cannes_2012_features

Transkript

II
50.17%
In 2011, 288 films were released in Turkey,
of which 70 national films took a market share of 50.17%,
the highest national market share in Europe.*
Compared with 2010 (52.86%) and 2009 (50.92%),
the national market share stayed almost the same.
The Ministry of Culture & Tourism supported
56 feature film projects in 2011.
It is our pleasure to share these facts with you.
Ankara Cinema Association
*antrakt-deniz yavuz
III
“Carosse d’Or” 2012
Nuri Bilge Ceylan
This year, the “Carosse d’Or” of the Film Directors’ Guild
will be awarded to Nuri Bilge Ceylan.
Screening
Thursday, May 17th at 2 pm at the Mariott Hotel, Croisette Theater
Award Ceremony
Thursday, May 17th at 7.30 pm, during the Directors’ Fortnight Opening Ceremony
The “Carosse d’Or” (Golden Coach) Award is a tribute paid by the directors of Film Directors’ Guild to one
of their own, chosen from the international filmmaking community for the innovative qualities, the courage
and independent mindedness of his or her work. Since its creation in 2002, this award has been given to
Jacques Rozier, Clint Eastwood, Alain Cavalier, Jim Jarmush, Naomi Kawase, Agnès Varda and Jafar Panahi.
clouds of may mayıs sıkıntısı
turkey 1999, 35mm, 131’, colour
director-script Nuri Bilge Ceylan
cinematography Nuri Bilge Ceylan
editing Nuri Bilge Ceylan
cast Mehmet Emin Ceylan, Muzaffer Özdemir,
Fatma Ceylan, Mehmet Emin Toprak
production-distribution NBC Film, Başkurt Sok.
19/4 Ürgüp Palas Apt. Cihangir 34433 Istanbul
[email protected]
This May in the town seems to be warmer and
gloomier than the previous years. Still, everyone
seems to be happy despite their small worries
and lives closed for any surprises. However, this
happiness is a little disturbed by the arrival of
Muzaffer who has made up his mind to shoot
a film in this town where he had passed his
childhood. His father, Emin, is bent on saving the
small forest he cultivates on his property from
confiscation by the authorities. His nephew, nine
year-old Ali, who wants a musical watch. He has
to carry an egg in his pocket for 40 days without
cracking it, according to terms of an agreement
made with his aunt, who has promised in return
to convince Ali’s father to purchase this much
wanted item for his son. And Muzaffer’s cousin,
Saffet, who is a young town dweller whose
affords are all doomed to failure by bad luck (or
is it by his own rebelliousness) and who dreams
of going to Istanbul.
Nuri Bilge Ceylan
(Istanbul, 1959)
studied Engineering at
Bosphorus University
and Filmmaking at
Mimar Sinan University
in Istanbul. He received many awards with his films.
His last film Once Upon a Time in Anatolia won the
Grand Prize at Cannes in 2011. Since 2003 he’s
devoting his time both to cinema and photography.
filmography
1995 Koza (short)
1998 Kasaba Small Town
1999 Mayıs Sıkıntısı Clouds of May
2002 Uzak Distant
2006 İklimler Climates
2008 Üç Maymun Three Monkeys
2011 Bir Zamanlar Anadolu’da Once Upon a Time in
Anatolia
1
baks bani
turkey 2012, hd, 120’, b&w
director Cihan Sağlam
script Cihan Sağlam
cinematography Büşra Yeşilay
editing Ahmet Korkmaz
music Murat “Kzu” Yılmaz
cast Öykü Başar, Halil İbrahim Irklı
production-distribution Sağlamlar Yapı, Cenk
Özçelik, Gülbağ Cad. Budak Pasajı Mecidiyeköy
34394 Istanbul
T +90 212 213 9510
[email protected]
What is capitalism?
A grey, healthy, funny, intelligent, happy, selfish,
rich but lonely bunny. Big factories, hamburger
menus, colourful pop songs, extinct animals, quiz
shows and Paris Hilton.
What is capitalism?
Let’s not fool ourselves. This isn’t just about
money. Today, it is more than that. Four
teenagers who sleep with rich people for money
rent out a room of their apartment to a guy just
back from military service. Their struggles of
identity, conflicts of hierarchy, and the spiralling
violence of every passing day make their parties
ever wilder. They battle with the naked realities
in the colourful but abstract world they have
created. Meanwhile, the guy from the military
searches for an answer as to why he is struggling
out in the streets of this cruel world.
