Point Kitap - Point Hotel

Transkript

fiifre / Password: ‹stanbul
P o i n t
H o t e l
v e
Ç a ¤ d a fl
S a n a t
Point Hotel and Contemporary Art
Küratör / Curator: Beral Madra
Yeflim A¤ao¤lu
Gülçin Aksoy
Volkan Aslan
Okan Bayülgen
Ali Cabbar
Nuri Bilge Ceylan
Nejat Ç›nar
T. Melih Görgün
Hakan Gürsoytrak
Gül Ilgaz
Bengü Karaduman
Esen Karol
Serhat Kiraz
S›tk› Kösemen
Pablo Martínez Muñiz
Murat Morova
Sinan Niyazio¤lu
Kadri Özayten
Ardan Özmeno¤lu
Günnur Özsoy
Gülay Semercio¤lu
Nilhan Sesalan Yüzsever
Kemal Tufan
Baflak Ürkmez
Mohaç Yücel
Point Hotel ve Ça¤dafl Sanat / Point Hotel and Contemporary Art
Ocak / January, 2010
Bu kitap, Point Hotel ve BM Suma iflbirli¤inde Point Hotel Barbaros’un lobi,
katlar ve odalar›nda düzenlenen “fiifre: ‹stanbul” adl› sanatç› çal›flmalar› ve
yerlefltirmeleri nedeniyle 4000 adet yay›nlanm›flt›r.
As a collaborative work by Point Hotel and BM Suma, this book is published
4000 copies to put in the spotlight the artististic productions and installations
titled “Password: ‹stanbul” placed in the lobby, floors and rooms of Point Hotel
Barbaros.
Küratör / Curator: Beral Madra
Koordinasyon / Coordination:
BM Suma Ça¤dafl Sanat Merkezi / BM Suma Contemporary Art Center
(Beral Madra, Binnaz Tukin, Nilüfer Sülüner)
Metin / Text by: Beral Madra
Çeviri / Translation: Zeynep Güden
Foto¤raflar / Photographs: Burak Özbek
Grafik Tasar›m / Graphic Design: Ahmet Öktem
Bask› / Print:
A4 Ofset Ltd. fiti.
Yeflilce Mah. Donanma Sok. No: 16
34418 Seyrantepe, ‹stanbul
www.a4ofset.com
K e m a l Tu f a n
‹ ç i n d e k i l e r
Point Hotel Barbaros .
/
C o n t e n t s
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Beral Madra, ‹stanbul fiifreleri / ‹stanbul Passwords .
. . . . . . . . . . . . . . . . . . . . . . . .
Point Hotel Barbaros lobi ve katlar / Point Hotel Barbaros, lobby and floors .
Sanatç›lar / Artists .
. . . . . .
8-9
12 - 29
30 - 51
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Yeflim A¤ao¤lu
52
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
54 - 57
Gülçin Aksoy
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
58 - 59
Volkan Aslan
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
60 - 63
Okan Bayülgen
Ali Cabbar
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
64 - 67
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
68 - 73
Nuri Bilge Ceylan
Nejat Ç›nar
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
T. Melih Görgün
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Hakan Gürsoytrak
Gül Ilgaz
74 - 75
76 - 77
78 - 81
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
82 - 85
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
86 - 89
Bengü Karaduman
Esen Karol
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
90 - 93
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
94 - 95
Serhat Kiraz
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
S›tk› Kösemen
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Murat Morova
106 - 109
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
110 - 113
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
114 - 117
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
118 - 121
Ardan Özmeno¤lu
Günnur Özsoy
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Gülay Semercio¤lu
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Kemal Tufan
122 - 123
124 - 125
126 - 129
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
130 - 133
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
134 - 137
Baflak Ürkmez
Mohaç Yücel
100 - 105
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Sinan Niyazio¤lu
Kadri Özayten
96 - 99
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
138 - 139
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
140 - 143
8
Türkiye’nin ilk Art-Tech oteli Point Hotel Barbaros’u 2009 y›l›nda ‹stanbullar›n ve flehir d›fl›ndan
gelen de¤erli misafirlerimizin hizmetine açt›k.
Markam›z›n ilk tesisi olan Point Hotel Taksim’de sanat›n iç mekânlar›m›z›n duygusal konforunu artt›ran
ve flehrimizin gizli hikâyelerini misafirlerimize görsel estetikle sunan bir ö¤e olmas›na karar vererek
Taksim’deki tesisimizin tüm mekânlar›na Ara Güler’in 232 adet siyah beyaz foto¤raf›n› içeren ‹stanbul,
1950 isimli bir sürekli sergi yerlefltirmifltik; bu sergiyi her zaman görebilirsiniz…
Esentepe’de aç›lan yeni tesisimiz ‹stanbul’un modern siluetini yans›tan bölgede yer al›yor; dolay›s›yla
otelimizin iç mekânlar›nda flehrimizi ça¤dafl sanatla anlatmaya karar verdik. Beral Madra küratörlü¤ünde
bafllatt›¤›m›z yaklafl›k bir y›l süren çal›flmalar›m›z sonunda bugün otelimizde 26 sanatç›n›n 265 ça¤dafl
sanat eserinden oluflan fiifre: ‹stanbul isimli sürekli sergimiz gelen yabanc› misafirlerimize güzel flehrimizi
keflfetmeleri için kavramsal ipuçlar› veriyor. De¤erli sanatç›lar›n küratörümüz Beral Madra ile birlikte otel
daha inflaat halindeyken mekanlar› yorumlayarak yap›tlar›n› mekanlara göre üretmeleri ve yerlefltirmeleri,
otelin iç mimarisinin flekillenmesinde de yeni bir deneyim oldu.
Sanat›n salonlar, galeriler, müzeler gibi kurumlar›n korunakl› ortam›nda izleyiciyle buluflturulmas›
al›fl›lageldik bir durumdur, otelimizde ise eserler misafirlerimizin günlük rutinleri içerisinde her noktada
onlara ulaflarak onlarla bir iliflki kuruyor ve ça¤dafl sanat›n hem yaflam›n içinden ç›kan hem de yaflam›n
içine nüfuz eden özelli¤i bir kez daha ortaya ç›k›yor. En büyük arzumuz Point Hotel Barbaros’un büyülü
atmosferinde bu kitapta size sundu¤umuz yap›tlar›n anlatt›¤› ‹stanbul hikâyelerini deneyimlemenizi
sa¤lamak! Ça¤dafl sanat›n bu çeflitli örnekleriyle ve servis vermenin de bir sanat oldu¤una inanan
ekibimizle sizleri misafir etmek için Esentepe’deki yeni adresimizde bekliyoruz.
Her zaman memnuniyetle...
Hasan Gökhan Özbek
Genel Koordinatör
9
Point Hotel Barbaros, the first Art-Tech Hotel of Turkey, opened doors to the Istanbulite and the
city’s valuable visitors in 2009.
At Point Hotel Taksim, the first facility of our brand, we decided that art should be an element elevating
the emotional comfort of the interior spaces and relating the secret stories of our city to our guests in visual
aesthetics. Therefore, inside our hotel in Taksim, we installed a permanent exhibition titled ‹stanbul, 1950
comprised of 232 black-and-white photographs by Ara Güler. This exhibition can be visited any time…
Our new facility opened in Esentepe is situated at a district reflecting ‹stanbul’s modern silhouette. For this
reason, we concluded that we should echo the city via contemporary art in the internal decoration. Today,
as an outcome of almost our study, which lasted for about a year, we initiated under the curatorship of Beral
Madra, our hotel is housing a permanent exhibition titled Password: ‹stanbul, comprised of 265 contemporary
artworks by 26 artists. The exhibition is offering conceptual clues to our foreign guests in their venture for
exploring this beautiful city. Prior to producing and installing their works, al these renowned artists worked
with our curator Beral Madra. Together, they interpreted the internal spaces of the hotel, when the hotel
was still under construction. This collaboration has been a unique experience in the formulation of the hotel’s
internal architecture.
It is common to see artwork offered to the viewer in the sheltering environment of halls, galleries and
museums. Meanwhile, in our hotel the oeuvres are building a connection with the guests by reaching
them at every point during their daily routine. This bondage once more reveals one of the most distinctive
characteristics of contemporary art - that it emerges from and penetrates into life itself. We sincerely
wish to help you personally experience in the magical atmosphere of Point Hotel Barbaros, the ‹stanbul
stories, which the artworks, we are introducing in this book, are telling you. With these versatile
pieces of contemporary art and with our team, who believes that offering service is also a form or art,
we are expecting you to be our guests in our new address in Esentepe.
Always with pleasure...
Hasan Gökhan Özbek
General Coordinator
Nejat Ç›nar
12
‹stanbul fiifreleri
‹stanbul’un ufuk çizgisi h›zla de¤ifliyor; ‹stanbul Bo¤az›’ndan, Marmara Denizi’nden ve köprülerden
geçerken tarihsel dokuyu tafl›yan tepelerin arkas›nda gökdelenlerden oluflan yeni-gotik bir kentin
görüntüsü gelece¤e yönelik iflaretler veriyor. Gökdelenler bir süredir ‹stanbul’a bak›fl›n özelliklerini
belirliyor. Geçmifl ile gelecek aras›ndaki görsel bir rekabet söz konusu oldu¤u düflünülebilir; ancak
kentin kuzey kesimlerini iflgal eden bu yeni yap›larla tarihsel kentin yüksek tepelerine yerlefltirilmifl
camiler aras›ndaki bu rekabet manzaras›na olumsuz bak›fl co¤rafi konumun sa¤lad›¤› perspektif
ayr›fl›m› dolay›s›yla etkisini yitiriyor.
Gökdelenlere ç›k›ld›¤›nda, kentin dört yöne uzanan sonsuzlu¤u bak›fl› etkiliyor; yine co¤rafi özelliklerden
dolay› bu görüntüde tekdüzelik yok; girintili ç›k›nt›l› deniz k›y›lar›, uçsuz bucaks›z mahalleler, gelifligüzel
yap›laflma, kentin büyüklü¤ünün yaratt›¤› bir irkilmeyle birlikte gözü oyalayan bir çeflitlilik oluflturuyor.
Point Hotel bu yeni doku içinde beyaz ve sade bir dikdörtgen; çevresel görüntüyü rahats›z etmeyen,
ama kimli¤i olan ifllevsel bir mimari. ‹ç mekânlar yeni-modernist yaklafl›mda, dingin ve rahatlat›c›. Bu
20.yy’›n Bauhaus etkilerini yans›tan sadelik ve ifllevsellik post-modern e¤ilimlerin öngördü¤ü geleneksel
ve modern üslup bireflimlerinin kitsch gösterifline al›flm›fl olanlar› flafl›rtabilir.
Bu otele girenleri flafl›rtabilecek baflka bir görüntü daha var. Otel sahipleri, Türkiye’nin ça¤dafl sanat
üretimi için sunum ve mekân olanaklar› açt› ve otel inflaat› boyunca sanatç›lar davet edildi, yap›tlar
üretildi ya da seçildi; en uygun yerlere yerlefltirildi. Burada, belki ilk kez ‹stanbul turizminin enerjisiyle,
ça¤dafl sanat üretimi aras›nda organik bir iliflki kuruldu. Otele gelenler ve otelde kalanlar, bütün odalar,
bütün ortak kullan›m alanlar›na yerlefltirilmifl foto¤raflar, videolar, heykeller, üç boyutlu yerlefltirmeler
dolay›s›yla, ‹stanbul odakl› sanat ortam›n› yak›ndan izleme ve tan›ma olana¤› bulacak; bir ça¤dafl sanat
müzesine gitmifl gibi, bu üretim konusunda ayr›nt›l› olarak bilgilenecek. Dikkatli ve ilgili gözler
yap›tlar›n tümünün ‹stanbul üstüne yo¤unlaflt›¤›n› fark edecekler. ‹stanbul bu sergi konsepti içinde
baflroldedir ve bu otel sahipleri ve sergi yap›mc›lar› taraf›ndan, bu otelin kullan›c›lar›na kente farkl› bir
bak›fl olana¤› vermek için haz›rlanm›fl bir ortamd›r. Farkl› bak›fl›n, ‹stanbul’u tarihsel, geleneksel, siyasal,
toplumsal ve kültürel aç›dan bugüne ait düflünce ve kavramlarla alg›lama, anlama ve yorumlama
içerdi¤ini anlatmak isteyen bir yaklafl›md›r, bu.
‹stanbul, 1980’lerden günümüze, küresel ekonomi ve siyasete koflut olarak küresel ça¤dafl sanat
13
‹stanbul’s Passwords
‹stanbul’s silhouette is changing rapidly. While one is crossing the bridges, the Bosphorus or Marmara
Sea, behind the hills carrying the historical wealth are skyscrapers. This panorama of a new-gothic city
gives clues about the future. Recently skyscrapers have been determining the nature of the vision
towards ‹stanbul. We can argue that there is a visual competition between the past and the future.
However, the negative impression one gets by viewing this competition - between the mosques
placed on the higher hilltops of the old city and these new buildings invading the northern parts loses effect thanks to the perspective differentiation.
Up on the skyscrapers, the infinity of the city stretching to all four directions, impresses the viewers.
Again due to geographical character, the panorama is not monotonous. The zigzagging sea shores,
illimitable quarters and arbitrary housing startle the viewer. Yet, they make up a diversification, which
deserves a long scrutinize.
Somewhere in the new pattern, Point Hotel stands as a white and plain rectangle. Its architecture
does not spoil the environmental view; yet it is a functional building with an identity. Designed with
the new-modernist approach, the indoor spaces are calm and relaxing. This simplicity and functionality
reflecting the Bauhaus influences of the 20th century could surprise those who are accustomed to the
kitsch effulgence of the combination of traditional and modern styles imposed by post-modern
trends.
There is something else, which may surprise the hotel visitors: The hotel owners have spared special
areas for the display of Turkish contemporary art works. Artists were invited to the hotel during its
construction. Oeuvres were produced and selected. They were placed on the most suitable spots.
Here, most probably for the first time, an organic relation was built between ‹stanbul’s tourism energy
and contemporary art production. Hotel visitors and guests will find a chance to get to know and
keenly observe ‹stanbul’s art world through the photographs, videos, sculptures, 3D installations,
placed in all rooms and areas of common use. They will obtain detailed information about this production,
as if they have been to a contemporary art museum. Attentive and interested eyes will notice that all
of the works focus on ‹stanbul. In this exhibition concept, ‹stanbul is playing the lead role. And this
hotel is a lieu prepared by its owners and exhibition producers, with the objective of presenting the
hotel guests a different perspective over the metropolis. This is an approach to note that the different
14
üretiminin önemli bir merkezi durumuna gelmifltir. Ekonomi ve siyaset alan›nda kent, kendine özgü
modern ölçütleri ve gelenekleriyle çekici bir yönetim merkezidir. Bilgi ve yarat›c›l›k ekonomisi için de
do¤urgan bir ortam sunmaktad›r. E¤lence ve turizm için bulundu¤u co¤rafi-kültürel konumun bütün
bileflenlerini içermektedir ve Asya ve Avrupa aras›nda bir çekim alan› oluflturmaktad›r. Kültür ve sanat
da bu geliflmelere yeni biçimler ve boyutlar ekleyerek katk›da bulunmakta ve sürekli kenti
baflkalaflt›rmaktad›r.
90’l› y›llar›n bafl›ndan bu yana gerçeklefltirilen sanat yap›tlar›nda kent, mikro ve makro anlat›lar›n,
temsiliyetlerin, taklitlerin ve metaforlar›n çok önemli bir arka alan› olarak belirginlefliyor. Çok say›da
sanatç›n›n resimlerinde, foto¤raflar›nda, videolar›nda ve yerlefltirmelerinde ‹stanbul’a ait görüntülerin,
yaflamlar›n, ayr›nt›lar›n, karmafl›kl›¤›n, karfl›tl›klar›n izi sürülebiliyor. Kenti, e¤er do¤rudan do¤ruya
yap›t›n konusu ve öznesi de¤ilse bile, yap›t›n nedeni olarak alg›layabiliyoruz. Bu yap›tlarda her fleyden
önce bir kültür, bilgi, yorum çeflitlili¤i dikkat çekicidir. Her ne kadar küreselleflme süreci, özellikle yeni
geliflim alanlar›nda belirgin olan güçlü bir düzlefltirici çokuluslu flirket kültürü, medya ve e¤lence odakl›
kültür dayat›yorsa da, kentin mimari ve demografik yap›s› bu tekdüzeli¤i k›r›yor. Farkl›l›klar her yönden
gelen göçlerden kaynaklan›yor; yaln›z Anadolu’dan de¤il, flimdilerde Balkanlardan, Do¤u ve Güney
komflulardan gelenlerin getirdi¤i kültür farkl›l›klar› yeni fark katmanlar› oluflturmaktad›r. Kültürler
alafl›m› günümüzde kültür geliflimi için en benimsemen biçimdir; bu alafl›m, ‹stanbul için üretilen resimler,
foto¤raflar ve videolarda izlenebilir.
‹stanbul’un dünyan›n en büyüleyici kentlerinden birisi oldu¤u söyleniyor. Günümüz yap›tlar›nda her
zaman Güzel ve Yüce olan anlat›lm›yor; insanlar›n görmek istemedi¤i gerçekler de gösteriliyor. Klasik
sanatlar›n Güzel ve Yüce olan› anlatt›¤› dönemlerin geride kald›¤›n› bilmek gerekiyor; bu ba¤lamda
‹stanbul’u oryantalist bir anlay›flla anlatman›n da geçerli¤i kalmam›flt›r. Geleneksel ve modern dünya
görüfllerinin y›k›lmas›ndan sonra de¤er ölçülerinin de¤iflti¤ini biliyoruz. Neyse ki kültür toplumsal
yaflam›n bir parças› olarak toplumun elefltiren bilinci olma ifllevini koruyor ve sanatç›lar da geçmifle ait
yönlendirmeler ve eylemlerin art›k ifllemedi¤i bir durumu gö¤üsleyebiliyor. Onlar, birtak›m yan›tlar
verebilmek için yeni seçenekler ve eylemler bulmak zorundalar.
Ne ki, bu yan›tlar ço¤u kez aç›k kap› b›rakmayacak biçimde özel, öznel, mühürlü ve örtük; sanki
izleyicinin içeri girmek için flifreye gereksinimi var. Geçmiflte bir flifre bilmek zorunda olan insanlar
casuslard›. fiimdi böyle bir fley yok. fiimdi, bilgisayarlar ve banka sistemleri egemenli¤indeki günlük
yaflam›m›zda çok say›da flifre var. Bu flifreler yüzünden insan flafl›rabilir, bunalabilir ve bask› alt›nda kalabilir.
15
perspective covers a perception, understanding and interpretation with today’s ideas, concepts,
interpretations and forms, with respect to the city’s history, traditions, and political, social and cultural
life.
Parallel to the global economy and politics, ‹stanbul has become an important a center of global
contemporary art production since ‘80s to date. With economic and political criteria and traditions of
peculiar to itself, the city is a center of global capital management. It also stands as a fruitful environment
for knowledge and creativity economy. As for entertainment and tourism, ‹stanbul embodies all the
components of the geographical and cultural environment it is a part of. It is an attraction spot
between Asia and Europe. Meanwhile, having taken new forms and reached higher volumes culture
and arts are contributing to these developments and are transfiguring the city.
In the art works produced since early ‘90s, the city is highlighted as a crucial background for microand macro-narrations, representations, imitations and metaphors. Traces of images, lives, details,
complexities and contradictions pertaining to ‹stanbul can be found in the photos, videos, installations
of many artists. Even if the city does not constitute the main theme and the subject of the work, we
can sense that it is the reason of the work’s creation. Above all, knowledge, culture and interpretation
diversity draws attention in these works. Even though the globalization process imposes a straightening
multinational company culture and a media- and entertainment-oriented culture - prevailing especially
on areas of new development - the architectural and demographic structure of the city breaks this
monotony. The diversification finds root in the migrants flowing in from all directions: Not only from
Anatolia and also from the Balkans, and Eastern and Southern neighbors nowadays. The cultural
differences brought by the incomers generate new divergence layers. Today, the cultures’ alloy is the
most preferred method for culture development; this alloy can be viewed in the drawings, photographs
and videos produced for ‹stanbul.
‹stanbul is described as one of the most attractive and fascinating cities of the world. Today’s works
do not always narrate the Beautiful and the Divine; they also show the truth people do not want to
see. On should bear in mind that those times, when the classical arts related the Beautiful and the
Divine are over. In this context, depicting ‹stanbul with an Orientalist approach is also outdated. We
are aware that the value criteria have changed after the collapse of the traditional and modern world
views. Luckily, as a part of the social life, culture still functions as the criticizing conscious of the society.
The artists can handle the challenges of making a change, in an environment, where the orientations
Vo l k a n A s l a n
18
fiimdilerde flifreleri tüketim sistemi taraf›ndan kabul edilmek için ya da sanal ortama girebilmek için
kullan›yoruz; flifreler bize bilgi ve bilgilenme gücü kazand›r›yor. fiifreler bizi çok-kimlikli k›larken bir
yandan da anonimlefltiriyor.
Bu sergi de izleyiciye, sanat yap›tlar›n› flifre gibi kullan›p, ‹stanbul’un dolant›lar›na ve gizemlerine
girmeyi öneriyor…
Otelin lobisindeki bar›n arka köflesinde, bu otelin en son teknikle donat›lm›fl bilgisayar sistemine gönderme
yapan, ama bu sistemi bir kent manzaras›na dönüfltüren bir ifl yer al›yor. Yeflim A¤ao¤lu, her zaman
at›k malzemelerle çal›fl›yor ve bu kez de bilgisayar çiplerini minyatür kentlere dönüfltürerek
de¤erlendiriyor. A¤ao¤lu’nun bu çip kenti, bir bilgisayar oyunundaki kent ütopyas›n› sunuyor. ‹stanbul
ile karfl›laflt›r›ld›¤›nda, hiçbir zaman örtüflmeyecek düzen öneriyor A¤ao¤lu. Tam da bu karfl›tl›k, ‹stanbul’a
gelen bir insan›n kentin karmaflas›n› daha iyi kavramas›n›n nedeni olabilir. Bu iflin hemen karfl›s›ndaki
ifl merkezinde Gülçin Aksoy’un Geç Kald›n! bafll›kl› ifli yer al›yor. Yolculuklar›n ve ifl dünyas›n›n iki
boyutu vard›r: Zaman ve mekân. Aksoy’un Microsoft odas›na yerlefltirilen saatleri, yolcunun ve ifl
adam›n›n bilinçalt›nda sürekli var olan bir uyar›y› iflaretliyor: Geç kald›n! Bu küçük uyar›n›n evrenin
sonsuzlu¤u ve insan yaflam›n›n k›sal›¤› ba¤lam›nda paradoksal varl›¤›, bu odada çal›flanlara bir dinginlik
ve bilgelik kazanma olana¤› verebilir
Birinci asma kat›n kuzey bölümündeki küçük niflte, Volkan Aslan’›n dört resmi yer al›yor. Aslan’›n
ilkokul okuma kitaplar›n›n resimsel diliyle çizdi¤i küçük öyküler, ‹stanbul’un büyük nüfusunun günlük
yaflam›n› ve anonimli¤ini iflaret ediyor. Point Otel koleksiyonunda ‹stanbul kültür sanayisinin belki de
en çekici özelli¤ini oluflturan alternatif müzik de yer al›yor. Rock müzik dünyas›ndan görsel bir diziyi,
bu dünyay› yak›ndan tan›yan daha önce tiyatro dünyas›n›n ünlü oyuncular›n›n portrelerini çeken ve
yay›nlayan Okan Bayülgen özel olarak haz›rlad›. ‹stanbul’un Rock ve Alternatif Rock müzi¤i sahnesini
belgeleyen bu portre foto¤raflar›nda, bu müzi¤in ünlü ve ünsüz bütün üreticilerini izlemek olas›.
Bayülgen’in siyah-beyaz tutkusu bu diziye Rock müzi¤inin arkas›nda gizli olan zihinsel ciddiyeti
yans›t›yor. ‹lk bak›flta klasik ve a¤›rbafll› görünen foto¤raflar›n bir sonraki etkisinde Rock starlar›na özgü
hiciv ve gizem bütün a¤›rl›¤›yla ortaya ç›k›yor. Otelin balo salonunun iki katl› fuayesinde Nuri Bilge
Ceylan’n›n Turkeyscope bafll›kl› foto¤raf dizisinden ‹stanbul görüntüleri yer al›yor. Foto¤raf›n keflfinden
ve 19.yy sonunda Osmanl› toplumunun kültürel yaflam›n›n içine girmesinden günümüze, ‹stanbul’un
say›s›z fotografik görüntüleri arflivleri dolduruyor. Bu görüntüler aras›nda seçim yapmak zor bir ifltir.
Özel ölçütlerin çok kesin belirlenmesi gerekir; hangi foto¤raflar›n sunulmas› konusunda. Otelin
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and practices of the past do not function anymore. They have to find new options and actions in order
to give certain answers.
Nonetheless, these answers are private, subjective, sealed and closed - most of the time leaving no
room for peeking. It feels as if the viewer needs a password to step into this world. In the past, people,
who had to know a password, were spies. Today this rule is outdated. Now, under the sovereignty of
computers and bank systems, there are countless passwords in our daily lives. These passwords can
startle and irk us or even put us under considerable stress. Nowadays, we are using passwords to be
accepted by the consumption system or to enter the virtual world; passwords empower us with
information. While they turn us into personalities with multiple identities, they also make us anonymous
entities.
For its part, this exhibition is proposing the viewer to take a walk in the mysterious pathways and
promenades of ‹stanbul, using art works as passwords…
At the rear corner of the bar in the lobby, there is a work making reference to the hi-tech computer
system of the hotel. Yet, it turns the system into a city view. Always working with wasted materials,
Yeflim A¤ao¤lu used computer chips this time. She turned them into miniature cities. This chip city
of A¤ao¤lu presents the urban utopia in a computer game. A¤ao¤lu offers an order which can never
be associated with ‹stanbul. This contradiction especially could help the ‹stanbul visitor notice the
chaos of the city more clearly. At the business center right across this work, we find Gülçin Aksoy’s
work titled You’re Late! Travels and business world have two dimensions: Time and space. Aksoy’s
clocks installed in Microsoft’s room points an alert which is always present in the traveler’s and
businessman’s subconscious: You’re late! The paradoxical presence of this little warning in the context
of the infinity of the universe and the shortness of life may give the people who study in this room a
chance of reaping wisdom and serenity.
In the small niche at the northern part of the first mezzanine floor, there are four drawings of Volkan
Aslan. The small stories Aslan depicted with the pictorial language of primers signify the daily life of
the great population of ‹stanbul and its anonymity. Point Hotel collection also includes alternative
music, probably the most attractive element of ‹stanbul culture industry. A visual series from the rock
world has been specially prepared by Okan Bayülgen, who formerly shot and published portraits of
well-known figures of theatre world, a circle he is closely familiar with. In these portrait photographs,
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genelinde, bu özellik belirlidir: ‹stanbul yarat›c› insanlar›n düfl gücünde, zihinsel etkinli¤i içinde, siyasal
ve toplumsal söylemleri ba¤lam›nda onlar taraf›ndan nas›l yorumlan›yor ve nas›l gösteriliyor?
