photography catalog

PHOTOGRAPHY CATALOG
EDITOR
PUBLISHER
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
TITLE
AUTHOR
123 arve
Berke Can Özcan
Aisha Records
2010
174 Turkish
33 Genç Fotoğrafçıdan İğne Deliği
Fotoğrafları / Pinhole Photography by 33
Young Photographers
Engin Özendes
İstanbul Modern
2008
105
Turkish;
English
9789756167298
$30,00
Ali Sami (1866-1936) Photographer /
Fotoğrafçı
Engin Çizgen
Haşet Kitabevi
1989
156
Turkish;
English
OCLC 22704938
$140,00
Ankara
Mehmet Özel
TC Kültür
Bakanlığı
1992
353 Turkish
9789751709097
$50,00
Ankara Posta Kartları ve Belge
Fotoğrafları Arşivi / Archive of Ankara
Postcards and Documentary Photographs
Demet Börtücene;
Ozan Sağdıç
Belko
1994
264
Turkish;
English
OCLC 32476503
$60,00
anne ben beton dökmeye gidiyorum /
mom i'm going out to pour some concrete
Antonio
Cosentino, Extramü
cadele, Ali Gün
Yıldırım, Can
Akgümüş, Sahir
Uğur Eren, Tufan
Önal, Engin Irız
GSAPP Books
2015
80
Turkish;
English
9781941332092
$25,00
Ara Güler'in Sinemacıları
Ara Güler
1989
88
Turkish
OCLC 24797777
$30,00
Hüseyin
Sönmez, Kaan Hil Yayın
Çaydamlı Arabesk
Haluk Çobanoğlu
Fotografevi
Yayınları
Aralık
Cemil Ağacıkoğlu
Literatür
Yayıncılık
2007
PRICE
COMMENTS
$30,00
With CD
94
Turkish;
English
9789944720007
$50,00
64
Turkish
9789758431984
$30,00
Around and About Lake van
Lütfi Özgünaydın
Fotografevi
Yayınları
2005
107
Turkish;
English
9789759808914
$30,00
Bellek ve Ölçek: Modern Türk Heykelinin
15 Sanatçısı / Memory and Scale: 15
Artists of Modern Turkish Sculpture
Haşim Nur
Gürel, Ali
Akay, Levent
Çalıkoğlu İstanbul Modern
2006
341
Turkish;
English
9789756167106
$75,00
Page 1
Ali Sami was a photographer, who graduated from the Imperial School of
Engineers. His photographs, whether family snapshots or official commissions, are
a mirror in which we see reflected the 19th century Ottoman Empire.
In Haluk Çobanoğlu's words: ''For Turkey arabesque means more than just being a
musical genre. At this stage we concur with philosopherAdorno who says 'every
music style represents the conflicts and tensions of the society in general'. To
peruse the subject from this angle, assuming music to be an uncensorable
sonorous historical heritage of a land, of a country, this photographical
documentary project has been an attempt after the arabesque music for nine years,
looking for the lost, and the lasting, and the changed.''
What I saw was affirmation of the image I had in my mind. Most of all, the
colour...The lake's fragile hue began to permeate my weary mind. The colour I'd
conjured in my imagination coincided exactly with the colour of the lake in
reality. What I was experiencing was the moment where the imaginary
synchronises with the real... At every step, I felt my feelings mellow, my spirits
lift...