Baks Bani is the dark story of the purchased and
the purchaser.
2
Cihan Sağlam (Istanbul,
1985) studied acting
and film & tv at Beykent
University. He has acted
in many short films and
stage productions to
date, while also writing and directing plays. Baks
Bani is his directorial debut.
behzat ç. i buried you in my heart behzat ç. seni kalbime gömdüm
director Serdar Akar
script Serdar Akar, Emrah Serbes
cinematography Zekeriya Kurtuluş
editing Aziz İmamoğlu
music Cem Kısmet
cast Erdal Beşikçioğlu, Fatih Arıtman, İnanç
Konukçu, Berkan Şal, Tardu Flordun, Cansu Dere
production-distribution Adam Film, Tarkan
Karlıdağ, İnönü Cad. Gözcü Apt. 35/2 Gümüşsuyu
Beyoğlu 34437 Istanbul
T +90 212 244 2343
[email protected] | www.adamfilm.com.tr
Homicide teams receive a tip-off which leads
them to a buried coffin in the Youth Park. Inside
the coffin is an old woman. On first inspection,
it’s reckoned that the woman was buried alive.
Behzat Ç., a homicide specialist, has never
encountered a murder case like this before.
Firstly, it’s incomprehensible why the old woman
would be killed in this way. The old woman was
the mother of a retired police officer. When
he begins investigating the officer, Behzat Ç.
finds himself running up against a number of
obstacles. The retired officer is known in the
organization as ‘Memduh, the Avarell Dalton’,
while the person who executed the crime calls
himself ‘Lucky Luke’. Along with his teammates
Harun, Hayalet and Akbaba, Behzat Ç. scours
every corner of Ankara in an attempt to catch
the accomplices, Gorbachev Hasan and Pembo.
Serdar Akar (1964)
graduated from the
Cinema and Television
Department of Mimar
Sinan University in
2001. Following a
series of shorts and documentaries, he made his
debut feature On Board in 1998, which won many
awards. His films had a major impact, both in terms
of the Turkish film industry and as the work of an
innovative auteur. He currently lectures at the
Mimar Sinan University.
selected filmography
1998 Gemide On Board
1992 Romeo ve Juliet Romeo and Juliet (short)
2000 Dar Alanda Kısa Paslaşmalar Offside
2001 Maruf
2005 Kurtlar Vadisi Irak Valley of the Wolves-Iraq
2006 Barda In the Bar
2009 Gecenin Kanatları Wings of the Night
award Best Actor Antalya
3
beyond the hill tepenin ardı
turkey, greece 2012, hd, 94’, colour
director-script Emin Alper
cinematography George Chiper – Lillemark
editing-music Özcan Vardar
cast Tamer Levent, Reha Özcan, Mehmet Özgür,
Berk Hakman, Banu Fotocan, Furkan Berk Kıran
production Alper Film (Enis Köstepen, Seyfi
Teoman), 2:35 (Nikos Moutselos)
distribution Alper Film, Enis Köstepen,
Kemankeş Mah. Mumhane Cad. 39/39 34425
Beyoğlu Istanbul
T +90 532 690 5636
[email protected]
After retiring from the State Forestry Office,
Faik moved back to his hometown and started to
farm the land he inherited from his grandfather.
A sharecropper family takes care of his land and
flock of goats. His son and his two grandsons
arrive one hot summer’s day for a vacation.
They come at a time when Faik’s conflict
with the neighbouring nomads is escalating.
The gathering provokes both unsettled family
disputes and the family’s conflicts with the
tenant farmers. For Faik, however, the major
threat to his community and land is the nomads.