Gösteren, gösterilen ve görünen aras›ndaki karmafl›k geçifller ve ça¤r›fl›mlar, bütün foto¤raflarda
izlenebilir; bunlar› keflfetmek izleyicinin iflidir. Nuri Bilge Ceylan’›n foto¤raflar›, onun baflar›yla yürüttü¤ü
iki üretiminin - sinema ve foto¤raf - bireflimidir. 2000’li y›llar›n ürünü olan on iki ‹stanbul foto¤raf› Balo
Salonu’nun iki kat›na bir özel sergi niteli¤inde yerlefltirilmifltir. Bütün mevsimlerin yafland›¤› ‹stanbul’un
k›fl mevsimi seçilmifltir; bu görüntüyü siyah-beyaz tad›na yaklaflt›ran bir seçimdir. Ayn› zamanda, kar›n
insan zihni ve ruhu üstünde b›rakt›¤› dinginlik ve sessizlik, yaln›zl›k ve yal›t›lm›fll›k, so¤ukluk ve ›ss›zl›k
ça¤r›fl›mlar›, Ceylan’›n sinema söylemindeki derin hüznün ve dinginli¤in de yans›mas›d›r
Otelin yan giriflinin iki yan duvar›nda Nejat Ç›nar’›n Gelen Evrak, (Beyaz) Giden Evrak, (Siyah) bafll›kl›,
özel olarak bu otel için üretilmifl ifli yer al›yor. Günümüz yaflam kültüründe gözetleyen ve gözetlenen
olma durumu. Bu durum girip ç›k›lan bütün mekânlarda görünmeyen, ama gerekti¤inde insan›n
yaflam›n› etkileyebilecek bir ortam oluflturuyor. Gözetlerken ve gözetlenirken farkl› zihin süreçleri ve
duygular yaflan›r. Nejat Ç›nar’›n Otelin yan giriflinde karfl›l›kl› yerlefltirdi¤i 20 adet kamera insana ve
harekete duyarl›d›r ve izleyiciye bu sürekli gözetlenme ortam›n› an›msat›rken, ayn› zamanda bu kameralar›n
üretti¤i ve saklad›¤› imgelerin denetlenemez bir imge çoklu¤u yaratt›¤›n› da düflündürmektedir.
Executive kat›n›n orta avlusunda Melih Görgün’ün soyut etkiler yans›tan “‹stanbul” sözcü¤ü üstüne
grafik bir çal›flmas› yer al›yor.
Birinci asma kat›n güney ucundaki duvarda, Hakan Gürsoytrak’›n uzaktan bak›ld›¤›nda çiçek desenli
bir hal› gibi duran, ama yak›na gelindi¤inde karmafl›k bir öykü anlatan tuvali yer al›yor. Desenler, birbiri
içine geçmifl çiçek dallar›ndan oluflan motiflerin aras›na yerlefltirilmifl, resimli roman dilini ça¤r›flt›ran bir
üslupta yarat›lm›fl imgelerden olufluyor. Küresel dünyan›n yan yana duran savafl ve bar›fl gerçe¤i, tüketim
kültürünün arzu nesneleri, ‹stanbul’a özgü popüler kültür imgeleri bu çiçekli motifler aras›nda, kara
mizahç› bir yaklafl›mla izleyicinin alg›s›na sunuluyor. Otelin giriflinde, sa¤daki dinlenme köflesinde
Bengü Karaduman’›n Paralel Geçit bafll›kl› ifli yer al›yor. Günümüz insan› küresel kapitalizmin en etkili
arac› olan tüketim kültüründe temellenen iflaret sistemlerinin kurdu¤u düzen içinde yafl›yor. Bu iflaret
sisteminin sundu¤u görsel malzeme Bengü Karaduman’›n siyah beyaz animasyon filminde sade grafik
çizimlerle sunuluyor. Tüketim ekonomisinin insanda uyand›rd›¤› arzu süreci bu animasyonda minimalist
bir yaklafl›mla bir geçit yap›yor; kad›n fetiflizminden savafl gerçe¤ine kadar bütün üretimlerin geçididir,
bu. Yerlefltirme izleyici için e¤lendirici bir göz yan›lsamas› da sunuyor; animasyonda görülen nesneler,
ekran›n d›fl›na ç›k›p bir resim olarak uzan›yor. Otelin odalar›n›n ortas›ndaki 10 katl› avlunun kuzey
21
documenting rock and alternative rock music stages in ‹stanbul, one can find all the famous and
infamous musicians of this genre. Bayülgen’s black-white passion reflects on this series a secret mental
seriousness concealed behind rock music. The photos seem very classical and earnest at the fist
glance. On second thought, the irony and enigma peculiar to rock stars comes out solidly. At the twostorey foyer of the hotel’s ballroom, there are ‹stanbul photos of Nuri Bilge Ceylan - pieces from his
photograph series titled Turkeyscope. Numerous photographic reflections of ‹stanbul filled the
archives since the discovery of photography and since it stepped into the cultural life of Ottoman society
in late 19th century. It is very difficult to make a preference among these images. To decide which
photographs are to be presented one should set very clear case-specific criteria. In the hotel, these
criteria are definite: How is ‹stanbul interpreted in the minds, mental activities of creative people and
how it is reflected by them in the context of their political and social discourses? The complicated
transitions and associations among the signifier, signified and the seen can be observe in every
photographs; exploring these, is a task to be fulfilled by the viewer. Nuri Bilge Ceylan’s photographs
is the synthesis of the two production genres, he handles successfully: cinema and photography.
Twelve ‹stanbul photos from the 2000s are displayed as a special exhibition in the two floors of the
Ballroom. Among all the seasons seen in ‹stanbul, wintertime is chosen. This preference takes the
image close to the tang of black and white. Furthermore, the associations of coldness, desolateness,
isolation, solitude, serenity and silence the snow creates on human mind, are also reflections of the
deep sorrow and serenity of Ceylan’s cinema discourse.
On the two side walls of the hotel we find Nejat Ç›nar’s work, titled Incoming Document (White),
Outgoing Document (Black), he specially designed for the hotel. The state of being the voyeur and
being watched in today’s life culture. In all the places we go in and come out of, this state creates an
imperceptible environment, which can affect lives when necessary. Different mental processes and
emotions are experienced while being the voyeur or being watched. The 20 motion-sensitive cameras
Nejat Ç›nar installed face-to-face at the side entrance of the Hotel remind the viewer this continual
surveillance atmosphere. At the same time, the viewer cannot help thinking about the uncontrollable
amplitude of images, produced and saved by these cameras. In the central courtyard of the executive
floor, we find Melih Görgün’s graphic work, reflecting abstract effects on the word ‹stanbul.
On the wall at the southern end of the first mezzanine floor, there is a canvas painting by Hakan
Gürsoytrak. Looking like a carpet with flower motifs from a certain distance, this work actually narrates
a complicated story. Placed among the motifs of entangled flowery branches, the patterns are comprised
Günnur Özsoy
23
of images associating the strip cartoon language. The truth of war and peace standing side by side
in the global world, the objects of desire of the consumption culture, pop-culture images peculiar to
‹stanbul are presented to the perception of the viewer, with a black humoristic approach. In the
entrance hall, on the corner of the lounge at the right side, there is Bengü Karaduman’s work titled
Parallel Parade. Today’s person is living in the order built by the sign systems founded in the consumption
culture, the most influential tool of global capitalism. The visual material presented by this sign system
is represented with plain graphic illustrations in Bengü Karaduman’s black and white animated movie.
In this animation, in a rather minimalistic approach we see the parade of the desire process triggered
by the consumption economy; this is the parade of all productions from women fetishism to the
naked truth of war. The installation also presents an entertaining illusion for the viewer; the objects
seen in the animated movie stretch out from the screen as images. On the northern wall of the 10-storey
courtyard in the center of the hotel rooms, we see Serhat Kiraz’s work titled Ended Century. Being
the largest scale installation realized in Turkey, this work collectively reflects the installation style of
Kiraz, which he fictionalized based on a universal language since 1977 to-date. This 10-storey image
feast covers the visual memory of the 20th century. On each floor of the courtyard, Kiraz redesigns a
decade of the 20th century with the selected images. The photos remind the slide technique - the
most effective visual material of the recent past - which is almost never used anymore. On the empty
spaces below the slides, the topic and the date of the photos are written. Using this method, Kiraz
offers the viewer to explore intersecting images throughout decades both on the horizontal and vertical
planes. Focusing mainly on historic events, science, technology and life, the images picked by Kiraz
provoke the historical consciousness and memory of the viewer. On the right wall of the hotel restaurant
on the ground floor, there is the photo-series by S›tk› Kösemen, titled Going Across. These photos
zoom in the waters of the Bosphorus. Kösemen’s Bosphorus is abstract and enigmatic; the artist
concentrates his standpoint -and that of our-to this magnificent, distinguished disjunction or discontinuity.
From the literary point, photos associate Orhan Pamuk’s Bosphorus portrait, which narrates that this
water is a paradise and a hell at the same time. In these photos, Kösemen carry the viewer away in
K e m a l Tu f a n
24
duvar›nda Serhat Kiraz’›n Kapanm›fl Yüzy›l bafll›kl› ifli yer al›yor. Türkiye’de gerçeklefltirilmifl en büyük
yerlefltirme özelli¤ini tafl›yan bu ifl, Kiraz’›n 1977’den günümüze sürdürdü¤ü evrensel bir dil üstüne
kurgulanm›fl yerlefltirme üslubunu tümel olarak yans›t›yor. Bu on katl› imge flöleni 20. yy’›n görsel
belle¤ini içeriyor. Kiraz, avlunun her kat› için 20.yy’›n 10 y›l›n›, seçti¤i imgelerle yeniden kurguluyor.
Foto¤raflar, art›k nerdeyse kullan›lmayan, ama yak›n geçmiflin en etkin görsel malzemesi olan saydam
tekni¤ini ça¤r›flt›r›yor. Saydamlar›n alt bölümlerindeki boflluklara foto¤raf›n konusu ve tarihi yaz›l›rd›.
Kiraz bu yöntemi de uyguluyor ve renkli bir noktalamayla izleyiciye hem yatay hem de dikey düzeyde
on y›llar içinde birbiriyle kesiflen görüntüleri keflfetmeyi öneriyor. Kiraz’›n seçti¤i imgeler tarihsel olaylar,
bilim, teknoloji ve yaflam üstüne odaklan›yor ve izleyicinin tarih bilincini ve belle¤ini k›flk›rt›yor. Otelin
girifl kat›ndaki restoran›n sa¤ duvarlar›nda S›tk› Kösemen’in Karfl›ya Geçmek bafll›kl› bir dizi foto¤raf›
yer al›yor. Bu foto¤raflar ‹stanbul Bo¤az›’n›n sular›n› yak›n çekim olarak gösteriyor. Kösemen’in Bo¤az’›
soyut ve gizemlidir; kendi bak›fl›n› ve bizim bak›fl›m›z› bu muhteflem, seçkin ayr›ma ya da kopuklu¤a
yo¤unlaflt›r›r. Yaz›nsal aç›dan resim Orhan Pamuk’un Kara Kitap’›ndaki, bu suyun ayn› anda bir cennet
ve bir cehennem oldu¤unu anlatan Bo¤aziçi betimlemesini ça¤r›flt›r›r. Kösemen bu foto¤raflarda
kal›plaflm›fl Bo¤aziçi görüntülerinde uzaklaflt›r›yor izleyiciyi ve sonsuz görselli¤i ve sonsuz görünmezli¤i
olan bir fley sunuyor; ‹stanbul’u alg›lamak için soyut bir flifre. Bo¤aziçi’nin bu ak›nt›l› sular›n›n yak›n plan
çekimleri kentin can al›c›, belirsiz, ikilemli durumunu/düzenini aç›¤a vuruyor ve sakl›yor. Kösemen’in bir
di¤er ifli Beklemek otelin asansörlerinde yer al›yor. Otel asansörleri konuklar›n yaln›z ya da tan›mad›klar›
kiflilerle birlikte olduklar› en küçük mekânlard›r. Gelifl ve gidifl aras›ndaki k›sa bekleme ve sessizlik anlar›.
Bak›fllar›n karfl›laflmas› ya da bak›fl› kaç›rmak, iki insan aras›ndaki yabanc›l›¤›n gerginli¤i, asansörün fiziksel
ortam›n› doldurur. Kösemen’in videosu bu ortama müdahale ediyor; elektronik ortamdaki üçüncü
oyuncu, insan›n ruhsal durumunu hicvediyor ve sanat›n oyuncu yönüyle izleyicinin ruhsal durumunu
yönlendiriyor. Otelin giriflinde, resepsiyonun sa¤ taraf›ndaki duvarda Murat Morova’n›n Tahammül
Mülkü, bafll›kl› ifli yer al›yor. Küresel kültür, bu otelin yap›sal, biçimsel ve estetik mant›¤›n›n arka alan›d›r.
Morova’n›n, melez Atlas figürü - ki bu melezlik Do¤u’nun ifade arac› hat tekni¤i ile Bat›’n›n ifade arac›
desen tekni¤inin bireflimidir - oteldeki ve kuflkusuz genelde insan dokusunun günümüz küresel düzeni
içindeki konumunun çizgisel bir metaforudur. Morova, burada Yunan Mitolojisinin bize hala sundu¤u
düflünce ve yorum gücü ve bilgeli¤ini Atlas öyküsüyle görsellefltiriyor, ama ayn› zamanda bu bilgeli¤in
‹slam uygarl›¤›yla bireflti¤i bir süreci iflaret ediyor. ‹flin üçüncü bir boyutu da, dünyan›n insan›n düflünsel
gücüyle yarat›ld›¤›n› gösterir. Morova, günümüzde aramay› sürdürdü¤ümüz Do¤u-Bat› bireflimini,
görsel bir imgeyle dile getirmektedir.
Asma katlara ç›kan merdivenlerin duvarlar›na ve ikinci asma kata Kadri Özayten’in Bar›fl Günleri adl› bir
25
stereotyped Bosphorus images. And he offers something with endless visuality and endless invisibility:
an abstract password to understand ‹stanbul. The close-ups of these streamed waters of Bosphorus
disclose and conceal the critical, vague, dilemmatic state/order of the city. Another work by Kösemen,
Waiting, is placed in the hotel’s elevators. Hotel elevators offer the smallest space to the guests, where
they stand alone or with other people they do not know. The silent moments and brief waiting
between going up and down… Making or avoiding eye-contact, the tension of the alienation of two
people, fill the physical atmosphere of the elevator. Kösemen’s video interferes with this atmosphere;
the third player in this electronic environment satirizes the frame of mind. With the playful quality of
art, it channels the viewer’s frame of mind. At the entrance, on the wall to the right of the reception
desk, there is Murat Morova’s work titled Hubble-Bubble. Global culture is the background of this
hotel’s structural, formal and aesthetic rationale. Morova’s hybrid Atlas figure - this hybridity is the
synthesis of the calligraphy, the means of expression of the East and of the illustration techniques, the
means of expression of the West - is the lineal metaphor of the position of the human texture at the
hotel and clearly within today’s global order. Here, Morova visualizes the power and wisdom of thinking
and interpretation, the Greek mythology presents us with the story of Atlas. Yet, he points to a
process, during which this wisdom intersected with the Islam civilization. A third dimension of this
work shows that the world is created by the ideational power of mankind. Morova expresses the
West-East synthesis we continue to seek today, via a visual image.
A work series of Kadri Özayten, titled Peace Days is installed on the walls of the stairs heading to
the mezzanine floors and on the second mezzanine floor. Özayten actually produced this work for the
children of ‹stanbul. It was designed for the Art for Children exhibition realized under the curatorship
of Özgül Aslan in the frame of ‹stanbul 2010 European Culture Capital Portable Art Project. The hotel
will also host children; and these butterflies - except for one all of them are covered with camouflage
smocks - injects the children the hope that there are global peaces as opposed to global wars. The
fourth Butterfly is made of wood and on it we see wooden ducklings appealing to the children’s eyes.
Ye fl i m A ¤ a o ¤ l u
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dizi ifli yerlefltirildi. Özayten bu ifli, ‹stanbul 2010 Avrupa Kültür Baflkenti Tafl›nabilir Sanat Projesi’nde Özgül
Aslan küratörlü¤ünde gerçeklefltirilen Çocuklar ‹çin Sanat sergisi ‹stanbul çocuklar› için gerçeklefltirmiflti.
Bu otele çocuklar da gelecek ve bu kelebekler, ki biri d›fl›nda hepsi kamuflaj kumafl› ile kapl› - çocuklara
küresel savafllar›n karfl›s›nda küresel bar›fllar oldu¤u umudunu veriyor. Gerçekten dördüncü Kelebek,
ahflaptan olufluyor ve üstünde çocuklar›n gözüne hitap eden ahflap ördekler görülüyor. Otelin 20.
Kat›ndaki restoran giriflinde ve duvarlar›nda Ardan Özmeno¤lu’nun Yeflilçam 2009 bafll›kl› ifli yer al›yor.
Post-it üstüne bask› iflleri üreten Ardan Özmeno¤lu, bu tekni¤i ince pleksi-camlar üstüne uygulad›.
Özmeno¤lu bu mekanda zengin bir bellek-imge dizisi önerdi ve Türkiye’nin sinema tarihinden kesitleri
pleksi-cam üstüne bask› tekni¤iyle sunuyor. Warhol’cu bir yaklafl›mla, gelmifl geçmifl bütün oyuncular›n
portreleri ve kült filmlerden ‹stanbul manzaralar›, otel konuklar›na Türk sinemas› üstüne bilgilenmeyi
öneriyor. Özmeno¤lu sinema konusunu salonun di¤er duvarlar›na yönlendiriyor ve Türk sinemas›n›n kültü
filimlerinden Kanun Nam›na’dan seçilmifl sahneler izleiciye elli y›l öncesinin ‹stanbul’unu gösteriyor.
Resepsiyonun solundaki köflede Günnur Özsoy’un geleneksel bir malzeme olan keçe kullan›larak yap›lm›fl
çak›l tafllar›na benzeyen biçimlerden oluflan soyut bir duvar ifli yer al›yor. Özsoy, mekan ve nesne aras›ndaki
iliflkileri ve nesnelerin alg›lanmas›ndaki renk ve ›fl›k özelliklerini sorgulayan ve bu sorgulamalar›n› soyut
biçimlere dönüfltürüyor. Bu renkli keçe nesneler lobideki bütün figürlü sanat yap›tlar›na karfl›t bir öneri
olarak ifllev tafl›yor. Soyut özellikler tafl›yan di¤er bir ifl, Gülay Semercio¤lu’nun gümüfl rengi telden
örülmüfl soyut ikonlar› ikinci asma katta karfl›l›kl› iki duvar› kapl›yor. Semercio¤lu, y›llard›r büyük bir sab›rla
madeni telleri örüyor ve dokuyor, dayan›kl›, parlak ve müzikal ikonlar üretiyor. Semercio¤lu’nun bu iflçilikle
üretti¤i iki tür yap›t› var; bir dizi yap›t bu otele yerlefltirilen ›fl›¤›n madeni tel üstünde oynayabilece¤i oyunlar›
denetleyen soyut biçimler, di¤er bir dizi ise, siyasal ve ekonomik sistemlerin yaratt›¤› stereotip iflaret dilinin
örnekleridir.
Otelin önünde, yo¤un trafi¤in tam ortas›nda, ‹stanbul’un denizle çevrili bir kent oldu¤unu an›msatan bir
Kalyon yer al›yor. Dünyan›n birçok ülkesinde aç›k alan heykeli gerçeklefltirmifl olan Kemal Tufan’›n bu
heykeline, içeride girifl kat›ndaki restoran›n sa¤ duvar›nda salona gün ›fl›¤› yans›tan küçük avluda oluflturulan
akvaryumda ve salonun giriflindeki iki cam›n üstündeki Vatozlar efllik ediyor. Kalyon, kentin tarihi ve
co¤rafyas›yla ilgiliyken Vatozlar denizin iç dünyas›na yönlendiriyor izleyici bak›fl›n›. Otel, ‹stanbul Bo¤az› ile
Haliç’e aç›lan vadi aras›ndaki tepenin üstünde yer almaktad›r. Haliç, eski kentin kan damar›d›r ve co¤rafi
olarak d›flar›dan gelen etkilere karfl› korunakl›d›r; ta ki insan eme¤i ve gücü, tepeleri afl›p bu derin körfeze
sahip ç›kana kadar. Kalyon, Fatih Sultan Mehmet’in gemileri karadan yürütüp ‹stanbul’u fethetmesini
an›msatmaktad›r. ‹stanbul’un kendine özgü gizemli deniz- kara iliflkisi de yo¤un trafi¤in ortas›nda
izleyicinin karfl›s›na ç›kan bu geleneksel gemi yorumuyla yinelenmektedir. ‹kinci asma katta, karfl›l›kl› iki
27
In the entrance and on the walls of the restaurant up on the 20th floor, we find Ardan Özmeno¤lu’s
work titled Yeflilçam 2009. Producing imprinted works on post-it, Ardan Özmeno¤lu employed this
technique on pieces of thin plexi-glass. Offering a rich series of memory-image at this spot,
Özmeno¤lu presents slices from the Turkish cinema history with imprints on plexi-glass. The portraits
of almost all actors and actresses of the past and ‹stanbul views from some cult movies, gathered with
a Warholean approach, suggest the hotel guests to get some information about Turkish cinema. We
find Özmeno¤lu’s cinema theme on the other wall of the hall as well. Here, scenes picked from Kanun
Nam›na (In the Name of the Law), one of the cult films of Turkish cinema, show the viewer ‹stanbul
of 50 years ago. On the corner to the left of the reception desk, there is an abstract work by Günnur
Özsoy. The work is comprised of pebble-ish forms made using felt, a traditional material. Questioning
the relationship between the space and the object and the qualities of color and light affecting the
perception, Özsoy turns her questions into abstract forms. These colorful felt objects function as a
counterproposal for all the figurative artworks in the lobby. Another abstract work by Gülay
Semercio¤lu covers the two walls of the second mezzanine floor. These are abstract icons knitted
with silvery thread. For many years Semercio¤lu has been producing durable, shiny and musical icons
by knitting and weaving metal wires. There are two types of products the artist produces with this
handwork: On the one hand, we have the abstract forms controlling the games light can play on
metal wires. The work installed in the hotel belongs to this series. On the other hand, there are the
examples of the stereotype sign language created by the political and economic systems.
At the front of the hotel, right in the middle of the traffic jam, there is a Galleon, reminding that ‹stanbul
is surrounded by sea. This sculpture of Kemal Tufan, who has produced open-air sculptures in many
countries, is accompanied by the Stingrays. These Stingrays are placed inside, on the two glasses at the
hall entrance and in the aquarium in the small courtyard providing sunlight for the hall on the right-handside of the ground floor restaurant. While the Galleon signifies the history and geography of the city, the
Stingrays channel the viewer to the inner world of the sea. Hotel is situated on the hill between the
Bosphorus and the valley opening to the Golden Horn. As the main artery of the old city, Golden Horn is
naturally protected against the outer dangers. However, human effort and power climbed over the hills
and claimed the ownership of this deep gulf. The galleon reminds how Sultan Mehmet the Conqueror
had the ships transported through the land and conquered ‹stanbul. Furthermore, the mysterious sea-land
relation peculiar to ‹stanbul is repeated with this traditional ship interpretation popping in front of the
viewer in the middle of this heavy traffic. On the second mezzanine floor, on two opposite walls we find
a nature metaphor by Nihal Sesalan Yüzsever, made with wood carving and painting technique.
28
duvarda, Nihal Sesalan Yüzsever’in tahta oyma ve boyama tekni¤i ile yap›lm›fl bir do¤a metaforu yer
al›yor.
Otelin odalar›nda Ali Cabbar, Gül Ilgaz, Esen Karol, S›tk› Kösemen, Pablo Martinez, Sinan
Niyazio¤lu, Baflak Ürkmez ve Mohaç Yücel’in foto¤raf iflleri yer al›yor. Bu foto¤raflar ‹stanbul’u
temsili olarak göstermiyor, sanatç›n›n öznel bak›fl›n› vurguluyor ve ‹stanbul’un düflsel ve görsel yap›
sökümünü yap›yor. Ali Cabbar’›n kent ve insan iliflkisine odaklanan çizgisel resimleri, Gül Ilgaz’›n
kuflbak›fl› Bo¤az kurgulamas›, Esen Karol’un meneviflli ‹stanbul manzaras›, Pablo Martinez’in çiftmanzaralar›, Sinan Niyazio¤lu’nun ‹stanbul’un mitolojisini irdeleyen dijital manzaralar›, Baflak
Ürkmez’in, çevrimiçi-‹stanbul’u, Mohaç Yücel’in popüler kültür metaforlar›, otelin konuklar›na farkl›
bak›fl seçenekleri sunuyor. Bu bak›fl seçenekleri kimi zaman sanatç›n›n bak›fl›na karfl› ç›kabilir, kimi
zaman da onunla örtüflebilir.
Türkiye’deki ça¤dafl sanat üretiminden zengin bir kesiti gösteren bu koleksiyon, hem ‹stanbul’a gelen
izleyiciye ça¤dafl sanat konusunda bilgilenme ayr›cal›¤›n› sunuyor, hem de bu olgunun otel misafirleri
arac›l›¤›yla baflka co¤rafyalara tan›t›lmas›n› sa¤l›yor.
Beral Madra, Eylül 2009
29
In the hotel rooms there are photographs by Ali Cabbar, Gül Ilgaz, Esen Karol, S›tk› Kösemen,
Pablo Martinez, Sinan Niyazio¤lu, Baflak Ürkmez and Mohaç Yücel. These photos do not just
reflect a representation of ‹stanbul; they highlisht the subjective standpoint of the artist and deconstruct
‹stanbul imaginatively and visually. The hotel guests are offered different viewpoints through: Linear
photos focusing on human-city relation by Ali Cabbar, Bosphorus with bird’s-eye perspective by Gül
Ilgaz, tempered ‹stanbul panorama by Esen Karol, couple-views of Pablo Martinez, the digital views
of Sinan Niyazio¤lu, scrutinizing ‹stanbul’s mythology, online-‹stanbul by Baflak Ürkmez and popular
culture metaphors of Mohaç Yücel. Sometimes these standpoint alternatives may oppose to or sometimes
may overlap with the artist’s view.
Presenting a rich section of the contemporary art production in Turkey, this collection offers the
‹stanbul visitor the privilege of getting informed on contemporary art. Plus, it also helps promote this
concept in other parts of the world via hotel guests.
Beral Madra, September 2009
K e m a l Tu f a n
Nejat Ç›nar
31
Nejat Ç›nar
Günnur Özsoy
32
Serhat Kiraz
33
34
Gülçin Aksoy
35
Murat Morova
S›tk› Kösemen
38
K e m a l Tu f a n
39
40
Bengü Karaduman
41
42
43
Gülay Semercio¤lu
Kadri Özayten
47
Hakan Gürsoytrak
48
Nuri Bilge Ceylan
49
T. M e l i h G ö r g ü n
50
51
Ardan Özmeno¤lu
SANATÇILAR / ARTISTS
Yeflim A¤ao¤lu
Gülçin Aksoy
Volkan Aslan
Okan Bayülgen
Ali Cabbar
Nuri Bilge Ceylan
Nejat Ç›nar
T. Melih Görgün
Hakan Gürsoytrak
Gül Ilgaz
Bengü Karaduman
Esen Karol
Serhat Kiraz
S›tk› Kösemen
Murat Morova
Sinan Niyazio¤lu
Kadri Özayten
Ardan Özmeno¤lu
Günnur Özsoy
Gülay Semercio¤lu
Kemal Tufan
Baflak Ürkmez
Mohaç Yücel
54
YEfi‹M A⁄AO⁄LU
Daralanlar/daralanlar II / Stressed Spaces/Being Stressed II, 2009
Yerlefltirme, bilgisayar ana boardlar› üzerine maket figürler /
Installation, computer main boards and scale figures
55
56
‹stanbul
‹stanbul Üniversitesi Edebiyat Fakültesi Arkeoloji Ana Bilim Dal›ndan mezun oldu. Yüksek
lisans›n›, ‹stanbul Üniversitesi ‹letiflim Fakültesi Radyo-TV-Sinema Bölümü’nde yapt›. Newyork
School of Visual Arts Üniversitesi’nde k›sa dönem süper 8 kamerayla film çal›flmalar› derslerine
devam etti ve “Yaln›zl›k, makinalar ve meditasyon” isimli k›sa bir film çekti.
fiiirleri 18 yafl›ndan beri çeflitli sanat ve edebiyat dergilerinde yay›nlan›yor. Türkiye’de alt› fliir
kitab› yay›mland›. Bakü’de Azerbaycan Türkçesine çevrilen bir fliir kitab› ile Ruflça-Türkçe fliir
kitab› yay›mland›. Uluslararas› PEN Yazarlar Derne¤i ve BESAM’›n (Bilim ve Edebi Eser
Sahipleri Meslek Birli¤i) üyesi ve ayr›ca Sürgündeki Yazarlar Komitesi’nin Yönetim Kurulu
üyesi. fiiirleri çeflitli antolojilerde yer almakta, kimi sanat ve edebiyat ansiklopedilerinde
çal›flmalar›ndan söz edilmektedir.
