Ž ŠšÚ - Beyoğlu Belediyesi

Transkript

Haziran / June 2013
6D\ÕIssue 20
Ú
Okçular
Tekkesi
The Okçular (Archery) Lodge
Haziran
June 2013
ksdbeyoglu.org
İstiklal Caddesi
Mis Sokak - Beyoğlu
BÜYÜTEÇ / BLOW UP
%$.$56$1%(<2ù/8352-(6ú
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GALATA MEVLEVI HOUSE MUSEUM
*$6752120ú GASTRONOMY
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AJANDA / AGENDA
BaÂÀbozuk
Bashibazouk
*DOHULµ%DýÕbozuk’ serisinin ilk
gösterisinde üç genç sanatçÕya yer
veriyor: C.M. Kösemen, Deniz Üster,
<XýD<DOoÕntaý. 9 MayÕs-22 Haziran
tarihleri arasÕnda görülebilecek olan
sergi meraklÕlarÕnÕ bekliyor.
The Empire Project
SÕraselviler Cad. No: 10 Taksim
Tel: (212) 292 59 68
The Empire Project presents its
inaugural show in the “Bashibazouk”
series, between May 9-June 22, 2013,
featuring the works of three young
artists: C. M. Kösemen, Deniz Üster, and
Yuýa YalçÕntaý.
Hayal Gücünün Ürünü
The Product of the Imagination
Daire Galeri, 30 MayÕs
– 29 Haziran tarihleri
arasÕQGD%DKDGÕr Çolak,
(EUX<Õlmaz Kale,
(FH$ND\YH7Xüberk
Selçuk’un üç boyutlu iýleri
ve yerleýtirmelerinden
oluýan “Hayal Gücünün
Ürünü” isimli grup
sergisine ev sahipliüi
yapÕyor.
Daire Galeri is hosting an
exhibition called “The Product
of the Imagination” between
May 30-June 29 which
features three-dimensional
works and installations by
BahadÕr Çolak, Ebru YÕlmaz
Kale, Ece Akay, and Tuüberk
Selçuk.
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Ayna Ayna
Söyle Bana
Mirror Mirror
On The Wall
SanatçÕ1DQF\$WDNDQ¶Õn bu son
çalÕýmasÕ çaüdaý birey ve toplumlarÕn
karýÕ cinse veya yabancÕ yatÕrÕmcÕlara
çekici görünmek için benimsedikleri
radikal yöntemleri inceliyor. Sergi; 25
Nisan – 22 Haziran tarihleri arasÕnda
meraklÕlarÕnÕ bekliyor.
The Empire Project presents its
inaugural show in the “Bashibazouk”
series, between May 9-June 22, 2013,
featuring the works of three young
artists: C. M. Kösemen, Deniz Üster, and
Yuýa YalçÕntaý.
Pi Artworks Galatasaray
ústiklal Cad. MÕsÕU$SW
Galatasaray
Tel:(0212) 293 71 03
Daire Galeri
%Rüazkesen Cad. No. 65D Tophane
Tel: (212) 252 52 59
Resimler ve Heykeller
Manolo Valdes
Paintings and Sculptures: Manolo Valdes
Edisyonlar
Editions
Çaüdaý sanatÕn yaýayan en büyük
ustalarÕndan biri olarak kabul
edilen úspanyol sanatçÕ Manolo
Valdes’in 46 resim ve 13 heykelden
oluýan 59 yapÕtlÕk Resimler ve
Heykeller” sergisi, Pera Müzesi’nde
8 MayÕs – 21 Temmuz tarihleri
arasÕnda sanatseverleri bekliyor.
46 paintings and 13 sculptures
of Spanish artist Manolo Valdes,
considered as one of the greatest
living masters of contemporary art,
awaits enthusiasts in the Pera Museum
between May 8-July 21.
Pera Müzesi
Meýrutiyet Cad. No: 65 TepebaýÕ
Tel: (212) 334 99 00
Galeri, bu yÕOµ(GLV\RQODU¶VHULVLQLQ
üçüncü sergisi ile son zamanlarda
öne çÕkan baüÕmsÕz 7 farklÕ fotoüraf
sanatçÕsÕnÕn çalÕýmalarÕnÕ bir araya
getiriyor. Sergi, 16 MayÕs - 15 Haziran
tarihleri arasÕnda ziyaret edilebilir.
The 3rd series of the “Editions” exhibition
gathers works of 7 lately featured
independent photography artists. The
exhibition can be seen between
May 16- June 15.
Galeri Elipsis
+RFD7DKVLQ6RN$NoH6RN$NoH
Han. Karaköy Tel: (0212) 249 48 92
Taiping Tianguo, OlasÀ
KarÂÀlaÂmalar Tarihi
Taiping Tianguo, A History of Possible Encounters
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KarýÕlaýmalar Tarihi 1980’ler ve
1990’larÕn baýlarÕQGD1HZ<RUN¶WD
yaýamÕý dört sanatçÕ arasÕndaki
gerçek, somut ve aynÕ zamanda
belirsiz, belki de var olmayan
baülantÕlarÕ inceliyor. Sergi, Hong
.RQJ¶GDNL3DUD6LWH$UW6SDFH¶LQ
ardÕQGDQLONNH]%H\Rülu’nda yer
alÕyor. 8 MayÕs’ta açÕlan sergi, 11
$üustos’a kadar görülebilir.
SALT Beyoülu
úVWLNODO&DG1R%H\Rülu
Tel: (212) 377 42 00
“Taiping Tianguo, A History of Possible
Encounters” examines the real, concrete,
uncertain, and perhaps non-existent
connections between four artists who lived
in New York during the 1980s and early
1990s. The exhibition is taking place for
the ¿rst time in Beyoülu since its initial
exhibit in Hong Kong’s Para/Site Art
Space. It will be opened on May 8th, and
can be seen until August 11.
%(<2ù/8
SubReal
8 MayÕV±$üustos tarihleri
arasÕnda görülebilecek olan
6XE5($/EDýlÕklÕ sergi, aynÕ
adlÕ sanatçÕ kolektifinin 2012’de
%NUHý’teki National Museum
RI&RQWHPSRUDU\$UW¶WD01$&
düzenlenen retrospektif sergisinin
bir seçkisinden oluýuyor.
Fantastik
Makineler
Fantastic Machinery
“Fantastik Makineler” baýlÕklÕ sergi,
sanayileýmiý dünyanÕn 20. yüzyÕldaki
en önemli nesnesi otomobilin, büyük
sanatçÕlarÕn hayal gücünü nasÕl
tetiklediüini ve yeteneklerini nasÕl
beslediüini göstermeyi amaçlÕyor. 18
Nisan’da açÕlan sergi, 16 Haziran’a
kadar görülebilir.
“Fantastic Machinery” aims to show how
the automobile, the most important 20th
century invention of the industrialized
world, triggered and fed the imagination
and talents of great artists. This
exhibition can be seen between April 18June 16.
ústanbul Modern
Meclis-i Mebusan Cad. Karaköy
Tel:(212) 334 73 00
%(<2ùLU
SubREAL, an exhibition organized by
a group of artists bearing the same
day, will meet its viewers from May
8-August 11. The exhibit consists of an
anthology of the retrospective exhibition
originally held at National Museum of
Contemporary Art in Bucharest in 2012.
SALT Beyoülu
úVWLNODO&DG1R%H\Rülu
Tel: (212) 377 42 00
Hayalet Görüntü Afterimage
úngiliz sanatçÕ Mat Collishaw’un
Türkiye’deki ilk kiýisel sergisi
olan ‘Hayalet Görüntü’, 2 MayÕs
$üustos tarihleri arasÕnda
ziyaret edilebilir. Küratörlüüünü
%Dýak Doüa Temür’ün üstlendiüi
“Hayalet Görüntü” baýlÕklÕ
sergide, sanatçÕnÕn 1990’lardan
bugüne ürettiüi 18 yapÕta yer
veriliyor.
British artist Mat Collishaw’s ¿rst
solo exhibition in Turkey, which can
be visited between May 2-August
11, presents us with “Afterimage.”
The exhibition, curated by Baýak
Doü Temür, features 18 art works
produced by the artist since the early
1990’s.
Arter
ústiklal Cad. No:211 Galatasaray
Tel: (212) 243 37 67
Manzaralar
Sights & Scenes
Koray KantarcÕoülu’nun ilk kiýisel
sergisi “Manzaralar”, Nesrin
(VLUWJHQ&ROOHFWLRQYH3HUVRQD
projesinin iýbirliüiyle düzenleniyor.
21 - 27 Haziran tarihleri arasÕnda
görülebilecek olan sergide, Koray
KantarcÕoüOX¶QXQ(UGHP(UJD]LOH
üzerinde ortak çalÕýtÕüÕ bir çizim de
yer alacak.
Piri Reis ve 1513 Dünya HaritasÀ
The Piri Reis 1513 Map of the World
81(6&2GQ\DNOWUHOPLUDV
tarihinin önemli varlÕklarÕ arasÕnda
gösterilen ve günümüze kalan en eski
dünya haritalarÕndan biri olan “Piri
Reis ve 1513 Dünya HaritasÕ: 500
<ÕlÕn Gizemi” isimli görkemli sergi,
15 Mart – 31 MayÕs tarihleri arasÕnda
sanatseverleri bekliyor.
Considered one of UNESCO’s prized cultural
heritage assets and one of the world’s oldest
surviving maps, “The Piri Reis 1513 Map
of the World: 500 Years of Mystery,” is a
brilliant exhibition that awaits enthusiasts
between March 15-May 31.
Tophane-i Amire Kültür Merkezi
Meclis-i Mebusan Caddesi No: 24
FÕndÕklÕ Tel: (212) 293 46 48
Koray KantarcÕoülu’s ¿rst personal
exhibition “Manzaralar” is held through
the cooperation of the Nesrin Esirtgen
Collection and Per-so-na Project. The
exhibit taking place between June 21June 27, with also feature a joint creation
with Erdem Ergaz.
Nesrin Esirtgen Collection
ústiklal Cad. No:163 MÕsÕU$SW%H\Rülu
Tel: (212) 243 7853
Spirou&Le Marsupilami
Galeri, 3. Istanbulles Çizgi Roman
Festivali çerçevesinde, bu yÕl ev
sahipliüi yaptÕüÕVHUJLGHQO63,528
karakterinin 75. yaýÕnÕ kutluyor.
29 MayÕV$üustos tarihleri
arasÕnda bu özel sergide; çizgi
karakterin tarihine tanÕklÕk edeceüiz.
The 3rd Istanbulles - International
Comics Festival of Istanbul, celabrates
SPIRIOU 75th birthday. Between you
will be able to oberve the history of
the comic character between May 29 August 31.
ústanbul FransÕz Kültür Merkezi
ústiklal Cad. N :4 Taksim
Tel: (212) 393 81 11
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We have brought back to life a 500 year old sport
embedded in the history of our country...
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Archery has a special place in the history of many nations
both as a tool for hunting and as a sport. Our nation has
practiced this sport for centuries. Archery drills and contests
were very popular within the army. Many crucial Ottoman
victories like the battle of Manzikert and much of the
Empire’s expansion owes its dues to archery. Sultan Orhan
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Restitüsyon Denemesi
Why the name Tekke?
In the past, the word Tekke was not only used
for meeting places of religious orders, but
also for the training ranges used by military
sports. Two such places were known in
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wrestlers range. Every year on the 6th of
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six months and offer training on Mondays
and Thursdays. Aside from archery drills,
other competitions like pole jumping, swords
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games like tomak also took place here. The
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sort of sports club. An archer could only be
accepted or dismissed from the club by the
Sheikh in charge of the archery range.
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Although there are rumors that Fatih
Sultan Mehmed II built his ships for
the conquest of the city, the name of
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period. Several of the witnesses of the
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Ducas, Francis, or Kritovulos do not
tell us anything of the sort. This story
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Ottoman Astronomer, however many
researchers discredit it. Despite this, it is
a widely accepted notion that the army
that conquered the city did encamp in
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It is said that the victory celebrations
of the conquest was celebrated under
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of war were distributed amongst the
troops here. A mosque was said to be
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but no such structure has been found.
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1537, shows a structure in this region
but it resembles a public building rather
than a mosque.
None of the documents during the
era of Fatih Sultan Mehmed mention
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on behalf of the foundation run by
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the city. The Okmeydani Tekke was probably built in this period
towards the end of the 15th or beginning of the 16th century.
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Some sources maintain that during
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used to be a building here, erected
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he so regretted the destruction of this
building that he subsequently built a
tekke in its place. Most likely this is
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Nasuh’s miniatures. The well curb that
has survived to this day bears witness to
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and designs.
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Even though it’s claimed that the
sports complex also contained
a small mosque with a minaret
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drawings contain no such detail.
Some say part of this structure
was built by Mimar Sinan but
there’s no record of such activity
in Sinan’s building lists.
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small mosque, he transformed the area into a barracks.
The buildings were restored during the reign of Sultan
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small mosques in the vicinity, the mosque in the complex
did not have a minaret until the last quarter of the 18th
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of Sultan Mahmud II. There is a drawing of the complex
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There is a large rectangular courtyard surrounded by a high wall in front
of a two story building that contained the main lodge and the sheikh room.
At the backside one can see a single, slender minaret. On the North side,
behind the atrium wall, is a single story structure with three entrances. A
few gravestones can be seen under the large cypress tree right next to it. It is
FODLPHGWKDWWKHJUDYHVRILPSRUWDQWDUFKHUVOLNH.XNDFÕ'HGHOLHKHUH7KH
original minaret balconies were made out of lead and eventually changed to
stone, as we can tell from three photographs taken on a later date. Apparently
the small mosque of the archery complex changed its minaret balconies
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the area. The Sheikh room and parts of the other structures can be seen seen in
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another stone building can be seen on the Southeastern end of the courtyard. The Sheikh
Room must have been destroyed by this date because we can see the water tank that laid
beneath it. The newer stone minaret balcony can also be seen in the same picture.
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experienced an intense occupation of shacks and
rapidly became a slum. Many stones were removed
from the archery range to be used in the newly built
shanties.
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After a lengthy bureaucratic approval
process, many shanties were removed
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placed under protection. The ensuing
excavations revealed previous ruins and
building surveys were created in light
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and other documents, we presented
a restitution project for approval to
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should be held as a cultural property
under protection. Then, on November
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survey of the area was asked of us. We
objected to this because this would result
with an enormous and unnecessary 3.5
x 3.5 meter survey. On top of that, the
dig had revealed much non-uniform
rubble stone used by the shanties that
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What did we do?
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It opens up on May 29th 2013
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over an area of approximately 5,000 m: the Sultan’s summer palace, a small mosque,
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people, the library contains collections focused on the history of archery, and the museum
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the arrow shooting range there is an underground parking area for 300 cars, a cafeteria
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ready to be used for training in winter months.
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This long forgotten complex will be
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it serves the city for many long years.
I believe that this facility will aide in
the rise of many athletes such as the
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everyone who has contributed to the
realization of this facility. I owe you an
outstanding debt.
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VAKFI- was established with the intention of bringing back to
life traditional sports like archery and making them a part of
mainstream culture. We hope that with such a move as this not
only will we be able to encourage, support, and raise up athletes
of the future that gain both national and international success, but
also enhance the the image of our country abroad. The archery
range will play a major role in transmitting the centuries-long
inherited values required to raise spiritually and physically
healthy generations to come.