TITLE
AUTHOR
EDITOR
PUBLISHER
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
Biz'den Görünenler: Cumhuriyet Sonrası
Türk Fotoğrafından Bir Seçki /
Appearances as We See Them: A Selection Engin Özendes
Turkish Photorgraphy Since the Founding
of the Republic
İstanbul Modern
2004
100
Buluşma / Rendez-Vous
Cem İleri
İstanbul Modern
2005
77
Cityrama
Cem İleri
İstanbul Modern
2005
66
Cumhuriyet'in Işığında: Othmar Pferschy
Fotoğrafları / In the Light of the Republic:
The Photographs of Othmar Pferschy
Othmar Pferschy
İstanbul Modern
2006
Turkish;
English
Turkish;
English
Turkish;
English
157
Turkish;
English
27
Turkish;
English
PRICE
9789756167014
$40,00
9789756167038
$25,00
9789756167069
$50,00
9789756167090
$100,00
Çanakkale Savaşları Fotoğrafları / The
War of Gallipoli
Türkiye Güzel
Sanatları
Geliştirme Vakfı
Çekim Merkezi / Centre of Gravity -29X29- Rosa Martinez
İstanbul Modern
2005
284
Turkish;
English
9789756167076
$60,00
Çocuk Dünyam / A Child's World
Fotografevi
Yayınları
2005
69
Turkish;
English
9789759893378
$30,00
İstanbul Modern
2006
293
Turkish;
English
9789756167151
$50,00
Erdal Yazıcı
Doğru Yerde Doğru Zamanda / Right Place
Gökşin Sipahioğlu
Right Time
Emine Ceylan Fotoğraflar / Photographs
Emine Ceylan
Emine Ceylan
1997
108
Turkish;
English
Page 2
COMMENTS
Othmar Pferschy was one of the first and most outstanding documentary
photographers of the period, traveling throughout the country taking thousands of
photographs. These years were a time when photography in Turkey was expected
to seek out what was beautiful, admirable and worthy in the country, recording
subjects such as relations between people and nature, archaeological sites, and
change and modernization in cities. Othmar's photographs are the finest examples
of this genre. His photographs capture meticulously timed moments, are
technically flawless and aesthetically brilliant.
$40,00
$100,00
This book has been prepared on the occasion of the exhibition ''Centre of Gravity''
held between 18 September 2005 – 8 January 2006 at the Istanbul Modern Art
Museum.
Taken by Erdal Yazıcı in Turkey's larger cities as well as a host of small towns,
villages and the countryside, the photographs in this book reflect the world of
children.
This book contains 51 photographs of Emine Ceylan, mostly consisting of human
portraits. According to Demir Özlü: ''When we look at Emine Ceylan's
photographs it is immediately obvious that there is no need for us to debate the
paradox between the local and universal. The figures she selects already bear the
most conspicuous characteristics of the local which is inherent within themselves,
but these figures do not remain static. Instead, by being drawn inside the wildest,
most deserted and loneliest landscapes, they rush towards an ultimate
metaphysical dimension. The skies and clouds in the background of many of these
photographs mark them with the heavy stamp of this metaphysical perception.
Emotion intensifies and then rereflects in the foreground, intensifying the image
still further. Since her photographs are images of life and death, the selected local
figure or type within the dimensions of the frame, together with the objects
around it, has no trouble accessing the universal, perhaps something even beyond
the universal: the situation of mankind in the world, the human being abandoned,
this ephemeral being, and its poetic helplessness in the presence of the natural
world; reaching what is a strange fragment of the cosmos, and will vanish in face
of its infinity and desolation.''
TITLE
AUTHOR
EDITOR
Fotoğrafçı Çocuklar Atölyesi: Depremden
Sonra / Child Photographers' Workshop:
After the Earthquake
PUBLISHER
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
PRICE
Fotografevi
Yayınları
2000
216
Turkish;
English
OCLC 80184016
$30,00
Fotoğrafçıların Gözüyle İstanbul / Istanbul
Ömer Serkan Bakır
by Photographers
Fotoğraflarla Türkiye'de İnsan Hakları,
1839-1990 / Human Rights in Turkey: A
Bülent Tanör
Photographic Account
Fotografevi
Yayınları
2008
148
Turkish;
English
9789944720106
$30,00
Tarih Vakfı
1996
64
Turkish;
English
OCLC 36440482
$25,00
Fotoğrafta Atmosfer, Yaşam & Doğa
Gültekin Çizgen
Fotoğrafları / Atmosphere in Photography
Kelaynak Yayın
Tanıtım
1998
Turkish;
English
OCLC 913339319 $100,00
Kuad Gallery
2012
128
Turkish;
English
OCLC 825843639 $50,00
İstanbul Modern
2006
163
Turkish;
English
9789756167120
$30,00
Gerçekçi Ol, İmkansızı Talep Et! / Be a
Realist, Demand the Impossible! (Ekim 19 Halil Altındere
Kasım 17 2007 / October 19 - November 17
2007)
Art-ist
2007
92
Turkish;
English
9789750029042
$20,00
Gözlem, Yorum, Çeşitlilik / Observation,
Interpretation, Multiplicity
İstanbul Modern
2004
187
Turkish;
English
9789756167007
$40,00
Gerard Caris: Beşgencilik / Pentagonism
Gerard Caris
Gerçek Öyküler / True Stories
François-Marie
Banier
Cem İleri, Haşim
Nur Gürel, Ali Akay
Ayşe Orhun
Gültekin
Page 3
COMMENTS
Kuad Gallery presents a selection of the works of 1925 Maastricht (The
Netherlands) born artist Gerard Caris entiled "Pentagonism". After his education
in Technical School Maastricht Caris' life until 1970’s was divided into working as
petrol engineer in Far and Middle East, including Turkey and as a student of art
and philosophy in USA (1957-1967). He graduated from the Monterey Peninsula
College, California, the Monterey Institute of Foreign Studies and San
JoséCollege(arts and humanities) and later from the University of California,
Berkeley a. o. with David Hockney, Ronald Kitay, Elmer Bischoff and Richard
Diebenkorn. He has B. A. in Philosophy and "Masters degree in art" from the
University of California, Berkeley. Since 1970 he lives and works as full time artist
in Maastricht, creating a remarkable corpus of work from a single form, Pentagon.