1996 y›l›ndan beri farkl› disiplinleri birlefltirerek yapt›¤› ça¤dafl sanat çal›flmalar›n› kat›ld›¤›
çeflitli yurtiçi ve yurtd›fl› sergilerle sürdürmektedir.
[email protected]
www.saatchi-gallery.co.uk
www.myartspace.com
www.artists.de
Kiflisel Sergiler:
2009
“Bunu Ben de Yapar›m”, 25. Uluslararas› Saraybosna Sanat Festivali, Türk Kültür Merkezi,
Sarayevo, Bosna
“Sudan Yana”, Art›k Mekan, ‹stanbul, Türkiye
“To accumulate life”, Art›k Mekan, ‹stanbul, Türkiye
2008
“Bunu Ben de Yapar›m”, Artisterium, Kafkas Evi, Tiflis, Gürcistan
“Bunu Ben de Yapar›m”, Yeni Galeri, Bakü, Azerbaycan
“Cumhuriyet Yaflas›n”, Art›k Mekan, Karaköy, ‹stanbul, Türkiye
“fiairler de Sustu”, Art›k Mekan, ‹stanbul, Türkiye
“Sonra Gelen”, Art›k Mekan, ‹stanbul, Türkiye
“Büyük Birader Bizi ‹zliyor”, Art›k Mekan, ‹stanbul, Türkiye
Karma Sergiler ve Sanatsal Etkinlikler:
2009
“‹stanbul Next Wave”, Akademie der Künste, Berlin, Almanya
“Dirty Story”, BM Suma Contemporary Art Center, ‹stanbul, Turkey
“5th Uluslararas› Beyaz Geceler Festival”, Üsküp, Makedonya
“‹stanbul Off”, Ba¤›ms›z Sanat Mekanlar› Sergisi ve Forumu, Bethanien, Berlin, Almanya
“K›z Kulesi Sanat Forumu ve Sergisi”, Bakü, Azerbaycan
“Art Swap-August Art March”, Sanat Festivali, Londra, ‹ngiltere
“‹sim fiehir”, ‹stanbul 2010 Avrupa Kültür Baflkenti Tafl›nabilir Sanat Projesi, Küçükçekmece,
‹stanbul, Türkiye
“‹stanbul Ba¤›ms›z Sanat Mekanlar› Sergisi”, Mekan 5533, ‹stanbul
“Art›k Mekan I. Y›l Doküman Sergisi”, Art›k Mekan, Karaköy, ‹stanbul, Türkiye
2008
“‹sim fiehir”, ‹stanbul 2010 Avrupa Kültür Baflkenti Tafl›nabilir Sanat Projesi, Atakent Kültür
Merkezi,Ümraniye, ‹stanbul, Türkiye
“7848 km”, Kore Türkiye De¤iflim Sergisi, Inchon, Kore
“‹sim fiehir”, ‹stanbul 2010 Avrupa Kültür Baflkenti Tafl›nabilir Sanat Projesi, Bülent Ecevit
Kültür Merkezi, Kartal, ‹stanbul, Türkiye
“Görünürlük IV. Projesi”, Galata, ‹stanbul, Türkiye
“Bar›fl Sana”, Art›k Mekan, Karaköy, ‹stanbul, Türkiye
“Su ve P›r›lt›”, III. Uluslararas› Ça¤dafl Sanat Festivali, Kapadokya, Ürgüp, Türkiye
“Immagino Fabrika Workshop”, Cenova, ‹talya
“Steps of Time”, Dresden Müzesi, Dresden, Almanya
“Ussr-remix”, Ça¤dafl Sanat Merkezi, Bakü, Azerbaycan
“Makul”, Hafriyat, ‹stanbul, Türkiye
“Aflk Olsun”, Art›k Mekan, Karaköy, ‹stanbul, Türkiye
“Uçtu Güvercin”, Art›k Mekan, Karaköy, ‹stanbul, Türkiye
2007
“Görünürlük III. Projesi”, Galata, ‹stanbul, Türkiye
“Aluminium III. Uluslararas› Ça¤dafl Sanat Bienali”, Bakü, Azerbaycan
“VI. Kore Türkiye De¤iflim Sergisi”, ‹stanbul Modern Sanatlar Galerisi, Balmumcu, ‹stanbul,
Türkiye
“Sanatç› Konaklama Bursu”, Dresden, Almanya
“Fabrikartgroup II. Uluslararas› Modern Sanatlar Festivali”, Kapadokya, Nevflehir, Türkiye
“II. Uluslararas› Foto¤raf Festivali”, Bakü, Azerbaycan
“Sahibinden Manzaral›”, Ortaköy, ‹stanbul, Türkiye
2006
“Uluslararas› Caravansarai Sergisi”, Taflkent, Özbekistan
“Tepki Nöbetleri”, Gent, Belçika
“Karma Sergi”, Frans›z Soka¤›, ‹stanbul, Türkiye
“Kültürel De¤iflim ‹stasyonu Sanatç› Program›”, Tabor, Çek Cumhuriyeti
“Görünürlük II. Projesi”, Galata, ‹stanbul, Türkiye
“Uluslararas› Genje Sanat Festivali”, Genje, Azerbaycan
“Myndos Ça¤dafl Sanat Atölyesi”, Bodrum, Türkiye
“Manastre Uluslararas› K›sa Film Günleri”, ‹stanbul, Türkiye
“Uluslararas› Caravansarai Sergisi”, Heart Gallery, Paris, Fransa
2005
“Aluminium II. Uluslararas› Ça¤dafl Sanat Bienali”, Bakü, Azerbaycan
“III. Taflkent Bienali”, Taflkent, Özbekistan
“Görünürlük I. Projesi”, Galata, ‹stanbul, Türkiye
“5. Experyment Uluslararas› Sanat Buluflmas›”, Zbaszyn, Polonya
“‹stanbul Modern Sanatlar Galerisi Aç›l›fl Sergisi”, ‹stanbul, Türkiye
2004
“I. Uluslararas› Postça¤dafl Sanat Sergisi”, Bakü, Azerbaycan
“Ekim Geçidi III. Sergisi”, ‹stanbul, Türkiye
“7 Arts Factory ‹stanbul Aç›l›fl Sergisi”, ‹stanbul, Türkiye
“10. Avrupa Filmleri Festivali”, Bursa, Türkiye
“The Lab Gallery Field of Vision”, New York, A.B.D.
“Rio Modern Sanatlar Müzesi Video Art Çal›flmas›”, Rio de Janeiro, Brezilya
“Sfenks Seni Yiyip Yutacak”, Karfl› Sanat, ‹stanbul, Türkiye
2003
“Uluslararas› Tünel Sanat Festivali”, ‹talyan Kültür, ‹stanbul, Türkiye
“Savafl için Bar›fl 100 Yönetmen 100 Film Projesi”, ‹stanbul, Türkiye
“XV. Galata fienli¤i”, ‹stanbul, Türkiye
“III. Performans Günleri”, Bilgi Üniversitesi, ‹stanbul, Türkiye
“Aileye Mahsustur (Misafir Odas›)”, Karfl› Sanat, ‹stanbul, Türkiye
2002
“I. Ekim Geçidi Sergisi“, ‹stanbul, Türkiye
“‹maja Güveniyoruz II”, Diyarbak›r Kültür Merkezi, Diyarbak›r, Türkiye
“She Show”, ATA Center, Sofya, Bulgaristan
2001
“Imaja Güveniyoruz”, Atatürk Kültür Merkezi, ‹stanbul, Türkiye
“I. ‹stanbul Kad›n Bienali”, Tüyap, ‹stanbul, Türkiye
57
‹stanbul
Studied University of ‹stanbul. She got her BA degree from department of Archaeology and
MA degree from Faculty of Communications, department of Radio-TV-Cinema. Attended a
course on film making, using super 8 camera at New York School of Visual Arts and made a
short film called “Loneliness, Machines and Meditation”.
Her poems have been published in literary journals since the age of 18. Has six poetry books
published in Turkey and two poetry books published in Azerbaijan. A member of the PEN
International Writers’ Club and also BESAM. (Creators of Scientific and Literary Works
Association) Board member of the Writers at banishment. Her biographies are in some
literature and art encyclopedias and poems in anthologies.
Has been continuing contemporary art activities combining different disciplines since 1996.
[email protected]
www.saatchi-gallery.co.uk
www.myartspace.com
www.artists.de
“6th Korean-Turkish Exchange Exhibition”, ‹stanbul, Turkey
“Fabrikartgroup 2nd International Modern Arts Festival”, Cappadocia, Nevflehir, Turkey
“2nd International Photography Festival”, Baku, Azerbaijan
“From Owner With View”, ‹stanbul, Turkey
2006
“International Caravansarai Festival”, Uzbekistan
“Rejection Episodes Exhibition”, ‹stanbul Express Festival in Vooruit Culture and Art Center
Gent, Belgium
“Exhibition at the France Street”, ‹stanbul, Turkey
“2nd Visibility Project”, Galata, ‹stanbul, Turkey
“1st International Ganja Art Festival”, Ganja, Azerbaijan
“Myndos Contemporary Art Workshop”, Bodrum Mausoleum, Bodrum, Turkey
“Manastre International Short Film Days”, Manastre World Music Club, ‹stanbul, Turkey
“International Caravansarai Festival”, Heart Gallery, Paris, France
2005
“3rd Aluminium International Festival of Contemporary Art”, Baku, Azerbaijan
“Tashkent Bienale”, Uzbekistan
“1st Visibility Project”, Theatre Z, Galata, ‹stanbul, Turkey
“International Artistic Meetings Experyment”, Zbaszyn, Poland
“‹stanbul Modern Arts Gallery”, ‹stanbul, Turkey
Solo Exhibitions:
2009
“To accumulate life”, Art›k Art Space, ‹stanbul, Turkey
“To be on water’s side”, Art›k Art Space, ‹stanbul, Turkey
“I can do it too”, 25th International Art Festival, Turkish Culture Center, Sarajevo, Bosnia
2008
“Artisterium, I can do it too”, Caucasian House, Tibilisi, Georgia
“Let the Republic alive”, Art›k Art Space, ‹stanbul, Turkey
“Poets are also silent”, Art›k Art Space, ‹stanbul, Turkey
“I can do it too”, Yeni Gallery, Baku, Azerbaijan
“At The Second Place Coming”, Art›k Art Space, ‹stanbul, Turkey
“Big Brother Is Watching Us”, Art›k Art Space, ‹stanbul, Turkey
Group Exhibitions:
2009
“‹stanbul Next Wave”, Akademie der Künste, Berlin, Germany
“Dirty Story”, BM Suma Contemporary Art Centre, ‹stanbul, Turkey
“5th International White Night Festival”, Skopje, Macedonia
“‹stanbul off Independent Art Space Exhibition&Forum”, Bethanien, Berlin, Germany
“Maidan Tower Art Forum & Exhibition”, Baku, Azerbaijan
“Art Swap-August Art March”, East Festival, London, England
“‹stanbul 2010 European Capital of Culture Portable Art Project (Memory City)”,
Küçükçekmece, ‹stanbul, Turkey
“‹stanbul Independent Art Space Exhibition”, 5533 Art Space, ‹stanbul, Turkey
“Art›k Art Space 1st year Documentation Exhibition”, ‹stanbul, Turkey
2008
“‹stanbul 2010 European Capital of Culture Portable Art Project (Memory City)”, Ümraniye,
‹stanbul, Turkey
“7848 km Korean-Turkish Exchange Exhibition”, Inchon, Korea
“‹stanbul 2010 European Capital of Culture Portable Art Project (Memory City)”, Kartal,
‹stanbul, Turkey
“Artisterium International Contemporary Art Exhibition”, Tibilisi, Georgia
“4th Visibility Project”, Galata, ‹stanbul, Turkey
“Peace to you”, Art›k Art Space, ‹stanbul, Turkey
“Water & Shine”, 3th. International Contemporary Art Festival, Ürgüp, Capadocia, Turkey
“Steps of time (USSR-Remix)”, Dresden Museum, Germany
“USSR-Remix”, Center of Contemporary Art, Baku, Azerbaijan
“Reasonable”, Hafriyat, ‹stanbul, Turkey
“Let There Be Love”, Art›k Art Space, ‹stanbul, Turkey
“The pigeon has flown”, Art›k Art Space, ‹stanbul, Turkey
2007
“3rd Visibility Project”, Galata, ‹stanbul,Turkey
“Aluminium 3rd International Biennale of Contemporary Art”, Baku, Azerbaijan
2004
“1th Postcontemporary International Art Show”, Exhibition Hall of the Artists Union, Baku,
Azerbaijan
“October Parade III”, Goethe Instituion, Dürer Gallery, ‹stanbul, Turkey
“7 Arts Factory’s opening exhibition”, ‹stanbul, Turkey
“10th European Film Festival”, Bursa, Turkey
“New York photos”, Field of Vision Gallery Lab, New York, U.S.A.
“Turkish Delight“, Video Art Show, Rio Modern Art Museum, Brazil
“The sphinx will devour you”, Karfl› Art Gallery, ‹stanbul,Turkey
2003
“International Tunel Art Festival”, ‹stanbul, Turkey
“The Peace for War 100 Director 100 Movie Project”, ‹stanbul, Turkey
“15th Galata Festival”, ‹stanbul, Turkey
“3rd Performance Days”, ‹stanbul Bilgi University, ‹stanbul, Turkey
“Belongs to Family”, Karfl› Art Gallery, ‹stanbul, Turkey
2002
“October Parade I”, Galeri X, ‹stanbul, Turkey
“We trust in Image II”, Diyarbak›r Art Centre, Diyarbak›r, Turkey
“Sheshow”, ATA Center for Comtemporary Art, Sofia, Bulgaria
2001
“We Trust in Image I”, Ataturk Cultural Centre, ‹stanbul, Turkey
“1st ‹stanbul Women’s Biennale”, Tüyap, ‹stanbul, Turkey
58
GÜLÇ‹N AKSOY
Geç Kald›n / You are Late, 2000
Haz›r nesne üzerine müdahale / Intervention on the ready made
59
Gülçin Aksoy
Gülçin Aksoy
1965, Samsun
1965, Samsun
‹stanbul’da yafl›yor ve çal›fl›yor.
[email protected]
http://gulcinaksoy.blogspot.com/
Lives and works in ‹stanbul.
[email protected]
http://gulcinaksoy.blogspot.com/
Seçilmifl Kiflisel Sergiler:
Selected Personal Exhibitions:
2009
“Masa Üzerinde Koltuk Hatas›”, MSGSÜ, ‹stanbul, Türkiye
2009
“The Error of the Couch on the Table”, Mimar Sinan University Faculty of Fine Arts, ‹stanbul, Turkey
2006
“S,M,L,X,XXL”, Apartman Projesi, ‹stanbul, Türkiye
2006
“S,M,L,X,XXL”, Apartman Project, ‹stanbul, Turkey
Karma Sergiler:
Group Exhibitions:
2009
“Tatbikat”, Hafriyat, ‹stanbul, Türkiye
“Haks›z Tahrik”, Hafriyat, ‹stanbul, Türkiye (Küratör: Canan fienol)
2009
“Implementation”, Hafriyat, ‹stanbul, Turkey
“Unfair Provocation”, Hafriyat, ‹stanbul, Turkey (Curator: Canan fienol)
2008
“Hakk›mda Ne Biliyorsun?”, Göteborg / ‹sveç
“Küf”, Gent, Belçika
“Multiple Connection”, Galeri Kent, ‹stanbul, Türkiye
“Hakk›mda ne Biliyorsun?“, (2010 ‘Tafl›nabilir Sanat’ projesi kapsam›nda), ‹stanbul, Türkiye
2008
“What do you know about me?”, Göteborg / Sweden
“Mold”, Ghent, Belgium
“Multiple Connection”, Galeri Kent, ‹stanbul, Turkey
“What do you know about me?“, (In the scope of 2010 ‘Portable Art’ Project) ‹stanbul, Turkey
2007
“Kurye”, II. Uluslararas› Kargart Video Festivali, ‹stanbul, Türkiye
“Herfley ‹yi Olacak”, Apartman Projesi, ‹stanbul, Türkiye
“Lost Moment”, Berlin, Almanya (Küratör: Fatofl Üstek)
“I. Uluslararas› Sanatç› Buluflmas›”, Üçhisar, Türkiye
“Küf”, Kapal›çarfl›, ‹stanbul, Türkiye (Küratörler: Suzan Batu, Bill Doherty)
2007
“Courier”, II. International Kargart Video Festival, ‹stanbul, Turkey
“Everything is going to be fine”, Apartman Project, ‹stanbul, Turkey
“Lost Moment”, Berlin, Germany (Curator: Fatofl Üstek)
“I. International Artists Meeting”, Üçhisar, Turkey
“Mold”, Grand Bazaar, ‹stanbul, Turkey (Curators: Suzan Batu, Bill Doherty)
2006
“Modernizmin Arabulucusu: Motif”, Borusan Sanat Galerisi ‹stanbul, Türkiye (Küratör:
Michele Thursz)
“Rezerve Edilmifltir”, Pist, ‹stanbul, Türkiye
“Topkap›”, Bremen, Almanya
2006
“Modernism’s Intermediary: Motif”, Borusan Art Gallery ‹stanbul, Turkey (Curator: Michele
Thursz)
“Reserved”, Pist, ‹stanbul, Turkey
“Topkap›”, Bremen, Germany
2005
“De¤iflim”, ‹stanbul, Türkiye
“Tak›nt›”, ‹stanbul, Türkiye
“Art-Actually”, ‹stanbul, Türkiye (Küratörler: Fatofl Üstek, Michele Thursz)
“S›r-Zaman”, Ankara, Türkiye
2005
“Modification”, ‹stanbul, Turkey
“Obsession”, ‹stanbul, Turkey
“Art-Actually”, ‹stanbul, Turkey (Curators: Fatofl Üstek, Michele Thursz)
“Secret -Time”, Ankara, Turkey
2003
“Aileye Mahsustur”, ‹stanbul, Türkiye
“‹yi Kötü-Çirkin”, ‹stanbul, Türkiye
2003
“Reserved for Families”, ‹stanbul, Turkey
“The Good, the Bad and the Ugly”, ‹stanbul, Turkey
2002
“Asya Bienali”, Bengladefl (Küratör: Melih Görgün)
“Yaya Sergileri I“, (Küratör: Fulya Erdemci)
“60 y›l 60 Sanatç›”, (Küratörler: Levent Çal›ko¤lu, Ali Akay, Haflim Nur Gürel)
2002
“Asia Biennale”, Bangladesh (Curator: Melih Görgün)
“Pedestrian Exhibitions I“, (Curator: Fulya Erdemci)
“60 Years- 60 Artists”, (Curators: Levent Çal›ko¤lu, Ali Akay, Haflim Nur Gürel)
2001
“Yurttan Sesler”, ‹stanbul, Türkiye
“Yeniden Bak”, ‹stanbul, Türkiye (Küratör: Vas›f Kortun)
2001
“Voices from Homeland”, ‹stanbul, Turkey
“Look Again”, ‹stanbul, Turkey (Curator: Vas›f Kortun)
2000
“Yerli Mal›”, ‹stanbul, Türkiye
“Genç Sanat”, Ankara, ‹stanbul, Türkiye (Küratör: Vas›f Kortun)
2000
“Home Product”, ‹stanbul, Turkey
“Genç Sanat”, Ankara, ‹stanbul, Turkey (Curator: Vas›f Kortun)
1999
“Arada 99”, ‹stanbul, Türkiye
“Video Sanat Günleri”, ‹stanbul, Türkiye
“Karma Resim Sergisi”, Galatea, ‹stanbul, Türkiye (Küratör: Vas›f Kortun)
1999
“In Between 99”, ‹stanbul, Turkey
“Video Art Days”, ‹stanbul, Turkey
“Mixed painting Exhibition”, Galatea, ‹stanbul, Turkey (Curator: Vas›f Kortun)
60
VOLKAN ASLAN
Endifle / Concern, 2007
50 x 70 cm, Tuval üzerine akrilik, 4 adet /
Acrylic on canvas, 4 pieces
61
62
63
1982, Ankara
1982, Ankara
2005 y›l›nda Mersin Üniversitesi Güzel Sanatlar Fakültesi’nden mezun olup, Adana Çukurova
Üniversitesi’nde Lisansüstü çal›flmas›n› tamamlad›. ‹stanbul’da yaflay›p, çal›flmakta.
[email protected]
Graduates from Mersin, Fine Arts Faculty in Mersin, 2005
MA, Çukurova University in Adana, 2005. Lives and works in ‹stanbul.
[email protected]
Kiflisel Sergiler:
Solo Exhibitions:
2009
“Four”, Pi Artworks, ‹stanbul, Türkiye
2009
“Four”, Pi Artworks, ‹stanbul, Turkey
2008
“Endifle”, Pi Artworks, ‹stanbul, Turkey
2008
“Concern”, Pi Artworks, ‹stanbul, Turkey
2006
“Volkan Aslan ‹stanbul’da”, küratör: Marcus Graf, ‹stanbul, Türkiye
2006
“Volkan Aslan in ‹stanbul”, curated by Marcus Graf, ‹stanbul Turkey
Karma Sergiler:
Group Exhibitions:
2008
“On Produceability”, Alt› Ayl›k ve Nüans iflbirli¤i ile, Apartman Projesi, Düsseldorf, Almanya
“On Produceability”, Köln, Almanya
“Save As”, Ça¤dafl Sanatç›lar Sergisi, Triennale Bovisa Museum, Milano, ‹talya
“Concern”, Ça¤dafl Sanatç›lar Sergisi, Atelier Frankfurt, Frankfurt, Almanya
“Culturel Jam”, Ça¤dafl Sanatç›lar Sergisi, Weimar, Almanya
“Accumulated: put aside, left aside”, 5533, ‹stanbul, Türkiye
2008
“On Produceability”, A Collaboration between Alt› Ayl›k and Nüans, Dusseldorf, Apartman
Project, Turkey
“On Produceability”, Köln, Germany
“Save As”, Contemporary Artist’s Exhibition, Triennale Bovisa Museum, Milan, Italy
“Concern”, Contemporary Artist’s Exhibition, Atelier Frankfurt, Frankfurt, Germany
“Culturel Jam”, Contemporary Artist’s Exhibition, Weimar, Germany
“Accumulated: put aside, left aside”, 5533, ‹stanbul, Turkey
2007
“Art and Money”, Siemens Sanat Galerisi, ‹stanbul, Türkiye
“From Owner with View”, ‹stanbul, Türkiye
“The Most Curatorial Biennial of The Universe”, Apex Art Center, NewYork, A.B.D.
“VI. Kore Türkiye De¤iflim Sergisi”, Pi Artworks, ‹stanbul, Türkiye
“Bitmemifl”, BM Suma Ça¤dafl Sanat Merkezi, ‹stanbul, Türkiye
2006
“‹ki Yaka Aras›nda”, ‹stanbul, Türkiye
“Buradan Çok Uzakta”, Ankara, ‹stanbul, Türkiye
2005
“Kültürel Miras”, ‹ngiliz Türk Kültür Merkezi, Ankara, Türkiye
“Free Zone / Neutral Area”, Roxy, ‹stanbul, Türkiye
“Obsession”, Uluslararas› Audio Video Sanat Festivali, Gallery-X, ‹stanbul, Türkiye
“24. Ça¤dafl Sanatç›lar Sergisi”, Aksanat, ‹stanbul, Türkiye
“I. Elektronik Sanat Festivali”, Telemar Kültür Merkezi, Rio de Janeiro, Brezilya
2004
“Yeni Öneriler / Yeni Önermeler XII”, Borusan Sanat Galerisi, ‹stanbul, Türkiye
2003
“Kendine Bir Köpek Seç ve Havla”, Mersin, Türkiye
“Kendine Bir Köpek Seç ve Havla”, Adana, Türkiye
2002
“III. Uluslararas› Ö¤renci Trienali”, Marmara Üniversitesi, ‹stanbul, Türkiye
2007
“Art and Money”, Siemens Art Gallery, ‹stanbul, Turkey
“From Owner With View”, ‹stanbul, Turkey
“The Most Curatorial Biennial of the Universe”, Apex Art Center, NewYork, U.S.A.
“6th Korean-Turkish Exchange Exhibition”, Pi Artworks, ‹stanbul, Turkey
“Unfinished”, BM Suma Contemporary Art Center, ‹stanbul, Turkey
2006
“Between Two Sides”, ‹stanbul, Turkey
“So Far Away from Here”, Ankara, ‹stanbul, Turkey
2005
“Cultural Heritage”, Turkish / English Cultural Center, Ankara, Turkey
“Free Zone / Neutral Area”, Roxy, ‹stanbul, Turkey
“Obsession”, International Audio Video Art Festival, Gallery-X, ‹stanbul, Turkey
“24th Contemporary Artist’s Exhibition”, Aksanat, ‹stanbul, Turkey
“1st Electronic Art Festival”, Centro Cultural Telemar, Rio de Janeiro, Brazil
2004
“XII. New Proposals / New Propositions”, Borusan Art Gallery, ‹stanbul, Turkey
2003
“Choose a Dog for Yourself and Bark”, Mersin, Turkey
“Choose a Dog for Yourself and Bark”, Adana, Turkey
2002
“3rd International Student Triennial Exhibition”, Marmara University, ‹stanbul, Turkey
64
OKAN BAYÜLGEN
Pin-Up, 2009
Duman, 2009
65
Harun Tekin, 2009
Yaflar Kurt, 2009
Özlem Tekin, 2009
Aylin Asl›m, 2009
66
Aseton, 2009
Cem Köksal, 2009
Kaan Tangöze, 2009
Buket Doran, 2009
67
Okan Bayülgen
Okan Bayülgen
1964, ‹stanbul
1964, Istanbul
Galatasaray Lisesi’ndeki ö¤reniminin ard›ndan fiiflli Lisesi’nden mezun oldu. Fransa’da bir süre
hukuk ve ekonomi e¤itimi ald›ktan sonra Türkiye’ye dönerek Mimar Sinan Üniversitesi Devlet
Konservatuar› Tiyatro Bölümü’nü bitirdi. Ayn› üniversitenin Sosyal Bilimler Fakültesi’nde master
yapt›.
Bayülgen graduated from fiiflli High School after having attended Galatasaray High School.
He studied law and economics for a while in France. Later he returned to Turkey and graduated
from Mimar Sinan University of Fine Arts State Conservatory, Department of Theatre. He
received his master’s degree on social sciences at the same university.
Devlet Tiyatrolar›’nda yönetmenlik ve oyunculuk yapt›. Bir y›l Trabzon Devlet Tiyatrosu’nda
çal›flt›ktan sonra görevinden ayr›ld›.
He worked as a director and actor at the State Theatres. After having worked at Trabzon
State Theatre for a year, he resigned from his post.
1991’de Kent Fm'de bafllad›¤› radyoculu¤u 2001 y›l›na dek sürdürdü. Televizyonculu¤a Satel
kanal›nda bafllad›. ATV’deki “Gece Kuflu” ve “Televizyon Çocu¤u” programlar›n›n ard›ndan,
Kanal D’de “Zaga”y› yapt›. “Utanmaz Adam” ve “Size Baba Diyebilir miyim?” televizyon
dizilerinde rol ald›.
He worked as a radio-programmer at Kent FM in 1991-2001. He continued his career in
broadcasting sector at Satel. After hosting his own shows titled “Gece Kuflu” and
“Televizyon Çocu¤u” at ATV, he continued with ”Zaga”, he prepared for Kanal D. He also
appeared in two TV series titled “Utanmaz Adam” and “Size Baba Diyebilir miyim?”