We are indebted to reviving archery for the sake of the history
of our people. We hope to regain some of the splendor of our
recorded history in this day and age where we are making the
voice of our country be heard on the world’s stage. The restoration
of the archery range has restored an institution which thrived for
centuries. Now, once again, it stands ready to make the masses fall
in love with the sport and transmit the virtues associated with it.
7KHRI¿FLDORSHQLQJFHUHPRQ\RIRXUIRXQGDWLRQZLOOEHDWWHQGHG
E\0U3ULPH0LQLVWHU5HFHS7D\\LS(UGRJDQRQWKHPHPRULDO
GD\RIWKHFRQTXHVWRI,VWDQEXORQ0D\$VSDUWRI
these historic celebrations, we will be hosting the world’s largest
archery competition with the participation of 16 Olympic archers
IURPFRXQWULHVWUDGLWLRQDODUFKHUVDQGIRUDWRWDORI
archers from all over Turkey that will be joining them. I pray for
*RG¶VEOHVVLQJDQGIDYRURQRXUDUFKHUVRXUSHRSOHRXUQDWLRQ
and our city of Istanbul.
+D\GDU$OL<,/',=
7KH2NPH\GDQÕ6SRUWVDQG(GXFDWLRQ)RXQGDWLRQ
&KDLUPDQRI7KH%RDUGRI7UXVWHHV
%(<2ù/8
KÜLTÜR / CULTURE
%(<2ùLU
ALMANYA
BAŞKONSOLOSLUĞU
2QXUúnal
úbrahim Usta
The German Consulate
%(<2ù/8
PrusyalÕ General Otto von Bismarck, Alman prensliklerini
1871’de birleýtirdi ve Alman úmparatorluüu’nu ilan etti.
Almanlar, ulusal birliklerini oluýturduktan sonra dünyanÕn
belli baýlÕ baýkentlerinde, birliklerini ve büyüklüklerini
simgeleyecek devasa elçilik binalarÕ inýa etmeye baýladÕlar.
Bu binalarÕn ilki olan “Kuý SarayÕ” lakaplÕ Almanya
Elçiliüi, günümüzde Beyoülu Belediyesi sÕnÕrlarÕ içerisinde
yer alÕyor ve Almanya Federal Cumhuriyeti’nin ústanbul
Baýkonsolosluüu olarak hizmet veriyor.
Prussian General Otto von Bismarck joined the German principalities in 1871 and
inaugurated the German Empire. After achieving national unity, the Germans began to
build enormous embassy buildings in the world’s major capitals as a sign of their new
grandeur. The first of these buildings, also known as the “Bird Palace,” currently is found
within the boundaries of the Beyoülu Municipality and serves as the Consulate General of
the Federal Republic of Germany.
%(<2ùLU
T
T
1860’larÕn OrtasÕ...
$OPDQ\D¶QÕn henüz Prusya KrallÕüÕ
adÕnÕ taýÕdÕüÕ bu dönemde Prusya
(OoLVLRODUDNústanbul’a gelen Kont
St.Simon, Galata Kulesi yakÕnlarÕndaki
<D]ÕcÕ Sokak’ta, bugün yerinde Doüan
$SDUWPDQÕ’nÕn yükseldiüi eski bir
2VPDQOÕ konaüÕ olan Mahmut Paýa
KonaüÕ’nda kalÕ\RU%XKDUDEHYHDKýap
konakta bitip tükenmek bilmeyen
sorunlar elçiyi isyan noktasÕna
JHWLUL\RUYH%HUOLQ¶HELUPHNWXS
yazmaya zorluyor. Tavandan ýÕpÕr ýÕpÕr
damlayan sulardan bahsettiüi mektubu
%HUOLQ¶HXODýÕyor. Durumun vahametini
HOoLQLQNDOHPLQGHQRNX\DQ$OPDQ
yetkililer, koca bir imparatorluüa ve
elçisine damÕ akan ahýap bir binanÕn
yakÕýmayacaüÕnÕ anlÕyor ve daha büyük
ve modern bir elçilik binasÕ yapÕlmasÕ
NRQXVXQGDLNQDROX\RU$QFDNFHYDS
aranan soru ýXROX\RU³<HQLELQD
nereye yapÕODFDN"´$OPDQODU\HQL
elçilik binasÕ için öncelikle Grand
Rue de Pera üzerinde geniý bir arazi
arÕy
arÕyorlar, ancak bulamÕyorlar. Zira,
187
1870’lere gelindiüinde Pera’da bir
elçi
elçilik binasÕ kurulacak büyüklükte bir
ara
arazi yok.
The Mid-1860‘s...
During the time before the uni¿cation
of Germany, the ambassador of the
Kingdom of Prussia, Count St. Simon,
resided in Mahmut Pasha Mansion in
Galata, a space that is now occupied
by the Doüan Apartment building. The
decaying wooden mansion brought with
it endless headaches and the count was
forced to write a letter to Berlin. The
German authorities soon realized that
a wooden house with water dripping
from the ceiling was no place to be for
an ambassador of the German Empire
and they began to make plans to build a
new embassy. However the question still
remained unanswered: “Where?”
The Germans ¿rst sought a plot of land
at the Grand Rue de Pera, but were
unsuccessful.
Taksim MeydanÕ’ndan
Gümüýsuyu’na doüru yokuý aýaüÕ
inerken, yolun saü tarafÕnda, inýaat
KDOLQGHNL3DUN2WHOL¶QLQNDUýÕ
köýesinde kocaman bir taý bina
J|]HoDUSDU%XELQDELU]DPDQODU
“Kuý SarayÕ” olarak adlandÕrÕlan,
JQP]GH\VH$OPDQ\D)HGHUDO
Cumhuriyeti’nin ústanbul
%Dýkonsolosluüu olarak hizmet
YHUHQ$OPDQHOoLOLNELQDVÕdÕr.
7UN$OPDQLOLýkilerinin tarihine
ayna tutan 150 yÕllÕk geçmiýiyle
Türkiye’nin önemli bir mirasÕ olan
bu binanÕn hikayesine isterseniz
gelin en baýÕndan baýlayalÕm.
If you descend downhill from Taksim
Square towards Gümüýsuyu, on the
right side of the road you will notice
a huge stone building opposite of the
Park Hotel. This building, once called
the “Bird Palace,” currently serves as
the Consulate General of the Federal
Republic of Germany. This 150-year
old building is an important legacy
of the history of Turkish-German
relations, but let’s hear its story from
the beginning...
%(<2ù/8
KÜLTÜR / CULTURE
%XQXQ]HULQH2VPDQOÕ
devletine baýYXUDQ$OPDQODUD
Taksim MeydanÕ’ndaki büyük
mezarlÕüÕn bir bölümünü teýkil
eden yerde arazi öneriliyor.
Pera’nÕn dÕýÕnda bir yere elçilik
inýa etme fikri, ýehrin TaksimGümüýsuyu istikametinde
büyüyeceüini düýünen MimarMühendis Hubert Göbbels’in
de aklÕna yatÕ\RU%|\OHFH
$OPDQúmparatorluüX%Rüaz
manzaralÕ araziyi yaklaýÕk 95
ELQ7DOHU¶HRG|QHPLQ$OPDQ
parasÕ) satÕn alÕ\RU$UD]LWDKVLVL
için iki imparatorluk arasÕnda
imzalar atÕlÕrken tek bir koýul
|QHVUO\RU$UD]L]HULQGH
EXOXQDQ6LODKWDU$OL$üa’nÕn
mezarÕ korunacak ve bakÕmÕ
düzenli olarak yapÕlacak. Nitekim
$OPDQODUEXýarta uyuyorlar ve
halen baýkonsolosluüun bahçesi
içerisinde bulunan mezarÕn
bakÕmÕnÕ hiç ihmal etmiyorlar.
%(<2ùLU
After requesting help from the
Ottoman authorities, they were
recommend a few places around
the grounds of the cemetery by
Taksim Square. Then, architectengineer Hubert Göbbels came up
with the brilliant idea of building
the embassy outside of Pera in
the direction of Gümüýsuyu.
Subsequently, the German Empire
bought a plot of land overlooking
the Bosphorus for 95,000 Taler (a
German currency of the period).
A single condition was given by
the Ottomans before the exchange
of signatures; that the Germans
maintain the tomb of Ali Aüa found
within the purchased grounds. To
this day, the Germans do not neglect
to take care of the grave located in
the consulate gardens. Due to the
frequent change of circumstances
and requests, the building of the
embassy was delayed two years
until it began on April 21, 1874.
%(<2ù/8
(OoLOLNELQDVÕnÕn yapÕmÕna koýullarÕn
ve isteklerin sÕk sÕk deüiýmesi
nedeniyle iki yÕl gecikmeli olarak 21
Nisan 1874 günü baýlanÕyor. MimarMühendis Göbbels birkaç ay sonra
ölünce görevi yardÕmcÕsÕ$OEHUW
Kortüm devralÕyor. Kortüm, binanÕn
inýaatÕnÕ orijinal planÕna uygun
olarak ve klasik stile baülÕ kalarak
tamamlÕyor.
Alman úmparatorluüu’nun bu
ilk elçilik binasÕ 1 AralÕk 1877
tarihinde, dönemin büyükelçisi
Prens VII. Heinrich tarafÕndan
hizmete açÕlÕyor
Kortüm, Göbbels’in planÕna sadÕk
olarak binanÕn inýasÕnÕ tamamlÕyor
dedik; ancak bir ýey haricinde.
2ULMLQDOSODQGDRODQH\DOHWDUPDODUÕ
yerine binanÕn dört köýesine
kanatlarÕnÕ açmÕý birer kartal figürü
yerleýWLUL\RU%X|]HOOLüinden dolayÕ
bina Palais d’Oiseau (Kuý SarayÕ)
olarak anÕlÕyor.
%(<2ùLU
Goebbels died a few months later and
his deputy, Albert Kortüm, took over.
Kortüm remained faithful to Goebbel’s
original plan of erecting a building in the
classical style, but did modify one detail:
instead of the state coat of arms planned
for the four corners of building he placed
four eagles with their wings stretched
out. On December 1, 1877 the ¿rst
embassy building of the German Empire
was inaugurated by Prince Heinrich
VII. Due to its eagle motif, the building
quickly became known as the Palais
d’Oiseau (The Bird Palace).
'|QHPLQ$OPDQJD]HWHOHUL
uçmaya ve dövüýmeye hazÕr bu
kartallarÕ³$YUXSDYH$V\D¶\Õ
kontrol altÕQDDOPDNLVWH\HQ´$OPDQ
úmparatorluüu’nu vurguladÕüÕnÕ
yazÕ\RU$OPDQODUÕQ%LULQFL'Q\D
SavaýÕ’ndan maülup ayrÕlmalarÕ
üzerine bu figürler kaldÕrÕlÕyor.
Türkiye Cumhuriyeti’nin 1923’te
kuruluýundan sonra baýkentin
$QNDUD¶\DWDýÕnmasÕ üzerine
tüm yabancÕ elçilikler birer birer
$QNDUD¶\DWDýÕnmaya baýlÕyor.
$OPDQODUGD\ÕlÕnda elçiliklerini
yeni baýkente taýÕyÕnca bina önce
$OPDQ\Dúmparatorluüu’nun
GDKDVRQUDGD$OPDQ\D)HGHUDO
Cumhuriyeti’nin ústanbul
%Dýkonsolosluüu olarak hizmet
vermeye devam ediyor.
German newspapers of the period
interpreted the eagles as the Empire’s
desire to make inroads into Europe and
Asia. After the German defeat in World
War I, the eagle ¿gures were removed,
and when the Republic of Turkey was
established in 1923 and Ankara was
declared the new capital, one by one all of
the foreign embassies began to relocate.
Since 1926, the Germans have continued
using the building in Beyoülu initially as
the Consulate of the German Empire, and
nowadays as Consulate General of the
Federal Republic of Germany.
%(<2ù/8
KÜLTÜR / CULTURE
AltÕ katlÕ elçilik binasÕnÕn içi zamanÕn zevklerine
uygun olarak Neo-Rönesans tarzda dekore edilmiý
Duvarlara, diplomasinin rengi olan koyu kÕrmÕzÕ hakim. Tavanlar ise
altÕn yaldÕzlÕ mermer sÕva ile süslenmiý%LQDGDoRNVD\Õda makam ve
ofis odasÕnÕn dÕýÕQGD$OPDQ$UNHRORML(QVWLWV¶QQústanbul ûubesi ile
]L\DUHWoLOHUHWDKVLVHGLOHQELUPLVDILUKDQHGHEXOXQX\RU%LU]DPDQODU
ahÕrlarÕn ve faytonlarÕn konuýlandÕüÕ yerde bugün güvenlik kulübeleri ve
YL]HE|OPEXOXQX\RU%LQDQÕn bahçe bölümünde bulunan muhteýem
sütunlu merdiven tÕrabzanÕ da Mimar Kortüm’ün eseri.
%(<2ùLU
The interior design of the building is of the
Neo-Renaissance style
The interior design of the building is of the Neo-Renaissance style. Dark red,
the color of diplomacy, prevails on the walls and the ceiling is of gilded marble
decorated with stucco. The complex also includes the Istanbul branch of the
German Archaeological Institute and a guest house allocated to visitors. The visa
section and today’s security booths lie where once upon a time the stables were
located and coaches were stationed. The magni¿cent colonnaded garden stair
railing is also Kortüm’s creations
%(<2ù/8
Orijinalliüini Koruyor
$OPDQHOoLOLNELQDVÕ, iki adet alt ve
dört adet üst olmak üzere toplam altÕ
kattan oluýX\RU*HUHN$V\DNÕtasÕna
hakim konumu gerekse de anÕtsal
PLPDULVL\OH%H\Rülu’ndaki binalar
arasÕQGD|QHPOLELU\HUHVDKLS%LQD\Õ
görsel anlamda diüer elçiliklerden
ayÕran bir özelliüi dÕý cephesinin
kÕrmÕzÕ tuülalarla ve sadece az
yerde açÕk doüal taýla kaplanmÕý
olmasÕ$OPDQHOoLOLNELQDVÕ, toplam
büyüklüüü 55 bin m2 olan arazide
10 bin m2’lik bir zemin üzerinde
yükseliyor. Çeýitli defalar tadilat
geçiren bina, en son 1983-1989 yÕllarÕ
arasÕnda bakÕm görmüý%LQDLQýa
edildiüi günden bu yana orijinalliüini
korumuý%XJQHNVLNRODQWHNýey,
%LULQFL'Q\D6DYDýÕ’ndan sonra çatÕ
köýelerindeki yerlerinden sökülen ve
nerede olduüu bilinmeyen, kanatlarÕ
ve gagalarÕ açÕk dökme demirden
kartal figürleri.
%(<2ùLU
Maintaining The Original Look
The building of the German consulate
consists of a total of six Àoors. Its
monumental architecture has an
important place in the cityscape of
Beyoülu. A distinguishing feature of this
building is its façade of red bricks with
only a few places using natural stone.
The building has a size of 10,000 m2 and
rises above a plot of land measuring
55,000m2. The building underwent
renovations several times, the latest
of which was between 1983-1989. The
building has preserved much of its
authenticity since it was built. Today the
only things missing are cast iron eagle
¿gures removed in World War I.