He is producing sculptures, reliefs, paintings, drawings, graphic editions using the
limitles possibilities of pentagon geometry and its spatial form of dodechachedron.
TITLE
Haberler İzlenimler / News Impressions
AUTHOR
Selim Birsel
Yeşim Tetik, Bülent
Özşeker, Edmon
Sefer
EDITOR
PUBLISHER
Kuad Gallery
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
2012
51
Turkish;
English
PRICE
OCLC 854978384 $250,00
Maybe I should rephrase this and say that I was not documenting anything but I was
working on the image itself, I was really photographing, and that made me remember
the pleasure I felt when I worked in this way years ago. Times had changed; we are in
the communication era. I could share my whereabouts and my impressions of the
moment on the internet immediately. That day I was in a garden devastated by civil
war, 10 kilometers east of Beirut; 100 kilometers west of Damascus and I was cleaning
this garden. Later, I would place the objects that I had collected during my random
walks as a 'flaneur' in town on a hexagonal table in this garden. On certain place on the
map, from the series' ''News/Impressions'', the first photograph I shared was 'Hexagonal
Table in the Garden' (18.08.2008), after this photograph, I sent a new one every day by email to my acquaintances. I established certain rules for myself concerning the making
and sending of these photographs. These photographs would be taken during my trips
(not my vacations) no matter how many photos I had taken during one day, I would
choose only one, I would put a title, and it would be the impression of that given day. I
would not plan what I would photograph the next day. I would be loyal to the
impression of what that single day had brought. There were exceptions from time to
time. I had established the rules and I could break them. I believe this supple approach is
correct as in the sequence of the taking of the photographs. A friend claimed this
activity of mine as the prolongation of the popular movement, 'Mail Art' of the 70ties. I
do not oppose, but I prefer to keep "News/Impressions" outside of a social network.
From my point of view, I prefer to share them with my personal means that I established
throughout the years. I even received some sort of answers to my mails.
''News/Impressions'' can be read as where I am, what I am looking at, what I am
witnessing and in what kind of a mood I am observing my environment. In the
following pages I wish a happy journey to those who will find a place for themselves
among 51 samples of "News/Impressions" photographed and sent in the years 2008-2012.
I have to confess, when I was given the pictures (apologies for not saying
''photographs'', never warmed to this notion) if this book to ''look'', first thing I
thought of was a poem by Cemal Süreya, and the book of the same name, Göçebe,
where he says Istanbul's minarets are ''lyrical'' and its bridges are ''dialectic'' and
the crucial lines; ''You know, at whichever city I am / That is the capital of
loneliness''. Süreya differentiates ''city'' from ''capital'' which is actually the city of
Istanbul, where s/he becomes more lonely and plain. Just like the alienation,
residue, and exceptional expressiveness of migration that makes us think of tales,
awakens dreams, and burns like embers inside our bosoms which can also makes
us shiver as we watch the pictures. Well, maybe we can not see the sentences of
the poverty but as the words forming a lexicon, every possible, ''echo'' (each
''word'') reflects towards our gaze. Reflecting on the dialectic of the 'bridges' Cemal
Süreya mentions, just as Ece Ayhan says (Ece's name has to be mentioned,
otherwise cemal would be offended, I am sure) the ''arab'' (negative) of the picture,
is formed as the background.