2005 y›l›nda Makina Medya Yap›mevi adl› prodüksiyon flirketini kurdu. Daha sonra yine
Kanal D için s›ras›yla; “Televizyon Makinas›”, “Haber Makinas›”, “Makina”, “Disko Kral›”,
“Medya Kral›” ve “Muhabbet Kral›” programlar›n› haz›rlay›p sundu. NTV’de “Herkes Bunu
Konufluyor”, “Bu Sizi ‹lgilendiriyor” ve “Sade Vatandafl” programlar›n› sundu. Ata Demirer,
Gülben Ergen, Saba Tümer, Pakize Suda, Ayfle Özgün gibi isimlerin sunuculu¤unu yapt›¤›
birçok televizyon projesinin yap›mc›l›¤›n› üstlendi.
In 2005, he founded his production company, Makina Medya Yap›mevi. Later he continued
producing and hosting several TV shows (“Televizyon Makinas›”, “Haber Makinas›”,
“Makina”, “Disko Kral›”, “Medya Kral›” and “Muhabbet Kral›”, respectively) for Kanal D.
He produced and hosted “Herkes Bunu Konufluyor”, “Bu Sizi ‹lgilendiriyor” and “Sade
Vatandafl” shows for NTV. He has also produced many TV projects, hosted by renowned figures
like Ata Demirer, Gülben Ergen, Saba Tümer, Pakize Suda and Ayfle Özgün.
2005-2006 sezonunda Ferhan fiensoy’un “Kiral›k Oyun” adl› tiyatro oyununda rol ald›.
In 2005-06, he acted in Ferhan fiensoy’s play “Kiral›k Oyun”.
Sinema Filmleri:
Filmography (Actor):
2009 Kanalizasyon
2007 Romantik
2006 S›nav
2002 Gülüm
2001 Komser fiekspir, Hemflo
2000 Oyunbozan
1997 A¤›r Roman
1996 ‹stanbul Kanatlar›m›n Alt›nda
2009 Kanalizasyon
2007 Romantik
2006 S›nav
2002 Gülüm
2001 Komser fiekspir, Hemflo
2000 Oyunbozan
1997 A¤›r Roman
1996 ‹stanbul Kanatlar›m›n Alt›nda
Sinema Filmleri (Seslendirme):
Motion Pictures (Sound Recording):
2008 Garfield's Fun Fest
2007 Donkey Xote, Çirkin Ördek Yavrusu ile Farecik, Shrek 3
2006 Shark Bait, The Pink Panther
2005 Robots
2004 Garfield: The Movie, Shrek 2
2002 Ice Age
2001 Shrek
1998 Mulan
2008 Garfield's Fun Fest
2007 Donkey Xote, Çirkin Ördek Yavrusu ile Farecik, Shrek 3
2006 Shark Bait, The Pink Panther
2005 Robots
2004 Garfield: The Movie, Shrek 2
2002 Ice Age
2001 Shrek
1998 Mulan
Foto¤raf Sergileri:
Photography Exhibitions:
2008
Gördü¤üm En Güzel Kad›n Sensin
Erkeklerin Saatlerini Takan Kad›nlar
2008
Gördü¤üm En Güzel Kad›n Sensin
Erkeklerin Saatlerini Takan Kad›nlar
2007
Pudra (Zaman›n Tozu)
2007
Pudra (Zaman›n Tozu)
2006
Yaflam Gücü
2006
Yaflam Gücü
2006
Baobab Yolu (Zekai Demir’le birlikte)
2006
Baobab Yolu (together with Zekai Demir)
68
AL‹ CABBAR
Huzuru Aray›fl / Searching for Peace, 2005
Sürgünsel Varolufl serisinden / From Exilic Exsistence series
80 x 95 cm, Ka¤›t üzerine dijital bask› / Digital print on paper
70
Kafadaki k›fl (kufl) / In a Mind of Winter, 2005
Sürgünsel Varolufl serisinden /
From Exilic Exsistence series
95 x 80 cm, Ka¤›t üzerine dijital bask› /
Digital print on paper
Geçmifli Tafl›mak / Carriying the Past, 2005
71
Sürgün Kavim / Exile Nation, 2005
Kay›p Zaman ‹mgeleri /
Symbol of the Lost Times, 2005
72
‹çimdeki Sürgün / I have an Exile in Me, 2005
73
Ali Cabbar
Ali Cabbar
1956, ‹stanbul
1956, ‹stanbul
Marmara Üniversitesi Güzel Sanatlar Fakültesi’nden mezun oldu. Uzun y›llar grafiker, art
direktör ve çizer olarak çal›flt›. 2001 y›l›ndan itibaren, o zaman kadar yan u¤rafl olarak
sürdürdü¤ü sanat› profesyonel olarak yapmaya bafllad›. ‹stanbul, Melbourne ve Brüksel’de
sergiler açt›.
www.alicabbar.com
[email protected]
Graduated from Marmara University Fine Arts Faculty. Worked as a graphic designer
and illustrator for 20 years. Quit his daytime job in 2001 to fully concentrate on his art.
Exhibited in ‹stanbul, Melbourne and Brussels.
www.alicabbar.com.
[email protected]
Solo Exhibitions:
Seçilmifl Kiflisel Sergiler:
2007
“Strawberry Fields [ge.net.i.cal.ly mod.i.fied]”, Brüksel, Belçika (aç›k hava enstelasyonu)
2006
“Escape”, Le Botanique, Brüksel, Belçika
2005
“Sürgünsel Varolufl“, AKM, ‹stanbul, Türkiye
1989
Melbourne, Avustralya
“A man, a woman, a city“, Piccolo Gallery
2007
“Strawberry fields [ge.net.i.cal.ly mod.i.fied]“, (open air installation), Brussels, Belgium
2006
“Escape“, Le Botanique, Brussels, Belgium
2005
“Exilic Existence“, AKM, ‹stanbul, Turkey
1989
“A man, a woman, a city“, Piccolo Gallery, Melbourne, Australia
1987
Taksim Sanat Galerisi, ‹stanbul, Turkey
1987
Taksim Sanat Galerisi, ‹stanbul, Türkiye
Selected Group Exhibitions:
Seçilmifl Karma Sergiler:
2008
“Memento Mori“, The F.U.E.L. Collection, Philadelphia, ABD
2008
“Memento Mori”, The F.U.E.L. Collection, Philadelphia, USA
2007
“Open Studios”, BM Suma, ‹stanbul, Turkey
2007
“Sanatç› Atölyeleri”, BM Suma, ‹stanbul, Türkiye
13th International Festival of Computer Arts, Maribor, Slovenya
2007
13th International Festival of Computer Arts, Maribor, Slovenia
2006
“Ego K›r›lmalar›“, CAM Galeri, ‹stanbul, Türkiye
“Manifestation“, Atticsalt Galerisi, Edinburg, ‹skoçya
“Rejection Episodes“, Vooruit, Ghent, Belçika
“Faces and Signs“, 5th International Triennial of Graphic Art Institute, Museum and Gallery,
Bitola, Makedonya
2006
“Ego Busters“, CAM Gallery, ‹stanbul, Turkey
“Manifestation“, Atticsalt Gallery, Edinburgh, Scotland
“Rejection Episodes“, Vooruit, Ghent, Belgium
“Faces and Signs“, 5th International Triennial of Graphic Art Institute, Museum and Gallery,
Bitola, Macedonia
2003
Biennale International de Gravure IV, Musee D'Art Modern et D'Art Contemporain, Liege,
Belçika
4th Biennal-International Print Competition, Center for Contemporary Printmaking,
Connecticut, ABD
2003
Biennale International de Gravure IV, Musee D'Art Modern et D'Art Contemporain, Liege,
Belgium
4th Biennal-International Print Competition, Center for Contemporary Printmaking,
Connecticut, USA
2002
“Axion Art”, Dexia Gallery, Brüksel, Belçika
2002
“Axion Art”, Dexia Gallery, Axion Art, Brussels, Belgium
1994
Long Gallery, Wollongong, Avustralya
1994
Long Gallery, Wollongong, Australia
74
NUR‹ B‹LGE CEYLAN
Sultanahmet’te K›fl / Sultanahmet in Winter, ‹stanbul, 2004
61 x 127 cm, Kal›c› pigment bask› / Archival pigment print
K›fl›n Güvercinler, ‹stanbul / Pigeons in Winter, ‹stanbul, 2004
K›fl›n Kavisli Sokak, ‹stanbul / Curved Street in Winter, ‹stanbul, 2004
75
Nuri Bilge Ceylan
Nuri Bilge Ceylan
1959, ‹stanbul
1959, ‹stanbul
Bo¤aziçi Üniversitesi Elektrik-Elektronik Mühendisli¤i bölümünden mezun olduktan sonra
Mimar Sinan Üniversitesi'nde iki y›l sinema e¤itimi gördü. 1980'lerde kimi portfolyolar›
Gergedan gibi dönemin nitelikli kültür ve sanat dergilerinde yay›nlanan Ceylan, yapt›¤› dört
filmin de, yönetmenli¤ini, senaristli¤ini ve yap›mc›l›¤›n› üstlendi. Sinemaya Koza adl› k›sa
filmiyle ad›m›n› atan Ceylan bu filmiyle, Cannes Film Festivali'nin ilgili bölümüne kat›lma
baflar›s›n› gösterdi. Ceylan 1997'de ilk uzun metrajl› filmi olan ve baflta Berlin Film Festivali
olarak pek çok dünya festivalinde gösterilen üç bölümlü, otobiyografik ve pastoral Kasaba
filmini, 1999 y›l›nda da bir meta-film olan ve ilk iki filmdeki otobiyografik izle¤i sürdüren ve
büyük baflar› kazanan May›s S›k›nt›s›'n› çekti. Film, Berlin Film Festivali'nin yar›flmal›
bölümünde gösterilmiflti.
After graduating from Bo¤aziçi University Department of Electricity and Electronics Engineering,
he studied cinema at Mimar Sinan University for two years. In 80’s some of Ceylan’s portfolios
were published in the reputable culture and art magazines of the time - such as Gergedan.
Ceylan has been the director, scriptwriter and producer of each four of his films. Having
started filmmaking with a short movie titled Koza (Cocoon), Ceylan achieved with this movie
to take part in the relevant section of Cannes Film Festival. In 1997, Ceylan shot his first feature
film titled Kasaba (The Small Town). This pastoral and autobiographical movie was shown in
many festivals including Berlin Film Festival. Kasaba was followed by May›s S›k›nt›s› (Clouds
of May), a meta-film following the autobiographical theme of the first two movies. This film
drew considerable attention and was released in the competition section of Berlin Film Festival.
56. Cannes Film Festivali'nde yar›flan ve favori filmler aras›nda gösterilen Nuri Bilge Ceylan'›n
2002 yap›ml› dram filmi Uzak, Alt›n Palmiye'den sonra festivalin ikinci önemli ödülü olan
Büyük Jüri Ödülü'nü (Grand Prix) ald›. Filmde yaln›z ve yabanc›laflm›fl iki kuzeni oynayan
filmin baflrol oyuncular› Muzaffer Özdemir ve bir trafik kazas›nda ölen Mehmet Emin Toprak
da “En ‹yi Erkek Oyuncu Ödülü”nü paylaflarak Türk sinema tarihinin en parlak baflar›lar›ndan
birine imza att›lar.
In 2002, Nuri Bilge Ceylan’s drama Distant competed in 56th Cannes Film Festival. Pointed
as one of the favorites of the competition, Distant received the Grand Prix, the second most
important prize after the Palm D’Or. The two lead actors of the film, who played the lonely
and alienated cousins, Muzaffer Özdemir and Mehmet Emin Toprak (who passed away in a
tragic accident) shared the “Best Leading Actor” award. These accomplishments are still
standing among the outstanding successes of Turkish cinema history.
Ceylan'›n dördüncü uzun metraj› ‹klimler, 2006 Cannes Film Festivali'nin yar›flmal› bölümüne
kabul edildi. Ceylan'›n bugüne kadar çekti¤i en büyük bütçeli eser olan film, dijital görüntü
teknolojisiyle kotar›ld› ve görüntü yönetmenli¤ini Ceylan'›n kendisinin üstlenmedi¤i ilk Nuri
Bilge Ceylan filmi oldu. Filmin bir di¤er önemli özelli¤i ise, Nuri Bilge Ceylan'›n bu kez kamera
önüne de geçerek, efli Ebru Ceylan'la baflrolleri paylaflm›fl olmas›d›r.
Ceylan’s fourth feature film, ‹klimler (Climates) was accepted to the semi-final section of
Cannes Film Festival in 2006. “Climates” was allocated the largest budget among Ceylan’s
films. It also is the first movie of the director, where Ceylan did not also act as the director
of photography. Moreover, this time Nuri Bilge Ceylan stood in front of the camera as well.
He shared the lead role with his wife Ebru Ceylan.
2008 Cannes Film Festivali'nde Üç Maymun filmiyle “En ‹yi Yönetmen Ödülü”nü ald›.
In 2008, Ceylan received the “Best Director” Award in Cannes Film Festival with his movie
Üç Maymun (Three Monkeys).
Filmler:
Films:
2008 Üç Maymun
2006 ‹klimler
2002 Uzak
1999 May›s S›k›nt›s›
1997 Kasaba
1995 Koza
2008 Three Monkeys
2006 Climates
2002 Distant
1999 Clouds of May
1997 The Small Town
1995 Cocoon
Kiflisel Sergiler:
Personal Exhibitions:
2009
“Turkey Cinemascope”, Médiathèque Michel Crépeau, La Rochelle, Fransa
2008
“For My Father”, Milli Reasürans Galerisi, ‹stanbul (Küratör: Amelie Edgü)
2007
“Turkey Cinemascope”, El Centro Municipal de Arte Joven, Granada, ‹spanya (Küratör: Rey
Chico)
“Turkey Cinemascope”, Milli Reasürans Galerisi, ‹stanbul (Küratör: Amelie Edgü)
“Turkey Cinemascope”, National Theatre, Londra, ‹ngiltere (Küratör: Laura Hough)
2006
“Turkey Cinemascope”, Bezesteni Market, Selanik, Yunanistan (Küratör: Marion Inglessi)
2009
“Turkey Cinemascope”, Médiathèque Michel Crépeau, La Rochelle, France
2008
“For My Father”, Milli Reasürans Gallery, ‹stanbul (Curator: Amelie Edgü)
2007
“Turkey Cinemascope”, El Centro Municipal de Arte Joven, Granada, Spain (Curator: Rey
Chico)
“Turkey Cinemascope”, Milli Reasürans Gallery, ‹stanbul (Curator: Amelie Edgü)
“Turkey Cinemascope”, National Theatre, London, UK (Curator: Laura Hough)
2006
“Turkey Cinemascope”, Bezesteni Market, Thessaloniki, Greece (Curator: Marion Inglessi)
76
NEJAT ÇINAR
Giden Evrak / Outgoing, 2009
Yerlefltirme / Installation
77
Nejat Ç›nar
Nejat Ç›nar
1958, Ankara
1958, Ankara
1981’de Bo¤aziçi Üniversitesi Elektronik Bölümünden mezun oldu. 1984’te endüstriyel
otomasyon alan›nda kontrol cihazlar› üreten bir flirketin kurucular› aras›nda yer ald›. Halen
ayn› flirkette ar-ge ve yaz›l›m mühendisli¤i dan›flmanl›¤› yap›yor.
In 1981 graduated from Bo¤aziçi University as an Electronics Engineer. In 1984, with his
friends from university, established a company producing control devices for industrial
automation and still working as an R&D and SW consultant.
2006’da Design Week kapsam›nda “Made in fiiflhane” grubuyla birlikte kimi ürünleri
sergilendi.
[email protected]
[email protected]
Some of his works are exhibited together with “Made in fiiflhane” group in ‹stanbul Design
Week 2006.
[email protected]
[email protected]
Gelen Evrak / Incoming, 2009
78
T. MEL‹H GÖRGÜN
‹stanbul, 2009
140 x 200 cm, 6 parçal› tipografik düzenleme /
Typographic installation with 6 pieces
Tuval üzerine dijital bask› / Digital print on canvas
79
80
“Duymak Görmektir”, Ses sergisi, YYA Gallery Toronto, Kanada (küratör: Gue Schmidt)
1962, Sinop’ta do¤du.
2002
“A¤›t”, ses yerlefltirme, Diedorf Tiyatro Buluflmas›, Augsburg, Almanya
“Arte Sonoro Sound Art Biennial”, Meksika, Venezuella (küratörler: Luis Romero, Dulce Gomez)
Uluslararas› 11. Asya Sanat Bienali, Dakka-Bangladefl (ulusal küratör: T. Melih)
“Koridor”, Marmara Üniversitesi Güzel Sanatlar Fakültesi, ‹stanbul (küratör: Ahu Antmen)
1985 Lisans, Marmara Üniversitesi, E¤itim Fakültesi
1985 Uluslararas› Salzburg Yaz Akademisi bursu, Prof. Uwe Bremer atölyesi
1989 Yüksek Lisans, ‹stanbul Teknik Üniversitesi Sosyal Bilimler Enstitüsü, Görsel ve Çevresel
Sanatlar Program›
1994 Doktora, Mimar Sinan Üniversitesi, Sosyal Bilimler Enstitüsü Grafik Tasar›m Program›
2004 y›l›ndan beri Mimar Sinan Güzel Sanatlar Üniversitesi’nde profesör olarak görev
yapmaktad›r.
2001
1. Tiran Bienali, Arnavutluk (ulusal küratör: Ahu Antmen)
2000
“Veritas omnia vincit”, ‹nsan Haklar› Sergisi, (küratör: Beral Madra)
Kiflisel Sergiler:
(Performanslar ve Yerlefltirmeler)
2005
“Vorspielurteil”, performans, MQ Wien, Viyana, Avusturya
“Ich bin ein Anderer / I am another”, video yerlefltirme, monochrom projectspeis, MQ Wien,
Viyana, Avusturya
2004
“Ölüm Karfl› Yakada”, performans and video yerlefltirme, Oratorio di San Ludovico, Venedik,
Italya
2002
“fiiddet”, ses yerlefltirme, Stadthaus Galerie, Münster, Almanya
1999
“Ben Bir Baflkas›y›m”, Kunst-Pavillon, Münih, Almanya
1998
“Mühür”, Galerie Pjotr, Tilburg, Hollanda
“2/2”, Galerie im Schloss, Augsburg, Almanya
1997
“Seal”, Siyah Beyaz Art Gallery, Ankara, Türkiye
1996
“Ik=Ikoon”, Huis der Kunsten, Brugge, Belçika
1995
“die Kohle”, City Gallery, Ahlen, Almanya
1994
“TorsIkon-2”, Sinop Arkeoloji Müzesi, Sinop, Türkiye
“TorsIkon”, Galeri Zon, Ankara, Türkiye
1998
“Çevreler ‹çin Ço¤altmalar”, Borusan Sanat Merkezi, ‹stanbul, Türkiye, (küratör: Beral Madra)
Küratöryel Çal›flmalar›:
2009
“Merhamet Melankolisi”, Siemens Sanat, ‹stanbul, Türkiye (co-curating; Mürteza Fidan, T.
Melih Görgün)
“Viatico”, Siemens Sanat, ‹stanbul, Türkiye (co curating; Vittorio Urbani, T. Melih Görgün)
“Kullan›fll› ‹hlaller”, Siemens Sanat, ‹stanbul, Türkiye (co-curating; Mürteza Fidan, T. Melih
Görgün)
“S›n›rlar-Yörüngeler 5-6”, Siemens Sanat, ‹stanbul, Türkiye
2008
“ambivalancevideo”, Siemens Sanat, ‹stanbul, Türkiye (co-curating; Mürteza Fidan, T. Melih
Görgün)
“Sinopale, 2. Uluslararas› Sinop Bienali”, Sinop, Türkiye
“Temsilde Huzursuzluk”, Siemens Sanat, ‹stanbul, Türkiye (co-curating; Mürteza Fidan, T.
Melih Görgün)
“Mu¤lak Statü”, Siemens Sanat, ‹stanbul, Türkiye (co-curating; Mürteza Fidan, T. Melih Görgün)
“S›n›rlar-Yörüngeler 3-4”, Siemens Sanat, ‹stanbul, Türkiye
2007
“Ola¤andan Sonra: fiimdiki Zaman”, Siemens Sanat, ‹stanbul, Türkiye (co-curating; Mürteza
Fidan, T. Melih Görgün)
“S›n›rlar-Yörüngeler I-II”, Siemens Sanat, ‹stanbul, Türkiye
2006
“Sinopale, 1. Uluslararas› Sinop Bienali”, Sinop, Türkiye
“Video Pool-Designer From Holland”, Grafist International ‹stanbul Graphic Design Week,
2004
“Drapeau: Une Experience d’identification”, Le Botanique, Brüksel, Belçika
Seçilmifl Sergiler:
2009
“Hram/Temple”, HDLU Zagreb, H›rvatistan, (küratör: Branco Franceschi)
2008
“in Munchen, um Munchen, um Munchen herum”, 850. Year Anniversary of Munchen,
Wittelsbacher Platz, Münih, Almanya
“Underneath : Nothing As Silence as Snow”, Odessa, Ukrayna, Bulgaristan, Romanya
2007
“Unfinished: Project of Art Works”, BM Suma Contemporary Art Center, ‹stanbul, (küratör:
Beral Madra)
2006
“Duymak Görmektir”, Ses sergisi, fiehir Müzesi, Gyor-Macaristan, (küratör: Gue Schmidt)
2005
“Duymak Görmektir”, Ses sergisi, Yyz Artist Outlet, (küratör: Gue Schmidt)
2004
Uluslararas› 11. Asya Sanat Bienali, Dakka-Bangladefl (ulusal küratör: T. Melih Görgün)
2003
“Niyetlenerek ya da Niyetlenmeksizin”, ‹stanbul Frans›z Kültür Merkezi, Türkiye
“Entrophy”, Uluslararas› 10. Asya Sanat Bienali, Dakka-Bangladefl (ulusal küratör: T. Melih
Görgün)
2002
“Önyarg›”, video yap›tlar, Mimar Sinan Universitesi ve Münster Güzel Sanatlar Akademisi,
buluflmas›, Exhibition Hall, Münster, Almanya
2001
“Yolda”, Uluslararas› 10. Asya Sanat Bienali, Dakka-Bangladefl (ulusal küratör: T. Melih
Görgün)
“Kaleydoskop, caléidoscope”, ‹stanbul Frans›z Kültür Merkezi, Türkiye
81
“To Hear is to See”, YYA Gallery Toronto, Canada (Curator: Gue Schmidt)
1962, Sinop
2002
“Dirge”, sound installation, Theatre Meeting, Augsburg, Germany
“Arte Sonoro Sound Art Biennial”, Mexica, Venezuella (Curators: Luis Romero, Dulce Gomez)
“International 10. Asian Art Biennial”, Dhakka-Bangladesh (Curator of national participation:
T. Melih Görgün)
“Corridor”, MU Faculty of Fine Arts, ‹stanbul (Curator: Ahu Antmen)
1985 BA, Marmara University, Faculty of Art Education
1985 Scholarship of International Summer Academy in Salzburg by Prof. Uwe Bremer
1989 MA, ‹stanbul Technical University Institut of Social Science
1994 Phd, Mimar Sinan University, Institut of Social Science, Graphic Design Programm
since 2004 he works as a Professor at Mimar Sinan Fine Arts University.
2001
1. Tirana Biennial, Albania (Curators of national participation: Ahu Antmen)
Solo Shows:
(Performance and exhibitions)
2005
“Vorspielurteil”, performance, MQ Wien, Wien, Austria
“Ich bin ein Anderer / I am another”, video installation, monochrom projectspeis, MQ Wien,
Wien, Austria
2004
“Death is on the other shore”, performance and video installation, Oratorio di San Ludovico,
Venice, Italy
2002
“Violence”, sound installation, Stadthaus Galerie, Münster-Germany
1999
“I am Another”, Kunst-Pavillon, München-Germany
1998
“Seal”, Galerie Pjotr, Tilburg, Holland
“2/2”, Galerie im Schloss, Augsburg, Germany
1997
“Seal”, Siyah Beyaz Art Gallery, Ankara, Turkey
1996
“Ik=Ikoon”, Huis der Kunsten, Brugge, Belgium
1995
“die Kohle”, City Gallery, Ahlen, Germany
2000
“Veritas omnia vincit”, Exhibition of Human Rights, (Curator: Beral Madra)
1998
“Multiplies for Environment”, Borusan Art Center, ‹stanbul, Turkey, (Curator: Beral Madra)
Curatorial Works:
2009
“Melancholy of Compassion”, Siemens Art, ‹stanbul, Turkey (co-curating; Mürteza Fidan, T.
Melih Görgün)
“Viatico”, Siemens Art, ‹stanbul, Turkey (co-curating; Vittorio Urbani, T. Melih Görgün)
“Useful Contraventions”, Siemens Art ‹stanbul, Turkey (co-curating; Mürteza Fidan, T. Melih
Görgün)
“Orbits and Borders 5-6”, Siemens Art, ‹stanbul, Turkey
2008
“ambivalancevideo”, Siemens Art, ‹stanbul, Turkey (co-curating; Mürteza Fidan, T. Melih
Görgün)
“Sinopale, 2nd International Sinop Biennial”, Sinop, Turkey
“Discomfort at the Peformance”, Siemens Art, ‹stanbul, Turkey
“Imprecise Status”, Siemens Art, ‹stanbul, Turkey
“Orbits and Borders 3-4”, Siemens Art, ‹stanbul, Turkey
2007
“After the Ordinary: Present Time”, Siemens Art, ‹stanbul, Turkey
“Orbits and Borders I-II”, Siemens Art, ‹stanbul, Turkey
1994
“TorsIkon”, Archological Museum of Sinop, Sinop,Turkey
“TorsIkon”, Galeri Zon, Ankara, Turkey
2006
“Sinopale, 1st International Sinop Biennial”, Sinop, Turkey
“Video Pool-Designer From Holland”, Grafist International ‹stanbul Graphic Design Week,
‹stanbul, Turkey
Selected Shows:
2004
“Drapeau: Une Experience d’identification”, Le Botanique, Bruexelles, Belgium
2009
“Hram/Temple”, HDLU Zagreb, Croatia, (küratör: Branco Franceschi)
2008
“in Munchen, um Munchen, um Munchen herum”, 850. Year Anniversary of Munchen,
Wittelsbacher Platz, Munih-Germany
“Underneath: Nothing As Silence as Snow”, Odessa, Ukrain, Bulgaria, Romania
2007
“Unfinished: Project of Art Works”, BM Suma Contemporary Art Center, ‹stanbul, (Curator:
Beral Madra)
2006
“To Hear is to See”, sound exhibition, Municipal Museum, Gyor-Hungary, (Curator: Gue Schmidt)
2005
“Hören ist Sehen / To hear is to See”, sound exhibition, Yyz Artist Outlet, (Curator: Gue
Schmidt)
2004
International 11. Asian Art Biennial, Dhakka-Bangladesh (curator of national participation: T.