%(<2ù/8
SOHBET / INTERVIEW
Ugur
Derman
Özgenur Reyhan Güler
%OHQW.DWNDN
Hat ve Ebru sanatlarÕ baýta olmak üzere, klasik kültürümüzün hemen her
dalÕnda 1961 yÕlÕndan bu yana yüzlerce esere imzasÕnÕ atan ve bir ústanbul
sevdalÕsÕ olan Prof. Uüur Derman ile Beyoülu dergisi okuyucularÕ için bir
araya geldik. Her daim merakla bakan ÕýÕl ÕýÕl gözleri, kültürü, konuýma
üslubu, kibarlÕüÕ ve derin bilgisinin yanÕnda ústanbul beyefendisi tavrÕnÕ hep
üzerinde taýÕyan Derman, ústanbul sevdasÕnÕn yanÕnda Beyoülu sevdasÕnÕ da
Beyoülu dergisine anlattÕ.
An expert on Turkish art forms like calligraphy and paint marbling (ebru)
since 1961, Professor Uüur Derman is a true lover of Istanbul and Beyoülu.
With his smiling eyes, politeness, manner of speech, sense of culture, and
depth of knowledge, Derman is a true Istanbul gentleman. We have the honor
of interviewing him in this issue of our magazine.
D
SOHBET / INTERVIEW
Derin
n kültürünüz, beyefen
beyefendi
duruýunuz, kendinize has
üslubunuzla
unuzla pek emsali k
kalmamÕý
ýahsiyetlerden
iyetlerden birisiniz
birisiniz.
Kendinizden bahsede
bahseder misiniz?
iltifat kabul
%XVD\GÕklarÕnÕzÕ iltifa
edip, kendimi tan
tanÕtmak için Dîvân
edip
(GHEL\DWÕ’nÕn bilge ýâiri Nâbî’nin
(ö.1712) meýrebime çok uyan ýu
beytini nakledeceüim:
“Egerçi köhne metâÕz, revâcÕmÕz yokdur,
Revâca da o kadar ihtiyâcÕmÕz yokdur.”
(Gerçi, eskimiý mal olduüumuz için
geçerliliüimiz kalmamÕýtÕr. Doürusu,
buna o kadar da ihtiyacÕmÕz yoktur).
Seksenine merdiven dayamÕý olan
ömrünü, kadim Türk ústanbul’unun
güzelliklerine meftuniyetle
deüerlendirmeye ve haddini de
bilmeye çalÕýan bir ýahs-Õ nâçizim.
There aren’t many people around
with your deep sense of culture,
gentlemanly posture, and unique
personality. Could you tell us
more about yourself?
I’ll accept the qualities you listed
as compliments. Permit me to
introduce myself with the following
couplet of the famous poet of
Divan literature, Nabi (c. 1712):
“Truly I am old and outdated,
Truthfully I have no need to be
relevant.”
(I’m just an insigni¿cant
individual who is nearing his
eighties and trying to enjoy and
assess the beauties of Istanbul.)
Eski bir ústanbullu olarak
bize o eski ústanbul’u
anlatÕr mÕsÕnÕz?
1930’lu yÕllarÕn sonlarÕndan
itibaren hâfÕzamda yer etmeye
baýlayan ústanbul’u böyle
bir mülâkat çerçevesinde
anlatabilmek, kelime
daüarcÕüÕma sÕümaz. ûu kadarÕnÕ
söyleyebilirim ki, úkinci Cihan
Harbi’nin (1939-1945) tedirginliüine,
imkânsÕzlÕklara, yokluklara raümen,
o yÕllar Dersaâdet’in huzurlu
yÕllarÕydÕ ve ústanbul da, ústanbullu
RODELOHQOHULQGL%XPVWHVQDEHOGH
taýra kültürünün taýÕnmaya baýladÕüÕ
1960’dan sonraki göçlerle bozulmaya
baýladÕ ve bu hal, kÕsa zamanda
ayyuka çÕktÕ.
%(<2ùLU
As one of the older residents of
this city could you tell us some
about old Istanbul?
I wouldn’t be able to ¿t my memory
of this great city, which goes as far
back as the late 30’s, in such a brief
interview. All I can say is that despite
the devastation ushered in by the
Second World War (1939-1945),
Istanbul remained a gateway to
happiness and peace. However, this
exceptional town began to deteriorate
after the provincial migrations of the
1960’s.
Kaybettiüimiz alÕýkanlÕklar ve
zevkler var mÕ eskiye bakarsak?
2OPD]ROXUPX"7HOHYL]\RQFHS
telefonu gibi modern belâlar insanlarÕn
huyunu, suyunu öylesine deüiýtirdi
ki… Test usulü imtihanlar da gençliüin
kendini ifade edebilme gücünü
ellerinden aldÕ. Garip bir topluluk
olduk, vesselâm… Kaybettiklerimiz
arasÕnda, ústanbul Türkçesinden
geçtim, eski devirde yeterli anlatÕm
gücüne sahip olan gündelik Türkçe bile
en baýta yer alÕyor. Kuzum, dilsiz bir
millet nasÕl yaýar?
When you look at the past, are there
certain habits or pleasures we’ve lost?
Certainly. Modern plagues like television
and mobile phones have changed modern
people’s temperaments. Standardized
tests have taken away the ability for
youth to express themselves. Even
the richness of our own language is
deteriorating day by day. Dear one, how
can a nation survive without a language?
MusÕkî’ye eüiliminizden söz
edersek, müzik o dönem
nerelerde yapÕlÕrdÕ?
Sizin ústanbul’un kültür
hayatÕyla yakÕndan
iliýkiniz var. O eski
yÕllardan bahseder
misiniz?
Piyasa musikisi, Taksim
ve TepebaýÕ’ndaki içkili
gazinolarda, yazÕn ise
Dolmabahçe’deki Küçükçiftlik
ParkÕ%\NGHUH¶GHNL%H\D]
Park gibi açÕk mekânlarda
LFUkROXQXUGX%XUDODUÕ bizim
genç yaýlarÕmÕza uygun yerler
deüildi. ústanbul yakasÕnda
ise, kÕýÕQ%DKoHNDSÕ’daki
%RUVD.Õraathanesi’nde, yazÕn
dLIWHVDUD\ODU%DKoHVL¶QGH
pazar matineleri yapÕlÕrdÕ.
%XUDODUGDNDOLWHOLIDVÕl
heyetini müteakip meýhur
solistler sahne alÕrlardÕ.
Fakat ciddi Türk musikisi,
ses musikimizin zirve ismi
Münir Nureddin Selçuk
(1899-1981) tarafÕndan
Saray SinemasÕ’nda -yÕlda 4-5
kere verilen- konserlerde dinlenirdi.
<LQHNRQVHUPHYVLPLQGHústanbul
%HOHGL\H.RQVHUYDWXDUÕ Türk Musikisi
úFUD+H\HWL¶QLQ7DNVLP%HOHGL\H
Gazinosu’nda verdiüi konserler, bu
ihtiyacÕn en iyi ýekilde karýÕlandÕüÕ
faaliyetlerdendi. ûahsen 1951’den
itibaren bu konserleri muntazaman
takibe baýlamÕýtÕm. úcra Heyeti’nin
ýeÀiüini sÕrasÕyla Refik Fersan (18931HY]DG$WOÕü (d.1925), Nuri
Halil Poyraz (1885-1956) ve uzun
yÕllar da Münir Nureddin Selçuk
sürdürmüýOHUGL$\UÕca, sahnesi
olan yazlÕk açÕk sinemalarda da yaz
konserleri tertiplenirdi. Mesela ben
0QLU1XUHGGLQ%H\¶LLONGHIDRODUDN
1946 yazÕnda Üsküdar’daki únkÕlâp
%DKoHVL¶QGHGLQOHPLýtim.
%LUGHHYOHUGH\DSÕlan musiki meclisleri
vardÕ ki, buna ancak davetliler
giderdi. úbnülemin Mahmud Kemal
únal (1871-1957) ve HakkÕ Süha
Gezgin (1895-1963) beylerin musiki
meclisleri meýKXUGX%XLNLQFLVLQH
ben de 1958-1960 yÕllarÕ arasÕnda
devam etmiýtim. 1950’li yÕllarda
ûehir TiyatrolarÕ, ústanbul Türkçesini
pek latif tarzda kullanan artistleriyle
en mükemmel devrini yaýÕyordu.
TepebaýÕ’ndaki Dram ve Komedi
TiyatrolarÕ’nÕn da 1951’den baýlayarak
müdavimi olmuýWXP<LQHRVHQHOHUGH
büyük musikiýinaslarÕn kÕrkÕncÕ
veya 50. sanat yÕllarÕ dolayÕsÕyla
³MELOHÓHUWHUWLSOHQLUGL%XQODUGDQ
hatÕrlayabildiklerim: 1951- Münir
Nureddin Selçuk; 1952- Neyzen
Tevfik KolaylÕ ve Mes’ud Cemil; 1954Sadeddin Kaynak için yapÕlanlardÕr.
Uüur Derman 2,5 yaýÕndayken
Speaking about your love for music,
where was the music of that period
made? You have always followed
Istanbul’s cultural life closely. Can
you tell us about those old times?
The music market was centered in music
bars located in Taksim and TepebasÕ.
In the summer, open spaces such as the
Küçükçiftlik Park in Dolmabahçe were
also frequently attended. These places
were not appropriate for me to attend
in my youth. In the old city, Sunday
matinees were held in BahçekapÕ’s coffee
houses and the garden at Çiftesaraylar.
High-end musicians and famous soloists
would take the stage there.
Jubilee celebrations were commonplace
back then. The fortieth or ¿ftieth year of
a musician’s career would be celebrated
by many a music lover. The ones I
remember the most are the ones done
in honor of Munir Nureddin Selçuk in
1951, Neyzen Tev¿k KolaylÕ in 1952, and
Mes’ud Cemil in 1954.
Uüur Derman 13 yaýÕndayken
Uüur Derman 7 yaýÕndayken
%(<2ù/8
Kutlu Doüum HaftasÕ dolayÕsÕyla 12 Nisan 2013’de Ayasofya’da açÕlan Hüsn-i
Hat sergisini Diyanet úýleri BaýkanÕ Prof. Dr. Mehmet Görmez ve ústanbul
Valisi Hüseyin Avni Mutlu ile gezerken...
Peki ya Taksim’deki yÕkÕlan
Belediye Gazinosu o dönem
nasÕldÕ? Oradaki musiki
konserlerinden ve Beyoülu’ndaki
sanat etkinliklerinden bahseder
misiniz?
7DNVLP%HOHGL\H*D]LQRVXEXJQ
Ceylan Intercontinental otelinin
bulunduüu yerdeydi ve yüksek
merdivenlerden çÕkÕlarak içeri girilen
geniý bir salonu vardÕ. Geceleri gazino
hüviyetiyle faaliyetini sürdürürdü;
fakat ben o hâliyle bilmem, çünkü
JLWPHGLP2]DPDQODUústanbul’da
konser salonu olarak tasarlanmÕý
bir mekân bulunmadÕüÕ için, burasÕ,
pazar sabahlarÕ konser verilecek
duruma getirilir, sandalyeler ona göre
dizilirdi.
.RQVHURODUDN(NLP0D\Õs aylarÕ
arasÕndaki pazar sabahlarÕ bir hafta
7UNPXVLNLVLQHELUKDIWDGD%DWÕ
müziüine tahsis olunmuýWX2WHO
yapÕlmak için yÕkÕm kararÕ alÕnÕnca,
konserler 1956 yÕlÕndan itibaren
hemen yakÕndaki ûan SinemasÕ’nda
verilmeye baýlandÕ. Fakat hangarÕ
andÕran yapÕsÕyla, burasÕ hiç de iç
açÕcÕ bir konser salonu deüildi.
%(<2ùLU
How was the now defunct
Municipal Music club in
Taksim back then? Can you
tell us about the concerts
and events held in Beyoülu
back then?
The Taksim municipal music
club was located where the
Ceylan Intercontinental is
today. You would climb up
the high stairs and enter a
large lounge. At night it would
function as a traditional night
club. On Sundays they would
set up the chairs and it would
function as a makeshift concert
hall, since there weren’t any
in Istanbul at the time. That’s
when I would attend.
Küçükken hep kaptan olmak
istermiýsiniz!
Üsküdar’da oturduüumuz için, gerek
(PLQ|Q¶QHJHUHNVH%Rüaziçi’ne
gidiýlerimizde binmeye alÕýÕk
olduüumuz ûirket-i Hayriye vapurlarÕ
çok ilgimi çekerdi. úsimlerini ve baca
numaralarÕnÕ okumadan vapura
ayaüÕmÕ atmaz, bu sebeple de aile
büyüklerimin hÕýmÕna uürardÕm.
Gemilerin pervane kuvvetiyle hareket
ettiüini henüz idrak edemediüim
çok küçük yaýlarÕmda ise niye
arkalarÕndan köpüklü, sabunlu
sular bÕraktÕklarÕna bir türlü akÕl
erdiremezdim.
When you were little you always
wanted to be a captain?
Since my family lived in Üsküdar, I was
accustomed to board the Bosphorus
ferries. They always managed to draw
my interest. I would know the names
of the ferries and the numbers of their
chimneys by heart, but I hadn’t quite
understood how a propeller worked so I
was always mesmerized by the sparkling
soapy water the ferry left at its trail.
1977’den 2006 yÕlÕna
kadar uzun bir süre vakÕf
yöneticiliüinde bulundunuz.
Türkpetrol VakfÕ’ndaki
hizmetlerinizden bahseder
misiniz?
Türkpetrol VakfÕ, bu ismi
taýÕyan ýirketin ve sahiplerinin
903 sayÕlÕ VakÕflar Kanunu’na
göre kurmuý olduklarÕ bir hayÕr
müessesesidir. 1969’dan beri
binlerce yüksek tahsil talebesine
maddi destek saülamÕýtÕU%HQ
VakfÕn yönetimini sürdüren Fethi
Gemuhluoülu’nun (1922-1977)
vefatÕyla onun halefi olmaya
elden geldiüince gayret ettim ve
uzun yÕOODUNXUXFXODUGDQ$KPHG
$\GÕQ%RODN¶OD
çalÕýmanÕn huzurunu yaýadÕm.
Faaliyetlerimiz ýükürler olsun ki,
hâlen devam ediyor. VakfÕn idare
merkezi önce ústiklal Caddesi’nde,
sonra da Galatasaray’daki
<HQLoDUýÕ Caddesi’nde bulunduüu
cihetle, 1969’dan 1992’ye kadar
hizmetlerimizi sürdürdüüümüz
%H\Rülu semti ile ýahsen 15 yÕl içli
dÕýlÕ olmuýtum.
You have been the director of a
foundation from 1997-2006. Could
you tell us about your time at the
Türkpetrol Foundation?
The Türkpetrol Foundation is charitable
institution formed by the company
carrying the same name. Since 1969,
it has provided ¿nancial support to
countless projects. I was chosen as the
successor to the late Fethi Gemuhluoülu
(1922-1977) and had the pleasure of
collaborating with one of the founders,
Aydin Bolak (1925-2004) for many
years. We are still active, thankfully.
Between 1969-1992, our headquarters
were located in the Beyoülu district, ¿rst
Istiklal Avenue and then in Galatasaray.
BunlarÕn yanÕnda bir de hat
ustalÕüÕnÕz var. Bu konuda bize
neler anlatacaksÕnÕz?
1953’den itibaren Mahir úz (1895-1974)
+RFDGDQ2VPDQOÕ Türkçesini hattÕ
ve imlâsÕ ile öürenmeye baýladÕm.