Espas Yayınları
2013
196
Turkish;
English
9786054363155
$30,00
Hayatın Yansıması: Retrospektif
Fotoğraflar / Double of Life: Retrospective Andre Kertesz
Photographs
İstanbul Modern
2006
191
Turkish;
English
9789756167175
$100,00
Hindistan
Fotografevi
Yayınları
2006
80
Turkish
9789750089855
$40,00
Hayali Şehir
Mehmet Günyeli
Page 4
COMMENTS
TITLE
AUTHOR
In Bloom
Pelin Kırca
EDITOR
PUBLISHER
Norgunk
Yayıncılık
Istanbul by Its Children
Koman Vakfı
Italian Shadows
Bala
Atabek, Marsha
Franco
İçkalpakçı Çıkmazı: Bir Sokağın
Monografisi / Monograph of a Dead-end
Street
Gülay
Kayacan, Ebru
Soytemel, Gamze
Toksoy
Fotografevi
Yayınları
Fotografevi
Yayınları
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
Turkish;
2015
56
English
Turkish;
2005 212 English;
German
2013
2002
80
96
Turkish;
English
Turkish;
English
İklimler | Climates
Emine Ceylan
Emine Ceylan
1999
72
Turkish;
English
İnsan Halleri / Human Conditions
Sıtkı
Kösemen, Süreyya
Yılmaz
Dernek, Ergün
Turan
İstanbul Modern
2008
144
Turkish;
English
İstanbul
Sabit Kalfagil
İtalyanlar
Bruno Barbey
Katalog 2009 Catalog
Banu Cennetoğlu
Kamil
Fırat, Haluk
Çobanoğlu
9789944720250
9789759269906
9789756167304
PRICE
$300,00
$25,00
$25,00
$70,00
İçkalpakçı Çıkmazı consists of photographs taken by Kemal Cengizkan and Dora
Günel in Samatya, İstanbul with the participation of the street's residents. All the
photographs in this book were taken in the street and its close surrounds, between
June 2000 and August 2002. The first exhibition, formed from these pictures, took
place on the wall in the street on September 28, 2002, after which photographs
were distributed to the "owners".
$60,00
"At every stage of my work, it is 'sensation' which has priority rather than
'information'. These photographs are a reflection of life as I perceive it and do not
set out to mirror original realities. However, they do aim to reflect naturalness. By
focusing not on the extraordinary but the ordinary which is always within our
range of vision, on changeable simplicity, I hope to make contact with the essence
in the depths of life." These are the words of Emine Ceylan on her works in this
book. She continues: "I would like to hope that these obscure images which are the
outcome of long and laborious work will, like the flame of a torch, light up small
details in the lives of some people, reveal some small secrets, make a tiny
contribution to reinforcing their relations with nature and provoke them to stop
for a moment and think about the intrinsic essence of life. I have entitled this
album Climates, the name of a book which I love by André Maurois, because I
believe that people have 'climates' in the form of transient images just as nature
does."
$40,00
Fotografevi
Yayınları
2008
218 Turkish
9789944720113
$75,00
Yapı Kredi
Yayınları
2009
112 Turkish
9789750815485
$20,00
BAS
2010
908
Turkish;
English
Page 5
COMMENTS
OCLC 883673737 $400,00
What an ordinary eye sees and a photographer turns into an image differs
immensely. For example you wouldn't come accross the stinking Halic of yester
years in my imagery. Whereas some friends take photography as very attached to
its subject and say that "Photograph can't surpass its subject". Just like the men on
the street believes: pretty photos are taken from pretty scenes with pretty models.
However, many a filthy place, a junkyard dons the most beautiful photographs
while the beautiful scenes may not.
The 451 photographs included in this book are divided into 15 categories.
TITLE
AUTHOR
Kesişen Zamanlar / Intersecting Times
Haşim Nur
Gürel, Ali
Akay, Levent
Çalıkoğlu, Cem İleri
EDITOR
PUBLISHER
İstanbul Modern
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
2005
205
Kıyı / Shore
Kamil Fırat
No Yirmi Yedi
Yayınları
2003
144
Kimsin Sen? / Who Are You?
Ahmet Polat
İstanbul Modern
2007
178
Köprü6 Galata Fotoğrafları / Brid6e
Photographers in Galata
Cem İleri
İstanbul Modern
2007
Küba: Sokakların Sesi / Sound of Streets
Özcan Ağaoğlu
Fotografevi
Yayınları
2006
160
Küskün Kuşlar Göçe Kadar...