Melih Görgün)
2003
“Invention or Non-Invention”, Français d’‹stanbul, Turkey
“Entrophy”, International 10. Asian Art Biennial, Dhakka-Bangladesh (Curator of national
participation: T. Melih Görgün)
2002
“Prejudice”, video works, Meeting with Mimar Sinan University, Münster Fine Arts Academy
Exhibition Hall, Münster, Germany
2001
“On the Way”, International 10. Asian Art Biennial, Dhakka-Bangladesh (Curator of national
participation: T. Melih Görgün)
“Kaleydoskop, caléidoscope“, Institut Français d’‹stanbul, ‹stanbul, Turkey
82
HAKAN GÜRSOYTRAK
83
Harb-i Bezeme / Warmament, 2009
(Harb-i Bezeme: A¤layan Hal›lar, 2008 serisinden özel düzenleme /
Special arrangement from the series of Warmament: Crying Carpets, 2008)
150 x 340 cm, Dijital bask› / Digital print
84
85
Hakan Gürsoytrak
Hakan Gürsoytrak
1963, Ankara
1963, Ankara
1984 Marmara Üniversitesi, ‹.‹.B.Fakültesi ‹stanbul
1990 Mimar Sinan Üniversitesi, GSF Resim Bölümü
1993 Reading University, Yüksek Lisans, ‹ngiltere
1996 “Ça¤dafl Sanatta ‹mge”, Sanatta Yeterlik, Anadolu Üniversitesi, Eskiflehir
1984 Graduated from the Faculty of Economics and Administration of the Marmara
University, ‹stanbul
1990 Graduated from the Painting Department,of the Faculty of Fine Arts, Mimar Sinan
University, ‹stanbul
1993 Master of Fine Arts degree from the Reading University in the UK
1996 PhD degree in Anadolu University, Eskiflehir, (thesis on “Image in Contemporary Arts”)
2006 y›l›na kadar Anadolu Üniversitesi, GSF Resim Bölümünde Doçent Ö¤retim Üyesi olarak
çal›flt›. “Hafriyat” Grubu ve Hafriyat-Karaköy Çeflitli Sanatlar Alemi’nin kurucular›ndand›r.
1996 y›l›ndan bu yana kat›ld›¤› “Hafriyat” Grup sergilerinin yan›s›ra, “Hiçbir Yerden”,
Centrum Beeldende Kunst, Almanya. “Yerleflmek”, Proje4L, ‹stanbul. “80 Questions Around
World“, “Umudunu Göster”, Mobil Sergi. fiifre / Password: ‹stanbul ve Diyarbak›r. “Berlin‹stanbul-Vice-Versa”, “fiimdi / Now”, Künstlerhaus, Bethanien, Berlin. “S›n›r Deneyimleri”,
Aksanat, ‹stanbul. “Yalana dair Herfley”, Apartment Projesi, ‹stanbul. “Allah Korkusu”,
Hafriyat Karaköy, ‹stanbul. “Gerçekçi Ol ‹mkans›z› ‹ste!”, Karfl› Sanat Çal›flmalar›, ‹stanbul.
“Mesafeler ve Yak›nl›klar”, Gulbenkian Foundation, Lizbon. “Pis Hikaye”, BM Suma, ‹stanbul
gibi karma sergilere kat›ld›.
“Köflk”, “H›r”, “Toka”, “Alakalar”, 50. Venedik Bienali “Clandestine” Bölümü, “Maarif”,
“‹flimize Bakal›m!”, “Temiz Eller / Kodeks: Resimli Phis-Kos Geçiti” gibi kiflisel sergiler açt›.
Lectured in Painting Department of the Faculty of Fine Arts, Anadolu University till 2006 as
Associated Professor. He is co-founder of the group called “Hafriyat / The Excavation” and
“Hafriyat-Karaköy the Various Art Center”, ‹stanbul.
Beside of several “Hafriyat” Group Shows 1996 and some combine exhibitions such as
“From Nowhere”, Centrum Beeldende Kunst, Germany, “Becoming a Place”, Proje4L, ‹stanbul.
“80 Questions Around World, Show Your Hope”, Mobil Exhibition. “fiifre / Password: ‹stanbul”,
‹stanbul and Diyarbak›r. “Berlin-‹stanbul-Vice-Versa”,“fiimdi / Now”, Künstlerhaus,
Bethanien, Berlin. “On The Frontiers of Experiences”, exhibition, ‹stanbul. “All About Lies”,
Apartment Project, ‹stanbul. “The Fear of God”, poster exhibition, Hafriyat Karaköy, ‹stanbul.
“Be a Realist, Demand the Impossible!”, Karfl› Art Works, ‹stanbul. “Distance and
Proximity”, Gulbenkian Foundation, Lizbon. “Dirty Story”, BM Suma, ‹stanbul.
His selected solo exhibitions: “Villa”, “Quarrel”, “Shaking Hands“, “Relevents” in the 50th
Venice Bienniale in “Clandestine” Section, Venice, Italy. ”, “Education”, “Let’s get on with
it!”, “Clean Hands / Codex: Illustrated Phis-Kos (Whispering) Parade” exhibition.
He still works at the Basic Art Training in the Faculty of Fine Arts of Mimar Sinan Fine Arts
University.
86
GÜL ILGAZ
F›fl F›fl Kürekçi / The Rower, 2002
45 x 181 cm, Dijital Bask› / Digital Print
87
88
‹ki Kara bi Dere / Two Land and a River, 2001-02
48 x 101 cm, Dijital Bask› / Digital Print
89
Gül Ilgaz
Gül Ilgaz
1962, ‹stanbul
1962, ‹stanbul
1983-88 y›llar› aras›nda ‹stanbul, Mimar Sinan Üniversitesi Güzel Sanatlar Fakültesi Resim
Bölümü’nde ö¤renimini tamamlad›ktan sonra1992’de Bard College, New York, A.B.D.,
1996’da Savannah College of Art and Design, Georgia, A.B.D. ve 2004 y›l›nda da Banff
Centre, Informal Architecture Residency Program, Calgary, Kanada’da çal›flmalar›na devam
etti.
[email protected]
http://gulilgaz.banff.org
Between 1983, 88 she studied painting in Mimar Sinan University, Faculty of Fine Arts, Painting
Department, ‹stanbul. She continued her studies in 1992, Writing and Thinking Program, Bard
College, New York, USA; in 1996, Art Forum, Savannah College of Art and Design, Georgia,
USA and in 2004 Banff Centre, Informal Architecture Residency Program, Calgary, Canada
[email protected]
http://gulilgaz.banff.org
Selected Exhibitions:
Seçilmifl Sergiler:
2009
“Eflzamanl›l›k-Koflutluk-Karfl›tl›k“, Akademie der Künste'nin Parizer Platz, Berlin, Germany
“L’Été photographique de Lectoure 2009”, Le Centre de Photographie de Lectoure, France
2008
“FAT”, Toronto Alternetive Art and Fashion Week, Kanada
“Kesit”, Urfa, Turkey
“‹stanbul Diptychs”, ‹stanbul Center, Brüksel, Belçika
“Küf - Mold”, Gent, Belçika
“Transparent ‹llusions”, Çanakkale Bienali, Çanakkale, Türkiye
“Save As..”, Trianale, Milano, ‹talya
2007
“Aller-Retour”, Sanatç› De¤iflim Projesi, Nay, Fransa
“Time to See”, Gallery Eskonsept”, ‹stanbul, Türkiye
“Station ‹stanbul”, Karfl› Sanat, ‹stanbul, Türkiye
“S›n›r Çizgisi”, Çanakkale Sanat Festivali, Çanakkale, Türkiye
“Güney Kore - Türkiye Ça¤dafl Sanat Sergisi”, Modern Sanat Galerisi, ‹stanbul, Türkiye
“Meeting Point”, Arcola Theatre and Art Gallery, Londra, ‹ngiltere
“Caravansarai”, Taflkent, Özbekistan
2006
“Gwangju International Sanat Festivali”, Güney Kore
“Eastern Neighbours”, Utrecht, Hollanda
“FAT ,Toronto, Alternatif Moda Haftas›”, Toronto, Canada
“White Nights”, Canale St.Martin, Paris, Fransa
“Visual Immortality”, II. Uluslararas› Ça¤dafl Sanat Festivali, Shumen, Bulgaristan
“Melek Yüzlü Yabanc›”, Aksanat, ‹stanbul, Türkiye
“Continental Breakfast- Memory (W)hole”, Ça¤dafl Sanat Müzesi, Üsküp, Makedonya
“Strangers with Angelic Face”, Space Gallery, Londra, ‹ngiltere
2009
“Eflzamanl›l›k-Koflutluk-Karfl›tl›k“, Akademie der Künste'nin Parizer Platz, Berlin, Germany
“L’Été photographique de Lectoure 2009”, Le Centre de Photographie de Lectoure, France
2008
“FAT”, Toronto Alternetive Art and Fashin Week, Canada
“Intersection / Kesit”, Urfa, Turkey
“‹stanbul Diptychs” ‹stanbul Center, Brussels, Belgium
“Küf - Mold”, Gent, Belgium
“Transparent ‹llusions”, Çanakkale Biennale, Çanakkale, Turkey
“Save As..Contemporary Art from Turkey / Milano”, Trianale, Milan, Italy
2007
“Aller-Retour”, Artist Exchange Project, Nay, France
“Time to See”, Gallery Eskonsept”, ‹stanbul, Turkey
“Station ‹stanbul”, Karfl› Sanat, ‹stanbul, Turkey
“Borderline”, Çanakkale Art Festival, Çanakkale, Turkey
“South Korea - Turkey Contemporary Art Exchange Exhibition”, ‹stanbul Modern Art Gallery
“Meeting Point”, Arcola Theatre and Art Gallery, London, England
“Caravansarai”, Tashkent, Uzbekistan
2006
“Gwangju International Art Festival”, South Korea
“Eastern Neighbours”, Utrecht, Holland
“FAT, Toronto, Alternative Fashion Week”, Toronto, Canada
“White Nights”, Canale St.Martin, Paris, France
“Visual Immortality”, II. International Biennial for Contemporary Art, Shumen, Bulgaria
“Strangers with Angelic Face”, Aksanat, ‹stanbul, Turkey
“Continental Breakfast - Memory (W)hole”, Museum of Contemporary Art, Skopje, Macedonia
“Strangers with Angelic Face”, Space Gallery, London, England
2005
“‹ki Yaka Aras›nda”, Aykut Barka Feribotu, Befliktafl - Kad›köy hatt›, ‹stanbul, Türkiye
“Kör Talih”, Karfl› Sanat, ‹stanbul, Türkiye
“S›r-Zaman”, Ankara Ça¤dafl Sanatlar Galerisi, 50 Sanatç› ve Yap›tlar›, ‹stanbul Modern Sanat
Galerisi, ‹stanbul, Türkiye
“Continental Breakfast-Memory (W)hole”, Lubliyana Kalesi, Lubliyana, Slovenya
“Informal Architecture Exhibition”, University of Calgary, Kanada
2005
“Between Two Sides”, 9th ‹stanbul Biennale, Aykut Barka ferry, Befliktafl - Kad›köy line,
‹stanbul, Turkey
“Life and Blind Destiny”, Karfl› Sanat, ‹stanbul, Turkey
“Secret-Time”, Contemporary Art Gallery of Ankara, 50 Artists and Works, ‹stanbul Modern
Art Gallery, ‹stanbul, Turkey
“Continental Breakfast-Memory (W)hole”, Lublijiana Castle, Ljublijana, Slovenia
“This is for You”, 2004 Informal Architecture Exhibition, University of Calgary, Canada
2004
“Metamorphosis”, ‹fsak Foto¤raf Günleri, Darphane, ‹stanbul, Türkiye
“Sfenks Seni Yutacak”, Karfl› Sanat Çal›flmalar›, ‹stanbul, Türkiye
2004
“Metamorphosis”, Ifsak Photography Days, Darphane, ‹stanbul, Turkey
“The Sphinks will Devour You”, Karfl› Sanat Çal›flmalar›, ‹stanbul, Turkey
2003
“Parallel Time”, Asya Ça¤dafl Sanat Sergisi, Hang Zhou, Çin
“Dreams And Conflicts”, 50. Venedik Bienali, Venedik, ‹talya
“Aileye Mahsustur”, Karfl› Sanat Çal›flmalar›, Elhamra Pasaj›, ‹stanbul
“fiifre / Password: ‹stanbul”, Diyarbak›r Kültür Merkezi, Diyarbak›r
2003
“Parallel Time”, Asian Contemporary Art Exhibition, Hang Zhou, China
“Dreams and Conflicts”, 50. Venice Biennale, Italy
“Only for the Family”, Karfl› Sanat Çal›flmalar›, ‹stanbul, Turkey
“fiifre / Password: ‹stanbul”, Diyarbak›r Cultural Center, Diyarbak›r, Turkey
2002
“60 Y›l 60 Sanatç›”, Eczac›bafl›, Tüyap Fuar ve Kongre Merkezi, ‹stanbul, Türkiye
“‹maja Güveniyoruz”, Diyarbak›r Kültür Merkezi, Diyarbak›r
“Tehlikeli fieyler”, Karfl› Sanat Çal›flmalar›, ‹stanbul, Türkiye
“fiifre / Password: ‹stanbul”, WestLB, ‹stanbul, Türkiye
“Sheshow”, Ata Ça¤dafl Sanat Merkezi, Sofya, Bulgaristan
2002
“60 Years, 60 Artists”, Eczac›bafl›, Tüyap Fuar ve Kongre Merkezi, ‹stanbul, Turkey
“In Image We Trust”, Diyarbak›r Cultural Center, Diyarbak›r, Turkey
“Dangerous Things”, Karfl› Sanat Çal›flmalar›, ‹stanbul, Turkey
“fiifre / Password: ‹stanbul”, WestLB, ‹stanbul, Turkey
“Sheshow”, Ata Contemporary Art Center, Sofia, Bulgaria
90
BENGÜ KARADUMAN
91
Paralel Geçifl / Parallel Passing, 2007
Siyah ve Beyaz, 2 boyutlu bilgisayar animasyonu, süre: 4’ 27’’ /
B&W, 2D computer animation, duration: 4’ 27’’
92
93
Bengü Karaduman
Bengü Karaduman
1974, Hildesheim, Almanya
1974, Hildesheim, Germany
1992-97 y›llar› aras›nda ‹stanbul Mimar Sinan Üniversitesi Tiyatro Dekor ve Kostüm Tasar›m›
bölümünde lisans derecesini ald›. 1999-2004 y›llar› aras›nda Hochschule der Bildenden Kunste Saar,
(Yeni Sanatsal Medyalar Güzel Sanatlar Akademisi) Saarbrücken, Almanya’da Profesör Ulrike
Rosenbach ve Profesör Tamas Waliczky denetiminde lisansüstü (Meisterschüler) e¤itimini tamamlad›.
1993-1999 y›llar›nda IFR Istabul’da film prodüksiyon asistanl›¤›, Anima ‹stanbul’da stop motion
filmler için set tasar›mc›l›¤› yapt›. 2000-01 y›llar›nda Hochschule der Bildenden Kuenste Saar,
Saarbrücken, Almanya’da, 2002 y›l›nda International Summer Academy for Fine Arts, Salzburg,
Avusturya’da Prof. Ulrike Rosenbach’›n asistanl›¤›n› yapt›. 2004 y›l›ndan beri Bahçeflehir Üniversitesi,
Görsel Sanatlar ve Görsel ‹letiflim Tasar›m› Bölümü’nde, ö¤retim görevlisi olarak çal›flmaktad›r.
www.bengue.tv
[email protected]
1999 - 2004 BFA / appointed to “Meisterschüler”, New Artistic Media under Professor Ulrike
Rosenbach and Professor Tamas Waliczky, Fine Art Academy Saar (Hochschule der Bildenden
Künste Saar), Germany.
1992 - 1997 BFA, Stage and Costume Design, Mimar Sinan University, ‹stanbul, Turkey.
www.bengue.tv
[email protected]
Solo Exhibitions:
2006
“TV/Terminal Velocity”, Galerie Maerz, video installation, Linz, Austria
“Deep Inside”, Gallery Artbooks, Video installation, Arhus, Denmark
Kiflisel Sergiler:
2006
“TV/Terminal Velocity”, Galerie Maerz, Linz, Avusturya
“Deep Inside”, Gallery Art Books, Arhus, Danimarka
2005
“Deep Inside”, Galerie Eboran,Video installation, Salzburg, Austria
Group Exhibitions:
2005
“Deep Inside”, Galerie Eboran, Salzburg, Avusturya
2009
“Darbe // Coup”, Galeri Outlet, Video installation, ‹stanbul, Turkey
“No Room for Panic”, Galeri Outlet, Selfportrait, Cut-out Paper Collages, ‹stanbul, Turkey
Karma Sergiler:
2009
“Telafla Mahal Yok - No Room for Panic”, Outlet, Özportre - Ka¤›t Kolaj›, ‹stanbul, Türkiye
2007
“Bound By”, Basement, Video installation, Vienna, Austria
“A and B is almost equal”, Alt› Ayl›k, with Alina Viola Grumiller, Video installation, ‹stanbul,
Turkey
2007
“A and B is almost equal - A ve B neredeyse denk”, Alt› Ayl›k, Alina Viola Grumiller ve
Bengü Karaduman, video enstelasyonu, ‹stanbul, Turkiye
“Bound By”, Basement, video enstelasyonu, Viyana, Avusturya
2006
“Welcome Home Laika”, Alt› Ayl›k, Video and Photography, ‹stanbul, Turkey
2006
“Welcome Home Laika”, Alt› Ayl›k, video ve foto¤raf enstelasyonu, ‹stanbul, Türkiye
2005
“Mysafir”, IX. ‹stanbul Bieannial, Hospitality Zone, ‹stanbul, Turkey
“Ortung04”, Galerie 5020, Digital prints on canvas and Video, Salzburg, Austria
2005
“Misafirpeverlik Alan› - Mysafir”, 9. ‹stanbul Bienali, ‹stanbul, Türkiye
“Ortung04”, Galerie 5020, Salzburg, Avusturya
2004
“Photokina”, Photography, Köln, Germany
“Ins Verhältnis Gesetzt“, T-Systems, Photography with Philine Sollmann, Saarbrücken, Germany
2004
Photokina, Köln, Almanya
“Ins Verhaeltnis Gesetzt“, T-Systems, foto¤raf serisi, Philine Sollmann ile, Saarbrücken, Almanya
2003
Digital Sparks Online Archive, Video, Sankt Augustin, Germany
“Body in System“, Solarfestival, Photography and installation, Dillingen, Germany
”13th Saarlux Film and Video Festival”, Video installation, Saarbrücken, Germany
2003
Digitalsaparks Online Arflivi, Sankt Augustin, Almanya
“Body in System“, Solarfestival, Dillingen, Almanya
2001
“Gegen den Strich“, Frauenmuseum, Video and Photo installation, Bonn, Germany
2002
“13. Saarlorlux Film and Video Festival”, video enstelasyonu, Saarbrücken, Almanya
Screenings:
2001
“Gegen den Strich“, Frauenmuseum, video ve foto¤raf enstelasyonu, Bonn, Almanya
2008
VJ Performance for the music band Gaipten Sesler, ‹stanbul, Turkey
Bild - Rausch, Video screening, Saarbrücken, Germany
Sanatsal Etkinlikler:
2007
“The Carnival of e-Creativity, Nomad-TV-Network Project, Video, New Delhi, India
2008
“Gaipten Sesler”, müzik grubu için VJ Performans›, ‹stanbul, Türkiye
“Bild - Rausch”, video gösterimi, Saarbrücken, Almanya
“Borusan Art Center”, atölye program›, ‹stanbul, Türkiye
“Ciant International Center for Art and New Technologies”, workshop, Prag ve Telc, Çek Cumhuriyeti
2007
“The Carnival of e-creativity”, Nomad Tv Network Project, video, Yeni Delhi, Hindistan
2006
“Conscious in Coma”, Goethe Institut, Nomad-TV-Network Project, ‹stanbul, Turkey
2004
Max Ophüls Film Festival, Video, Saarbrücken, Germany
94
ESEN KAROL
“...’n›n Duyumsad›¤› ‹stanbul” projesine katk› /
Contribution to the “‹stanbul As Felt By ...” project, 2006
70 x 100 cm, Foto - kolaj / Photo - collage
95
Esen Karol
Esen Karol
1967, Ankara
1967, Ankara
Lisans e¤itimini 1990’da Mimar Sinan Üniversitesi Grafik Bölümü’nde tamamlad›. 1991-1993
y›llar› aras›nda Fulbright bursu ile New York Pratt Institute’da ald›¤› ‹letiflim Tasar›m› yüksek
lisans e¤itimini, okunakl›l›k/okunabilirlik sorunsal›na yo¤unlaflan “TypeZone: A Study of
Typographic Experimentation” bafll›kl› deneysel tipografi üzerine teziyle bitirdi.
After receiving her bachelor’s degree on graphics at Mimar Sinan University in 1990, she
completed her master’s degree at New York Pratt Institute, where she studied communications
design with a Fulbright scholarship. Her thesis -focused on legibility / readability- was titled
“TypeZone: A Study on Typographic Experimentation”.
Grafikerler Meslek Kuruluflu taraf›ndan her y›l düzenlenen Grafik Ürünler Sergilerinde çeflitli
baflar› ödüllerinin yan› s›ra, 1997 y›l›nda ‹hap Hulusi Afifl ve 1995 y›l›nda Bikem Özsunay
Grafik Vakf› özel ödüllerini ald›. 1998’de Yunus Nadi Afifl Ödülü’ne lay›k görüldü.
In addition to the several awards she received in “Graphic Products Exhibition” organized
each year by the Graphic Artists’ Association, in 1997 she was given a prize for Ihap Hulusi
for her poster designs and received a special award from Bikem Özsunay Graphics
Foundation in 1995. Karol was given the Yunus Nadi Best Poster Prize in 1998.
Aralar›nda Varflova Afifl Bienali, Seul Afifl Trienali, Rzeszow Tiyatro Afiflleri Bienali olmak üzere
uluslararas› bienallere iflleri kabul edildi.
Afiflleri, Zürih Tasar›m Müzesi (Museum für Gestaltung, Zurich) arflivine al›nd›. Pratt Institute,
New York; Monserrat College of Art, Beverly; Massachusets College of Art and Design,
Boston ve Bezalel Academy of Arts and Design, Kudüs gibi yüksek ö¤renim kurumlar›nda
davetli konuflmac› olarak seminerler verdi. 2004 y›l›nda 9. Festivital-Shenkar, Tel-Aviv tasar›m
konferans›na, yine 2004 y›l›nda Icograda: Building Bridges, ‹stanbul, 2006 y›l›nda Icograda:
Defining Design on a Changing Planet, Seattle ve 2007 y›l›nda 4. Münchner Typotag: Book
2.0, Münih tasar›m konferanslar›na konuflmac› olarak davet edildi. 1998 ve 2008 y›llar›nda
Grafist’te, 2004 y›l›nda Lübnan Amerikan Üniversitesi’nde ve 2008 y›l›nda Bezalel, Kudüs’te
atölye çal›flmalar› gerçeklefltirdi. 2004 y›l›nda, 2. Uluslararas› Kore Afifl Bienali’nde ve 2005
y›l›nda Chaumont 16. Uluslararas› Afifl ve Grafik Sanatlar Festivali’nde jüri üyeli¤i yapt›.
1999 y›l›nda, ‹stanbul BM Ça¤dafl Sanatlar Galerisi’nde “Emigre in ‹stanbul: An Exhibition of
Typographic Design” sergisini, Bülent Tanju ile birlikte gerçeklefltirdi ve tasarlad›. Sergi
dolay›s›yla tasar›mc› Rudy VanderLans ile gerçeklefltirdi¤i yaz›flma “50 Soru 50 Cevap” bafll›kl›
kitap olarak 124/3 taraf›ndan yay›mland›. Tasar›m üzerine metinleri ile Yurdaer Alt›ntafl ve
Tibor Kalman gibi tasar›mc›larla söyleflileri, baflta Arredamento Mimarl›k olmak üzere çeflitli
dergilerde yer ald›. ‹flleri, çeflitli bienal ve sergi kataloglar›n›n yan› s›ra, “How”, “Step Inside
Design”, “C: The Design of Culture” ve “Art and Design Magazine” dergilerinde yay›mland›.
1998-2003 y›llar› aras›nda MSÜ Grafik Bölümü’nde “Tipografi” ve “Deneysel Tasar›m” dersleri
verdi. Tipografi dersinde gerçeklefltirilen “Tipografik Otoportre” bafll›kl› projenin kavramsal
çerçevesi ve sonuç ürünleri, Elizabeth Resnick’in editörlü¤ünü yapt›¤› tasar›m e¤itimi üzerine
“Design for Communication / Conceptual Graphic Design Basics” adl› kitapta yay›mland›.
2002 bahar yar›y›l›nda New York’ta Pratt Institute ‹letiflim ve Ambalaj Tasar›m› Yüksek Lisans
Bölümü’nde konuk ö¤retim görevlisi olarak “Tipografi” ve “Görsel ‹letiflim” dersleri verdi.
Halen 1996’da kurdu¤u kendi tasar›m atölyesinde kurum kimli¤i tasar›m› d›fl›nda a¤›rl›kl›
olarak kültürel içerikli ifller üretmektedir. 2003 y›l›ndan bu yana Bilgi Üniversitesi Görsel
‹letiflim Tasar›m› Bölümü’nde “Tipografi” ve “Yay›n Tasar›m›” e¤itmenli¤ini sürdürmektedir.
[email protected]
Kiflisel Sergiler:
2008
“Grafist 12”, Armando Milani, Niklaus Troxler ve Rene Knip ile birlikte retrospektif sergi
2004
“I Profess: The Graphic Design Manifesto”, Küratör: Maya Drozdz, Chris Corneal
She took part in many organizations with her posters, including Warsaw Poster Biennale,
Seoul Poster Triennale and Rzeszow Theater Posters Biennale.
Her posters are included in the archive of Zurich Design Museum (Museum für Gestaltung,
Zurich). She was invited to give lectures in reputable colleges and universities including Pratt
Institute, New York, Monserrat College of Art, Beverly, Massachusetts College of Art and
Design, Boston and Bezalel Academy of Arts and Design, Jerusalem. In 2004-2007 period,
Karol was invited to several international congresses including 9th Festivital-Shenkar, Tel-Aviv
Design Conference (2004), Icograda: Building Bridges, ‹stanbul (2004), Icograda: Defining
Design on a Changing Planet, Seattle (2006) and 4th Münchner Typotag: Book 2.0, Munich
Design Conference (2007). She held workshops in Grafist (1198 and 2008), American
University, Lebanon (2004), Bezalel, Jerusalem (2008). Karol was a jury member for 2nd
International Korea Poster Biennale (2004) and 16th International Poster and Graphic Arts
Festival, Chaumont (2005).
In 1999, she realized and designed an exhibition titled “Emigre in ‹stanbul: An Exhibition of
Typographic Design” together with Bülent Tanju at ‹stanbul BM Contemporary Arts Gallery.
The correspondence she made with designer Rudy van der Lans with regard to the exhibition
was later published by 124/3 Publications, titled “50 Questions - 50 Answers”. Her articles
on design and the interviews she made with renowned designers like Yurdaer Alt›ntafl and
Tibor Kalman were published in several magazines, especially in Arredaneto Architecture.
Karol’s posters were published in the catalogues of various biennales and exhibitions along
with art-related magazines like, “How”, “Step Inside Design”, “C: The Design of Culture”
and “Art and Design Magazine”. In 1998-2003, she gave lectures on “Typography” and
“Experimental Design” at MSU Graphics Department. The conceptual frame and outcome
products of the project titled “Typographic Self-portrait” -which was realized during her
typography classes-, were published in a design education book “Design for Communication
/ Conceptual Graphic Design Basics”, edited by Elizabeth Resnick. In the spring semester of
2002, she was invited to give lectures to the master’s degree students on “Typography” and
“Visual Communication” by the Department of Communication and Package Design of
Pratt Institute, New York. Currently, she is producing culture-oriented posters and conducting
studies on institutional identity at the design workshop she found in 1996. Since 2003, she
is giving lectures on “Typography” and “Publication Design” at the Department of Visual
Communication Design at Bilgi University.
[email protected]
2003
“Outside In”, Küratör: Maya Drozdz
2008
“Grafist 12”, Armando Milani, retrospective exhibition together with Niklaus Troxler and
Rene Knip
2002
“48 x 68”, Pratt Institute 4th Floor Gallery, New York, A.B.D.
2004
“I Profess: The Graphic Design Manifesto”, Curator: Maya Drozdz, Chris Corneal
2003
“Outside In”, Curator: Maya Drozdz
2002
“48 x 68”, Pratt Institute 4th Floor Gallery, New York, USA
96
SERHAT K‹RAZ
Century Enclosed, 2009
97
98
Serhat Kiraz
1993
“Boflluk Zaman›”, 45. Venedik Bienali, Venedik, ‹talya
1954, ‹stanbul
‹stanbul Devlet Güzel Sanatlar Akademisi Yüksek Resim Bölümü. Marmara Üniversitesi
Sanatta Yeterlilik. ‹stanbul’da yaflamakta ve çal›flmaktad›r.