1955 yÕlÕnda da, Hezârfen Üstâd
1HFPHGGLQ2N\D\¶Õn (1883-1976) hat
ve kitap sanatlarÕQGDWDOHEHVLROGXP2
zamanlar bu konularÕn meraklÕsÕ yok
denilecek kadar azdÕ$\UÕca Dr.Süheyl
hQYHU0kFLG$\UDO
1961), Halim ÖzyazÕcÕ (1898-1964)
gibi üstâdlardan da çok faydalandÕm.
Gözlerimdeki rahatsÕzlÕk hattatlÕkla
fiilen uüraýmama mâni teýkil etti.
Fakat 1961 yÕlÕndan baýlayarak bu
sanatlarla ilgili 500’ü aýkÕn makale,
ansiklopedi maddesi ve 20’nin
üstünde kitap hazÕrlayÕp neýrettim.
1985-2007 yÕllarÕ arasÕnda, Marmara
ve Mimar Sinan Üniversitelerindeki
derslerimi sürdürdüm. ÇalÕýmalarÕmÕ
konferanslar ve neýriyat yoluyla hâlen
yürütmekteyim.
You are also a master in calligraphy.
What can you tell us about this?
In 1953, I began learning Ottoman
calligraphy from Mahir Iz (1895-1974). In
1955, I became a student of the great master
Hezarfen Necmeddin Okyay (1883-1976).
Back then very few people were interested
in this art form. I must say I also owe much
to other masters such as Dr. Süheyl Ünver
(1898-1986), Macid Ayral (1891-1961), and
Halim ÖzyazÕcÕ (1898-1964).
M. Uüur Derman’Õn celî ta’lîk hattÕyla bir levhasÕ: “Bârekâllahü Teâlâ”, 1387 / 1967
Evliliüinizde 50 yÕla yaklaýtÕnÕz.
Eýinizle bu mutluluüun sÕrrÕ
nedir, paylaýÕr mÕsÕnÕz?
Cenap ûahabeddin’in (1870-1934)
ýu beyti bizim müýterek hislerimize
tercüman olmuýtur:
“Hemhis olarak çarpmasÕ bir an iki kalbin,
You have been married almost 50
years. What is the secret to your
happiness?
Let me answer with a couplet from
Cenap ûahabeddin (1870-1934):
“The world has promised us a taste,
That two hearts should at the same time
palpitate.”
ArzÕn budur ancak, bize va’d ettiüi lezzet”.
(DünyanÕn bize vaad ettiüi lezzet,
iki kalbin, bir an olsun, aynÕ hislerle
çarpmasÕdÕr.)
Gümüýsuyu Eczahanesi 1963 yÕlÕnda
açÕlmazdan önce...
Dermanlar
duvarlarÕnÕn
tezyînatÕ önünde...
Gümüýsuyu Eczahanesi’nin içi, 1964
%(<2ùLU
AynÕ merasimde Süheyl Ünver hoca Uüur
Derman’Õ tebrik ederken...
Çiçek ve Uüur Derman 18 ûubat 1965’deki nikâh merasimlerinde kendilerini tebrik eden üstad
Necmeddin Okyay ve hanÕmÕ ile beraber...
Beyoülu Evlendirme Dairesi’nde
nikâhÕnÕz kÕyÕlmÕý. Bu bakÕmdan
Beyoülu sizin için ayrÕ bir yerde
bulunsa gerek!
%L]LPHYOHQGLüimiz 1965 yÕlÕnda
%H\RüOX(YOHQGLUPH'DLUHVLR
zamanlar metrûk bir halde duran
Galata Mevlevihanesi’nin hemen
yanÕ baýÕndaydÕ%XoDWÕ altÕnda uzun
seneler nice yuvalar kurulmuýtur.
%L]LPQLNkKýahitlerimiz Necmeddin
2N\D\YH'U6KH\OhQYHU
hocalarÕmÕzdÕ. Nikâh akdimizi
ýereÀHQGLUHQOHUGHQ3URI'U$OL1LKDG
Tarlan (1898-1979) ise henüz nikâh
salonundan çÕkarken izdivacÕmÕza
ebced hesabÕyla ýu tarihi düýürmüýtü:
Râh-Õ aýkÕn ne nurludur ey dost,
Ne çiçekli, sürurludur ey dost.
Düýtü “hey”pek yerinde bir târih,
úzdivâcÕn uüurludur ey dost!
1980-15(hey)=1965
$ýkÕnÕn yolu ne nurlu, ne çiçekli
ve ne sevinçlidir ey dost… “Hey”
düýürülmekle ýu mÕsra târih olur:
³(YOLOLüin uüurludur ey dost” 1965.)
%H\RüOX(YOHQGLUPH'DLUHVL¶QLQ
Taksim’e nakliyle, sonradan burasÕ
bir kültür merkezine dönüýtürüldü.
ûimdilerde oraya yolumuz düýtükçe,
o salonun duvarlarÕndaki hayalimizi
arÕyoruz!
You were wed in Beyoülu. So this
district undoubtedly must be a
special place for you...
We got married in 1965 at the Beyoülu
municipal hall, right next to the thenderelict Galata Mevlevi House. Our
witnesses were Necmeddin Okyay and
Dr. Suhayl Ünver. I remember that
one of our guests of honor, Prof. Dr. Ali
Nihad Tarlan (1898-1979), recited an
abjad (a Middle-Eastern poetic formula
where each syllable stands for a number)
as my wife and I were leaving the place.
azÕnlÕk Türkçesi gibi “eczane” deüil de, doüru imlâsÕyla
“eczahane”yi tercih ettim. 1963’den 1978’in sonuna
kadar burada mesleüimi sürdürdüm; fakat bir türlü
benimseyemediüLPLLWLUDIHWPHOL\LP$LOHPGHoQF
eczacÕydÕm. Lâkin ilaç ihtiyacÕ olan hastalardan para
almak beni hep rahatsÕz etmiýWLU$PDQH\DSDELOLUGLPNL"
Sizin eczanenizin bulunduüu Beyoülu nasÕldÕ?
2\ÕllarÕQ%H\Rülu’su bu günlerle kÕyas edilemeyecek
GHUHFHGHVDNLQYHKX]XUOX\GX(PQL\HWWHýkilâtÕna da
ýimdiki kadar iý düýPH]GL2]DPDQODUEXVHPWHoÕkanlarÕn
takÕm elbise giyip kravat takarak daha saygÕlÕ davranmaya
çalÕýtÕklarÕna ýahit olmuýuzdur.
Gümüýsuyu Eczahanesi, 1964
Beyoülu ile iliýkiniz yalnÕzca kültürel sebeplere
dayanmÕyor. Bir yÕl TÕp Fakültesi’nde
okuduktan sonra eczacÕlÕüa geçtiniz. Eczaneniz
Ayaspaýa’daydÕ deüil mi?
DiyarbakÕU$VNHUv+DVWDKDQHVL¶QGHNLYDWDQvKL]PHWLPL
1962 yÕlÕQLKD\HWLQGHWDPDPOD\DUDN$\DVSDýa’daki
$OPDQ.RQVRORVOXüu’nun karýÕsÕnda, Gümüýsuyu
(F]DKDQHVL¶QLNHQGLPWHVLVHGLSDoWÕm. úsminde de
Your connection with Beyoülu is not just cultural. After
studying at the Faculty of Medicine you started working
in a pharmacy. Wasn’t it in Ayaspaýa?
After I ful¿lled my military service in the DiyarbakÕr Military
Hospital in 1962, I opened up a the Gümüýsuyu pharmacy
just across the German consulate in Ayaspaýa. I continued
my profession here from 1963 until the end of 1978, but I have
to admit, I was never comfortable with it. I was the third
pharmacist in my family. It always bothered me to get money
from patients in need of medication. But what could I do?
%(<2ù/8
SOHBET / INTERVIEW
Sizin 2009 yÕlÕ
CumhurbaýkanlÕüÕ Kültür
ve Sanat Büyük Ödülü’nü
alÕýÕnÕzdan sonra, eýiniz Çiçek
Derman HanÕmefendi de Kültür
ve Turizm BakanlÕüÕ’ndan 2012
yÕlÕnÕn Kültür ve Sanat Büyük
Ödülü’nü aldÕ. Kültürün bu
kadar hÕzlÕ tüketildiüi dönemde
ödül almak gurur verici olmalÕ.
Gelenekli sanatlarÕmÕz yakÕn
vakte kadar devlet katÕnda
EHQLPVHQPL\RUGX%X\HQLDQOD\Õý,
hepimizi ve tabiidir ki mükâfata nâil
olanlarÕ memnun ediyor.
Uüur Derman, CumhurbaýkanlÕüÕ 2009 Kültür ve Sanat Büyük Ödülü’nü CumhurbaýkanÕ
Abdullah Gül’ün elinden alÕrken, 30 AralÕk 2009
Dermanlar, torunlarÕ AydÕn ile Ayasofya’daki Hüsn-i Hat Sergisi’ni gezdikleri gün...
%(<2ùLU
After you received the 2009
Presidential Award for Arts and
Culture, the Ministry of Culture and
Tourism awarded your spouse, Mrs.
Çiçek Derman with its 2012 Culture
and Arts award in 2012. You must be
proud to get an award in a time period
where culture is consumed so fast...
Traditional arts were not embraced at
government levels until recently. This is
a positive development and, of course, it
makes us happy.
2010 Avrupa Kültür Baýkenti
projeleri kapsamÕnda
da 99 Mushaf projesi
gerçekleýtirdiniz. Bundan
bahseder misiniz?
“Kur’an-Õ Kerîm Hicaz’da nâzil olmuý,
MÕsÕr’da okunmuý ve ústanbul’da
yazÕlmÕýtÕr” sözünü herhalde
iýitmiýsinizdir. 2010 yÕlÕ kültür
faaliyetleri kapsamÕnda, benden böyle bir
çalÕýPDLVWHQGL<DUDGDQ¶Õn 99 isminden
ilham alarak adÕnÕ koyduüumuz bu latif
eseri zamanÕnda tamamladÕm. ústanbul
müze ve kütüphanelerinde bu kitap
gibi daha birkaç adet hazÕrlanabilecek
malzeme vardÕr.
Son zamanlarda uüraýtÕüÕnÕz
konu nedir?
Son iki ayÕmÕ dolduran ve beni
fazlasÕyla bahtiyar eden faaliyetim
ýudur: Her yÕl Nisan ayÕ ortalarÕnda
T.C. Diyanet úýOHUL%DýkanlÕüÕ’nca
tertip edilen Kutlu Doüum HaftasÕ
münasebetiyle bir Hüsn-i Hat
sergisinin hazÕrlanmasÕ iýi bu sene
nâçiz ýahsÕmdan istendi. ústanbul’daki
resmî müze ve kütüphaneler ile hususi
koleksiyonlardan derlediüimiz –son
300 yÕlda yaýamÕý olan- 45 merhum
hat üstadÕna ait 115 enfes levha 12
Nisan’dan 1 MayÕV¶DNDGDU$\DVRI\D
Camii içinde meraklÕlarÕn seyrine ve
LVWLIDGHVLQHVXQXOGX%XUDVÕ 1934’te
müzeye dönüýtürüldükten sonra
içindeki –baýta hat levhalarÕ olmak
]HUH2VPDQOÕ eserlerinin mâbed
dÕýÕna çÕkarÕlma çabasÕndan 79 yÕl
VRQUD$\DVRI\DJLELUXKDQL\HWLVUS
giden bir mekânda böyle kapsamlÕ bir
hat sergisinin açÕlmasÕ beni ziyadesiyle
heyecanlandÕrdÕ ve açÕk olduüu 20
gün içinde neredeyse 1 milyon kiýinin
ziyareti, sergide emeüi geçen herkesi
sevindirdi. Rabbime ýükürler olsun.
Beyoülu Belediyesi’nin de Semt
KonaklarÕnda ahýap boyama,
hat, tezhip, müzik eüitimleri
var. Belediyenin bu tür eüitim
çalÕýmalarÕnÕ nasÕl buluyorsunuz?
Semt konaklarÕQGD2VPDQOÕ
Türkçesi, yabancÕ dil, bilgisayar
kurslarÕnÕn yanÕ sÕra, zanaat sÕnÕfÕna
giren çalÕýmalarÕn yürütülmesinin
doüru olacaüÕNDQDDWLQGH\LP%L]LP
gelenekli sanatlarÕmÕz daha akademik
seviyelere muhtaçtÕr.
Yeni nesillere tavsiyeleriniz
nelerdir?
Rahmetli ûerif Muhiddin Targan’Õn
(1892-1967) ifadesiyle: “Sanat,
aristokrattÕr; avâma hitâb etmez´%X
yolda çalÕýacak gençlerin, ehil bir hoca
nezaretinde çok sabÕrlÕ ve disiplinli
olmalarÕJHUHNLU$NVLWDNGLUGHDQFDN
avâmÕn hoýlanacaüÕ seviyede kalÕrlar.
As part of the 2010 European
Capital of Culture projects, you
undertook a project titled “99
Mushafs.” Can you tell us about it?
You have perhaps heard of the saying:
“The Holy Quran was been revealed in
the Hijaz, read in Egypt, and written in
Istanbul.” A study of the 99 names of Allah
was asked of me, and I put together a
wonderful piece.
What is it that you have been busy
with lately?
The activity that has occupied me for the
last two months and has ¿lled me with joy
is a calligraphy project I have prepared
for the Ministry of Religious Affairs.
The Beyoülu Municipality
offers classes on wood painting,
calligraphy, illumination, and music.
What is your opinion on this kind of
training offered by the municipality?
I think that the municipality should focus
more on things like Ottoman Turkish
or foreign language lessons, computer
training, and other types of professional
training. Our traditional art styles are
much in need of a more academic level.
What is your advice to younger
generations?
As the late ûerif Muhiddin Targan
(1892-1967) would say: “Art is for the
aristocrat; it does not appeal to the
commoner.” Any young person who is
going to pursue this type of work has to
be under the supervision of a quali¿ed
teacher and must be very patient and
disciplined.
Üstad Necmeddin Okyay talebesi Uüur’a bir hattÕ tarif ederken..., 1963
%(<2ù/8
EùúTúM / EDUCATION
%(<2ùLU
Ramazan Ercan (Okul Müdürü)
Ömer Bilge
BEYOùLU • 51
(üitim ve öüretime uzun yÕllar
yyÕll önce
baýlayan okul, ilk mezunlarÕnÕ
mezunlarÕ 1932mezunla
1933 yÕlÕnda vermiý olup, o dönem
d
³%H\RüOX2QXQFXúlk
adÕyla
“%H\RüOX2QXQFXúlk
%H\RüOX2QXQFXúlk Mektep”
Mekte
Mek
anÕlmÕýtÕr.
ve
ÕlmÕýtÕr. 1946-1947 eüitim
e
yÕlÕQGD%H\Rülu
Sûruri 1 ve
öüretim
m yÕlÕQGD
%H\R
%H\Rülu Sûr
2 ilkokullarÕ adÕyla eüitime hizmete
devam etmiýtir. 1952 yÕlÕnda Sûruri
úlkokulu adÕyla eüitime devam eden
okul, 1991’e kadar bu adla anÕlmÕýtÕr.
2NXOXQLVPLYH\DSÕsÕ sürekli ihtiyaca
göre deüiýmiý olup, 1983 yÕlÕnda en
büyük deüiýimini geçirmiýWLU%X
deüiýim okul bahçesine yapÕlan ek
binadÕU<DSÕlan ek binayla okula
³6UXUL2UWDRNXOX´DGÕ verilmiýtir.
