhalkov — 60, P. Khomsky * Diary
Boleslav
Rostotsky
4
fa
7
7
8
9
10
Photo etudes by Vera Petrousova
I el
The Third Encounter. Drama in 2 acts. Maya Ganina
A Situation. Comedy in 2 acts. Victor Rozov
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PERIODICAl HEADING HOOfw
\
BUTIFR LIBRARY
110
117
125
145
171
Contents
Directing
Problems in
Discussion
Simplicity. Grandeur. Emotion. N. Tolchenova
Stage directors speaking: Vladimir Andreyev * Solomon Kazimirovsky •* Alexander
Grigoryan •* Alfred Yaunushan * Agakishi Kyazimov "* Ergash Masafayev * Vladimir Yasnogorodsky * Otar Dzhangisherashvili
Summer tours. V. Vityuk
. .
.
,
A Festival in Moldavia. N. Zhegin
'2^
26
32
«Between the earth and the" sky...» G. Yuryeva
Both reporting and comedy. A. Vislov
People and time. 0. Dzyubinskaya
4046
51
The roads of good and evil. /. Segedi
57
With merry excitement in the eyes. A. Turkov
63^
The calling. O. 1. Pyzhova
69
Findings. Trifles. Details
First nights in Moscow * People's
Artists of the USSR * Named after
A. D. Popov * Tribute to Brecht * Our century's tragedian. O. Zarina * Photoannals of the Soviet theatre. T. Putintseva * Ukrainian exhibition in Moscow.
B. Vitalyev * Humour. What is criticism? •* Nikolai Konstantinovich Simonov
Moldavian comedy in Tobolsk. /. Rudovsky * Diary
81
Feuilleton
Sir Hamlet
107
Abroad
Bulgaria. A festival of Soviet plays. E. Makarova
Soviet theatre days in the G.D.R. Manfred Nossig
Is the crisis over? Bruno Grieco
111
iir
125
On world
stages
Against anarchism. V. Klyuev * The Bolshoi Ballet in Canada. S. Kaufman *
Manfred Wekwerth's "Richard III". A Bartoshevich * Joan Littlewood's return,
M. Shvydkoi * The Stravinsky Festival. E. Grishina
131
Yellow Leaves Disperse. Mikola Zarudny. Lyrical comedy in two acts. Authorized
translation from the Ukrainian by Viktor Qonchar
The Sarcophagus Mystery. Anatoly Sofronov. Modern story in two parts
145>
171
Productions
3-
Portraits
Memoirs
Footlights
and life
Plays
HsflaieflbCTBO «HcKyccTBO>, 1973 r.
88