Kiflisel Sergiler:
2009
“‹çindekiler:”, Mine Sanat Galerisi, ‹stanbul, Türkiye
2007
“Construction / Reconstruction”, Maçka Sanat Galerisi, ‹stanbul, Türkiye
2002
“Varl›k”, Maçka Sanat Galerisi, ‹stanbul, Türkiye
2000
“Constellation”, Kulturwissenschaftliches Institut, Essen, Almanya
1998
“Mathematical Attributes of Time”, Galerie Inge Baecker, Köln, Almanya
1993
“Contrast”, Totem il Canale, Venedik, ‹talya
“Translation”, Maçka Sanat Galerisi, ‹stanbul
1984
Maçka Sanat Galerisi, ‹stanbul, Türkiye
2008
“Mathematical Attributes of Time”, Archäologishes Museum
“Tanr›n›n Dinleri Dinlerin Tanr›s›”, Frankfurter Dom, Frankfurt, Made in Turkey - 1978’den
2008’e Türk Sanatç›lar›n Konumlar›
2007
“Modern ve Ötesi”, Santral ‹stanbul, ‹stanbul, Türkiye
“fiimdiki Zaman Geçmifl Zaman”, ‹stanbul Modern
“Bitmemifl”, BM Suma Ça¤dafl Sanat Merkezi, ‹stanbul, Türkiye
2004
“Dimensions”, Türkische Kunst der Gegenwart, Bayer, Leverkusen, Almanya
“Meeting Point Modern Art”, Türkiye-Yunanistan Ça¤dafl Sanat Sergisi, Aya ‹rini, ‹stanbul, Türkiye
“Construction”, Macedonian Museum of Contemporary Art, Selanik, Yunanistan
“Du Bosphore a la Moine, Aspects de l’art Contemporain de la Turqu›e a la France”,
Musée d’art et d’Histoire de Cholet, Cholet, Fransa
2001
“Rutin”, Contemporary Turkish Art, Kunst Museum Bonn, Bonn, Almanya
2000
“Minimal x Maximal”, Westdeutsche Landesbank, ‹stanbul, Türkiye
1997
“S›f›r”, Modernities and Memories, ‹slam Ülkelerinden Yeni Sanat Yap›tlar›, 47. Venedik
Bienali, Venedik, ‹talya
1996
“Anonim-us”, Diyaloglar-fieylerin Düzenine Ait Yitirilmifl Düflünce, Atatürk Kültür Merkezi,
‹stanbul - Kunstpalast, Düsseldorf, Klanginstallation, Neue Musik 50. y›l kutlamalar›,
Atelierhaus Vahle, Darmstadt
1994
“Dü¤üm”, ‹skele, IFA Galeri, Stuttgart, Almanya
“Yedi Gün›fl›¤› ‹kizi”, Orient Express, Künstlerhaus Bethanien, Berlin, Almanya
1992
“Bölge”, SANAT-TEXNH, 14 Ça¤dafl Türk ve Yunan Sanatç›s›, MSÜ Resim ve Heykel Müzesi,
‹stanbul
1990
“The Cult”, Minos Beach Art Symposium, Girit, Yunanistan
“‹ki De¤iflmez ve De¤iflen Görüntüler”, Osaka Trienali, Mydome Osaka, Japonya
1989
“Tanr›n›n Dinleri Dinlerin Tanr›s›”, II. Uluslararas› ‹stanbul Bienali, Aya ‹rini, ‹stanbul, Türkiye
1980
“Artistik Turistik bir Tafl›ma için Öneri”, XI. Paris Bienali, Paris Modern Sanatlar Müzesi, Paris,
Fransa
99
Serhat Kiraz
1993
“Time of emptiness”, 45th Venice Biennial, Venice, Italy
1954, ‹stanbul
Education in State Fine Arts Academy, Painting Dept. ‹stanbul. Proficiency in Arts in Marmara
University, ‹stanbul. Teaches at various universities in ‹stanbul. Lives and works in ‹stanbul.
Selected Solo Exhibitions:
2009
“Including:”, Mine Sanat Galerisi, ‹stanbul, Turkey
2007
“Construction / Reconstruction”, Maçka Sanat Galerisi, ‹stanbul, Turkey
2002
“Varl›k”, Maçka Sanat Galerisi, ‹stanbul, Turkey
2000
“Constellation”, Kulturwissenschaftliches Institut, Essen, Germany
1998
“Mathematical Attributes of Time”, Galerie Inge Baecker, Köln, Germany
1993
“Contrast”, Totem il Canale, Venice, Italy
“Translation”, Maçka Sanat Galerisi, ‹stanbul, Turkey
1984
Maçka Sanat Galerisi, ‹stanbul
2008
“Mathematical Attributes of Time”, Made in Turkey, Archäologishes Museum
“God of Religions, Religions of God”, Frankfurter Dom, Frankfurt
2007
Modern and Beyond, Santral ‹stanbul
“Time Present Time Past”, ‹stanbul Modern
“Unfinished”, BM Suma Contemporary Art Center, ‹stanbul, Turkey
2004
“Dimensions” Meeting Point Modern Art, Turkey-Greece Contemporary Art Exhibition,
Hagia Ireni, ‹stanbul, Turkey
“Construction”, Macedonian Museum of Contemporary Art, Thessaloniki, Greece
“Du Bosphore a la Moine”, Aspects de l’art Contemporain de la Turqu›e a la France, Musée
d’art et d’Histoire de Cholet, Cholet, France
2001
“Routine”, Contemporary Turkish Art, Kunstmuseum, Bonn, Germany
2000
“Minimal x Maximal”, Westdeutsche Landesbank, ‹stanbul, Turkey
1997
“Zero”, Modernities and Memories, Recent Works From The Islamic World, 47th Venice
Biennal Art Fair, Cologne (Galerie Inge Baecker)
1996
“Ex-Libris”, Xample 3, Landes Museum, Darmstadt, Germany
“Anonim-Us”, Dialogues-The Lost Idea of The Order of Things, AKM Exhibition Hall, ‹stanbul
Kunstpalast, Düsseldorf, Klanginstallation, Atelierhaus Vahle, Darmstadt (50 Jahre Neue
Musik in Darmstadt)
1994
“The Knot”, ‹skele, IFA Gallery, Stuttgart, Germany
“Seven Daylight Twins”, Orient Express, Künstlerhaus Bethanien, Berlin, Germany
1992
“The Zone”, “SANAT-TEXNH” 14th Contemporary Turkish and Greek Artists, MSU Museum
of Painting and Sculpture, ‹stanbul, Turkey
1990
“The Cult”, Minos Beach Art Symposium, Crete, Greece
“The Two Invariables and Various Visions”, Osaka Triennale’90, Mydome, Osaka, Japan
1989
Expo-Arte, Contemporary Art Exhibition of Mediterranean Countries, Bari, Italy
“God of Religions, Religions of God”, II. International ‹stanbul Biennial, St. Irene, ‹stanbul,
Turkey
1980
“A Proposal for an Artistic / Touristic Transportation”, XI. Paris Biennial, Musee d’Art
Moderne de la Ville de Paris, Paris France
100
SITKI KÖSEMEN
Beklemek / Waiting, 2009
HDV video, 7’ 14’’
101
Karfl›ya Geçmek / The Crossing, 2009
100 x 180 cm, C type diasec bask›, 17 adet /
C type diasec print, 17 pieces
102
103
104
S›tk› Kösemen
1955, ‹zmir
Ortado¤u Teknik Üniversitesi Mimarl›k bölümünü bitirdi.
‹fllerini ilk olarak 1980 y›l›nda sergiledi.
Mimari çal›flmalar›n›n yan› s›ra, 14 kiflisel sergi, 9 karma sergi, 6 foto-günce projesi, 2 kartpostal
koleksiyonu projesi ve 7 yay›mlanm›fl foto¤raf projesinde (“Haliç 1993”, “Bo¤aziçi Yaz›lar›”,
“2000”, “Ben, Beyo¤lu”, “Derin Bodrum”, “Günlükler”, “‹stanbul; Defining Views”) yer ald›.
Sanatç›n›n video projeleri aras›nda Türkiye Portreleri (1998), Avrupal› (1999), Midyat (2000),
‹lham (2002, Pervari (2003) ve ‹stanbul’u Dinliyorum Gözlerim Kapal› (2005) say›labilir.
“Leica Camera” taraf›ndan “2002 Leica Günlü¤ü”nde yer alan 12 sanatç›dan biri olarak
seçildi.
PlanB A.fi. için konut projeleri dizayn eden Kösemen mimarl›k ve proje gelifltirme alan›nda
yapt›¤› çal›flmalar›n yan› s›ra PLAN Dizayn ve Dan›flmanl›k ile foto¤raf ve video projeleri
gelifltirmektedir.
[email protected]
http://www.sitkikosemen.com/
Seçilmifl Sergiler ve Sanatsal Projeler:
2009
“25 Y›l”, Siyah Beyaz Sanat Galerisi, Ankara, Türkiye
“25 Y›l”, ‹stanbul Art8 Ça¤dafl Sanat Merkezi, ‹stanbul, Türkiye
“K›sa Mesafe”, Siyah Beyaz Sanat Galerisi, Ankara, Türkiye
“FotoEuropa - ‹stanbul’u Dinliyorum Gözlerim Kapal›”, Video, Reggio Emilia, ‹talya
2008
“Tombak”, Eski El Sanatlar› için Portreler, Galeri Suav, ‹stanbul, Türkiye
“Artisterium ‘08”, Gürcistan Ulusal Müzesi, Uluslararas› Ça¤dafl Sanat Sergisi (Tiflis Amerikan
Büyükelçili¤i, Goethe Institut, British Council, Centre Cultural Française sponsorlu¤u ile),
Tiflis, Gürcistan
“Bahçesaray’a Tutkun”, Devlet Tarih ve Kültür Koruma Alan›, Küratör: Beral Madra, Bahçesaray,
K›r›m
“‹nsan Halleri”, ‹stanbul Modern Ça¤dafl Sanat Müzesi, ‹stanbul, Türkiye
“7 Tepe, 7 Mimar”, 23. Dünya Mimarl›k Kongresi, Torino, ‹talya
2007
“Heykeller Okulu”, Antrepo, ‹stanbul, Türkiye
“‹zler”, Lucca, ‹stanbul, Türkiye
“Sanatç› Stüdyolar›”, BM Suma Ça¤dafl Sanat Merkezi, ‹stanbul, Türkiye
“Istanbul, Defining Views”, ‹stanbul Ofisi, Brüksel, Belçika
2006
“Günlükler” - ‹stanbul’lu kad›nlar›n “s›radan gündelik yaflam›” hakk›nda bir kitap projesi
“Günlükler”, Siyah Beyaz Sanat Galerisi, Ankara, Türkiye
“Best Wishes”, - ‹stanbul’daki evsiz çocuklar için bir kitap projesi
“Avrupa Yans›malar›”, Charlottenburg Müzesi, Kopenhag, Danimarka,
“Yeni Foto¤raflar”, Galerist, ‹stanbul, Türkiye
2004
“Bahar”, Galerist, ‹stanbul, Türkiye
2003
“fiifre ‹stanbul”, Diyarbak›r, Türkiye
“Derin Bodrum”, - Bodrum’un yerlileriyle yap›lan röportajlardan oluflan bir kitap, Türkiye
“‹stanbul”, Runde - Taarn, Kopenhag, Danimarka
2001
“Leica” taraf›ndan 2002 Leica Günlü¤ü için seçilen 12 sanatç›dan birisi oldu. Mart 2002’de
gerçeklefltirilen sergide yer ald›. Leica Gallery, Solms, Almanya
2002
“Ben Beyo¤lu” - Pera hakk›nda Fotografik Röportajlardan oluflan bir kitap, ‹stanbul
“Mavi Gök”, Platform, ‹stanbul, Türkiye
“fiifre ‹stanbul”, West LB Bank, ‹stanbul, Türkiye
“Siirt - Pervari”, Siirt’teki çocuklar hakk›nda bir video
2000
“Gül ve Ten”, Urart Sanat Galerisi, ‹stanbul, Türkiye
“Olma Hali”, Pamukbank Foto¤raf Galerisi, ‹stanbul, Türkiye
“Pera’dan Kartpostallar-2001”, Bir kutu içinde 126 Beyo¤lu kartpostal› ile oluflturulmufl bir
kartpostal projesi
“Gerçek Her fleyin Üstesinden Gelir”, ‹nsan haklar› günü için gerçeklefltirilen karma sergi
1999
“Avrupal›lar”, Türk insan› ve Türk insan›n›n Avrupa’ya karfl› tavr› konusunda bir belgesel
video (65 dak.), Darphane, ‹stanbul, Türkiye
“Gül ve Ten”, Ankara, Türkiye
“2000”, - Yeni biny›l için “s›radan imgeler”in yer ald›¤› bir foto¤raf kitab›
105
S›tk› Kösemen
“Siirt - Pervari”, A video about the children in Siirt (Eastern Anatolia)
1955, ‹zmir
2000
“Rose&Skin”, Urart Art Gallery, ‹stanbul, Turkey
“Existence”, Pamukbank Photography Gallery, ‹stanbul, Turkey
“Postcards from Pera 2001”, A postcard project of 126 postcards of Beyoglu in a box
“Reality Overcomes Everything”, group exhibition for the Human Rights Day
He studied Architecture at the Middle East Technical University.
He exhibited his works in 1980 for the first time.
Besides his architectural works, he has participated 14 solo shows, 9 group exhibitions, 6
photo diary projects, 2 postcard collection projects and 7 published photography projects
(“The Golden Horn 1993“, “Essays on the Bosphorus“, “2000“, “I Beyo¤lu“, “Bodrum
Deep“, “Diaries”, “‹stanbul; Defining Views”).
His video projects include Portraits of Turkey (1998), Europeans (1999), Midyat (2000),
Inspiration (2002), Pervari (2003), and I am Listening to ‹stanbul with My Eyes Closed (2005).
His work was selected by “Leica Camera“, together with 12 artists to be displayed in “Leica
Diary 2002“.
He works as an architect for housing, architecture and project development with “PlanB”
Co. ‹nc.; and works with “PLAN” Design & Consultancy Ltd for photography and video projects.
[email protected]
http://www.sitkikosemen.com/
Selected Exhibitions and Artistic Projects:
2009
“25 Years”, Siyah Beyaz Gallery, Ankara, Turkey
“25 Years”, ‹stanbul Art8 Comtemporary Art Center, ‹stanbul, Turkey
“Short Distance”, Siyah Beyaz Art Gallery, Ankara, Turkey
“FotoEuropa - I am Listening to ‹stanbul with My Eyes Closed”, Video show, Reggio Emilia,
Italy
2008
“Tombak”, Portraits for the Old Hand Crafts, Suav Gallery, ‹stanbul, Turkey
“Artisterium ‘08”, Georgian National Museum, International Exhibition of Contemporary Art
(sponsored by American Embassy in Tbilisi, Goethe Inst›tut, British Council, Centre Cultural
Français), Tbilisi, Georgia
“Captivated in Bakhchisaray”, State Historical and Cultural Preserve, Curator: Beral Madra,
Bakhchisaray, Crimea
“I Play Dead”, ‹stanbul Modern Contemporary Art Museum, ‹stanbul, Turkey
“7 Hills, 7 Architects”, 23rd World Congress of Architecture, Torino, Italy
2007
“School of Statues”, Antrepo, ‹stanbul, Turkey
“Traces”, Lucca, ‹stanbul, Turkey
“Artist’s Studios”, BM Suma Contemporary Art Center, ‹stanbul, Turkey
“‹stanbul, Defining Views”, ‹stanbul Office, Brussels, Belgium
2006
“Diaries” A book project on the “ordinary daily life” of women in ‹stanbul
“Diaries”, Siyah Beyaz Art Gallery, Ankara, Turkey
“Best Wishes”, A Book project for the homeless kids in ‹stanbul.
“European Reflections”, Charlottenburg Museum, Kopenhagen, Denmark
“New Photographs”, Galerist, ‹stanbul, Turkey
2004
“Spring”, Galerist, ‹stanbul, Turkey
2003
“Password ‹stanbul”, Diyarbak›r, Turkey
“Bodrum Deep”, A book of interviews with the local people of Bodrum, Turkey
“‹stanbul”, Runde - Taarn, Kopenhagen, Denmark
2001
One of the 12 Artists chosen world wide by “Leica“ for the 2002 Leica Diary and exhibition
in March 2002 in Leica Gallery in Solms, Germany
2002
“I Beyoglu” A Book of Photographic Interviews about Pera, ‹stanbul
“Blue Sky”, Platform, ‹stanbul, Turkey
“Password ‹stanbul”, West LB Bank, ‹stanbul, Turkey
1999
“Europeans”, A documentary video (65 min.) on the Turkish People and their attitude
towards Europe, Darphane, ‹stanbul, Turkey
“Rose& Skin”, Ankara, Turkey
“2000”, A book of photographs of “ordinary images” for the new millennium
106
PABLO MARTÍNEZ MUÑIZ
‹simsiz / Untitled, 2009
55 x 140 cm, Kodak ultra endura metalik ka¤›t /
Kodak ultra endura metallic paper
107
108
109
1978, Santander, ‹spanya
1978, Santander, Spain
2003 y›l›nda ‹spanya’da Universidad Politécnica de Valencia’dan lisanüstü derecesini alarak
mezun olan sanatç›, 2002’den beri ‹stanbul’da yafl›yor ve çal›fl›yor.
[email protected]
www.hanviajasolo.com
2003, Master Degree of Fine Arts, Universidad Politécnica de Valencia, Spain. Artist /
photographer based in ‹stanbul since 2002.
[email protected]
www.hanviajasolo.com
Kiflisel Sergiler:
Solo Exhibitions:
2009
“Once upon a time…”, BM Suma Ça¤dafl Sanat Merkezi, ‹stanbul, Türkiye
2009
“Once upon a time...”, BM Suma Contemporary Art Center, ‹stanbul, Turkey
2004
“Unfinished Buildings”, Cervantes Enstitüsü, ‹stanbul, Türkiye
2004
“Unfinished Buildings”, Cervantes Institute, ‹stanbul, Turkey
2002
“Non Places: Lack of Communication Spaces”, Bajo Cero Art Gallery, Valensiya, ‹spanya
2002
“Non Places: Lack of Communication Spaces”, Bajo Cero Art Gallery, Valencia, Spain
2000
“You (and cities)”, Crisol Bookshop, Valensiya, ‹spanya
2000
“You (and cities)”, Crisol Bookshop, Valencia, Spain
Karma Sergiler:
Group Exhibitions:
2006
“La Ilusión del Pirata”, Centre Cívic Sant Andreu, Barselona, ‹spanya
2006
“La Ilusión del Pirata”, Centre Cívic Sant Andreu, Barcelona, Spain
2004
“III. Tünel Sanat Festivali”, ‹stanbul, Türkiye
2004
“3th Tünel Art Festival”, ‹stanbul, Turkey
2003
“Politeknik Üniversitesi’nden Seçilmifl Foto¤raflar”, Valensiya, ‹spanya
2003
Selected photography works from the Polytechnic University, Valencia, Spain
1997
“3 Günlük Sanat”, Valensiya Üniversitesi, ‹spanya
1997
“3 Days of Ar”, Organisation and curatorial works, University of Valencia, Spain
110
MURAT MOROVA
Tahammül Mülkü / Hubble-Bubble, 2009
Cam üzerine folyo kesim / Folio cut on glass
111
112
Murat Morova
“Türkiye-Yunanistan Buluflma Noktas›”, Küratör: Inge Baecker, The Macedonian Museum of
Contemporary Art
‹stanbul’da do¤du.
‹stanbul’da yafl›yor ve çal›fl›yor.
Kiflisel Sergiler:
2009
“Kaydedilmifl Manzaralar”, Galeri Nev, Ankara, Türkiye
2007
“Menazir-i Mensiyye”, Galeri Nev, ‹stanbul, Türkiye
2004
“Ah Minel Aflk-I Memnu”, Galeri Nev, ‹stanbul, Türkiye
2003
“Dem Bu Dem”, Galeri Nev, Ankara, Türkiye
2001
“Dem Bu Dem”, Galeri Nev, ‹stanbul, Türkiye
1998
“Dil+Suret”, Urart Sanat Galerisi, ‹stanbul, Türkiye
1995
“Nafile Yaz›lar”, Galeri Siyah-Beyaz, Ankara, Türkiye
1993
“Remz”, Urart Sanat Galerisi, ‹stanbul, Türkiye
“Remz”, Urart Sanat Galerisi, Ankara, Türkiye
1990
“Hibrid Nesneler”, Urart Sanat Galerisi, ‹stanbul, Türkiye
1990
Mask Sanat Galerisi, ‹zmir, Türkiye
1989
“Cehennemde Bir Mevsim”, Urart Sanat Galerisi, Ankara, Türkiye
1988
“Cehennemde Bir Mevsim”, Urart Sanat Galerisi, ‹stanbul, Türkiye
Karma Sergiler:
2008
“Index: Zeichen des Alltags”, Küratör: Daniale Gregori, Kunstraum Palais Porcia, Viyana,
Avusturya
“‹stanbul Art Affair”, Küratör: Dieter Mammel, Galeri Hübner&Hübner Frankfurt, Almanya
“Captivated by Bakhchisaray”, Küratör: Beral Madra, K›r›m
“Save As... / Kaydet”, Küratör: Derya Yücel, Triennale Bovisa, Milano, ‹talya
“Makul”, Hafriyat, ‹stanbul, Türkiye
2007
“Sahibinden Manzaral›”, Küratör: Derya Yücel, Simon Kalfa Han›, ‹stanbul, Türkiye
2006
“Ego K›r›lmalar›”, C.A.M Galeri, ‹stanbul, Türkiye
2005
“Çini için”, Aya Sofya Müzesi, ‹stanbul, Türkiye
Galeri Nev, ‹stanbul, Türkiye
“‹ki Yaka Aras›nda”, Küratör: Derya Yücel, Aykut Barka Gemisi, ‹stanbul
2004
“Musulmanes”, Parc de la Villette, Paris, Fransa
“Beden Dili”, C.A.M. Galeri, ‹stanbul, Türkiye
2003
“Türkiye-Yunanistan Buluflma Noktas› / TurkeyGreece Meeting Point”, Küratör: Inge Baecker,
Aya ‹rini, ‹stanbul, Türkiye
“Aflka Dair”, Artisan Sanat Galerisi, ‹stanbul, Türkiye
Ortado¤u Üniversitesi Sanat Fuar›, Ankara, Türkiye
2002
“II. Buenos Aires Bienali”, Buenos Aires, Arjantin
“‹stanbul”, Küratör: Carin Faaborg, Gallery Raundtover, Kopenhag, Danimarka
2001
“Turkish Delight”, Gallery Nuovo Icona, Venedik, ‹talya
Ortado¤u Üniversitesi Sanat Festivali, Ankara, Türkiye
113
Murat Morova
Born in ‹stanbul.
2003
“TurkeyGreece Meeting Point”, Curator: Inge Baecker, St.Irene, ‹stanbul, Turkey
“On Love”, Artisan Art Gallery, ‹stanbul, Turkey
“Middle East University Art Fair”, Ankara, Turkey
Lives and works in ‹stanbul.
Solo Shows:
2009
“Kaydedilmifl Manzaralar”, Galeri Nev, Ankara, Turkey
2007
“Menazir-i Mensiyye”, Galeri Nev, ‹stanbul, Turkey
2004
“Ah Minel Aflk-I Memnu”, Galeri Nev, ‹stanbul, Turkey
2003
“Dem Bu Dem”, Galeri Nev, Ankara, Turkey
2001
“Dem Bu Dem”, Galeri Nev, ‹stanbul
1998
“Language+Representation”, Urart Art Gallery, ‹stanbul, Turkey
1995
“Scriptures in Vain”, Gallery Siyah-Beyaz, Ankara, Turkey
1993
“Remz”, Urart Art Gallery, ‹stanbul
“Remz”, Urart Sanat Galerisi, Ankara
1990
“Hybrid Objects”, Urart Sanat Galerisi, ‹stanbul, Turkey
Mask Sanat Gallery, Izmir, Turkey
1989
“A Season in Hell”, Urart Art Gallery, Ankara, Turkey
1988
“A Season in Hell”, Urart Urart Art Gallery, ‹stanbul, Turkey
Group Exhibitions:
2008
“Index: Zeichen des Alltags”, Curator: Daniale Gregori, Kunstraum Palais Porcia, Vienna, Austria
“‹stanbul Art Affair”, Curator: Dieter Mammel, Galeri Hübner&Hübner Frankfurt, Germany
“Captivated by Bakhchisaray”, Curator: Beral Madra, Crimea
“Save As...”, Curator: Derya Yücel, Triennale Bovisa, Milan, Italy
“Makul”, Hafriyat, ‹stanbul, Turkey
2007
“Sahibinden Manzaral›”, Curator: Derya Yücel, Simon Kalfa Han›, ‹stanbul, Turkey
2006
“Ego K›r›lmalar›”, C.A.M. Gallery, ‹stanbul, Turkey
2005
“Çini için”, Aya Sofya Müzesi, ‹stanbul, Turkey
Galeri Nev, ‹stanbul, Turkey
“Between Two Sides”, Curator: Derya Yücel, Aykut Barka Ferry , ‹stanbul, Turkey
2004
“Musulmans”, Parc de la Villette, Paris, France
“Body Language”, C.A.M. Gallery, ‹stanbul, Turkey
“TurkeyGreece meeting Point”, Curator: Inge Baecker, The Macedonian Museum of
Contemporary Art
2002
II. Buenos Aires Biennale, Buenos Aires, Argentina
“‹stanbul”, Curator: Carin Faaborg, Gallery Raundtover, Kopenhag, Denmark
2001
“Parfumed Garden”, Gallery Nuovo Icona, Venice, Italy
“Middle East University Art Festival”, Ankara, Turkey
114
S‹NAN N‹YAZ‹O⁄LU
Rüya 03 / Dream 03, 2009
70 x 100 cm, Dijital illüstrasyon, dijital bask› /
Digital illustration, digital print
Rüya 02 / Dream 02, 2009
116
Rüya 01 / Dream 01, 2009
Rüya 04 / Dream 04, 2009
117
Sinan Niyazio¤lu
Sinan Niyazio¤lu
1976 do¤umlu. 2000 y›l›nda Mimar Üniversitesi, Güzel Sanatlar Fakültesi, Grafik Bölümü’nden
mezun oldu. 1998-2002 y›llar› aras›nda Medina Turgul DDB Reklam Ajans›’nda önce stajyer,
sonra da sanat yönetmeni olarak görev ald›. 2003 y›l›nda Marmara Üniversitesi, Sosyal Bilimler
Enstitüsü, Grafik Ana Sanat Dal›, Grafik Program›’nda Yüksek Lisans e¤itimini tamamlad›. 2002
y›l›n›n Ekim ay›ndan itibaren Mimar Sinan Güzel Sanatlar Üniversitesi, Güzel Sanatlar Fakültesi,
Grafik Tasar›m Bölümü’nün e¤itim kadrosunda Araflt›rma Görevlisi olarak yer almaktad›r.
Borned in 1976. Graduated from Mimar Sinan Fine Arts University, Department of Graphic
Design in 2000. Between 1998 to 2002 he worked at Medina Turgul DDB Advertising
Agency. In 2003 he completed his MA study at Marmara University, Institute of Social
Sciences, Graphic Programme. Since 2002 he has been working as Teaching Asistant at
Mimar Sinan Fine Arts University, Department of Graphic Design.