1991-1992 eüitim ve öüretim yÕlÕnda
her iki okul (úONYH2UWDRNXOWHN
idare altÕnda birleýtirilerek “Sûruri
úlköüUHWLP2NXOX´DGÕnÕ almÕýtÕU%X
adla da günümüze kadar eüitim ve
öüretime devam etmektedir.
It’s ¿rst graduates graduated in the
1932-1933 school year, and in the 19461947 academic year it became known
as the Sûruri school of Primary and
Secondary Education.
In 1952 it reverted again to a primary
school status and it continued serving
under this capacity until 1991.
The biggest transformation of the
establishment took place in 1983 with the
construction of an additional building in
the school grounds. The administration
of this additional building, speci¿cally
built for middle-school students,
eventually merged with the main
campus building to create the current
Sûruri School which offers both primary
and secondary education.
%(<2ùLU
KasÕmpaýa’ya bir yamaçtan bakan Sûruri úlköüretim
Okulu, kuýkusuz Beyoülu mozaiüini, Beyoülu
tarihinin bir dönemini bünyesinde barÕndÕrÕr. Sarp
yamaçta konumlanmÕý olan Sûruri úlk ve Ortaokulu
eüitime baýlamÕý olduüu 1930’lardan beri çeýitli
isimlerle anÕlmÕý ve yapÕsÕnda deüiýiklikler olmuýtur.
Deüiýmeyen tek ýey duvarlarÕ ve bahçesindeki asÕrlÕk
çÕnarlarÕdÕr.
Located on a hillside overlooking KasÕmpaýa, the Sûruri School embodies the
VWRU\RIDSHULRGLQ%H\Rülu history. The establishment, which provides both
primary and secondary education, is located on a steep hillside and has been
active since the 1930’s; albeit with some structural modifications and name
changes along the way. The only thing that has not seemed to changed at all
are the the age-old plane trees in its garden.
Sosyal Faaliyetlerle Gelen
BaýarÕlar
2NXODHNOHQPLý olan ikinci bina
dolayÕsÕyla eüitime ve bahçesinin
geniýliüi ile sosyal faaliyetlere,
diüer çevre okullara nazaran gayet
elveriýlidir. Mevcut durumda
25 derslik, 1 fen laboratuvarÕ, 1
kütüphane, spor salonu ve idare
odalarÕndan oluýmaktadÕr.
<LQHEDKVHWPLý olduüumuz gibi
bahçenin uygunluüu sebebiyle
öürencilerin faydalanabileceüi
“futbol, basketbol ve voleybol
sahalarÕ, masa tenisi” alanlarÕ
PHYFXWWXU%XVDKDODUÕn varlÕüÕ
okulun sportif alanlarda baýarÕlara
imza atmasÕnda kuýkusuz çok
önemlidir.
Sûruri Efendi, the 16th century
gentlemen from which the school gets
its name, was the son of Çoban Efendi
from Gallipoli. He eventually became a
professor in the KasÕmpaýa madrasa and
also became the tutor to the young prince
Mustafa.
Despite the construction of a second
building the school grounds still have
plenty of space. Hence, the opportunities
for more extracurricular activities, at
least more so than other neighboring
schools. The grounds boast of a football,
basketball and volleyball court, as
well as a table tennis area. Of course,
the availability of such facilities has
played a key role in the school’s athletic
achievements. The rest of the campus
currently consists of 25 classrooms, a
science lab, a library, a gym, and the
administration rooms.
%(<2ù/8
%LUoRN³VDQDWVDOYHVSRUWLIIDDOL\HWL´
bünyesinde barÕndÕran Sûruri
úlköüUHWLP2NXOXEXoHýitliliüi
zenginliüe dönüýtürmeyi bilmiý olup,
bu eüitim ve öüretim yÕlÕnda da birçok
faaliyete de imza atmaya devam
edecektir.
<LQH³P]LNNRURVX´QXQRNXO
içinde yapmÕý olduüu faaliyetler
çeýitli kutlama ve törenlere renk ve
anlam katmÕýtÕr. Sûruri úlköüretim
2NXOXRNXOLoLQGHROGXüu gibi okul
dÕýÕnda da ismini çeýitli aktivitelerde
sergilemiýtir.
$\UÕca okuldaki “Teknoloji TasarÕm
ÇalÕýmalarÕ”na (dersine) ayrÕlan
odada öürenciler eüitimin diüer ayaüÕ
olan yaratÕcÕlÕk ve proje geliýtirme
noktasÕnda çalÕýmalar yapmakta olup,
sene sonunda sergi oluýturmak için
hazÕrlÕklara devam etmektedir.
<LQHJ|UVHOVDQDWODUQRNWDVÕnda
yapÕlan çalÕýmalarÕn sene sonunda
“karikatür dergisi”nde hayat bulmasÕ
için öüretmen ve öürencilerin
çalÕýmalarÕ devam etmektedir.
%(<2ùLU
Aside from sports, Sûruri is also very active in the area of music. The school choir has
performed multiple concerts in many celebrations and festivities, and has achieved
recognition not only inside but also outside of campus.
Another aspect of the school is reÀected in the technology and design class where
students work together to develop creative projects to be displayed in an exhibition at
the end of every academic year.
BEYOùLU • 55
Sûruri Efendi Kimdir?
2NXOXQDGÕnÕ almÕý
olduüu Sûruri Mehmet
(IHQGL¶GHQEDKVHGHFHN
ROXUVDN6UXUL(IHQGL
yy’da yaýayan Gelibolulu
dREDQ(IHQGL¶QLQ
oüludur. KasÕmpaýa
Medresesi’nde müderrislik
ve aynÕ zamanda ýehzade
Mustafa’ya öüretmenlik
yapmÕý önemli zattÕr.
6UXUL(IHQGLX]XQ\Õllar
eüitime yapmÕý olduüu
katkÕnÕn haklÕ gururu
tarihe tanÕklÕk eden
geçmiýiyle Sûruri ParkÕ’nÕn
yamacÕnda KasÕmpaýa’yÕ
seyretmektedir.
%(<2ùLU
Sûruri is also a rich in its
visual arts tradition. Every
year teachers and students
work together to produce
caricatures which are
eventually published in the
school magazine.
Today the school continues, to
honor the memory of Sûruri
Efendi, next to the centuriesold plane trees populating
the KasÕmpaýa slope, with its
contributions and success in
the ¿eld of education.
%(<2ù/8
BÜYÜTEÇ / BLOW UP
%(<2ùLU
Bakarsan
Beyoğlu Projesi
The “Care for Beyoğlu” Project
Özgenur Reyhan Güler
%H\RüOX%HOHGL\HVL$Uýivi
Beyoülu-Pera, ústanbul’un tarihsel mirasÕ en zengin bölgelerinden biri
olarak dünyada da markalaýmÕý, tarihin her evresinde önemli bir kültür,
sanat, eüitim ve ticaret merkezi olmuýtur. Ancak bu imaj bir ara silinmeye
yüz tutmuý olup, zaman içinde canlandÕrÕlmaya çalÕýÕlmÕýtÕr. 2001 yÕlÕnda
baýlanÕlan “Bakarsan Beyoülu Projesi” bu canlandÕrmayÕ amaçlayan
çalÕýmalarÕ içermektedir.
Beyoglu-Pera is not only an important part of Istanbul’s historical legacy and a world class
brand, but has also been a center of culture, art, and education throughout the ages. Starting in
2001, the “Care for Beyoülu” project aims at reviving this historical part of town.
%(<2ù/8
%DNDUVDQ%H\Rülu
Projesi teknik olarak
kentsel tasarÕm proje ve
uygulamasÕ gibi görünse
de hayata geçiriliýinde sosyoekonomik ve kültürel kalkÕnmayÕ
hedeÀeyen önemli projelerden biri
haline gelmiýtir.
%H\Rülu tarihi dokusu, zaman
içerisinde zarar görse de ilgi odaüÕ
olmaya devam etmiý, öneminden
hiçbir ýey kaybetmemiýWLU$QFDN\DSÕ
stokundaki fiziksel eskime fonksiyonel
eskimeyi ve yüklendiüi fonksiyonlarÕn
kalite deüerindeki iniýleri getirmiýtir.
Kalite deüerindeki bu iniý, kullanÕcÕ
kültür profilinin de her geçen gün
düýmesine neden olmuýWXU%XELOLQoOH
%H\Rülu ilçesindeki fiziksel, fonksiyonel
ve kültürel iyileýmeye yönelik olarak
³%DNDUVDQ%H\Rülu Projesi” bir dinamo
görevi üstlenmiýtir.
Özellikle sürdürülebilir bir tarihi
çevre hedeÀi korumanÕn temelinde
geniý kitlelerin tarihi çevreye
sahip çÕkmasÕ ve tarihi yapÕlarÕn
bozulmadan sosyal hayat içinde
günümüz fonksiyonlarÕna uygun
olarak entegre edilmesi ve geleceüe
aktarÕlmasÕna önem verilmiýtir.
%DNDUVDQ%H\Rülu Projesi’yle;
kent mobilyalarÕndan; çevre,
meydan ve sokak düzenlemelerine,
renövelerden yeni yapÕlara,
ekonomik çeýitlilikten kültür sanat
aktivitelerine kadar çok geniý bir
ýHKLUFLOLN\HOSD]HVLQGH%H\Rülu’na
yakÕýan bir doku oluýturuluyor.
úhtiýamÕn
zirvesi
Bankalar
Caddesi
%(<2ùLU
At ¿rst glance this project may seem
one of urban design, but it’s more than
just that. It aims to develop the socioeconomic and cultural aspects of the
district as well.
Even though many of Beyoülu’s historical
buildings have been damaged over time,
today the district continues to be a focus
of interest. However, this is not to say that
physical aging has not taken a toll. Building
decay has decreased property values
thereby pushing high-end tenants out of
the area. With this in mind, the “Care for
Beyoülu” project has taken on the dynamic
task of restoring the district’s former
physical, functional, and cultural vibe.
The project aims at creating a
sustainable and protected historical
environment by integrating these
buildings into the vibrant social life of the
district so that more people begin to take
ownership of this culture of preservation.
%(<2ù/8
%H\Rülu gibi birçok
fonksiyonlu kent
merkezlerinin
tarihi kimliüinin
korunabilmesi ve
deüiýken öüelerden zarar görmesini,
bu öüelerin tarihi dokuyu gizlemesini
ve görüntü kirliliüi yaratmalarÕnÕ
engellemek için kentsel tasarÕm
kriterleri oluýturmak ve uygulamak
konusunda proje kapsamÕnda görüntü
kirliliüi oluýturan tabela, tente, saçak,
klima dÕý ünitesi gibi fazlalÕklarÕn
ortadan kaldÕrÕlmasÕ, temiz kent
silüetinin yaratÕlmasÕ amaçlanarak
nitelikli çalÕýmalar gerçekleýtirilmiýtir.
Several urban design criteria are being
implemented in this facelifting project.
Many elements creating visual pollution
such as signs and air conditioner outdoor
units are being removed from building
façades in order to preserve the historical
feel and clean up the district’s skyline.
The Beyoülu Municipality mayor,
Mr. Ahmet Misbah Demircan, has
%(<2ùLU
ÇalÕýma bölgelerinin seçiminde öncelikli
olarak sit alanÕ içerisinde kalan cadde ve
sokaklar tercih edilmiýtir.
2001 yÕlÕnda ön çalÕýmalarÕ
baýOD\DQ%DNDUVDQ%H\Rülu Projesi
2002 yÕlÕnda ústiklal Caddesi ile
uygulanmaya baýlanmÕýtÕr.
Cadde, sokak ya da semtte
yaýayanlarÕ%DNDUVDQ%H\Rülu Projesi
hakkÕnda bilgilendirmek ve bölgenin
sorunlarÕnÕ karýÕlÕklÕ istiýare ederek,
kullanÕcÕ yönünden tespit etmek
amacÕ\OD%H\RüOX%HOHGL\H%DýkanÕ
SayÕQ$KPHW0LVEDK'HPLUFDQ¶Õn
katÕlÕmÕyla iletiýim toplantÕlarÕ
participated in several meetings to both
inform residents about the project as
well as to identify the key issues to be
dealt with in this process. Many of the
key aspects were identi¿ed through
studies analyzing infrastructure,
exterior damage, registration status,
ownership, previous restoration work,
and other elements.
düzenlenmiý, faaliyet aýamasÕnda
ise, bölge analizlerinin yapÕlmasÕ
hususunda fotoüraÀama, altyapÕ ve
üstyapÕ, dÕý cephe malzemesi, dÕý
cephede oluýmuý hasarlar, daha önce
cephe üzerinde yapÕlmÕý uygulamalar,
yapÕya daha önce uygulanmÕý
eklemeler, mevcut eklentilerin
yapÕldÕüÕ dönem, yapÕnÕn geçmiýine
ipucu olabilecek izler, tescil durumu,
mülkiyeti, görüntü kirliliüi oluýturan
tabela, tente, saçak, klima dÕý ünitesi
gibi fazlalÕklarÕn, bölge sorunlarÕnÕn,
sosyo-ekonomik yapÕnÕn, bina
fonksiyonunun ve kat sayÕlarÕnÕn
tespitleri yapÕlmÕýtÕr.
Zincirlikuyu ve Dörtkuyu Caddeleri,
KÕzÕlay meydanÕ ile birleýtirilerek
proje bütünlüüü saülandÕ.
Meydan zorunlu haller dÕýÕnda
araç kullanÕmÕna kapatÕldÕ. Proje
çerçevesinde altyapÕ, katener sistem
aydÕnlatma, sert zemin kaplamasÕ,
kent mobilyasÕ ve bina cephelerinde
yapÕlan iyileýtirmelerle KÕzÕlay
MeydanÕ tarihi kimliüine kavuýtu.
<DSÕlarÕn tespitler ÕýÕüÕnda bina bilgi föyleri hazÕrlanmÕý, fiziksel
eskimeye uüramÕý yapÕlarÕn dÕý cephelerinde malzemeye baülÕ olarak
yapÕlmasÕ gereken basit onarÕm ve bakÕm uygulamalarÕ belirlenmiý,
restore edilmesi gerekli görülenlerin tespiti yapÕlmÕý, yeni tabela, tente,
saçak, klima vs. uygulamasÕnÕn projelendirilmesi gerçekleýmiýtir.
%XoHUoHYHLoHULVLQGHFDGGHYHVRNDNODU\HQLOHQLUNHQ%DNDUVDQ
%H\Rülu Projesi’nin en önemli kaynaklarÕndan birini teýkil eden
meydanlar da düzenlenmektedir. KasÕmpaýa’daki KÕzÕlay MeydanÕ ve
Piripaýa’daki KalaycÕbahçe MeydanÕ yeni meydan olarak yapÕlmÕýtÕr.
%D]Õ eski meydanlar da yeniden düzenlenmiýtir.
Several data sheets were prepared
in light of the previously mentioned
¿ndings and simple repair, restoration,
and maintenance of applications were
determined based on the building’s
physical age and material used in its
construction.
Several streets and squares are also being
renewed as part of “Care for Beyoülu”
such as the KÕzÕlay square in KasÕmpaýa
and the KalaycÕbahçe square in Piripaýa.
Beyoülu’nda her bir cadde ve her bir sokak
birer cazibe merkezine dönüýtürülüyor.
Kentsel TasarÕm çalÕýmalarÕ
kapsamÕnda; KUDEB’in
saüladÕüÕ imkanlarla birlikte
Beyoülu’nda 5000 bina ve iý
yeri renöve edildi. Bu binalar,
bulunduklarÕ bölgelerin
cazibesini artÕrarak kaderine
terkedilmiý yapÕlar yaýama
katÕldÕ.
