ERCIYES UNIVERSITY FACULTY OF FINE ARTS I. GENERAL

ERCIYES UNIVERSITY FACULTY OF FINE ARTS I. GENERAL

ERCIYES UNIVERSITY
FACULTY OF FINE ARTS
I. GENERAL INFORMATION
RES102 BASIC DESIGN II
1/SPRING
PAINTING
Assoc. Prof. Nurdan (KARASU) GÖKÇE
Course Title
Year & Semester
Department
Teaching Staff
Local Credit: 6
ECTS Credit: 7
Pre-requisites: None
Language of Instruction:
Turkish
Faculty Contact Information:
Department of Painting, Faculty of Fine Arts, Erciyes University, 38039, Kayseri, TURKEY
Tel: + 90 352 4375281/ 34059
Fax: 00 90 352 4373652 e-mail: [email protected]
Web: www.nurdankarasugokce.com
Office hours: Friday 10:00-12:00
II. COURSE INFORMATION
Required √
Core :√
Elementary (Basic) :√
COURSE TYPE and LEVEL:
Related
Intermediate :
Elective
:
:
Minor :
Advanced:
Specialized:
SUMMARY OF INTENDED LEARNING OUTCOMES:
At the end of this module, typical students should be able to:
1. To build and polish a wide variety of technical skills in terms of materials,
methods and execution;
2. To give knowledge of the basic elements of design including line, value, form, shape, color, texture, space,
light-shadow, light-dark, modulation, as well as perspective, and composition;
3. To improve your drawing, designing and painting skill, creativity, and problem solving abilities;
4. To provide a good background for students to gain experience in discussing one's own work and the work of
others through art critiques;
5. To explore a wide variety of designing techniques and media.
6. Researches from objects, analyzing nature and objects from nature, and deformations,
7. To build up grammar of the plastic language, and to examine and use its elements
8. To develop a personal language
SUMMARY OF TEACHING AND LEARNING METHODS:
(1) Lectures (2) Audio visual; slides and photographs
(3) Demonstrations by the instructor (4) Individual instruction and guidance by the instructor
(5) Class participation through discussions, critiques, and exhibition of student works.
(6) Assignments will be given to be completed outside of class.
STUDENT WORK LOAD:
Hours
Lectures
52
Seminars
0
Critiques/Classes
4
Tutorials
52
Fieldwork
0
Other
4
Private Study
71
TOTAL
175
a) SUMMARY OF ASSESSMENT METHODS:
Students are supposed to submit a work portfolio on the date of exam. Students also will be given an
assignment to complete on the date of exam.
b) ASSESSMENT ARRANGEMENTS:
Assessment ratings and grading criteria:
 Academic values: (compliance with the principles of design, originality of the work, perfection of the
work etc.) 60%


the correct use of the material, technical excellence 20%
work performance, attendance, class participation 20%
Mid-term exam
Submitting a work portfolio 70%+practice exam 30%
40%
Final Exam
Submitting a work portfolio 70%+practice exam 30%
60%
POLICIES:
Attendance: Students are required to attend all classes and to submit their essays and assignments on time. The
more you participate, the more you will learn - and only you can learn the material - I cannot learn it for you. So
participate in class! Use my office hours! Use email to ask questions! You are expected to do the assigned
readings before coming to class. Readings are listed at the end of page. You should read these critically, asking
questions as you go - What does this mean (do I understand it)? Why is it important to the study of research
methodologies? When and how would I use this information? How does this information relate to other
information we've learned in class (or in other classes)? As you do the assigned readings, ask yourself the
following questions: What did I learn that I didn't know before? What did I already know, but gained a better
understanding of? What am I still confused about?
Lateness: Late attendances and submission will be not accepted. Students should not ask for exceptions.
Academic Integrity: All students are expected to adhere to University policies concerning scholastic integrity.
Any form of scholastic dishonesty will not be tolerated, Scholastic dishonesty includes, but is not limited to,
cheating, plagiarism, falsifying academic records, and any act designed to give unfair academic advantage to the
student.
Studio Rules: Students must clean their work areas before leaving class.
The classroom is not a storage facility. Work left behind after the semester ends is not the responsibility of the
instructor. You relinquish your property rights by leaving your work behind.
No cell phones and head phones are allowed in the classroom.
DOES NOT TOUCH STILL LIFE SET UPS! YOU MAY RUIN SOMEONE ELSE’S WORK!
COURSE CONTENTS (PROGRAMME OF STUDY/SYLLABUS)
DATE
SUBJECT
HOUR
METHOD
COLOUR: color theories, color spectrum; gouache and
watercolor technique
4+4
Lectures, tutorial
O7 Feb
14 Feb
Color harmonies; Color contrasts
4+4
Lectures, tutorial
21 Feb
Color and light; Color and tone studies
4+4
Lecture, tutorial
28 Feb
Color and texture
4+4
Lecture, tutorial
07 March
Painting textured objects; acrylic painting technique
4+4
Lecture, tutorial
14 March
Color and space; visual space
4+4
Lecture, tutorial
21 March
Tachisme studies
4+4
Lecture, tutorial
28 March
COMPOSITION: elements of the composition (elements of
visual art)
4+4
Lecture, tutorial
04 April
MID-TERM EXAM
11 April
MID-TERM EXAM
2
Critiques
18 April
Contrast in composition; Emphasis; Balance; Unity
4+4
Lecture, tutorial
25 April
Movement; Rhythm; Pattern
4+4
Lecture, tutorial
02 May
Linear-tonal; Plane-Depth;
Multitude-Unity
4+4
Lecture, tutorial
09 May
To design visual compositions
4+4
Lecture, tutorial
16 May
To design an composition using different fields : an
interdisciplinary work.
4+4
Lecture, tutorial
23 May
FINAL EXAM
2
Critiques
30 May
FINAL EXAM
Opened
Form-Closed
Form;
RECOMMENDED READING:
 Grafikte Temel Tasarım, Prof. Hatice Aslan ODABAŞI,
 Temel Sanat Eğitimi, Dr. M. IŞINGÖR, Prof. Dr. E. ETİ, Prof. Dr. M. ASLIER,
 Sanat Eğitimi, Kayıhan KESKİNOK
 Sanat Sözlüğü, N. KESER, Ütopya, 2005
 Sanat Kavram ve Terimleri Sözlüğü, M.SÖZEN, Uğur TANYELİ, Remzi Kitabevi, 1999, İstanbul
 Temel Sanat Eğitimi, Nevide GÖKAYDIN, MEB Eğitim, 2002, İstanbul
 Temel Tasarım, Ali SEYLAN, M-Kitap, 2005, Ankara
 Temel Tasarıma Çağdaş Yaklaşımlar, Emin Doğan AYDIN, Mor Ajans, 2004, İstanbul
 Desende Işık ve Gölge, N. KARASU GÖKÇE, N. Mehmet, NetForm Matbaa Ltd., Kayseri 2007
 Desen Teknik ve Malzemeleri, N. KARASU GÖKÇE, N. Mehmet, NetForm Matbaa Ltd., Kayseri
2007
 Arttalk, Rosalind Ragans, Glencoe Publishing Co, 1988, USA.
 Drawing Seein and Observation, Ian Simpson, A&C Black Publishers Limited, London 1992
 Colour, Edith Anderson Feisner, Laurence King Publishing, Singapore, 2006