Yer ald›¤› etkinlikler ve organizasyonlar: “Kent ve Sanat” (‹stanbul-2009), “Türkiye’den Grafik
Tasar›m” (2008-Augsburg), “8. Beyin F›rt›nas›” (2008-‹zmir), “Herfleyden Sonra” (2008-‹stanbul),
“Prof. Dr. Erdal ‹nönü Günleri” (2008-‹stanbul), “Emre Senan Tasar›m Vakf› Yahflibey Tasar›m
Çal›flmalar›” (2007-Yahflibey), “Prof. Dr. Feza Gürsey Arflivi Çal›flmalar›” (2007-‹stanbul), “1.
Uluslararas› Sinop Bienali” (2006-Sinop), “Grafist 7: 7. Uluslararas› ‹stanbul Grafik Tasar›m
Günleri” (2004-‹stanbul), “Bayrak: Bir Kimliklefltirme Deneyimi” (2004-Brüksel), “Sanatla 120
Y›l” (2003-‹stanbul).
Organisations, he has participated: “City and Art” (‹stanbul and Vienna-2009), “Graphic
Design from Turkey” (2008-Augsburg), “8.th Brain Storming” (2008-‹zmir), “After All”
(2008-‹stanbul), “Prof. Dr. Erdal ‹nönü Week” (2008-‹stanbul) “Emre Senan Design
Foundation, Design Workshops” (2007-Yahflibey), “Prof. Dr. Feza Gürsey Archive” (2007‹stanbul), “1st International Sinop Biennale” (2006-Sinop), “Grafist 7: 7. International
Graphic Design Days” (2004-‹stanbul), “Flag: An Experience of Identification” (2004Brussels), “120 Years with Art” (2003-‹stanbul).
118
KADR‹ ÖZAYTEN
Bar›fl Günleri / Peace Days, 2009
125 x 157 cm, 4 adet / 4 pieces
Ahflap üzerine kar›fl›k teknik / Mixed technique on wood
120
Kadri Özayten
1947, Antalya
1968-1973 aras›nda ‹stanbul Devlet Tatbiki Güzel Sanatlar Yüksek Okulu Resim Bölümü’nde
ö¤renim gören Özayten, ayn› kurumda 1975'te Asistan, 1982'de ö¤retim üyesi olmufl; 1977'de
Avusturya bursuyla Salzburg Yaz Akademisi Bask› Resim Atölyesi'ne devam etmifltir. Sanatç›n›n
çal›flmalar›n›n her döneminde, tuval resmi ve bask› resim birbirine paralel bir çizgi izlemifltir.
Bafllang›çta a¤›rl›kl› olarak bask› resim teknikleri ile ilgilenmifl, çizgisel bir dokunun tüm yüzeyi
kaplad›¤›, simgesel ö¤eler içeren, fantastik gerçekçi olarak yorumlanabilecek resimler yapm›flt›r.
Özayten, 1978'de Almanya kentlerinde dolaflt›r›lan, dönemin “protest” nitelikli sergilerinden
“Atom Gücü” (Atomkraft) projesinin yan› s›ra birçok uluslararas› bask› resim bienallerine
kat›lm›flt›r.
[email protected]
Kiflisel Sergiler:
1988
Atatürk Kültür Merkezi, ‹stanbul, Türkiye
1986
Koleksiyon Galerisi, Ankara, Türkiye
1984
En Galerisi, ‹stanbul, Türkiye
1983
Sanat Yap›m Atölye-Galerisi, Ankara, Türkiye
1980
Galata Sanat Galerisi, ‹stanbul, Türkiye
1979
Artisan Galerisi, Ankara, Türkiye
Galata Sanat Galerisi, ‹stanbul, Türkiye
1978
Galeri Kleine, Hamburg, Almanya
2009
“Çocuklar ‹çin Ça¤dafl Sanat”, ‹stanbul 2010 Avrupa Kültür Baflkenti-Tafl›nabilir Sanat
Projesi,‹stanbul, Türkiye
1998
“Türk Resminde Soyut E¤ilimler“, Galeri Baraz, AKM, ‹stanbul, Türkiye
1996
“III. XAMPLE Disiplinleraras› Sanat Sergisi“, Hessiches Landes Museum, Darmstadt, Almanya
“Diyaloglar-Dialogues: Almanya ve Türkiye’den Sanatç›larla Ça¤dafl Sanat Sergisi“, AKM,
“Dialogues-The Lost Idea of the Order of Things“, Galeri Kunstpalast, Düsseldorf, Almanya
1995
“II. XAMPLE Disiplinleraras› Sanat Sergisi“, AKM, ‹stanbul, Türkiye
“Somut Öngörüler-Concrete Visions“, IV. ‹stanbul Bienali, ‹stanbul, Türkiye
“Gelecek Kültürü ve Sanat› Vakf› Ça¤dafl Sanat Sergisi“, Anarat H›gutyun Rahibe Okulu,
Kad›köy, ‹stanbul, Türkiye
1994
“I. XAMPLE Disiplinleraras› Sanat Sergisi“, Frankfurt, Almanya
“24 Tage Kunst Projekt“, Galeri XAC Multikult, Frankfurt, Almanya
1991
“Günümüz Sanatç›lar› 12. ‹stanbul Sergisi“, Resim ve Heykel Müzesi, ‹stanbul, Türkiye
“Sanatç› Ö¤retim Üyeleri Sergisi“, Cemal Reflit Rey Konser Salonu Galerisi, ‹stanbul, Türkiye
Alkent Actuel Art Gallery, ‹stanbul, Türkiye
“New York-‹stanbul Sergisi“, Galeri Baraz, AKM, ‹stanbul, Türkiye
1990
“Etkinllikler Sürecinde 15. Y›l Sergisi“, Galeri Baraz, AKM, ‹stanbul, Türkiye
“IX. Uluslararas› Valparaiso Sanat Bienali“, fiili
“Santral Holding Büyük Sergi II“, Resim ve Heykel Müzesi, ‹stanbul, Türkiye
“Santral Holding Büyük Sergi II“, Atatürk Kültür Merkezi, Ankara, Türkiye
“Ö¤retim Üyeleri Sergisi“, Kad›köy Kültür Merkezi, ‹stanbul, Türkiye
“Lösemili Çocuk Vakf› Ba¤›fl Sergisi“, ‹stanbul, Türkiye
1989
“Studio Print Art”, ‹stanbul,Türkiye
”Soyak Sanat Galerisi”, ‹stanbul,Türkiye
“Bask› Resim Sergisi”, Palet Sanat Galerisi, Eskiflehir, Türkiye
“AIAP-PSD Dayan›flma Sergisi”, Urart Galerisi, ‹stanbul, Türkiye
“Ça¤dafl Türk Ressamlar› Sergisi“, Yahfli Baraz Koleksiyonu, Anadolu Üniversitesi, Eskiflehir,
Türkiye
“Mensucat Santral Büyük Sergisi I“, Atatürk Kültür Merkezi, Galeri Baraz, Ankara, Türkiye
“Özgün Bask› 89 Sergisi“, Kaz›m Taflkent Galerisi, ‹stanbul, Türkiye
1988
“Ça¤dafl Türk Resminden I”, Galeri Baraz Koleksiyonu, Y›ld›z Saray›, ‹stanbul, Türkiye
“Ça¤dafl Türk Resminden Sergisi“, Y›ld›z Üniversitesi, ‹stanbul
“Ça¤dafl Türk Resminden Sergisi“, Bilim Sanat Evi, ‹stanbul
“Yap› Kredi Kaz›m Taflkent Galerisi”, ‹stanbul, Türkiye
“Ö¤retim Üyeleri Sergisi“, Gorbon Sanat Galerisi, ‹stanbul, Türkiye
121
Kadri Özayten
Alkent Actuel Art Gallery, ‹stanbul, Turkey
“New York- ‹stanbul Exhibition“, Gallery Baraz, AKM, ‹stanbul, Turkey
1947, Antalya
Özayten studied at the Department of Painting at ‹stanbul State Applied Fine Arts School in
1968-1973. In 1977, he started work as an assistant at the department, where he became
an instructor in 1982. In 1977, he attended Salzburg Summer Academy Lithography and
Painting Workshop with a scholarship he received from Austria. In every period of the artist’s
studies, painting on canvas and lithography went parallel to one another. In the beginning
Özayten was mainly interested in lithography techniques. His early works included symbolic
elements, where a linear texture covered the entire surface. These works can be defined as
“fantastic-realistic” studies. In 1978, Özayten took part in “Atom Power” (Atomkraft)
exhibition, one of the “protest” exhibitions of the time. In addition to this exhibition, which
visited several German cities, the artist participated in many international lithography biennales.
[email protected]
1988
Atatürk Culture Center, ‹stanbul, Turkey
1986
Koleksiyon Gallery, Ankara, Turkey
1984
En Gallery, ‹stanbul, Turkey
1983
Sanat Yap›m Workshop-Gallery, Ankara, Turkey
1980
Galata Art Gallery, ‹stanbul, Turkey
1979
Artisan Gallery, Ankara, Turkey
Galata Art Gallery, ‹stanbul, Turkey
1978
Galeri Kleine, Hamburg, Germany
2009
“Contemporary Art for Children”, ‹stanbul 2010 European Capital of Culture-Portable Art
Project, ‹stanbul, Turkey
1998
“Abstract Trends in Turkish Painting“, Gallery Baraz, AKM, ‹stanbul, Turkey
1996
“III. XAMPLE Interdisciplinary Art Exhibition“, Hessiches Landes Museum, Darmstadt,
Germany
“Diyaloglar-Dialogues: Contemporary Art Exhibitions with Artists from Germany and
Turkey“, AKM, ‹stanbul, Turkey
“Dialogues-The Lost Idea of the Order of Things“, Gallery Kunstpalast, Düsseldorf, Germany
1995
“II. XAMPLE Interdisciplinary Art Exhibition“, AKM, ‹stanbul, Turkey
“Concrete Visions“, IV ‹stanbul Biennale, ‹stanbul, Turkey
“Future Culture and Art Foundation Contemporary Art Exhibition“, Anarat Higutyun
Christian School, Kad›köy, ‹stanbul, Turkey
1994
“I. XAMPLE Interdisciplinary Art Exhibition“, Frankfurt, Germany
“24 Tage Kunst Projekt“, Gallery XAC Multikult, Frankfurt, Germany
1991
“Today’s Artists 12th ‹stanbul Exhibition“, State Museum of Fine Arts, ‹stanbul, Turkey
“Artist Scholars’ Exhibition “, Cemal Reflit Rey Concert Hall Gallery, ‹stanbul, Turkey
1990
“15th Anniversary Exhibition“, Gallery Baraz, AKM, ‹stanbul, Turkey
“IX International Valparaiso Art Biennale “, Chile
“Santral Holding Grand Exhibition II“, Museum of Fine Arts, ‹stanbul, Turkey
“Santral Holding Grand Exhibition II“, Atatürk Culture Center, Ankara, Turkey
“Academicians’ Exhibition“, Kad›köy Culture Center, ‹stanbul, Turkey
“Foundation for Children with Leukemia“, ‹stanbul, Turkey
1989
“Studio Print Art”, ‹stanbul, Turkey
”Soyak Art Gallery”, ‹stanbul, Turkey
“Lithography Exhibition”, Palet Art Gallery, Eskiflehir, Turkey
“AIAP-PSD Solidarity Exhibition”, Urart Gallery ‹stanbul, Turkey
“Contemporary Turkish Painters Exhibition“, Yahfli Baraz Collection, Anadolu University,
Eskiflehir, Turkey
“Mensucat Santral Grand Exhibition I“, Atatürk Culture Center, Gallery Baraz, Ankara, Turkey
“Original Lithography 89 Exhibition“, Kaz›m Taflkent Gallery, ‹stanbul, Turkey
1988
“From Contemporary Turkish Painting I”, Gallery Baraz Collection, Y›ld›z Palace, ‹stanbul,
Turkey
“From Contemporary Turkish Painting Exhibition“, Y›ld›z University, ‹stanbul
“From Contemporary Turkish Painting Exhibition“, Bilim Sanat Evi, ‹stanbul
“Yap› Kredi Kaz›m Taflkent Gallery”, ‹stanbul, Turkey
“Academicians’ Exhibition“, Gorbon Art Gallery, ‹stanbul, Turkey
122
ARDAN ÖZMENO⁄LU
Yeflilçam, 2009
450 x 150 x 4 cm, Pleksiglas üzerine serigrafi /
Silk screen on plexiglass
123
Ardan Özmeno¤lu
Ardan Özmeno¤lu
1979, Ankara
1979, Ankara
2002 y›l›nda Ankara Bilkent Üniversitesi, Güzel Sanatlar Tasar›m ve Mimarl›k Fakültesi, Peyzaj
Mimarl›¤› ve Kentsel Tasar›m Bölümü’nde Lisans, (B.F.A.) e¤itimini tamamlad›.
2002 BFA in Landscape Architecture and Urban Design Department, Faculty of Art, Design
and Architecture, Bilkent University, Ankara, Turkey.
2006 y›l›nda ayn› Üniversite’nin Grafik Tasar›m Bölümü’nde Yüksek Lisans, (M.F.A.) yaparak
2007 y›l›nda A.B.D’de Kala Art Institute, Berkeley, CA’da e¤itimine devam etti.
2006 MFA in Graphic Design Department, Faculty of Art, Design and Architecture, Bilkent
University, Ankara, Turkey.
[email protected]
www.ardanozmenoglu.net
2008 y›l›nda Belçika’da Frans Masereel Centrum for Arts, Kasterlee, A.B.D ‘de Lower East
Side Printshop, New York, Almanya’da Ateliergemeinschaft Milchhof e.V. , Berlin ve
Künstlerhaus Bethanien, Berlin’de çeflitli atölye çal›flmalar›na kat›ld›.
www.ardanozmenoglu.net
[email protected]
Solo Exhibitions:
2009
“Dekolte”, Ilayda Art Gallery, ‹stanbul, Turkey
Kiflisel Sergiler:
2009
“Dekolte”, ‹layda Sanat Galerisi, ‹stanbul, Türkiye
2008
“Ya ‹stanbul beni al›r ya ben ‹stanbul’u”, Playstudio Gallery, ‹stanbul
“Play revisited”, Galeri IAC Berlin, Berlin, Almanya
“Randevu”, ES Konsept, ‹stanbul, Türkiye
Karma Sergiler:
2009
“The Art Market/Art Bazaar Summer / Sanat Pazar›”, Lyons Wier Gallery, New York, A.B.D.
“New Prints 2009/Summer, Portraits: In Pursuit of likeness”, International Print Center New
York, A.B.D.
“28. Günümüz Sanatç›lar› Sergisi”, Resim ve Heykel Müzeleri Derne¤i, Aksanat Galeri,
“New Prints 2009 / Winter”, Anchor Graphics & Columbia College Chicago for Global
Implications: Southern Graphics Council Conference, fiikago, A.B.D.
“New Prints 2009/Winter”, Uluslararas› Bask› Merkezi New York, New York, Amerika
“25. Uluslaras› Saraybosna K›fl Festivali 2009”, Organik Sanat, Saraybosna, Bosna Hersek
2008
“Uluslararas› Chelsea Sanat Yar›flmas› Sergisi”, Agora Galerisi, Chelsea, New York, A.B.D.
“Sanat Benim Oyun Alan›m”, Küçük Çiftlik E¤lence Park›, ‹stanbul, Türkiye
2007
“II. Uluslararas› Buca E¤itim Fakültesi Görsel Sanatlar Buluflmas›, ‹zmir Bienali”, ‹zmir, Türkiye
“I. Ça¤dafl Sanatç›lar Buluflmas›”, ‹layda Sanat Galerisi, ‹stanbul, Türkiye
“Genç Sanatç›lar”, ‹stanbul Modern Sanatlar Galerisi, ‹stanbul
“Monotype Marathon 2007”, San Jose Ca¤dafl Sanatlar Enstitüsü, Kalifornia, A.B.D.
“Galeri içine Kar›fl›k Teknik”, Piramid Sanat Galerisi, ‹stanbul, Türkiye
2006
Ateliers of Alexandria International Workshop, Ateliers of Alexandria, ‹skenderiye, M›s›r
“25. Günümüz Sanatç›lar› Sergisi”, Resim ve Heykel Müzeleri Derne¤i, Aksanat Galeri,
“4. Uluslararas› Ö¤renci Trienali”, Marmara Üniversitesi, Güzel Sanatlar Fakültesi, ‹stanbul,
Türkiye
“Feiticio- Object Petitio - Fetishism”, Bilkent Üniversitesi, Güzel Sanatlar Tasar›m ve Mimarl›k
Fakültesi Sergi Salonu, Ankara, Türkiye
“Silkscreens from the Silkroad: Student Prints from Bilkent University”, Puryear Hall, Room
110, University of Richmond. A.B.D.
2008
“It’s either ‹stanbul conquers me or I conquer ‹stanbul”, Gallery Play Studio, ‹stanbul, Turkey
“Play Revisited”, Galerie IAC Berlin, Berlin, Germany
“Appointment”, ES Konsept Gallery, ‹stanbul, Turkey
Group Exhibitions:
2009
“The Art Market / Art Bazaar Summer”, Lyons Wier Gallery, New York,USA.
“New Prints 2009 / Summer, Portraits: In Pursuit of likeness”, International Print Center New
York, USA
“28th Contemporary Artists ‹stanbul Exhibition”, Turkish Painting and Sculpture Museum
Association hosted by Akbank Art Center, ‹stanbul,Turkey
“New Prints 2009 / Winter, Anchor Graphics & Columbia College Chicago for Global
Implications: Southern Graphics Council Conference 2009, Chicago, USA
“XXV Jubilee International Festival Sarajevo Winter 2009, Organic Art Life”, Sarajevo, Bosna
Herzigova
“New Prints 2009 / Winter”, International Print Center New York, USA
2008
“The Chelsea International Fine Art Competition Exhibiton”, Agora Gallery, Chelsea, New
York, USA
“Art is my playground”, Kucuk Ciftlik Eglence Park, ‹stanbul, Turkey
2007
Buca Education Faculty 2nd International Visual Arts ‹zmir Biennial, ‹zmir, Turkey
“1st Contemporary Artists Meeting”, Ilayda Art Gallery, ‹stanbul, Turkey
“Young Artists”, ‹stanbul Modern Arts Gallery, ‹stanbul, Turkey
Monotype Marathon 2007, San Jose Institute of Contemporary Art, CA, USA
“Anonymous Drawings I”, Blütenweiss, Berlin, Germany
“Mixed Placement Inside the Gallery”, Piramid Art Gallery, ‹stanbul, Turkey
2006
“11 Ateliers of Alexandria, AAW International Workshop Exhibition”, Assembly of Artists
and Writers, Alexandria, Egypt
“The 25th Contemporary Artists ‹stanbul Exhibition”, Painting and Sculpture Museum
Association hosted by Akbank Art Center, ‹stanbul, Turkey
“4th International Student Triennial”, Marmara University, Faculty of Fine Arts, ‹stanbul,
Turkey
“Feiticio - Object Petitio - Fetishism”, Bilkent University, Fine Arts, Design and Architecture
Building, Ankara, Turkey
“Silkscreens from the Silkroad: Student Prints from Bilkent University”, Puryear Hall,
University of Richmond, U.S.A.
124
GÜNNUR ÖZSOY
Ads›z / Untitled, 2009
Yerlefltirme, polyester üzerine keçe kaplama /
Installation, polyester covered with felt
125
Günnur Özsoy
Günnur Özsoy
1969, Ankara,
1969, Ankara
1987 y›l›nda Marmara Üniversitesi Güzel Sanatlar Fakültesi Endüstriyel Tasar›m Bölümü’nü
bitirdikten sonra e¤itimine Londra’da Harrow College’da gümüfl ve tak› üzerine çal›flmalar ile
devam etti. ‹stanbul’da yafl›yor ve çal›fl›yor.
[email protected]
1987 Marmara University Fine Arts Faculty Department of Industrial Design, ‹stanbul
1990 Harrow College of the Polytechnic of Centre London Silver Work and Jewellery,
London, UK. Lives and works in ‹stanbul.
[email protected]
Kiflisel Sergiler:
Solo Exhibitions:
2009
Galeri Siyah Beyaz, Ankara, Türkiye
2009
Galeri Siyah Beyaz, Ankara, Turkey
2008
PG Art Galeri, ‹stanbul, Türkiye
2008
PG Art Gallery, ‹stanbul, Turkey
2002
Galeri Siyah Beyaz, Ankara, Türkiye
2002
2001
Tesk Art Galeri, Ankara, Türkiye
2001
Tesk Art Gallery, Ankara, Turkey
1999
‹stanbul Menkul K›ymetler Borsas›, ‹stanbul, Türkiye
Yap› Endüstri Merkezi, ‹stanbul, Türkiye
1999
The ‹stanbul Stock Exchange, ‹stanbul, Turkey
The Building Information Centre (YEM), ‹stanbul, Turkey
1998
Galeri Siyah Beyaz, Ankara
1998
1997
1997
Karma Sergiler:
Group Exhibitions:
2007
“…With Love”, Ayfle Tak› Galerisi, ‹stanbul, Türkiye
2007
“…With Love”, Ayfle Jewellery Gallery, ‹stanbul, Turkey
2006
“So far from here”, Ankara Gar› ve ‹stanbul Haydarpafla tren istasyonu, Türkiye
2006
“So far from here”, Ankara Train Station and ‹stanbul Haydarpafla Train Station, Turkey
2005
“Çini için Bir Yüzey Problemi Olarak Sonsuz Tekrar”, Aya Sofya Müzesi, ‹stanbul, Türkiye
Bon Génie, Cenevre, ‹sviçre
2005
“Eternal Repetition As a Surface Problem In The Art of Tile”, Hagia Sophia Museum,
‹stanbul, Turkey
Bon Génie, Geneva, Switzerland
2004
Frans›z Kültür Merkezi, ‹stanbul, Türkiye
“S›k›nt› ve Gökkufla¤›”, Akbank Kültür ve Sanat Merkezi, ‹stanbul, Türkiye
2003
Galeri Siyah Beyaz, Ankara
“Blue Jean and Art in ‹stanbul’, Dulcinea, ‹stanbul, Türkiye
“Sudaki Suret”, Dolmabahçe Kültür Merkezi, ‹stanbul, Türkiye
2002
60 Y›l 60 Sanatç›”, Beylikdüzü Tüyap, ‹stanbul, Türkiye
“Galerilerin Seçimiyle Günümüz Sanat›”, Marmara Üniversitesi Güzel Sanatlar Fakültesi,
2001
“All Day / Every Day II”, Westdeutsche Landesbank, ‹stanbul, Türkiye
2000
“Kap›lar”, PG Art Galeri, ‹stanbul, Türkiye
1998
2004
French Cultural Centre, ‹stanbul, Turkey
“Gloom and Rainbow”, Akbank Culture and Art Centre, ‹stanbul, Turkey
2003
“Blue Jean and Art in ‹stanbul”, Dulcinea, ‹stanbul, Turkey
“The Image in the Water”, Dolmabahçe Cultural Centre, ‹stanbul, Turkey
2002
“60 Years 60 Artists”, Beylikdüzü Tüyap, ‹stanbul, Turkey
“Contemporary Art with a Selection from Galleries”, Marmara University Fine Arts Faculty,
‹stanbul, Turkey
2001
“All Day / Every Day 2”, Westdeutsche Landesbank, ‹stanbul, Turkey
2000
“Doors”, PG Art Gallery, ‹stanbul, Turkey
1998
126
GÜLAY SEMERC‹O⁄LU
Gümüfl Ifl›k / Silver Light, 2009
220 x 100 cm, Tel, vida, ahflap / Wire, screws, wood
127
Bir Gümüfl Dalga / A Silver Wave, 2009
‹ki Gümüfl Dalga / Two Silver Waves, 2009
128
Gülay Semercio¤lu
1968, ‹stanbul
2002
“Yaklafl›mlar”, Aksanat, ‹stanbul, Türkiye
“60 Y›l 60 Sanatç›”, 12. ‹stanbul Sanat Fuar›, Tüyap, ‹stanbul, Türkiye
1994 y›l›nda Mimar Sinan Üniversitesi, Güzel Sanatlar Fakültesi, Resim Bölümü’nü bitirdikten
sonra ayn› ünivesitenin Sosyal Bilimler Enstitüsü’nde yüksek lisans›n› tamamlad›. 1995-1998
y›llar› aras›nda Derimod Sanat Merkezi yöneticili¤ini üstlendi.1997 Atölye Sanat’› kurdu.
2001
TRT Resim ve Seramik Yar›flmas› Sergisi, Askeri Müze, ‹stanbul, Ankara, ‹zmir, Türkiye
“Darülbedayi”, 11. ‹stanbul Sanat Fuar›, Tüyap, ‹stanbul, Türkiye
1999, 2008 y›llar›nda Yeditepe Üniversitesi, Güzel Sanatlar Fakültesi’nde, 2008 y›l›nda ise Ifl›k
Üniversitesi, Güzel Sanatlar Fakültesi’nde ö¤retim görevlisi olarak çal›flt›. 1999’da Türkiye
Jokey Kulübü Resim Yar›flmas›, Baflar› Ödülü,1994’te Günümüz Sanatç›lar› 15. ‹stanbul Sergisi,
Dr. Nejat Eczac›bafl› Sanat Müzesi ödülü ve1993 Siemens Sanat Ödülleri yar›flmas›nda birincilik
ödülünü ald›.
[email protected]
www.piartworks.com
2000
“Zamanlar“, Pi Artworks, ‹stanbul, Türkiye
“Günümüz Sanatç›lar› 21. ‹stanbul Sergisi”, Devlet Güzel Sanatlar Galerisi, ‹stanbul, Türkiye
1999
Türkiye Jokey Kulübü Cumhurbaflkanl›¤› Koflusu, Ankara Hipodromu Ankara, Türkiye
1998
“Günümüz Sanatç›lar› ‹stanbul Sergisine Bir Bak›fl”, Deniz Müzesi, ‹stanbul, Türkiye
Kiflisel Sergiler:
2009
“Çizgideki Ifl›k”, Pi Artworks, ‹stanbul, Türkiye
2006
“Kinetik Çizgi“, Pi Artworks, ‹stanbul, Türkiye
2003
Bir Kültür Sanat Merkezi, ‹stanbul, Türkiye
1999
“Kasa”, Kasa Galerisi, ‹stanbul, Türkiye
1998
“Yans›malar”, Ayfle ve Ercümend Kalm›k Vakf›, ‹stanbul, Türkiye
1996
Taksim Sanat Galerisi, ‹stanbul, Türkiye
2009
“Scope Basel”, Pi Artworks, Basel, ‹sviçre
“Art Hong Kong”, Galerie Kashya Hildebrand, Hong Kong
“ArtDubai”, Galerie Kashya Hildebrand, Dubai, Birleflik Arap Emirlikleri
2008
“Art Asia Miami”, Pi Artworks, Miami, A.B.D.