%(<2ù/8
%DNDUVDQ%H\Rülu Projesi büyük bir mozaik
SURMHVLGLU%XPR]DLNWHEXOXQDQKHU
binadaki fiziksel iyileýmenin; fonksiyonel,
kültürel ve ekonomik iyileýmeye katkÕda
bulunacaüÕ ve bu konuda bina sahibinin
projeye katÕlÕmÕnÕn çok önemli olduüu
anlatÕlarak, geniý kitlelerin projeyi
benimsemesine ve bilinçli katÕlÕmÕnÕn
saülanmasÕna çalÕýÕlmaktadÕU$\QÕ
zamanda meydanlar ve ústiklal Caddesi
kadar önemli olan ara sokaklarÕn
güzelleýWLULOPHVLQHGH$üustos
ayÕnda baýlanmÕý, ústiklal Caddesi’ndeki
ve çevresindeki toplam 55 ara sokakta
hÕzlandÕrÕlarak sürdürülmüýWU<DNODýÕk
olarak 2250 bina ve iýletme sahipleri ile
birebir görüýmeler yapÕlarak, mimari
çözüm önerileri sunulmuýtur.
2013 yÕlÕnda ise çalÕýmalar, ûehit Muhtar,
SÕraselviler, KasÕmpaýa MeydanÕ%DKUL\H
Caddesi, Feridiye Caddesi, Meýrutiyet ve
Serdar Ömer Paýa caddelerinde devam
HWPHNWHGLU%X\Õl içerisinde talimhane
ve ústiklal Caddesi’nin girilmemiý ara
sokaklarÕnda çalÕýmalar devam edecektir.
Beyoülu tarihinin ayrÕlmaz
bir parçasÕ olan tarihi
binalarÕn bakÕm ve
onarÕmlarÕ, korunarak
yaýatÕlmasÕ için çok boyutlu
çalÕýmalarÕnÕ aralÕksÕz
sürdüren Bakarsan Beyoülu
Projesi’yle bu yapÕlar yeni
yüzleriyle vatandaýlarÕ
mutlu ediyor.
%(<2ùLU
Kentsel sit alanÕ dahil Beyoülu sÕnÕrlarÕnda
var olan eski ve yeni binalarÕn dÕý cephelerinde
görüntü kirliliüi yaratan tesisat elemanlarÕ,
klima ve tabelalar yeniden düzenlenmektedir.
VatandaýlarÕmÕzÕn istekleri doürultusunda
tabela ve tenteler için mimari hizmet
verilmekte, malzeme seçimi konusunda ortak
çalÕýmalar yapÕlmaktadÕr. UzmanlarÕmÕzÕn
belirlediüi renk skalasÕ ve boya firmalarÕ ile
yapÕlan boya kampanyasÕ ile vatandaýÕmÕza
her türlü kolaylÕk saülanmaktadÕr.
Every building is a key piece in this puzzle of physical,
functional, cultural, and economic recovery. It is hoped
that many residents will participate and contribute to
this puzzle as more awareness is raised every day. Since
August 2011, several squares and close to 55 side streets of
Istiklal Street have received a facelift and transformation
has ensued rapidly in many surrounding areas.
Approximately 2,250 buildings and business owners have
been interviewed personally and have been presented with
several architectural solutions.
Currently in 2013, works continue in ûehit Muhtar, SÕra
Selviler, KasÕmpaýa square, Bahriye avenue, Feridiye
avenue, and the Meýrutiyet and Serdar Ömer Paýa
avenues. Additionally, works also continue in numerous
side streets of Talimhane and Istiklal Avenue.
%(<2ù/8
MÜZE / MUSEUM
GALATA
MEVLEVİHANESİ
MÜZESİ
Galata Mevlev House Museum
<DYX]g='(0úR
$UNHRORJ±0]H0GU
Archeologist – Museum Director
*DODWD0HYOHYLKDQHVL0]HVL$Uýivi
Galata Mevlevi House Museum
<DYX]g]GHPLU
%(<2ù/8
stanbul’un
öneml smgelernden
galata mevlevhanes
of Istanbul’s
müzes One
Most Important
Symbols Galata
Mevlevı House
Museum
ai mimariyle d
$YUXSDLPLPDUL\OHGRQDQPÕý
yoül nd
n a ústiklal Caddesi’nin
%H\Rülu’nda
ünel tarafÕnda, Ga
Tünel
Galip Dede
Caddesi’nden aýa
aýaüÕya doüru inmeden
hemen solda mütevazÕ Cümle
sÕyla G
kapÕsÕyla
Galata Mevlevihanesi
zesi sizi
siz karýÕlar. ústanbul’da
Müzesi
rulan ilk mevlevihane olmasÕnÕn
kurulan
anÕnda Kültür ve Turizm
yanÕnda
%DNDQOÕüÕ’na baülÕ olan müze, son
restorasyonlarla ilgi od
odaüÕ haline
gelmiý, ziyaretçi sayÕsÕ
sayÕsÕnÕ dörde beýe
katlamÕýtÕr. Divan ýai
ýairimiz ûeyh
b’in de istiraha
Galib’in
istirahatgâhÕ olan ve
Galip Dede ya da KulukapÕsÕ adÕyla
da bilinen Galata Mevlevihanesi
%H\Rülu’nda 1481 “Galata SarayÕ
(QGXUXQ0HNWHEL´LOHELUOLNWHHQ
öQHPOL2VPDQOÕ
|QHPOL2VPDQOÕ eserlerindendir.
The modest
d t gate
t off th
the
h G
Galata
l t M
Mevlevi
l
House museum greets the visitor on
the left side as you walk down Galip
Dede Avenue after passing the Tünel.
The number of visitors to this dervish
lodge, which prides itself as being
the oldest in the city, has increased
¿ve-fold after recent restorations
conducted by the Ministry of Culture
and Tourism. This is also the
resting place of the poet Sheikh
Galip and one of the oldest
Ottoman buildings in the
neighborhood along with
school of Galatasaray
which dates back to
1481.
%(<2ùLU
ústanbul’un úlk Mevlevihanesi
*DODWD0HYOHYLKDQHVL,,%D\H]LG
G|QHPLQGH¶GH$I\RQ
Mevlevihanesi ûeyhi Divane (Semaî)
Mehmed (Çelebi) Dede tarafÕndan
úskender Paýa’nÕn Galata’daki arazisi
üzerinde kurulan ústanbul’un ilk
Mevlevihanesidir. “Küçük KÕyamet”
adÕ verilen 1509 ústanbul depreminden
etkilenen Mevlevihane yapÕlarÕ 17.
yüzyÕl baýÕndan itibaren birçok onarÕm
ve yenilemeler geçirerek büyük bir
külliye halini almÕýtÕU%LOLQHQLON
onarÕPWDULKLQGH7HUVDQHYH
0DWEDK(PLQLúVPDLO$üa’nÕn imar
IDDOL\HWOHULGLU¶GH%\N7RSKDQH
yangÕnÕnda hasar gören Mevlevihane
aynÕ yÕl Sultan III. Mustafa (1717-1774)
tarafÕQGDQ6XOWDQ<HQLýHKLUOL2VPDQ
(IHQGLELQDHPLQLWD\LQHGLOHUHN
onarÕlmÕýtÕr. 1791’de ûeyh Galib’in
meýihata atanmasÕyla Sultan III.
Selim’in (1761–1807) gerçekleýtirdiüi
onarÕmlar sonucunda Mevlevihane
yenilenmiýtir. 19. yüzyÕlda Sultan II.
Mahmud döneminde (1784-1839) 1819
ile 1835 yÕllarÕQGD6XOWDQ$EGXOPHFLG
(1823-1861) döneminde 1851 ile
1859 yÕllarÕndaki imar faaliyetleriyle
Mevlevihane son ýeklini almÕýtÕr.
Müzede günümüze ulaýan en eski
taýÕQPD]WDULKOL+DVDQ$üa
Çeýmesi’dir. Harem Dairesi, Matbah-Õ
ûerif ve Derviý2GDODUÕ’nÕn bir kÕsmÕ
günümüze ulaýamamÕýtÕr.
Istanbul’s First Dervish Lodge
The Galata Mevlevi house was the ¿rst
dervish lodge that was established by
the leader of the Afyon dervish lodge,
Sheikh Mehmed Çelebi Dede, in Istanbul
under the reign Bayezid II (1447-1512).
Following damages caused by an
earthquake in 1509, the 17th-century
repairs eventually enlarged the complex.
The ¿rst known repair was conducted in
1649-50 by Ismail Aga, caretaker of the
dockyard and kitchens.
The museum’s oldest surviving piece is
the Hasan Aga Fountain dating from
1650. Unfortunately, the Harem, the
kitchen, and some of the dervish rooms
have not survived.
%(<2ù/8
Çaüdaý Müzeciliüe Geçiý
2005-2009 yÕllarÕnda VakÕÀar Genel Müdürlüüü tarafÕndan Semahane
binasÕnÕn restorasyonu gerçekleýtirilmiýtir. Müze olarak yeniden iýlev
görmesi ve çevre düzenlemesi ise úVWDQEXO$YUXSD.OWU%Dýkenti
$.%$MDQVÕ katkÕlarÕyla gerçekleýmiýtir. úVWDQEXO$.%$MDQVÕ çalÕýmalarÕna
2009 yÕlÕnda baýlanmÕýLONRODUDN+DOHW6DLG(IHQGL7UEHVLYHûeyh Galip
Türbeleri restore edilmiýtir. Semahane binasÕnda gerçekleýen “Müze Teýhir
Tanzim ve Çevre Düzenlemesi” çalÕýmalarÕyla projesi ve uygulamasÕ ile çevre
düzenlemeleri gerçekleýtirildikten sonra Galata Mevlevihanesi 21 KasÕm 2011
günü çaüdaý müzecilik anlayÕýÕyla yeniden ziyarete açÕlmÕýtÕr.
Transition to the Modern Museum
Between 2005-2009, the General Directorate of Foundations carried out the
restoration of the main dervish lodge. However, much of the landscaping and the
actual museum launch was realized through the efforts of the agency behind the
Istanbul 2010 European Capital of Culture (ECOC). In 2009, the Halet Said Efendi
and Sheikh Galip tombs were restored, and after further restoration work on the
main lodge building was completed, the Galata Mevlevi House was re-opened to the
public on November 21, 2011 as a modern museum.
Semahane
Galip Dede Caddesi üzerindeki
Semahane’nin Cümle KapÕsÕ’ndan
girilip orta avluya vardÕüÕnÕzda mermer
döýemeli yoldan girilen Semahane
binasÕ6XOWDQ$EGOPHFLGG|QHPLQH
ait onarÕma iýaret eden kapÕdan
girdiüinizdeyse ceviz aüacÕndan
döýemeli Sema alanÕ sizi karýÕlar.
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The Entrance
Upon entering the gate located
at the Galip Dede Avenue and
arriving at the central courtyard,
one encounters the main dervish
lodge. If you choose to proceed
through the door bearing the
marks of the restoration from the
Sultan Abdülmecid period, you
will find the walnut-upholstered
whirling hall.
Derviý OdalarÕ
Müzenin ana konusu Derviý
odalarÕnda anlatÕlmakta olup
giriý binanÕn güneyinde bulunan
kapÕdandÕr. Sufizm ve tarikat
eýyalarÕndan baýlanarak Son
Mevleviler konusuyla bu bölüm sona
ermektedir.
2UWDKROQNDUýÕsÕndaki beýinci
odada vitrin içinde Mesnevi
VHUJLOHQPHNWHGLU$UNDGDNLGXYDUGD
Mesnevi’nin ilk 18 beyti sinevizyonda
Farsça okunuý ve Türkçe anlamÕyla
sunulmaktadÕr.
2UWDKROQVDü tarafÕndaki odalarda,
oda vitrinler ýeklinde Derviý
odalarÕ canlandÕrÕlmÕýtÕU$OWÕncÕ
RGD0HYOHYLOLNYH(GHEL\DWRGDVÕ
olarak düzenlenmiýWLU<HGLQFLRGD
Mevlevilik, úbadet ve Zikir, sekizinci
oda Mevlevilik ve Tekke Musikisi
odasÕ olarak düzenlenmiýWLU%X
odadan sonra orta meydanda oturma
gruplarÕ ve Müzenin tarihinin
anlatÕldÕüÕ sinevizyon gösterisi
mevcuttur. Sonraki dokuzuncu oda
Mevlevilik ve Güzel Sanatlar konulu
olup hattat, saat ustasÕ, cam ustasÕ
Mevleviler anlatÕlmaktadÕr.
The Dervish Rooms
The main story of the lodge is told in
the dervish rooms. Here you will see an
exposition on su¿sm, original furniture,
and a section dedicated to the last of the
Mevlevis. In the ¿fth room across the
central hallway, there is a display of a
Masnavi in a showcase, an extensive
poem by Jalal al-Din Muhammad Rumi,
the celebrated Persian Su¿ saint and
poet. The right side of hallway contains
rooms with recreations of the life of a
dervish. The sixth room focuses on Su¿
literature, the seventh room on worship
practices and chanting, and the eight
room on Su¿ music. If you choose to sit
down and relax in the central lounge, you
can watch a video presentation of the
history of the museum.
%(<2ù/8
Mahfiller
Semahane’nin mihrap hariç üç bir yanÕnÕ
çevreleyen ve sema alanÕna bakan
mahfillerde müze koleksiyonundaki diüer
eserler sergilenmektedir.
Hat SanatÕ Sergisi
Müzemiz koleksiyonunda
bulunan Mevlevilik konulu
OHYKDODU$\HWL.HULPHYH
Hadi-i ûerif levhalarÕ, güzel
ve özlü söz levhalarÕ ve
son bölümde Hilye-i ûerif
levhalarÕ sergilenmektedir.
Ecnebiler Mahfili
Mevlevihane döneminde ecnebilerin Mevlevihane’yi
ziyaretlerinde sema törenlerini izlediüi mahfildir.
%(<2ùLU
The Meeting Rooms
The rest of the museum collection is
displayed in the rooms branching out
from the main meeting area.
Calligraphy
Exhibition
Sheets and plates
with Su¿ calligraphy
displaying verses of
the Quran and Hadith
as well as Hilyas, or
physical descriptions of
the prophet Muhammad.
Foreign Guest’s Room
The traditional room from which foreign visitors watched
the whirling dervishes.
MÕtrÕb Mahfili
Giriýin üzerindeki
Mevlev
mahfil Mevlevi
üinin icra
müziüinin
iüi bölümdür.
edildiüi
MÕtrÕp
trÕp Room
Thee spot where the
musicians played theirr instruments.
instrum
Çelebi Mahfili
Konya Çelebilerinin
Kon
Mevlevihane’yi
M
ziyaretlerinde
zi
mukabeleleri izledikleri
m
mahfildir.
m
Çelebi
Ç
Çe
ele Room
Th room from which the Konya
The
Çelebis watched the dervishes p
perform.
Hünkâr Mahfili
2VPDQOÕ padiýahlarÕnÕn
Mevlevihane’yi ziyaretlerinde
mukabeleleri izledikleri kÕsÕmdÕr.
Sultan III. Selim Mahfili olarak da
bilinmektedir.
Hünkar Room
Also known as the lodge of Sultan Ahmed
III, this is the place from which the
Sultans would watch the performances.