Nursen Karas, Seyit
Ali Ak
Fotografevi
Yayınları
2005
64
less empty maybe / az boş belki
Cevdet Erek
Magnum Fotoğrafları ile Türkiye / Turkey Engin Özendes,
by Magnum
Diane Dufour
Turkish;
English
Turkish;
English
9789756167083
PRICE
$40,00
9789759267414
$80,00
9789756167229
$100,00
9789756167238
$50,00
Turkish;
English
9789750089817
$60,00
Turkish
9789759893361
$25,00
Turkish;
English
Turkish;
163
English
Revolver
Publishing
2005
112
Turkish;
English
9783957632876
$30,00
İstanbul Modern
2007
217
Turkish;
English
9789756167182
$100,00
Page 6
COMMENTS
In Kamil Fırat's Shore, apart from dead bird bodies lying in the shore, foam of the
waves, objects on the sand waves, stones, rocks and many details of the shore,
there is the "essence" of all these. Taking a walk on the shore doesn't only promise
a "silent whistle", like Hilmi Yavuz expresses in his foreword, there is also a
"philiosophical essence" in Kamil Fırat's Shore.
Beginning with paragraphs from Ece Temelkuran's book ''Senorita, We Are
Making a Revolution Here'', this book includes photographs of streets and people
of Cuba through the lens of Özcan Ağaoğlu.
'Cevdet Erek, is known as one of the main artists working with sound, space and
rhythm in Turkish contemporary art scene. The most significant themes seen in
his work appear as very controlled intervention (LESS), decisive use of emptiness
and voids (EMPTY), and a certain open-endedness (MAYBE). Form is extremely
important for Erek. He works with minimal interventions to suggest a certain
field/platform and a certain interface. Although he gives hints about his
inclinations he doesn't want to determine exactly where our journey will end.
Erek do not prefer to refer to his art as a completed, well-integrated art adventure:
he enjoys to emphasis the continuity of ambiguity and contingency. Obviously,
equipped with an awareness about sound, space and rhythm, Erek has been one of
the majör examples of a critical attitude to art in Turkey in 2000s. We hope Cevdet
Erek's genuine contribution to the art world will be more visible as a result of this
book.'' Süreyyya Evren
TITLE
AUTHOR
EDITOR
PUBLISHER
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
PRICE
COMMENTS
$30,00
We have arrived Mardin on a hot day. We stood in front of the city. I looked
amazedly at the stone houses lining in front of the castle. I was in front of a city
completely different from all I have seen before. I fell into a strange feeling. I sat
on the stone wall near the road, I took out my tripod, placed my camera and
started to look at the city through the view finder. The sun almost set. The faces of
the stone houses looking towards the west were painted gold. It was as if my eyes
very painting on the canvas. There was a soft breeze. The leaves of the almond
tree in front of me rustled. Pigeons flew towards the city. Pigeons met the kites,
they wandered on the sky turning dark blue. The panaromic view in front of me
started talking. I started noting down the words of the city. What I have felt were
the first words of the city, I had to live, to talk with her. What I saw was the
personality of the city. I gazed vacantly as if looking at an invaluable painting of
the painter. I remained in front of the city till the lights were put on. When they
were on, the castle also put on her necklace. It was like a diamond necklace on the
neck of a beauty with fair skin. We were face to face. Just in front of each other.
The city was looking at me like a pair of eyes looking at her lover. I could feel she
had a lot to tell. I was wrapped by a magic I couldn't understand but could feel in
my heart. A magic which was impossible to erease. I had to go into the streets of
the city and listen to what was said. The city was going to talk. I loved her, she
loved me too. I felt the love. The magic wasn't ereased, the love either... I went on
visiting Mardin for five years. Sometimes in spring, sometimes in autumn, and
sometimes in the heat of the summer... I added my essays to my photographs. This
book was completed like that.
Introduced by Nuri Bilge Ceylan, this book contains photographic works of Emine
Ceylan between 1982-87.
Mardin
Lütfi Özgünaydın
Fotografevi
Yayınları
2008
118
Turkish;
English
Photographs
Emine Ceylan
Emine Ceylan
1999
46
Turkish;
English
$40,00
Plenty Of Rhinos To Remind You Of One
Date
Ömer M.Koç - Esen
Karol
Ofset Yapımevi 2012
English
$30,00
Sabunsoy
Fethi Sabunsoy
Privately
published
2000
156 Turkish
9789758368020
$50,00
Sessiz Direniş: Rus Fotoğrafında
Resimsellik / Quiet Resistance: Pictorialism Olga Sviblova
in Russian Photography
İstanbul Modern
2008
272
Turkish;
English
9789756167250
$80,00
Sessizliğin Rengi 1
Recep Dönmez
Otingo
Matabaacılık Ltd.