“artparis Abu Dhabi”, Galerie Kashya Hildebrand, Abu Dhabi, Birleflik Arap Emirlikleri
“2XT”, Pi Artworks, ‹stanbul, Türkiye
“Contemporary ‹stanbul'08”, Pi Artworks, ‹stanbul, Türkiye
2007
“Art‹stanbul'07”, Pi Artworks, Antrepo, ‹stanbul, Türkiye
“2006-07 Contemporary ‹stanbul ’07-08”, Pi Artworks, ‹stanbul, Türkiye
2006
“deforNation”, Pi Artworks, ‹stanbul, Türkiye
“Art fair 06”, Pi Artworks, Köln, Almanya
2005
“Ahk”, Karma Sergi, Ça¤la Cabao¤lu Sanat Galerisi, Antalya, Türkiye
“‹ttihad Sigorta Sergisi, ‹ttihad Sigorta Pasaj›, ‹stanbul, Türkiye
“Yaz Karmas›”, Galeri Biny›l, ‹stanbul, Türkiye
“Marinart 05”, Bodrum Marina, Bodrum, Türkiye
“Bu Sizin ‹çin - 50 Sanatç› 50 Yap›t”, ‹MSG, ‹stanbul, Türkiye
2004
“Gördü¤üm Sen De¤ilsin”, Pi Artworks, ‹stanbul, Türkiye
“Beyo¤lu 14/18”, Aksanat, ‹stanbul, Türkiye
“Genç Sanatç›lar V”, Almelek Sanat Galerisi, ‹stanbul, Türkiye
1997
“Kazl›çeflme”, Derimod Sanat Merkezi, ‹stanbul, Türkiye
“Günümüz Sanatç›lar› 18. ‹stanbul Sergisi”, Atatürk Kültür Merkezi, ‹stanbul, Türkiye
1996
“Öteki”, Habitat II, Antrepo, ‹stanbul, Türkiye
“Cihangirli Sanatç›lar Resim Sergisi, I ve II”, Ekol Sanat Galerisi, ‹stanbul, Türkiye
129
Gülay Semercio¤lu
1968, ‹stanbul
1989 - 1994 Mimar Sinan University Faculty of Fine Arts Department of Painting, BA
1994 - 1998 Mimar Sinan University Institute of Social Science, MA
1995 - 1998 Director of Derimod Art Center
1997 Co-founder of Atölye Sanat
1999 - 2008 Instructor at Yeditepe University of Fine Arts
2008 Instructor at Ifl›k University of Fine Arts
Solo Exhibitions:
2010
Gallery Binz and Kramer, Cologne, Germany
2009
“Light on Line“, Pi Artworks, ‹stanbul
2006
“Kinetic Line”, Pi Artworks, ‹stanbul
2003
One Culture Arts Center, ‹stanbul
1999
“Case”, Sabanc› University Kasa Gallery, ‹stanbul
1998
“Reflections”, Ayfle and Ercümend Kalm›k Foundation, ‹stanbul
1996
Taksim Art Gallery, ‹stanbul
Group Exhibitions:
2009
“In Stitches“, LTHM Gallery, Curated by Beth Rudin Dewoody, New York, USA
“Under my feet I want the world“, 17 female artists from ‹stanbul, Akademie Der Künste,
Pariser Platz, ‹stanbul Next Wave, Berlin, Germany
“Monocrom“, Kashya Hildebrad Gallery, Zurich, Switzerland
“Scope Basel“, Pi Artworks, Basel, Switzerland
“Art Hong Kong“, Galerie Kashya Hildebrand, Hong Kong
“ArtDubai”, Galerie Kashya Hildebrand, Dubai, UAE
2008
“Art Asia Miami”, Pi Artworks, Miami, USA
“artparis”, Galerie Kashya Hildebrand, Abu Dhabi, UAE
”2XT”, Pi Artworks, ‹stanbul
”Contemporary ‹stanbul ’08”, Pi Artworks, ‹stanbul
2007
“Art‹stanbul'07”, Pi Artworks, Antrepo, ‹stanbul
2006-07 Contemporary ‹stanbul ‘07-08, Pi Artworks, ‹stanbul
2006
“deforNation”, Pi Artworks, ‹stanbul
“inforNation”, Pi Artworks, ‹stanbul
“art.fair 06”, International Art Fair, Cologne, Germany
”Lithography Exhibition”, Cey Fine Art Gallery, ‹stanbul
Gallery Biny›l, ‹stanbul
2005
“Marinart”, Bodrum, Turkey
”Ahk”, Ça¤la Cabao¤lu Art Gallery, Antalya, Turkey
”‹ttihad Sigorta Exhibition”, ‹ttihad Sigorta Passage, ‹stanbul
“This is For You”, 50 Artists 50 Works, ‹stanbul Modern Art Gallery, ‹stanbul
“The One I See Is Not You“, Pi Artworks, ‹stanbul
2004
“Young Artists V”, Almelek Art Gallery, ‹stanbul
“Beyo¤lu”, Aksanat, ‹stanbul
2003
“Approaches”, Aksanat, ‹stanbul
2002
“60 Years 60 Artists”, 12th ‹stanbul Art Fair, Tüyap, ‹stanbul
2001
“Nature and Man”, Elturca Art Gallery, ‹stanbul
“Darülbedayi”, 11th ‹stanbul Art Fair, Tüyap, ‹stanbul
TRT Painting and Ceramic Competition, Military Museum, ‹stanbul, Ankara, ‹zmir
2000
“21st Contemporary Artists ‹stanbul Exhibition”, State Gallery of Fine Artists, ‹stanbul
“Times”, Pi Artworks, ‹stanbul
1999
Turkish Jockey Club Presidental Race, Ankara Hippodrome, Ankara
”Turkish Jokey Club Painting Competition Exhibition”, Veli Efendi Hippodrome Naval
Museum, ‹stanbul
1998
“Print Exhibition”, Mimar Sinan University, ‹stanbul
”‹stanbul Contemporary Artists’ Retrospective”, Naval Museum, ‹stanbul
1997
“18th Contemporary Artists ‹stanbul Exhibition”, AKM, ‹stanbul
“Kazl›çeflme”, Derimod Art Center, ‹stanbul
“Painting Exhibition of the Artists From Cihangir 1 and 2”, ‹stanbul
“The Other”, Habitat II. Sal›pazar› Warehouse, ‹stanbul
1995
“12th Esbank Yunus Emre Painting Competition Exhibition”, State Gallery of Fine Arts, ‹stanbul
“16th Contemporary Artists ‹stanbul Exhibition”, Museum of Painting and Sculpture, ‹stanbul
1994
“New Tendencies Exhibition”, Mimar Sinan University, ‹stanbul
”Vakko Young Artist Exhibition”, Vakko Art Gallery, ‹stanbul
”15th Contemporary Artists ‹stanbul Exhibition”, Museum of Painting and Sculpture, ‹stanbul
“Red - White”, Gallery B, ‹stanbul
”Siemens Art Awards Exhibition”, Mimar Sinan University, ‹stanbul
130
N‹LHAN SESALAN YÜZSEVER
Polen Ça¤› / Pollen Age, 2009
360 x 120 x 15 cm, Ahflap yontu, akrilik boya / Wood carving, acrylic paint
131
132
Polen Ça¤› / Pollen Age, 2005
240 x 120 x 20 cm, Ahflap yontu, akrilik boya / Wood carving, acrylic paint
133
1968, ‹stanbul
1968, ‹stanbul
1987-1993 y›llar› aras›nda ‹stanbul Mimar Sinan Üniversitesi, Güzel Sanatlar Fakültesi, Heykel
Bölümü’nü bitirdikten sonra ayn› üniversitede 1996’da Lisansüstü çal›flmalar›n› tamamlad›.
[email protected]
www.nilhansesalan.net
In 1993 she graduated from ‹stanbul Mimar Sinan University Fine Arts Faculty, Sculpture
Depatment. In 1996 she got her MFA degree from the same University.
www.nilhansesalan.net
[email protected]
Seçilmifl Sanatsal Etkinlikler:
Selected Exhibitions and Artistic Studies:
2009
“Unquillo Uluslararas› Ahflap Heykel Sempozyumu”, Kordoba, Arjantin
2009
“Unquillo International Wood Sculpture Symposium”, Cordoba, Arjantina
2008
“Tatl› Rüyalar”, Dolmabahçe Saray› Sanat Galerisi, ‹stanbul, Türkiye
“Didyma Uluslararas› Tafl Heykel Sempozyumu”, Sanat yönetmeni
2008
“Tatl› Rüyalar”, Dolmabahçe Palace Art Gallery, ‹stanbul, Turkey
“Didyma International Stone Sculpture Symposium”, Art Director
2007
“Hereke Uluslararas› Tafl Heykel Sempozyumu”, Hereke, Türkiye
“‹stanbul Teknik Üniversitesi Tafl Heykel Sempozyumu”, ‹stanbul, Türkiye
2007
“Hereke International Stone Sculpture Symposium”, Hereke, Turkey
“‹stanbul Technical University, Stone Sculpture Symposium”, ‹stanbul, Turkey
2006
“Ankara Uluslararas› Tafl Heykel Sempozyumu”, Ankara, Türkiye
2006
“European Bridges”, Sculpture Workshop, Bucharest, Romania
“Ankara International Stone Sculpture Symposium”, Ankara, Turkey
2005
“Polen Ça¤›”, Artisan Sanat Galerisi, ‹stanbul, Türkiye
“‹stanbul Design Week 2005”, Editörlerin Seçimi Y›l›n Tasar›m› Ödülü
2004
“Yeni Hayat” an›t›, Banyuls, Fransa
“Yaprak A¤açlar›”, Elne, Fransa
2003
“I. Aspat Aç›khava Tafl Heykel Atölyesi”, Bodrum, Türkiye
2002
“Mersin Uluslararas› Tafl Heykel Sempozyumu”, Mersin, Türkiye
“Maltepe Uluslararas› Tafl Heykel Sempozyumu”, ‹stanbul, Türkiye
1999
“Samothrace Uluslararas› Plastik Sanatlar Sempozyumu”, Yunanistan
1998
“Fujino, Uluslararas› Plastik Sanatlar Sempozyumu”, Japonya
“Visual Centre”, Sergi, Oulu, Finlandiya
Kad›n Eserleri Kütüphanesi, Sergi, ‹stanbul, Türkiye
1997
Elhamra Sanat Galerisi, Sergi, ‹stanbul, Türkiye
“Öteki”, Ça¤dafl Sanatlar Sergisi, Antrepo, ‹stanbul
1996
“Bothnia Ice Cape”, Uluslararas› Buz Heykel Sempozyumu, Oulu, Finlandiya
1995
“Ulappa 5”, Uluslararas› Plastik Sanatlar Sempozyumu, Turku, Finlandiya
1994
“De¤irmendere 2. Uluslararas› Ahflap Heykel Sempozyumu”, ‹zmit, Türkiye
1993
“Ça¤dafl Sanatç›lardan Heykeller”, Galery MD, ‹stanbul, Türkiye
1992
“1991 Devlet Güzel Sanatlar Galerisi Sergileri Mansiyonlar›”, Ankara, Türkiye
2005
“Polen Age”, Artisan Art Gallery, ‹stanbul, Turkey
“‹stanbul Design Week 2005”, Best Design, Editorial Choice
2004
“New Life”, Monument, Banyuls, France
“Leaf Trees”, Elne, France
2003
“I. Aspat Openair Sculpture Workshop”, Bodrum, Turkey
2002
“Mersin International Stone Sculpture Symposium”, Mersin, Turkey
“Maltepe International Stone Sculpture Symposium”, ‹stanbul, Turkey
1999
“Samothrace International Plastic Arts Symposium”, Greece
1998
“Fujino, International Plastic Arts Symposium”, Japan
“Visual Centre, Exhibition”, Oulu, Finland
“Women Library and Information Center Exhibition”, ‹stanbul,Turkey
1997
“Elhamra Art Gallery Exhibition”, ‹stanbul, Turkey
“The Other”, Antrepo, ‹stanbul, Turkey
1996
“Bothnia Ice Cape International Ice Sculpture Symposium”, Oulu, Finland
1995
“Ulappa V. International Plastic Art Symposium”, Turku, Finland
1994
“De¤irmendere II. International Wooden Sculpture Symposium”, Izmit, Turkey
1993
“Sculptures by Contemporary Artist”, Gallery MD, ‹stanbul, Turkey
1992
“State Exhibition of Painting and Sculpture”, Mantions, Ankara, Turkey
134
KEMAL TUFAN
Kalyon / Galley, 2009
650 x 230 x 200 cm
Andezit / Andesit
135
Vatos / Stingray, 2009
182 x 93 x 15 cm, Metal, 4 adet /
Metal, 4 pieces
136
K e m a l Tu f a n
1962, Silivri, ‹stanbul
1985 y›l›nda ‹stanbul Teknik Üniversitesi Endüstri Tasar›m› Bölümü’nden,1994 y›l›nda ise
Mimar Sinan Üniversitesi Güzel Sanatlar Fakültesi Heykel Bölümü’nden mezun oldu. 1989-1991
y›llar› aras›nda ‹stanbul fiehir Tiyatrolar›’nda dekoratör olarak görev ald›. 2202 ve 2007
y›llar›nda Büyükçekmece Uluslararas› Heykel Sempozyumu’nda, 2005 ve 2007 y›llar›nda
Gaziantep Yesemek Bienali’nde küratör ve moderatörlük yapt›.
[email protected]
www.kemaltufan.com
2006-07
‹stanbul Ça¤dafl Sanat Fuar›, PG Art Galeri, ‹stanbul, Türkiye
2005
“Artventure”, Kafl, Türkiye
2004
“Brasilian Love Affair”, Gallery BOX 38, Ostende, Belçika
“New Kirkcudbright Art Festival”, Kirkcudbright, ‹skoçya
“Enolia”, Olive Oil & Wine - Art Exhibition”, Serevezza, ‹talya
2003
“Videoist”, Galeri X - Kargart, ‹stanbul, Türkiye
“Difference?”, Yebiden Gallery, Hiroshima, Japonya
2002
“Video-Pool”, BM Ça¤dafl Sanat Merkezi, Uluslararas› ‹stanbul Ça¤dafl Sanat Fuar›, ‹stanbul,
Türkiye
2001
“Meeting“, Aksanat, ‹stanbul, Türkiye
2000-01
“Milestones for Peace”, ‹srail, A.B.D., Polonya, Almanya, ‹talya
2008
“Almazan & Vigo, International Sculpture Symposiums”, ‹spanya
“Cerisy-La-Foret Normandie International Sculpture Symposium”, Fransa
“Büyükçekmece Uluslararas› Heykel Sempozyumu”, (Küratör), ‹stanbul, Türkiye
2007
“Mersin, Hüseyin Gezer III. Uluslararas› Heykel Semozyumu”, Mersin, Türkiye
“Adana, I. Tafl Heykel Sempozyumu”, Adana, Türkiye
“Ankara, II. Uluslararas› Heykel Sempozyumu”, Ankara Üniversitesi, Ankara, Türkiye
“Emaar, III. Uluslararas› Sanat Sempozyumu”, Dubai, Birleflik Arap Emirlikleri
“II. Yesemek Bienali Çal›fltay› ve Uluslararas› Heykel Bienali”, (Küratör), Gaziantep, Türkiye
2006
“Ciudad Empresarial IV.”, Uluslararas› Heykel Sempozyumu, Santiago, fiili
“Aswan 11. Uluslararas› Granit Hekel Sempozyumu”, M›s›r
“I. Yesemek Bienali Çal›fltay› ve Uluslararas› Heykel Bienali”, (Küratör), Gaziantep, Türkiye
2005
“Emaar” II.Uluslararas› Sanat Sempozyumu, Dubai, Birleflik Arap Emirlikleri (2.lik Ödülü)
“Hereke II. Uluslararas› Heykel Sempozyumu”, Kocaeli, Türkiye
“Guadalajara, IV. Uluslararas› Heykel Sempozyumu”, Guadalajara, Meksika
“Bahreyn II. Uluslararas› Heykel Sempozyumu”, Bahreyn
2004
Busan Biennali 2004, Heykel Projesi, Busan, Güney Kore
“Icheon 7. Uluslararas› Heykel Sempozyumu”, Güney Kore
2003
“Wünsiedel 10. Uluslararas› Heykel Sempozyumu”, Almanya
“‹lhan Koman I. Uluslararas› Heykel Sempozyumu”, Edirne, Türkiye
2002
“Icheon 5. Uluslararas› Heykel Sempozyumu”, Güney Kore
“Brusque II. Uluslararas› Sanat Sempozyumu”, Brusque, Brezilya
“Lulea Uluslararas› K›fl Biennali”, Buz alt›nda Heykel Projesi, ‹sveç
Seçilmifl Kiflisel Sergiler ve Projeler:
2002
Chianti Sculpture Park, Siena, ‹talya
Artisan Sanat Galerisi, ‹stanbul, Türkiye
2001-03-05
2000
Sualt› Heykel Projesi, Kafl, Türkiye
Artisan Sanat Galerisi, ‹stanbul, Türkiye
1999
TES Tolga Eti Art House, ‹stanbul, Türkiye
Huis der Kunsten, Brugge, Belçika
1998
Artisan Sanat Galerisi, ‹stanbul Türkiye
1995
Gallerie AXL, Oulu, Finlandiya
Seçilmifl Sempozyum ve Bienaller:
2009
“Tultepec Stainless Steel Sculpture Symposium”, Meksiko
“Urumqi International Urban Sculpture Symposium”, Xinjiang , Çin
2001
“Umm El Fahim Uluslararas› Heykel Sempozyumu”, ‹srail
“De¤irmendere Uluslararas› Ahflap Heykel Sempozyumu”, ‹zmit, Türkiye
“I. Maltepe Tafl Heykel Sempozyumu”, ‹stanbul, Türkiye
“I. Alpalhao Uluslararas› Heykel Bienali”, Portekiz
2000
“I. Uluslararas› Ahflap Heykel Sempozyumu”, (3.lük Ödülü), Blokhus, Danimarka
“Resistencia / Chaco 8. Uluslararas› Heykel Bienali”, (2.lik Ödülü), Arjantin
“Missiones / Alem Uluslararas› Heykel Bienali”, Arjantin
137
K e m a l Tu f a n
1962, Silivri, ‹stanbul
2006
“Aswan 11th International Granite Sculpture Symposium”, Egypt
“Santiago, Ciudad Empresarial 4th International Sculpture Symposium”, (Concrete), Chile
1985 graduated from Industrial Engineering Dept. of Technical University of ‹stanbul.
1994 graduated from Sculpture Dept. of Fine Art Faculty of Mimar Sinan University, ‹stanbul.
1989 -1991 work at the City Theatre of Municipality of ‹stanbul as choreographer & decorator.
Worked with different theatres, modern-dance and Turkish Folk-Dances groups.
2002-2007 curator & moderator of Buyukcekmece International Sculpture Symposiums.
2005-2007 curator & moderator of Yesemek Biennial, Gaziantep - South East Turkey.
[email protected]
www.kemaltufan.com
2005
“Dubai, Emaar 3th International Art Symposium”, United Arab Emirates, (2nd Prize)
“Hereke 2nd International Sculpture Symposium”, Kocaeli, Turkey
“Guadalajara, 4th International Sculpture Symposium”, Guadalajara, Mexico
“Bahrain 2nd International Sculpture Symposium”, Bahrain
2003
“Wünsiedel, X. International Sculpture Symposium”, Germany
“‹lhan Koman 1st International Sculpture Symposium”, Edirne, Turkey
2006-07
Contemporary ‹stanbul Art Fair, PG Art Gallery - ‹stanbul, Turkey
2005
“Artventure”, Kafl, Turkey
2004
“Enolia”, Olive Oil & Wine - Art Exhibition, Serevezza, Italy
“New Kirkcudbright Art Festival”, Kirkcudbright, Scotland
“Brasilian Love Affair”, Gallery BOX 38, Ostende, Belgium
2003
“Videoist”, Galeri X, Kargart , ‹stanbul, Turkey
“Difference?”, Yebiden Gallery, Hiroshima, Japan
2002
“Video-Pool”, BM Contemporary Art Center, ‹stanbul International Cont. Art Expo
2001
“Meeting”, Group Sculpture Exhibition, Aksanat, ‹stanbul, Turkey
2004
“Busan Biennale 2004”, Busan Sculpture Project, South Korea
“Icheon 7th International Sculpture Symposium”, South Korea
2002-03-04-05-06-07-08-09
“Büyükçekmece International Sculpture Symposium”, Turkey (Curator)
2002
“Lulea International Winter Biennal”, Under ice sculpture project, Sweden
“Icheon,5th International Sculpture Symposium”, South Korea
“Brusque, 2nd International Sculpture Symposium”, Brasil
2001
“Umm El Fahim International Sculpture Symposium“, Israel
“De¤irmendere, International Wooden Sculpture Symposium”, Kocaeli, Turkey
“Maltepe 1st Stone Sculpture Symposium”, ‹stanbul, Turkey
“Alpalhao, 1st International Sculpture Bienale”, Portugal
2000
“Blokhus 1st International Wooden Sculpture Symposium”, Denmark, (3th. prize)
“Resistencia / Chaco, 12th International Sculpture Biennale”, Argentina, (2nd. prize)
“Missiones / Alem, International Sculpture Biennale”, Argentina
2000-01
“Milestones for Peace”, Israel, NewYork, Poland, Germany, Italy
Selected Solo Exhibitions and Projects:
2001-03-05
“PG Art Gallery”, ‹stanbul, Turkey
2002
“Chianti Sculpture Park”, Siena, Italy
2000
“Underwater Sculpture Project”, Kafl, Turkey
Symposiums and Biennials:
2009
“Tultepec Stainless Steel Sculpture Symposium”, Mexico
“Urumqi” International Urban Sculpture Symposium”, Xinjiang, China
2008
“Almazan & Vigo International Sculpture Symposiums”, Spain
“Cerisy-La-Foret Normandie International Sculpture Symposium”, France
2007
“Dubai, Emaar 3th International Art Symposium”, United Arab Emirates
“Ankara, 2nd International Sculpture Symposium”, Ankara University, Ankara, Turkey
“Adana 1st Stone Sculpture Symposium”, Adana, Turkey
“Mersin, Hüseyin Gezer 3th International Sculpture Symposium”, Mersin, Turkey
2006-07
“Yesemek Bienal Workshop 1st-2nd & International Sculpture Biennale”, Turkey (Curator)
Vatoslar / Stingrays, 2009
180 x 90 x 15 cm, 140 x 70 x 15 cm, 120 x 50 x 10 cm
Metal, 9 adet / Metal, 9 pieces
138
BAfiAK ÜRKMEZ
Baflak Ürkmez’in duyumsad›¤› ‹stanbul /
‹stanbul as felt by Baflak Ürkmez, 2006
70 x 100 cm, dijital bask› / digital print
139
Baflak Ürkmez
Baflak Ürkmez
1977, ‹stanbul
1977, ‹stanbul
Lisans e¤itimini 1999’da Anadolu Üniversitesi, Animasyon Bölümü’nde tamamlad›. Ayn›
bölümde “Bir anlat› biçimi olarak Hipermedya” teziyle yüksek lisans›n› bitirdi. 2003 ve 2007
y›llar›nda Londra’da Borough of Hackney Education Directorate ve The Learning Trust
kurumlar›n›n deste¤iyle animasyon ve çocuk kitab› tasar›m› projeleri gerçeklefltirdi. 1995 Goethe
Enstitüsü Uluslararas› Karikatür Yar›flmas› (Ankara), baflar› ödülü ve 2003 Londra Belediyesi
Hackney E¤itim Servisi, en iyi yarat›c› proje ödülünü kazand›. 2005 y›l›ndan bu yana Grafist ‹stanbul Grafik Tasar›m Günleri organizasyon komitesinde çal›flmakta, Mimar Sinan Güzel
Sanatlar Üniversitesi Grafik Tasar›m Bölümü’nde sanatta yeterlik çal›flmalar›n› ve e¤itmenli¤ini
sürdürmektedir.
[email protected]
In 1999, she received her Bachelor’s Degree from the Animation Department of Anadolu University.
She completed her Master’s Degree with her dissertation titled “Hypermedia as a Form of Narration”
at the same department. In 2003 and 2007 she realized two projects (child book and animation)
in London with the support of Borough of Hackney Education Directorate and The Learning Trust.
In 1995, Ürkmez received mansion in the International Caricature Competition organized by Goethe
Institute. In 2003, she was given the Most Creative Project award by the Hackney Education Service
of London Municipality. Since 2005, she is working as a member of the organization committee of
Grafist- ‹stanbul Graphic Design Days. She is giving lectures and continuing her studies at the
Department of Graphic Design at Mimar Sinan Fine Arts University.
[email protected]
Sanatsal Etkinlikler:
Artistic Activities:
2008
“‹stanbul As Felt By...”, 60. Frankfurt Kitap Fuar›, Frankfurt, Almanya
2008
“‹stanbul As Felt By...”, 60th Frankfurt Book Fair, Frankfurt, Germany
2007
“Kent Rehberi”, Migration Grubu, A.Ü.Kültür Merkezi, ‹stanbul, Türkiye
“Animate The World 2007”, Workshop, Barbican, Londra, ‹ngiltere
“26. Grafik Ürünler Sergisi”, Garajistanbul, ‹stanbul, Türkiye
“Hackney Training and Employment Network”, Animasyon Projesi, Londra, ‹ngiltere
2007
“City Guide”, Migration Group, A.Ü. Culture Center, ‹stanbul, Turkey
“Animate the World 2007”, Workshop, Barbican, London, UK
“26th Graphic Products Exhibition”, Garajistanbul, ‹stanbul, Turkey
“Hackney Training and Employment Network”, Animation Project, London, UK
2006
“‹stanbul As Felt By...”, Uluslararas› Afifl Sergisi, Karfl› Sanat Çal›flmalar›, ‹stanbul, Türkiye
“‹stanbul As Felt By ...”, 10. Uluslararas› ‹stanbul Grafik Tasar›m Günleri, Afifl Projesi
2006
“‹stanbul As Felt By...”, International Poster Exhibition, Karfl› Sanat Studies, ‹stanbul, Turkey
“‹stanbul As Felt By ...”, 10th International ‹stanbul Graphic Design Days, Poster Project
2004
“2. Uluslararas› Etkileflimli Ortam Tasar›m› Sempozyumu”, ‹stanbul, Türkiye
2004
“2nd International Interactive Media Design Symposium”, ‹stanbul, Turkey
2003
“A Space In The City”, Alberto Vilar Gallery, Londra, ‹ngiltere
“Animate The World”, Workshop, Barbican, Londra, ‹ngiltere
“London Borough of Hackney Education Directorate”, Animasyon Projesi, Londra, ‹ngiltere
“The Learning Trust”, Çocuk Kitab› Projesi, Holmleigh Primary School, Londra, ‹ngiltere
2003
“A Space in the City”, Alberto Vilar Gallery, London, UK
“Animate the World”, Workshop, Barbican, London, UK
“London Borough of Hackney Education Directorate”, Animation Project, London, UK
“The Learning Trust”, Child Book Project, Holmleigh Primary School, London, UK
140
MOHAÇ YÜCEL
‹stanbul 5, 2009
‹stanbul 3, 2009
141
‹stanbul 4, 2009
70 x 100 cm, Dijital illüstrasyon,
dijital bask› /
‹stanbul 1, 2009
70 x 100 cm, Dijital illüstrasyon,
dijital bask› /
142
‹stanbul 6, 2009
‹stanbul 2, 2009
143
Mohaç Yücel
Mohaç Yücel
1973 y›l›nda do¤mufl bir ça¤dafl sanatç› olarak ‹stanbul'da yaflamaktay›m. Güzel sanatlar
lisans e¤itimimin ard›ndan yüksek lisans program›n›, Ça¤dafl Sanata Katk›s› ve Geliflimi ile
Çizgi Roman konulu tezimle tamamlad›m. Marmara Üniversitesi'nde Dijital Sanat konulu
Sanatta Yeterlik program›n›n tez aflamas›nday›m. 1992 y›l›ndan günümüze, pek çok sayg›n
ulusal ve uluslararas› kurulufl taraf›ndan düzenlenen çeflitli sergilere kat›ld›m. Bunlar aras›nda
son y›llarda gerçeklefltirdi¤im önemli projelerden; Eylül 2006'da düzenlenen ilk Uluslararas›
Sinop Bienali, 2007 y›l›nda Wiemer, Almanya'da hayata geçen 3M1U projesi, 2009 fiubat
ay›nda ‹stanbul BM Suma'da gerçekleflen Heykelsi Eylemler sergileri say›labilir.
Born in 1973, I am a contemporary artist living in ‹stanbul, Turkey. I have studied fine arts
and have a masters degree which I wrote a thesis on “Comic Books; their influences on
contemporary art”. My PHD on ”Digital Art” is in the thesis stage at Marmara University.
I’ve contributed to several exhibitions and shows organized by many respected national
and international associations since 1992, including the first International Sinop Biennale:
Sinopale, held in September 2006, 3M1U in Wiemer, Germany, 2007 and Sculptural narrations
at BM Suma Art Gallery in 2009.
Point Hotel Barbaros
Esentepe, Y›ld›z Posta Caddesi
No: 29 34394 fiiflli / ‹stanbul
T: 0212 337 3000
F: 0212 337 3030
[email protected]
www.pointhotel.com

Point Kitap - Point Hotel

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