Emin Alper (Konya,
1974) studied
economics and history
at Boğaziçi University,
Istanbul. He holds a
PhD in Turkish Modern
History. He wrote and directed the short films, Rıfat
(2006) and The Letter (2005). He currently teaches
at the Istanbul Technical University Humanities &
Social Sciences Department. Beyond the Hill is Emin
Alper’s debut feature.
filmography
2005 Mektup The Letter (short)
2006 Rıfat (short)
awards Special Mention (Best First Feature),
Caligari Film Prize Berlinale • Best Film, Best Script,
Fipresci Prize Istanbul
4
blue lodge mavi pansiyon
director-script Nezih Ünen
cinematography Soykut Turan
editing Aziz İmamoğlu
music Nezih Ünen
cast Yusuf Güner, Fadik Sevin Atasoy, Özlem
Tekin, Tan Sağtürk, Nail Kırmızıgül, Pelin Acar
production-distribution Nezih Ünen Productions,
Boyalıköşk Sok. 5/1 Sözer Apt. D: 8 34345 Istanbul
T +90 532 245 4346
[email protected]
Ahmet is a single man who describes himself
as ‘close to women, but far from love’. For this
summer vacation, he comes to his usual place,
the Blue Lodge, a cosy guesthouse by the sea.
Here he will meet two attractive women, Bahar
and Esra, who are also best friends. Esra takes an instant liking to Ahmet, but when
Ahmet meets Bahar, a piano virtuoso who plays
at a choice venue in the neighbourhood, feelings
begin to stir deep in his heart. The owners of the Blue Lodge, Kerim and
Zeynep, are going through a critical stage in
their marriage. So are Halil and Erica, a couple
from Germany.
Nezih Ünen graduated
as an engineer from
Boğaziçi University.
He has always been
interested in music,
photography, writing
and drama. In his 20-year music career as a
composer, he has produced film music as well as
music videos. This experience gave him the courage
to make his first film, the documentary Lost Songs
of Anatolia, which became something of a cult film
because of its unique style. The film was shown at
many international film festivals including Istanbul,
Thessaloniki and Montpellier. Blue Lodge is his first
feature.
filmography
2008 Anadolu’nun Kayıp Şarkıları Lost Songs of
Anatolia (documentary)
5
dirt qirej
director-script Yusuf Çetin
cinematography Sedat Ülker
editing Mevlüt Koçak
music Vedat Yıldırım
cast Yusuf Çetin, Zilan Odabaşı, Yalçın Dümer,
Eyüp Çalış, Cengiz Toprak, Volga Sorgu
production-distribution Ararat Film, Yusuf Çetin
Gazeteci Erol Dernek Sok. 3/1 34433 Istanbul
T +90 212 252 9124
[email protected]
The ‘village guard’ system has played an
important part in the escalation of the Kurdish
problem in southeast Turkey and caused
heartrending suffering among the local people.
This film aims to reveal the evils of the system
in which village guards, who are paid and armed
by the government, have been terrorizing the
people by exploiting the power the state has
conferred. lt deals with the steady increase in
the killing of women, the outcome of prevailing
militarism and a male-dominated social system
which controls women and female labour. Dirt
sets out to expose the ‘dirty’ mechanism behind
the village guard system and the murder of
women.
6
Yusuf Çetin (Ağrı, 1946)
began his acting career
at the Lale Oraloğlu
Theatre in 1971. Besides
theatre, he has acted
in around 400 films.
Yusuf Çetin founded the Ararat film company and
is presently working on various projects developed
around real stories that have taken place in the east
and southeast of Turkey.
ecotopia entelköy efeköy’e karşı
director-script Yüksel Aksu
cinematography Ercan Yılmaz
editing Levent Çelebi
music Orhan Kaplan
cast Şahin Irmak, Ayşe Bosse, Emin Gürsoy, Hamit
Demir, Ümit Olcay, Nejat Yavaşoğulları
production-distribution Galata Film, Muharrem
Gülmez, Taha Altaylı, Gümüşsuyu Mah. Muhtar
Kamil Sok. Onur Apt. 5/5 Taksim 34437 Istanbul
T +90 212 249 1071
[email protected] | www.galatafilm.com
Tired of the noise and pollution of large cities,
a group of environmental intellectuals abandon
the big city and return to nature. They build a
brand new village with shabby old stone houses
on a block of land they purchase. They name
their new village ‘Ecovillage’. Their intention
here is to enjoy life through ecological tourism,
organic farming, and arts and culture. At first
they coexist happily with the village folk from
whom they purchased the land and old stone
houses. In fact, there’s even attraction between
the leading intellectual character, Camille, and
Ali, the village headman. She is a European
character who settled in Turkey after years of
working for environmental organizations like
Greenpeace. Meanwhile, the village headman Ali
has never left his village and has no education
- a typical village person. The emotional bond
between them develops in a humorous yet
strange manner.