2002
107 Turkish
$60,00
Siyah Beyazlar 1958-1968
Gültekin Çizgen
Hezarfen
Fotoğrafya
1998
20
$20,00
SSS Sahil Sahnesi Sesi / Shore Scene
Soundtrack - Halı İçin Tema ve
Çeşitlemeler / Theme and Variations for
Carpet
Cevdet Erek
BAS
2008
64
9789758069132
Turkish
Turkish;
English
Page 7
9786050025019
$20,00
SSS can be seen as an attempt to share a discovery. It explains in detail to the
reader how one can mimic the sea, how this can be done simply for oneself or
formally as a performance. The required state of mind for making the imitation is
treated with the same precision as technique and necessary equipment.
Humorously but without irony,Erek constructs a subjective guide by passing from
a contemplation on the imitation of nature, through a step-by-step manual to a
form of written music.
TITLE
AUTHOR
Suyun Bir Arada Tuttuğu: Verbund
Koleksiyonu'ndan Sanat / Held Together
with Water: Art from the Sammlung
Verbund
Gabriele Schor
Şahin Kaygun: Bir Fotoğrafçının
Günlüğünden Notlar / Notes From The
Diary of A Photographer
Şahin Kaygun
EDITOR
PUBLISHER
İstanbul Modern
TC Kültür
Bakanlığı
# OF
LANGUA
YEAR PAG
ISBN
GE
ES
2008
1992
132
244
Turkish;
English
Turkish;
English
9789756167311
OCLC 32313055
PRICE
$50,00
$80,00
A boy in his teens, his school hat slightly askew, is looking through the window of
a small photo shop. Among the hand-coloured photos of happiness, portraits of
soldiers, hands propping up their chins so as to show off their wrist watches,
handsome young men, beautiful young girls posing carefully, and faded film
cartons, what he is examining is a tiny photo camera. The same boy, Şahin
Kaygun that is, will have his name in every avantgarde movement in Turkish
photography, influence young generations, produce unusual works which break
new ground , and will be the controversial subject of many discussions in the
future.
'We would, have prefered to present this 'In Memoriam' book to Şahin Kaygun
himself. Şahin Kaygun is one of our artists to have reached this universality... He
has added new dimensions to the style of photography. He has carried the
'Polaroid' to a new horizon. He has enriched its language. He has integrated it into
new possibilities of artistic creation. He has redefined the art of photography as a
phenomenon beyond the 'camera lucida'...
It is meaningless to begin the statement with a 'If he had lived...' because Kaygun
realized whatever he had to realize during his short life span. He himself would
probably not be content with that, but whatever he offered us is rich enough to
have him engraved in our memory without expecting more.'' – Fikri Sağlar
Şahin Kaygun: Tüm Bir Yaşam / A Lifetime Şahin Kaygun
TC Kültür
Bakanlığı
1992
192
Turkish;
English
9789751710154
$100,00
Şimdiki Zaman Geçmiş Zaman: 20 Yılda
Uluslararası İstanbul Bienali'nde İz
Brakanlar / Time Present Time Past:
Highlights from 20 Years of the
International Istanbul Biennal
David Elliott, Rosa
Martinez
İstanbul Modern
2007
373
Turkish;
English
9789756167169
$150,00
Tarihte Bugün / Today in History
Ahmet Öğüt
Book Works
2007
66
Turkish;
English
9781906012021
$45,00
Tarlabaşı: Ayıp Şehir / A Defiled Istanbul
District
Ali Öz
Fotografevi
Yayınları
2013
176
Turkish;
English
Page 8
9789944720236
COMMENTS
$40,00
Right in the heart of Istanbul, a neighbourhood is being torn down! The streets
that make up the physical fabric of the neighbourhood, the buildings that give
colour to those streets, its houses, its workplaces, and the men, women, and
children who live there... a thousand and one more varieties of life are being
destroyed/annulled. Tarlabaşı being sacrificed in the name of ''gentrification''!