Halet Efendi (Kudretullah
Dede) Türbesi
Cümle kapÕsÕnÕn solundadÕr. 1819
WDULKOLROXSLoLQGH+DOHW(IHQGL¶QLQ
ýahide taýÕ, Kudretullah Dede ile eýi
(PLQH+DQÕm, oüullarÕ$WDXOODK'HGH
ve Selanik Mevlevihanesi postniýini
Ubeydullah Dede medfundur.
Halet Efendi Tomb
To the left of the entrance you will ¿nd
a tomb dating from 1819. This is the
resting place of Halet Efendi as well as
Kudretullah Dede and his wife Emine
Erdogan and their family.
ûeyh Galip (úsmail Rusuhi)
Türbesi
1819’da inýa edilmiý olup içinde
úVPDLO$QNDUDYL|úsa Dede
(1771), Selim Dede (ö.1777), Galip
Dede (ö.1799), Hüseyin Dede
(ö.1782) ve Mehmed Ruhi Dede
(ö.1810) medfundur.
Sheikh Galip Tomb
Also a tomb dating from 1819, it is the
resting place of úsmail Ankaravi (1631),
Isa Dede (1771), Selim Dede (1777), Galip
Dede (1799), Hüseyin Dede (1782), and
Mehmed Ruhi Dede (1810).
%(<2ù/8
MÜZE / MUSEUM
%(<2ùLU
Müzenin bahçesi
“6800 m2’lik geniş
alanıyla Beyoğlu’na
gelenlere kalabalıktan,
karmaşadan
sıyrılabilecekleri ve
huzur bulacakları bir alan
sunuyor.
“With 6,800 m2 of space,
the museum garden offers
visitors peace of mind
away from the crowd and
typical hustle and bustle
of Beyoülu.”
%(<2ù/8
Adile Sultan SarnÕç ve ûadÕrvanÕ
Sultan II. Mahmud’un kÕzÕ$GLOH6XOWDQ
tarafÕndan 1847 de yaptÕrÕlmÕýtÕr.
Adile Sultan Cistern and Fountain
Built by the daughter of Sultan Mahmud II in 1847.
Hamuýan
Mevlevi mezarlÕk haziresidir. 1946 yÕlÕQGD%H\Rülu
(YOHQGLUPH'DLUHVL7DUÕk Zafer Tunaya Kültür Merkezi)
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yapÕlarak önemli bir bölümü yok edilmiýtir. úbrahim
Müteferrika (nakli kubur), HumbaracÕ$KPHG3Dýa, Fasih
'HGH(VUDU'HGH\DWDQ|QHPOLýahsiyetlerdendir.
Hasan Aüa Çeýmesi Hasan Aüa Fountain
Sebilküttab binasÕna bitiýiktir. Su haznesine bir kapÕ açÕlarak Sebilküttab’Õn
karakol olduüu dönemde nezarethane olarak kullanÕlmÕýtÕr. Üzerinde 1649
inýa ve 1851-52 onarÕm kitabeleri bulunmaktadÕr.
This fountain is adjacent to the Sebilküttab building. On it you can ¿nd two dates: The
date of its construction, 1649; and the date of its repairs, 1851-52.
Çilehane - SarnÕç Cistern
Üzerindeki kitabeden úsmail Rusuhi
Dede tarafÕndan kullanÕldÕüÕ anlaýÕlÕp
dLOHKDQHRODUDNELOLQPHNWH%L]DQV
döneminde sarnÕç olarak kullanÕlmasÕ
muhtemeldir. Merdivenlerle inilir ve
içi su doludur.
A room believed to have been used by
Ismail Rusuhi Dede. It’s possible it was
originally used as a cistern during
Byzantine times. You can enter it going
down the stairs and there is still water
inside.
Cümle KapÕsÕ Entrance Door
2VPDQOÕ ampir üslubundaki kapÕnÕn
dÕý yüzünde II. Mahmud’un 1835’de
inýasÕna dair onarÕm kitabesi, iç
yüzünde 1791’de III. Selim tarafÕndan
Mevlevihane’nin yenilendiüine dair
ûeyh Galib Dede’nin yazmÕý olduüu
kaside mevcuttur.
The front side contains Mahmud II’s
repair date of 1835; the back side contains
an inscription by Sheikh Galib Dede
describing the restoration works of the
lodge in 1791 under the reign of Selim III.
1975 yÕlÕnda müze olarak hizmete
açÕlan Galata Mevlevihanesi KulekapÕ
Mevlevihanesi olarak da biliniyor.
<]\Õllar boyunca hem musikiyi, hem
de bilimi aynÕ potada eritmeye çalÕýan
mevlevihanelerin ýehrimizdeki en
eski örneüi olan Galata Mevlevihanesi
mütevazÕ geçmiýiyle ve tüm
konukseverliüiyle misafirlerini bekliyor.
Also known as the KulekapÕ Whirling
Dervish Lodge, the Galata Mevlevi House
was opened as a museum in 1975. Over
the centuries, both music and science
came together in these lodges which
functioned as melting pots of learning.
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DUD\DQODUDGDPMGHNX]XHWLQGHQ
Lets See What’s On The Menu…
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%(<2ù/887
GALERú / GALLERY
Beyoülu Belediyesi Sanat Galerisi
Beyo÷lu Municipality Art Gallery
úVWLNODO&DG1R7QHO%H\Rülu Tel: (212) 249 26 10
Yüz Yüze
Face to Face
%H\RüOX%HOHGL\HVL.OWUOHUDUDVÕ
Sanat DiyaloglarÕ kapsamÕnda,
4 - 15 Haziran tarihleri arasÕnda
ústanbul útalyan Kültür Merkezi’nin
iýbirliüiyle, küratörlüüünü Giorgio
%HUWR]]L(QULFR/RPEDUGLYH)HUGDQ
<XVXIL¶QLQVWOHQGLüi, Roberta
&RQL¶QLQ³<]<]H)DFHWR)DFH´
resim sergisine ev sahipliüi yapÕyor!
Between June 4- 15, The Beyoülu
Municipality is hosting Roberta Coni’s
“Face to Face” exhibition! The exhibit,
curated by Giorgio Bertozzi, Enrico
Lombardi and Ferdan Yusu¿, is taking
place with the cooperation of the
Istanbul Italian Cultural Center.
Gelece¾e Miras
P&G Türkiye ve
Darüýýafaka Cemiyeti
iýbirliüiyle 4 yÕldÕr
yürütülen ve geleceüin
liderleri olacak
çocuklarÕn hayallerini
gerçekleýtirmeyi
hedeÀeyen “Hayalden
Gerçeüe” projesi
kapsamÕnda çocuklar
ikinci fotoüraf sergilerini
açÕyor. Fotoüraf Kulübü
üyesi olan DarüýýafakalÕ
öüUHQFLOHULQ$QWDO\D
Selçuk, ûirince,
.DSDGRN\D%XUVDYH
úznik’teki yaýÕtlarÕyla
çektikleri fotoüraÀar, 26
Nisan - 18 MayÕs tarihleri
arasÕnda “Geleceüe Miras”
fotoüraf sergisinde sanat
severlerle buluýacak.
%(<2ùLU
%H\RüOX%HOHGL\HVL6DQDW*DOHULVL
Future Heritage
For the last 4 years,
through the cooperation
of P&G Turkey and
Darüýýafaka Society,
the photography project
titled “From Dream
to Reality” has aimed
to realize the dreams
of children and to
raise the leaders of the
future. The pictures
shot by the Darüýýafaka
photography class
students as well as of
their peers in Antalya,
Selcuk, Sirince,
Cappadocia, Bursa, and
Iznik will be displayed
between April 26- May
18 in a photo exhibition
titled “Future Heritage.”
AçÀl Susam AçÀl
Open Sesame
úWDO\DQ5HVVDP/XLJL%DOODULQ¶LQ³$oÕO6XVDP$oÕl”
baýlÕklÕ ústanbul’da ilk kiýisel resim sergisi, ústanbul
úWDO\DQ.OWU0HUNH]LKLPD\HVLQGH%H\RüOX%HOHGL\HVL
iýbirliüL\OH%H\RüOX%HOHGL\HVL6DQDW*DOHULVL¶QGH
açÕlÕyor. 2 - 13 Temmuz tarihleri arasÕnda görülebilecek
olan ve küratörlüüQ%HVWH*UVX¶QXQ\DSWÕüÕ sergide
30’u aýkÕn tablo yer alacak.
Italian painter Luigi Ballarin’s ¿rst personal art exhibition
in Istanbul titled “Open Sesame” opens in the Beyoülu
Municipality Art Gallery under the auspices of the Italian
Cultural Centre. The collection, curated by Beste Gürsu, will
display more than 30 paintings between July 2- 13.
%(<2ù/8
Beyoülu Belediyesi Cihangir Sanat Galerisi
Beyo÷lu Municipality Art Gallery
Cihangir Cad. úýSDUN.DW2WRSDUNÕ No:9 Cihangir Tel: (212) 244 94 99
DüÂün Think
1DWDOLD6DORPDWLQD$NND\Dµ'ýün’
adlÕ resim sergisiyle 4 - 15 Temmuz
tarihleri arasÕQGD%H\RüOX%HOHGL\HVL
Cihangir Sanat Galerisi’nde
sanatseverlerle buluýuyor.
Natalia Salomatina Akkaya meets with
art lovers at Beyoülu Belediyesi Cihangir
Art Gallery with her exhibition named
“Think”.
Atölye Panormas
Objektifinden Tuale
Eski ¿stanbul
The Old Istanbul on Lens to
Toile of Panormas Workshop
$W|O\H3DQRUPRVWDUDIÕndan
G]HQOHQHQ%H\Rülu
%HOHGL\HVL&LKDQJLU6DQDW
Galerisi’nin de ev sahipliüi
yaptÕüÕ³2EMHNWLIWHQ7XDOH
(VNLústanbul” karma resim
sergisi 20 MayÕs – 2 Haziran
2013 tarihleri arasÕnda
sanatseverlerle bekliyor.
Organized by Panormas
Workshop and hosted by
Beyoülu Belediyesi Cihangir
Art Gallery, mixed painting
exhibition named “The Old
Istanbul on Lens to Toile”
waiting for art lovers between
20 May – 2 June 2013.
%(<2ùLU
Áehrin
Profilleri
Profiles of the City
%H\RüOX%HOHGL\HVL.OWUOHUDUDVÕ
Sanat DiyaloglarÕ kapsamÕnda,
4-17 Haziran 2013 tarihleri
arasÕQGD(]HTXÕHO%DUDNDW´ûehrin
Profilleri” resim sergisine ev
sahipliüi yapÕyor !
Within the Beyoglu Municipality Inter
Cultural Art Dialogues event, Ezequel
Barakat’s “Pro¿les of the City”
exhibition can be visited between 4-17
June 2013.
Beyoülu Belediyesi
Cihangir Sanat Galerisi
Gelenekselden Moderne
From Traditional to Modern
Resim Öüretmeni, Ressam Nevin
(UJHQ0D\Õs tarihleri
arasÕnda Cihangir Sanat Galerisi’nde
‘Gelenekselden Moderne ’ adlÕ yeni
bir sergi açÕyor. SanatçÕ, Geleneksel
(EUXdDOÕýmalarÕndan yola çÕkarak
önce ebru kolaj ve kati çalÕýmalarÕ
yaparak ebru da farklÕ arayÕýlar
yaptÕüÕ eserlerini meraklÕlarÕyla
buluýturuyor.
Art Teacher, artist Nevin Ergen is
hosting a new exhibition at Cihangir
Art Gallery named “From Traditional
to Modern” between 8-18 May. Artist,
displays her experimental, new Ebru
techniques applied on traditional Ebru
techniques.
Beyoülu Belediyesi
Cihangir Sanat Galerisi
%(<2ù/8
HABER / NEWS
Beyoülu Belediyesi’nden
vergi mükelleÀerine özel
ikramlar
A special treat from the Beyoülu
Municipality to taxpayers
%H\RüOX%HOHGL\HVL\ÕlÕ vergi
ödemelerini yapan vatandaýlarÕn
rahat etmesi için hizmette sÕnÕr
tanÕmÕ\RU%HOHGL\H|GHPHOHULQL
\DSPDNLoLQ%H\Rülu Vergi Dairesi’ne
gelen mükelleÀere, meýrubat ve
kahve servisi yapÕyor. 1319 sayÕlÕ
(PODN9HUJLVL.DQXQXLOHVD\ÕlÕ
%HOHGL\H*HOLUOHUL.DQXQX¶QDJ|UH
belediyeye emlak, çevre temizlik,
ilan reklam ve yol harcama katÕlÕm
payÕ borcu olan vatandaýlar,
%H\Rülu Vergi Dairesi’nde yapÕlan
bu hizmetten son derece mutlu.
<DýlÕ, engelli, hasta ve hamile
vatandaýlarÕnÕ düýQHQ%H\Rülu
%HOHGL\HVL¶QLQEXKL]PHWLPD\Õs ayÕ
sonuna kadar devam edecek.
Beyoülu’nda evlenmek
çok kolay
Getting married in
Beyoülu is very easy
%H\RüOX%HOHGL\HVLYDWDQGDýlar
evlenmek için sÕra beklemesin
ve en mutlu günlerine kendi
semtlerinde adÕm atabilsin
diye gün sayan çiftlere büyük
kolaylÕk saüOD\DFDN³<HULQGH
Nikâh” uygulamasÕnÕ hayata
geçirdi. Uygulama ilk olarak
2NPH\GDQÕ Semt KonaüÕ’nda
baýladÕ%XUDGDQLNkKPHPXUX
görevlendirilerek, evlendirme
hizmeti, vatandaýlarÕn ayaüÕna
götürüldü.
The Beyoülu Municipality has
launched a new initiative that
will provide great convenience to
couples who are counting down
the days until their wedding:
“Marriage on Location.” The
application is ¿rst started in
the Mansion of the OkmeydanÕ
neighborhood. Registrars will
now visit citizens for marriage
services upon request.
%(<2ùLU
The service of the Beyoülu Municipality
knows no bounds. As a special recognition
to those who have payed their taxes for
2013, the Beyoülu Tax Of¿ce has begun
to offer gratuitous soft drinks and coffee.
Taxpayers who have come to pay their
property, environmental, classi¿ed
advertising, and road taxes are extremely
happy with the treat offered by the Tax
Department. The Municipality, who is
particularly considerate of the elderly,
the disabled, the ill, and its pregnant
residents, will continue this service until
the end of May.
“2013 Donizetti Klasik Müzik Ödülleri’’ açÕklandÕ
The winners of the 2013 Donizetti Classical Music Awards announced
%XVHQHNXUXOXý yÕOG|QPQNXWOD\DQNODVLNP]LNGHUJLVL$QGDQWH¶QLQ
RUJDQL]DV\RQXLOH%H\RüOX%HOHGL\HVL¶QLQHYVDKLSOLüLQGH.h6$99DNIÕ’nÕn
destekleri ile düzenlenen 2013 Donizetti Klasik Müzik Ödülleri’nin sahipleri
7KH0DUPDUD3HUD2WHOL¶QGHG]HQOHQHQEDVÕn toplantÕsÕnda kamuoyuna
GX\XUXOGX$QGDQWH.ODVLN0]LN'HUJLVL¶QLQ\ÕlÕndan bu yana her yÕl
düzenlediüi Donizetti Klasik Müzik Ödülleri’nin sahipleri belli oldu.