Yüksel Aksu (Muğla,
1966) graduated
from the Dokuz Eylül
University, Department
of Film and Television
and went on to
complete a Master’s degree. In 2006 he wrote,
produced and directed the very low budget feature
film Ice Cream, I Scream which was Turkey’s entry
for the Best Foreign Language Film Academy
Award. He is also a scriptwriting tutor at Istanbul
University, Department of Television.
2006 Dondurmam Gaymak Ice Cream I Scream
2010 Anadolu’nun Son Göçerleri Last Nomads of
Anatolia (documentary)
awards Best Film, Best Director, Best Script Ankara
7
the extremely tragic story of celal tan and his family celal tan ve ailesinin aşırı acıklı hikâyesi
director-script Onur Ünlü
cinematography Vedat Özdemir
editing Ahmet Can Çakırca
music Atilla Özdemiroğlu
cast Selçuk Yöntem, Bülent Emin Yarar, Ezgi Mola
Tansu Biçer, Türkü Turan, Cengiz Bozkurt
production-distribution Eflatun Film, Funda Alp
Orkun Ünlü, Mevlüt Pehlivan Sok. 26/6 Yılmaz Han
34349 Gayrettepe Istanbul
T +90 212 274 9295
[email protected]
Celal Tan is a well-respected constitutional law
professor who lives in a provincial city. Many
years after the death of his first wife, he married
a woman much younger than him, a university
student, whom he had saved. In the third year
of their marriage, the extremely tragic story of
Celal Tan and his family begins after the whole
family inadvertently witnessed a moment of
crisis. While trying to hide the secret, the family
falls into absurd and tragicomic situations.
Regardless of all happenings, Celal Tan tries to
keep the family together.
Onur Ünlü went
on to complete his
MA at Marmara
University, School
of Communication
Sciences after
graduating from Anadolu University, School of
Communication Sciences. Since 1997 he has
realized many projects as screenwriter, copywriter,
producer and director.
filmography
2006 Polis Police
2007 Çocuk The Kid
2008 Güneşin Oğlu Son of the Sun
2009 Beş Şehir Five Cities
awards Best Film, Best Script, Special Award of the
Jury for Acting Adana
8
future lasts forever gelecek uzun sürer
turkey, france, germany 2011, 35mm, 108’, colour
director-script Özcan Alper
cinematography Feza Çaldıran
editing Ayhan Ergürsel, Thomas Balkenhol, Özcan
Alper, Umut Sakallıoğlu
music Mustafa Biber
cast Gaye Gürsel, Durukan Ordu, Sarkis Seropyan
production-distribution Nar Film, Ersin Çelik,
Soner Alper, Caferağa Mah. Sarraf Ali Sok. Kaan
Apt. 25/3 Kadıköy Istanbul
T +90 216 418 4206
[email protected] | www.narfilm.com
Sumru is doing a master’s degree in social
anthropology at a university in Istanbul. To
study on her thesis, ‘Women and Elegies’, she
sets off for the southeast of the country for a
few months. The brief trip turns out to be the
longest journey of her life. In the course of the
trip, Sumru crosses paths with Ahmet, a young
guy selling bootleg DVDs on the streets of
Diyarbakır, with Antranik, the ageing and solitary
warden of a crumbling church in the city, with
Gülizar, whose husband has gone missing while
in custody, and with Enver, an older man whose
village has been evacuated. Sumru’s research
brings her face to face with other people’s
sufferings and calls on her to examine how they
deal with it.
Özcan Alper (Artvin,
1975) studied physics
and the history of
science at Istanbul
University. He attended
cinema workshops
at the Mesopotamia Culture Centre and Nazım
Cultural Centre between 1996-2000. Autumn,
his first feature, was screened at more than 60
festivals internationally and won 33 awards. The
film was nominated for the European Film Academy
European Discovery Awards.