Tarlabaşı: A Defiled Istanbul District brings us face to face with this process in its
all vividness, a poignant rreality which is hardly aesthetic. Ali Öz, a veteran
photographer, practically lived in Tarlabaşı for two years. He has recorded the
''destruction/annulment'' process that the city and the neighbourhood have
suffered frame by frame. He has revealed on every corner the face of Tarlabaşı,
which has suddenly just been ''vaporised'' in the name of ''urban renewal'', street
after strret, step by step –from the Azerbaijani to the Pakistani and the African;
from those who saught refuge in Istanbul after the Bingöl earthquake to the
stuffed mussels sellers; from the coffee-houses to the beer-houses, bars, and cheap
night-clubs.
TITLE
AUTHOR
EDITOR
PUBLISHER
# OF
LANGUA
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ES
PRICE
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In his Terra Magica, master photographer Keribar, displays some of the
magnificent pictures he has taken on four continents - Europe, Africa, Asia and
North America - over the past 16 years. Keribar's pictures show overwhelming
desert scenes in North Africa, canyons in the American Southwest set against a
blue sky with billowing clouds, Buddhist monks wearing colorful robes in prayer
in Burmese temples, poor Pakistani men washing clothing by dirty streams,
bearded clerics, a black jazz trumpeter in New Orleans, an old gypsy violinist in
Istanbul. He is a master of composition and the use of light, color and contrast.
Terra Magica
İzzet Keribar
APA
1999
179 English
9789756845011
$80,00
The Americans Listesi: Müzik Kutusunun
Parıltısı Eşliğinde
Jason Eskenazi
Espas Yayınları
2012
112 Turkish
9786054363148
$20,00
The Land of Clouds
Cemal Gülas
Alcatel AŞ.
1997
208 English
9789757028000
$70,00
The Last Caravan on the Silk Road
Arif Aşçı
Kaleseramik
Kültür Yayınları
1998
452 English
Turkish;
English
$200,00
The Silk Road has played a tremendously important role in the history of
mankind. For centuries it was this road that linked east to west and served to
merge the economic, cultural and political traditions among the peoples living
along this long route. The Silk Road Project, retracing the ancient Silk Road with a
camel caravan, realized by partition of Arif Aşçı, Necat Nazaroğlu and Murat
Özbey lasted a full two years. As you'll read The Last Caravan on the Silk Road,
you'll see the close cultural relationships between the nations along this road and
recognize the tremendous role the Silk Road played in carrying and disseminating
man's cultural inheritance. The photographs by the famous photographer Arif
Aşçı, published in the book will shed light on our shared cultural inheritance and
they will carry our past to all coming generations in the future.
9786054363117
$60,00
The past twelve years were my most productive years in creating photography
projects, one project followed another. I've spent all my free time and holidays on
photography. When I opened my exhibition "Autumn Roses" in September 2008,
my new project has already formed in my head. I've spent thirty three years of my
life working for this company however. I did not have any significant project
related to this environment. Although, I was the one who preached in various
photography seminars that "our lives" were the most essential source for
photography projects. Thus, I had to turn my lens towards my work environment.
The idea needs time to take a shape, you need to leave it to ferment. For about 6
months, I've put a lot of thought into this, shared the idea with my fellow
photographer and researcher friends. My excitement was growing by that time.
I've started looking for ways to commence this project, with whom and how; I
have talked to some of my work friends explaining what I am planning to do.
Finally I've come to an agreement with about twentyonepeople that I would spend
some time together in the following two years.
Contents: Interview - Vasıf Kortun, Vahap Avşar; Consumption, surveillance, popnews, authorship - Zeynep Öz; Vahap Avşar works, processes and concept
network - Burak Arıkan; The passive resistance of the activist image - Evrim Altuğ
9789757953029
Unvan-sız | Un-titled
Dora Günel
Espas Yayınları
2012
278
Vahap Avşar
Vahap Avşar
Rampa Sanat
2011
183 English
9786058818514
$40,00
Yaşamın Aynası: Fotoğraf
Mehmet Ünal
Espas Yayınları
2012
124 Turkish
9786054363063
$20,00
Page 9
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Zaman 1983-1991
Mustafa Kocabaşı
Hezarfen
Fotoğrafya
1997
20
Turkish
Zift
Arjen J Zwart
Espas Yayınları
2012
64
Turkish
* Shipping is not included in prices.
Page 10
PRICE
$20,00
9786056255700
$30,00
COMMENTS