The Andante Classical Music Magazine, celebrating its 11th anniversary this year,
hosted the 2013 Donizetti Classical Music Awards with the support of the KÜSAV
Foundation in an organization held in the Beyoülu district. The winners were
announced at a press conference held at The Marmara Pera Hotel. This is Andante’s
third yearly award event since 2010.
Beyoülu’nda 10 bin kiýi
Çanakkale yolcusu
Beyoülu is sending 10,000 to
Çanakkale
The Beyoülu Culture Tours going to
Çanakkale have begun with the slogan
“From Beyoülu to Çanakkale in Evliya
Çelebi’s footsteps.” The tour is offered seven
days a week to NGOs, citizen associations,
schools, and citizens residing in Beyoülu.
The tour, which began on April 20th, is
scheduled to last until the autumn.
%H\Rülu Kültür Gezileri’nin Çanakkale
ayaüÕ³(YOL\DdHOHEL¶QLQL]LQGH
%H\Rülu’ndan Çanakkale”ye sloganÕyla
baýladÕ. 20 Nisan’da baýlayan ve
sonbahara kadar sürmesi planlanan
gezilerde her gün iki otobüsle 90 kiýi
J|WUO\RU%|\OHFHELUD\GD\DNODýÕk
3 bin kiýiye Çanakkale Zaferi’nin
anlamÕ ve heyecanÕ yaýatÕlÕyor.
“Beyoülu’’ hikayesi belli oldu
Beyoülu’s story is chosen
%H\RüOX%HOHGL\HVLYH%H\Rülu
Ticaret Meslek Lisesi’nin iýbirliüi ile
G]HQOHQHQ³%H\Rülu” temalÕ hikaye
yarÕýmasÕnÕn sonuçlarÕ belli oldu.
%H\RüOX%HOHGL\HVL¶QLQ.XUXOXý
yÕldönümünü kutlamak amacÕ
LOHG]HQOHQHQ³%H\Rülu” TemalÕ
Hikaye yarÕýmasÕnÕn sonuçlarÕ
açÕklandÕ.
The results of the “Beyoülu”
themed story contest,
organized by the Beyoülu
Commercial Vocational High
School in cooperation with
the Municipality as part of the
157th anniversary celebrations
of the district, were announced
recently.
Beyoülu güne sporla baýlÕyor!
Beyoülu begins the day with exercise!
úOoHVDNLQOHUL%H\RüOX%HOHGL\HVL
Destek Hizmetler Müdürlüüü’ne
baülÕ Spor ûeÀiüi tarafÕndan 6 farklÕ
noktada koordine edilen sabah
sporlarÕ ile güne zinde baýlÕyor.
Her sabah 07:00 ve 09:00 saatleri
arasÕnda, belli mekanlarda uzman
antrenörler eýliüinde sabah sporu
yapan vatandaýlar, hem açÕk havada
spor yapmanÕn keyfine varÕyor, hem
de saülÕüÕnÕ koruyor.
District residents can now join one of six
different locations coordinated by the
Beyoülu Municipality Sports Services,
and start their day with morning
exercise. Every morning between 07:0009:00, the KasÕmpaýa Algerian Gazi the
Cihangir Park, the Piyalepaýa ¿eld, the
Hasköy Sailing Club, and the Golden
Horn Sports Facility will be offering
morning sports with expert trainers to
those citizens who wish to keep ¿t.
“Kentsel Dönüýüm
Geleceüi KurgulamaktÕr’’
“Urban Transformation is a Way
to Envision the Future”
ústanbul Üniversitesi úktisat
Kulübü’nün düzenlediüL³(NRQRPL
Zirvesi 2013” ústanbul Üniversitesi
Kongre Kültür Merkezi’nde baýladÕ.
$U*HYH³.HQWVHO'|Qýüm”
konularÕnÕn ele alÕndÕüÕ zirvenin
birinci gününde konuýDQ%H\Rülu
%HOHGL\H%DýkanÕ$KPHW0LVEDK
Demircan, katÕlÕmcÕlara kentsel
dönüýüm konusunda bilgi verdi
ve Kentsel Dönüýümün geleceüi
kurgulamak olduüunu söyledi.
The “2013 Economic Summit”
organized by the Istanbul University
Economics Club has kicked off in
the Congress and Cultural Center of
Istanbul University. Beyoülu Mayor
Ahmet Misbah Demircan spoke on the
first day of the summit where topics
like “Research and Development”
and “Urban Transformation” were
addressed. The Mayor talked about
urban transformation projects as a
way to envision the future.
%(<2ù/8
Gençlik Merkezi Kefken AýÕsÕ 4’üncü mezunlarÕnÕ verdi
The Youth Center celebrates its 4th batch of Kefken graduates
The Beyoülu Municipality Youth Center
has celebrated its 4th batch of graduates
who have been creating works of art
over the last few months based on the
theme titled: “The Kefken Vaccine.” The
children, who continued to develop their
projects begun at the Kefken Winter
Camp, showcased their skills in the
Youth center through choral music,
theater performances, folk dances, and
paintings.
%H\RüOX%HOHGL\HVL*HQoOLN
Merkezi’nin kÕý boyunca “Gençlik
0HUNH]L.HINHQ$ýÕsÕ” sloganÕyla
sürdürdüüü sanat çalÕýmalarÕnÕn
4’üncü dönem mezunlarÕ coýkulu
bir geceyle izleyicilerden tam not
aldÕ. Kefken KampÕ’nda yapÕlan
kültür ve sanat çalÕýmalarÕnÕ Gençlik
Merkezi’nde sürdüren çocuklar,
hünerlerini sergiledi.
Kavafis Doüumunun
150. yÕlÕnda anÕldÕ
Kava¿s remembered in his 150th year
%H\Rülu Zografyon Lisesi ve
0DGRXOLGL2NXOODUÕ tarafÕndan
düzenlenen Kavafis’in 150 yÕlÕ
etkinliüinin açÕlÕýW|UHQL%H\Rülu
'HPLUFDQ<XQDQLVWDQústanbul
%Dýkonsolosu Nikos Mathioudakis
ve Rum Fener Rum Patriüi
%DUWKRORPHRV¶XQNDWÕlÕmÕ ile
baýladÕ. 11- 14 Nisan tarihleri
arasÕnda gerçekleýen etkinliüin
açÕlÕýÕ%H\Rülu Zografyon Lisesi’nde
yapÕldÕ.
Beyoülu’nda obeziteye savaý
açÕldÕ
Beyoülu declares war on obesity
Deüiýen hayat tarzÕ ile ciddi bir soruna
dönüýen obeziteye karýÕ%H\Rülu
%HOHGL\HVLWPRNXOYHVHPWNRQDNODUÕnda
bilinçlendirme seminerleri baýlattÕ.
DünyayÕ tehdit eden obeziteye karýÕ
%H\RüOX%HOHGL\HVLYH8QLYHUVDOútalyan
Hastanesi “SaülÕklÕ<Dýam Seminerleri”
baýlattÕ. Uzman doktor ve diyetisyenler,
ilçede bulunan okullarda saülÕklÕ yaýam
konusunda bilgilendirme yapÕyor.
The Beyoülu Municipality has launched
awareness-raising seminars against obesity
in all schools and district mansions. The
seminars titled, the “Healthy Living Seminars”
have been launched in collaboration with the
Universal Italian Hospital. Specialist doctors
and dietitians inform students about healthy
life habits in the district’s schools.
Beyoülu Belediyesi Yelken Kulübü,
sezonu kupa ile açtÕ
The Beyoülu Municipality Sailing Club has opened
the season with a trophy
%H\RüOX%HOHGL\HVL¶QHEDülÕ%H\RüOX<HONHQ.XOE\HQL
sezonda katÕldÕüÕ iki yarÕýWDQGDGHUHFHLOHG|QG%H\Rülu
%HOHGL\HVL<HONHQ.XOE%\NoHNPHFH%HOHGL\HVL
Federasyon KupasÕ<DUÕýlarÕ ile ústanbul Valiliüi Gençlik
Hizmetleri ve Spor úl Müdürlüü<HONHQúl Temsilciliüi’nin
NRRUGLQDV\RQXQGDG]HQOHQHQ8OXVDO(JHPHQOLN%D\UDPÕ
KupasÕ<DUÕýlarÕ’na katÕldÕ. KÕý dönemi boyunca antrenörleri
Muhammet Celep ile yoüun antrenman yapan sporcular, her
iki yarÕýta da farklÕ klasmanlarda dereceye girdi.
Sponsored by the Beyoülu Municipality, the Beyoülu Sailing
Club has returned from its ¿rst two races of the season with
a trophy. The club participated in the National Independence
Day Cup race, hosted by the Istanbul Governorship Provincial
Directorate of Youth Services and Sports, as well as the
Buyukcekmece Municipality Federation Cup race. Athletes of
the club engaged in intense workouts during the winter months
with coach Mohammad Drover, and have now received top
place ¿nishes in both races.
%(<2ùLU
Beyoülu’nda uzayÕn
derinliklerine yolculuk
devam ediyor
Beyoülu’s space travel continues
%H\RüOX%HOHGL\HVL¶QLQHüitim
etkinlikleri kapsamÕnda hayata
geçirdiüi Galaksi ÇadÕrÕ büyük ilgi
görüyor. Öürencilerin bilime olan
ilgilerini arttÕrmak ve onlarÕ bilimsel
çalÕýmalara yöneltmek amacÕ ile
kurulan çadÕrda uzaya yolculuk hiç
de hayal deüLO%H\RüOX%HOHGL\HVL¶QLQ
bilimsel projelerinden biri olarak,
ilçedeki ilköüretim okullarÕnÕn
bahçesinde 1 Nisan- 24 MayÕs
tarihleri arasÕnda hizmet verecek
olan etkinlik sayesinde öürenciler,
eülenirken bilgi sahibi de oluyor.
Beyoülu Municipality’s Galaxy tent,
launched as an educational initiative,
continues to enjoy popularity. To
increase students’ interest in science
and scienti¿c studies, the tent invites
those who enter it to journey through
space. The tent will be set up in the
playgrounds of different primary
schools between April 1-May 24,
offering an experience where students
will learn while having fun.
“Beyoülu Çocuk ûenliüi” coýkuyla tamamlandÕ
The “Beyoülu Children’s Festival” concludes
%H\RüOX%HOHGL\HVL¶QLQKHU\Õl düzenlediüL³%H\Rülu Çocuk ûenliüi”
Hasköy’de yapÕlan ýenlikle noktalandÕ. 33 okul, 99 etkinlik ve 60 bin
katÕlÕmcÕnÕn yer aldÕüÕ ýenlikte minikler bir hafta boyunca gönüllerince
eüOHQGL1LVDQ8OXVDO(JHPHQOLNYHdRFXN%D\UDPÕ kapsamÕnda
gerçekleýWLULOHQ³%H\Rülu Çocuk ûenliüi” her yÕl olduüu gibi bu yÕl da renkli
J|VWHULOHUHVDKQHROGX%LUKDIWDVUHQýenlikte 33 okul, 99 etkinlik yer aldÕ.
The festivities of the “Beyoülu Children’s Festival” organized every year by the
Beyoülu Municipality in Hasköy have ended. The festival, which counted more
than 60,000 participants from 33 schools and hosted 99 separate activities,
offered heaps of fun to children in attendance. The festival, a part of the April
23rd National Sovereignty and Children’s Day celebrations, was host to many
colorful performances.
Beyoülu Belediyesi’nden
yaýlÕ ve engellilere yeni
hizmet
The Beyoülu Municipality aids
the disabled and elderly
<DýlÕ ve engelli vatandaýlara kol
NDQDWJHUPH\HGHYDPHGHQ%H\Rülu
%HOHGL\HVL$LOHYH6RV\DO3ROLWLNDODU
%DNDQOÕüÕ ústanbul úl Müdürlüüü
ile iýbirliüi protokolü imzaladÕ.
úmzalanan protokolle; engelli ve yaýlÕ
yakÕnlarÕna ödenen evde bakÕm parasÕ
LQFHOHPHOHULEXQGDQE|\OH%H\Rülu
%HOHGL\HVLWDUDIÕndan yapÕlacak.
The Beyoülu Municipality has signed a
cooperation protocol with the Istanbul
Provincial Directorate of the Ministry of
Family and Social Policies as it strives
to offer better services to its disabled
and elderly residents. According to the
new protocol, the Municipality will now
oversee the bene¿t paid to the relatives of
the disabled and elderly who are offering
home care.
%(<2ù/8
úmam Adnan Sokak Rus
motiÀeriyle süslendi
Imam Adnan Street was
decorated with Russian motifs
Turabibaba resim, ýiir ve müzikle coýtu
Rus kültürü ve sanatÕnÕ en iyi
örnekleriyle Türkiye’de tanÕtmak,
iki ülkenin toplumlarÕ arasÕndaki
dostluk iliýkilerini güçlendirmek
amacÕyla gerçekleýtirilen Rus
Kültürü Festivali ‘Rus el sanatlarÕ
panayÕrÕ¶LOHGHYDPHGL\RU%H\Rülu
Demircan’Õn açÕlÕýÕnÕ yaptÕüÕ
panayÕra esnaf ve halk büyük ilgi
gösterdi.
Turabibaba reveled in painting, poetry and music
Hasköy úlköüUHWLP2NXOX|ürencileri,
Turabibaba Kütüphanesi’nde resim,
ýiir ve müzikten oluýan bir gösteri
sundu. ústanbul Çocuk ve Gençlik
%LHQDOL¶QGHGHVHUJLOHQHQ³'ý
Çocuk Gerçek Çocuk” konulu sergiyi
gezen Demircan, ünlü ressamlarÕn
çalÕýmalarÕndan esinlenerek yeni
çalÕýmalar ortaya koyan öürencileri
tebrik etti.
ABD’li SanatçÕ Kevin
Locke, gençleri
çemberine aldÕ
American Artist Kevin Locke
meets with the youth
0HUNH]LYH$%'%Dýkonsolosluüu
.OWU%LULPLLýbirliüi ile
düzenlenen atölye çalÕýmalarÕnÕn
son konuüX$PHULNDOÕ SanatçÕ
Kevin Locke oldu. Hoop of
Life (Hayat Çemberi) isimli
gösterisi ile 80’e yakÕn ülkede 1
milyonunun üzerinde çocuk ve
gence ulaýan Kevin Locke, önce
%(<2ùLU
Hasköy Elementary School students
offered a show of painting, poetry,
and music in the Turabibaba Library.
Beyoülu Mayor Ahmet Misbah
Additionally, the Mayor had the pleasure
of congratulating students in the
Istanbul Children and Youth Biennial
event where young artists created
artwork inspired by the works of famous
artists for an exhibit named: “The Dream
Child & The Real Child.”
The Russian Culture Festival has
resumed with its craft fair. The festival
aims to promote the best examples
of Russian art and culture in Turkey
in order to strengthen the friendly
relations between the two societies and
countries. The event, in which Beyoülu
Mayor Ahmet Misbah Demircan gave
the opening speech, has been met with
great interest from the public.
2UNHVWUDVÕ üyeleri ile tanÕýtÕ.
*HQoOLN2UNHVWUDVÕnÕn mini
konserinden sonra sahneye
çÕkan Locke, kÕsa bir Àüt
dinletisi sundu.
American Artist Kevin Locke was
the last guest in the workshops
organized in the collaborative
effort between the Beyoülu
Municipality Youth Center and
the U.S. Consulate General of the
Department of Culture. Kevin
Locke, who has performed to over
one million children and youth
in 80 different countries with

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