2001 Momi Grandmother (short) 2002 Bir Bilim
Adamıyla Zaman Enleminde Yolculuk Voyage in
Time with a Scientist (doc.) 2008 Sonbahar Autumn
awards Yılmaz Güney Award, Turkish Film Critics’
Best Film Award, Best Actor, Best Cinematography,
Best Music Adana • FIPRESCI Award for Best Asian
Film Kerala • Best Film, Best Director, Best Original
Music Malatya • Special Mention Vesoul
9
hicaz
director-script Erdal Rahmi Hanay
cinematography Erdal Rahmi Hanay
editing Erdal Rahmi Hanay
music Erkan Oğur
cast Nilüfer Saltık, Memet Işık, Clarisse Gorokhoff,
Hakan Bozkan, Erol Özdek, Yıldız Bektaş
production-distribution Z Yapım, Nilüfer Saltık
İMÇ 6. Blok No: 6609 Unkapanı 34334 Istanbul
T +90 212 512 6673
[email protected]
‘Hicaz’ translates literally as ‘barrier’ or
‘obstacle’.
Hicaz is the first film of the trilogy, Hicaz,
Saba and Nihavend. It tells the story of
various characters suffering from physical or
psychological complaints… Their complaints
are as much modern-age diseases as they
are old as human history: loneliness, despair,
disaffection and, perhaps most importantly, lack
of communication…
The film is made up of five different stories. Each
story revolves around a different struggle and,
just as in the world we live in, each character
impinges upon the other, consciously or
unconsciously.
10
Erdal Rahmi Hanay
(Ardahan, 1982) began
his career as a writer
and published a number
of articles and essays
in various magazines.
He then branched into poetry. His connections with
poetry and music have inspired him to write several
scripts. The Makam Trilogy marks his directorial
debut.
home yurt
director Muzaffer Özdemir
script Muzaffer Özdemir
cinematography İlker Berke
editing Ayhan Ergürsel, M. Özdemir, Selda Taşkın
cast Kanbolat Görkem Arslan, Muzaffer Özdemir,
Muhammet Uzuner, Pınar Ünsal
production-distribution Tutya Film, Muzaffer
Özdemir, Sadık İncesu, Turan Emeksiz Sok.
7B Blok 3 G.O.P. Ankara
T +90 312 466 8174
[email protected]
Patient conservationists will feast on this
slowpaced, contemplative mountain hike made
by 56-year-old Muzaffer Özdemir, best known
as the lead in Nuri Bilge Ceylan’s award-winning
Distant. With barely a sliver of a plot to hold it
together, this stunning collection of aweinspiring
landscapes combines with images of modern
intrusions into the heart of nature, all of it
backed by brief dialogues and spells of narration,
for what would be best described as a litany for
a self- destructive age. An ode to nature and
an insistent indictment of those who destroy it
arbitrarily. Home is an ideal choice for festival
exposure, screened at the Adana Film Festival
and already on its way to the Tokyo competition
next month, this debut shows a keen eye for
visuals combined with a toned-down elegiac
mood that may not be sufficient for mass
audiences, but should draw the attention of art
cinemas. (…)
Muzaffer Özdemir
(1955) graduated from
the Istanbul Technical
University, Dept. of
Geological Engineering
in 1980. He made his
first short film with his Super 8mm camera in 1975.
He acted in three Nuri Bilge Ceylan films: The Small
Town (1997), Clouds of May (1999) and Distant
(2002). His performance in Distant won him the
Best Actor Award at the Cannes Film Festival in
2003. Home is his debut feature.
award Digital Distribution Award London Turkish
Film Festival
Dan Fainaru
11
in flames yangın var!
director Murat Saraçoğlu
script Murat Batgi, Koray Çalışkan
cinematography Gökhan Atılmış
editing Erkan Erdem
music Erol Mutlu, Işın Kucur, Levent Güneş
cast Osman Sonant, Nesrin Cavadzade, Yavuz
Bingöl, Erkan Can, Şerif Sezer
production-distribution Yol Sinema, Koray
Çalışkan, Fecri Ebcioğlu Sok. 14/4 1. Levent Istanbul
T +90 212 283 9792
[email protected]
The town of Çayırbağı in Trabzon province
suffers from frequent fires, but is without a fire
truck. When no support is forthcoming from
the twin towns declared by the local mayor, he
approaches the mayor of Diyarbakir for help
when the two meet at an official function.
The answer he receives is positive. One of
the fire trucks surplus to Diyarbakir’s needs
is cleaned up, painted and made ready to be
sent to Trabzon. A municipal worker by the
name of Kosman is delegated to drive the fire
truck from Diyarbakir to Trabzon. Kosman, a
likeable Black Sea nationalist of around 30, has
never met a Kurd in his life, nor ever set foot
outside his hometown. Worse still, his thoughts
about the south-east of the country are based
entirely on hearsay. So the idea of the fire truck
coming from Diyarbakir is not to his liking, and
he puts his foot down, refusing to go. In the
end, however, Kosman is persuaded to set off
from Trabzon, and one morning he arrives in
Diyarbakir, seeing the city for the first time.
12
Murat Saraçoğlu
(Istanbul, 1970)
graduated from the
Department of Radio
and Television at
Istanbul University.
After working several years for various projects in
cinema and television, he directed his first feature
120 in 2007. His second film O... Çocukları and the
third Piano Girl were very successful at the boxoffice attracting more than a million moviegoers. In
2010, he completed 72nd Ward, an adaptation of
the novel by Orhan Kemal.
filmography
2008 120; O... Çocukları
2009 Deli Deli Olma Piano Girl
2011 72. Koğuş 72nd Ward
awards Best Actor, Best Actress Ankara
inside yeraltı
turkey 2012, hd, 107’, colour
director-script Zeki Demirkubuz
cinematography Türksoy Gölebeyi
editing Zeki Demirkubuz
music Serdar Öngören
cast Engin Günaydın, Nihal Yalçın, Nergis Öztürk
Serhat Tutumluer, Serkan Keskin, Murat Cemcir
production Mavi Film, Zeki Demirkubuz
distribution Gezici Film, Başak Emre
Abay Kunanbay Cad. 20/11 Kavaklıdere Ankara
T +90 312 466 3484
[email protected]
‘Unless he is ruthless with himself, a wise man
can have no pride.’
Muharrem pressgangs his old friends into inviting
him to dinner, no matter that he hates and is
hated by them. The dinner starts off with a few
harmless gibes and trivial shows of bravado; but
as time wears on and heads become fuddled,
the conversation progresses steadily into the
inglorious past. Old grievances come tumbling
out into an ugly showdown.
As the night becomes charged with tears, anger
and regret, the outrage spills onto the dark
streets, into sleazy hotel rooms. Although they’re
in league and he’s on his own, Muharrem has
made up his mind. Either the filth is cleaned up
that night or he dies. Otherwise he’ll never be rid
of this sense of shame.
Zeki Demirkubuz
(Isparta, 1964)
graduated from the
Istanbul University Faculty
of Communication. He
directed Block C, his
first feature film, in 1994. He first gained the notice
of film critics with Innocence and The Third Page.
This was followed by the successful reception of
Fate and Confession, which were both screened in
Un Certain Regard at the Cannes Film Festival.
filmography
1994 C Blok Block C
1997 Masumiyet Innocence
1999 Üçüncü Sayfa The Third Page
2001 İtiraf Confession; Yazgı Fate
2003 Bekleme Odası The Waiting Room
2006 Kader Destiny
2009 Kıskanmak Envy
awards Best Director, Best Cinematography, Best
Editing, Best Actor, Audience Award Istanbul
13
kadife-grandmother kadife-büyük ana
director Erdoğan Kar
script Erdoğan Kar
cinematography Sinan Güngör
cast Aytaç Öztuna, Emre Özcan, Mehmet Ünal
music Erdoğan Kar
production-distribution Ana Film, Erdoğan Kar
Yeni Çarşı Cad. Gürhan 12/21 Beyoğlu Istanbul
T +90 532 544 6490
[email protected] | www.anafilm.org
Years ago, Mother Kadife lost her son, daughter
in-law and granddaughter to terrorism in the
eastern part of Turkey. Now she decides to move
from Erzincan to Ankara with her remaining
eight-year-old grandson Gül Cemal. Kadife
and her grandson start a new life in Ankara in
a makeshift shack built with the help of her
younger brother and other villagers. Mother
Kadife earns money from weaving carpets and
kilims. When Gül Cemal attends high school, he
is influenced by the daily political events there.
He finds himself a new group of friends and, at
the end of the first term, drops out of school
with them. Gül Cemal decides to join his friends
and to go to the mountains and be a member of
the PKK. Mother Kadife searches high and low
for her grandson in a desperate bid to rescue
him, to persuade him to leave the mountains.
She travels to countless places to find him and
never loses faith that some day she will be reunited with her grandson.
14
Erdoğan Kar worked
as assistant director
to prominent directors
such as Şerif Gören,
Zeki Ökten, Atıf Yılmaz,
Ali Özgentürk and
Memduh Ün. He is currently Head of Department at
the Müjdat Gezen Arts Center, Young People’s TV
and Film School. He is also a board member of the
Association of Film Directors.
filmography
1986 Su The Water
1995 Türk Canlandırma Sineması Tarihi The History
of Turkish Animation (documentary)
labyrinth labirent
turkey 2012, 35mm & hd, 124’, colour
director Tolga Örnek
script Tolga Örnek
cinematography Burak Kanbir
editing Oğuz Çelik
music Cavit Ergün, Erdem Tarabuş, Can Göksun
cast Timuçin Esen, Meltem Cumbul, Sarp Akkaya
Rıza Kocaoğlu, Ozan Bilen, Umut Kurt
production-distribution Ekip Film, Tolga Örnek
Kore Şehitleri Cad. 23/1 Zincirlikuyu Istanbul
T +90 212 272 1058
[email protected] | www.ekipfilm.com
A massive explosion rips through a busy street
in Istanbul. 95 people are dead; 30 Americans
and five British. The massacre sends shockwaves
from Turkey to London and Washington, DC. A
new terrorist organization is behind the attack.
The explosion is just the beginning. “Labyrinth”
is the code name of the operation conducted
by Turkish intelligence to stop a second, more
devastating attack that will plunge Turkey, the
only democratic Muslim country in the region,
into chaos and destroy the fragile balance of
the Middle East. After the initial attack, Turkey
becomes a battlefront for terrorists and Turkish,
British and American intelligence officers.
Everyone has his own agenda in the fight that
stretches from Istanbul to Eastern Turkey and
from Frankfurt to Northern Iraq.
The story revolves around a group of Turkish
intelligence officers and their race to stop the
terrorist organization.
Tolga Örnek (1972)
studied metallurgical
engineering at Istanbul
Technical University.
Between 1994-1996
he earned an MA on
materials science and engineering at the University
of Florida, and in 1996 with a two-year master’s
programme in cinema and video at the American
University (Washington DC).
1998 Atatürk (documentary)
1999 Fenerbahçe (documentary)
2000 Tanrıların Tahtı: Nemrud Mount Nemrud: The
Throne of the Gods (documentary)
2003 Hititler The Hittites (docu-drama)
2005 Gelibolu Gallipoli (docu-drama)
2008 Devrim Arabaları Cars of the Revolution
2011 Kaybedenler Kulübü Losers Anonymous
15
last stop salvation kurtuluş son durak
director-script Yusuf Pirhasan
cinematography Carlos Ritter
editing Aylin Zoi Tinel
music Fırat Yükselir
cast Belçim Bilgin, Demet Akbağ, Asuman Dabak,
Nihal Yalçın, Ayten Soykök, Damla Sönmez
production-distribution BKM, Ayşen Sever,
Ebulula Mardin Cad. Maya Meridyen Plaza 16/12
34335 Akatlar Istanbul
T +90 212 352 1818
[email protected]
The ordinary women of an ordinary
neighbourhood have never been so dangerous!
Life will never again be the same for the women
who knock on the door of their new neighbour,
Eylem, a psychologist who has just been
dumped by her fiancé. Nor for the men who
make their lives hell... Füsun, the hairdresser,
Gülnur, a resigned victim of daily beatings from
her husband, Vartanuş, a tireless carer to her
bedridden father, and Goncagül, the frustrated
mistress and would-be wife of her mafioso
lover, band together around Eylem, perhaps
to be joined by all the country’s women. The
adventure of these characters and their crusade
against all forms of violence comes wrapped in a
pink scarf!
16
Yusuf Pirhasan is a
director and editor
based in London.
Specializing in
convergent and
emerging media,
Pirhasan directed the leading online series Kate
Modern for the social networking site Bebo,
LG15: The Resistance for the LA-based production
company Eqal and edited the interactive
Chanel 4 series Dubplate Drama. In 2008 he
co-founded Polite Company, an independent
production company specialising in music videos,
documentaries and online content. Pirhasan has also
worked extensively in music videos and featurettes
with artists such as Klaxons, Jack Penate, Pete
Doherty and The Bronx. Last Stop Salvation is his
first feature film.
love and revolution aşk ve devrim
director F. Serkan Acar
script M. Serkan Turhan
cinematography Feza Çaldıran
editing Ayhan Ergürsel
cast Gün Koper, Deniz Denker, Ayberk Pekcan,
Bedir Bedir, Nefrin Tokyay, Serkan Tınmaz
music Kemal Sahir Gürel
production-distribution Kuzey Film, F. Serkan
Acar, Kasatura Sok. No: 4 Beyoğlu Istanbul
T +90 212 252 5713
[email protected] | www.kuzeyfilm.com
The film opens with one of the great milestones
of the 20th century... Kemal, a university student
of around 20, hears news of the fall of ‘socialism’
on a tiny radio in the shambles of his shared
student flat. Before his eyes, a world view he
has newly espoused, that has shaped his value
system, is being destroyed by the people who
live within that very system. Despite the debacle
unfolding on their doorstep, the revolutionary
organization Kemal belongs to continues
resolutely with its struggle in universities and
labour circles, defying all kinds of police and
state oppression. If Kemal’s political struggle
is consuming, so too is his emotional world.
He nurses a platonic love for Leyla, a political
comrade, his feelings so intense that they
sometimes overtake his revolutionary duties.
When his closest friend and comrade Abidin is
killed under police torture, Kemal is recruited to
the armed wing of the organization by Pala, the
local man in charge. As such, he is now illegal.
F. Serkan Acar (Artvin,
1975) started to study
Pyschology at Istanbul
University in 1992. At
the university he wrote
film critics and did
interviews for cinema magazines. After graduation
he started working on his Master’s degree on
cinema-tv at the same university. In 1998 he started
to work in cinema and tv productions as assistant
director. In 2004 he made the documentary film
Bread about a strike. This documentary was
screened in many countries. In 2007 he founded
Kuzey Film Production and started to work as an
independent filmmaker. Love and Revolution is his
first feature film.
awards Special Jury Prize, Best Art Director, Best
Promising Actress, Best Promising Actor Adana
Special Award, Best Supporting Actor Ankara
17
my grandfather’s people dedemin insanları
director-script Çağan Irmak
cinematography Gökhan Tiryaki
editing Bora Gökşingöl
music Aria, Cenk Erdoğan, Cengiz Onural, Bora
Ebeoğlu
cast Çetin Tekindor, Hümeyra, Yiğit Özşener,
Gökçe Bahadır, Sacide Taşaner, Zafer Algöz
production-distribution Most Production
(Mustafa Oğuz), Ay Yapım (Ekrem Çatay), Ihlamur
Yıldız Cad. No: 10 34353 Beşiktaş Istanbul
T +90 212 259 5757 [email protected]
Ozan is a 10-year old boy living in a small
coastal town on the Aegean. His friends make
fun of him, calling him an ‘infidel’ because
his grandfather Mehmet is an immigrant from
Crete. Ozan is afraid of being isolated. He gets
angry at his family, especially his grandfather,
and stubbornly challenges them, insisting, “We
are Turks”. Mehmet Bey, Ozan’s grandfather, is
a respected shopkeeper in the community. He
takes the people of the town under his wing,
and helps them with their problems. Mehmet
Bey is known for his tolerance and his grandson’s
attitude not only has him worried but grieves
him as well. Mehmet Bey and his family were
torn from their land and forced to migrate from
Crete during the population exchange when he
was just seven years old. Mehmet Bey’s greatest
desire is to see the land of his birth before he
dies. My Grandfather’s People describes the
spectacular transformation of a family and their
country through the eyes of a 10-year old child
and his grandfather living in a small town.
18
Çağan Irmak (Izmir,
1970) graduated from
the Radio and Television
Department of Ege
University. In 1992, he
won the Sedat Simavi
Award for two shorts he made as a student, Masal
and Kurban. After graduating, he worked as an
assistant director to Orhan Oğuz, Mahinur Ergun,
Filiz Kaynak and Yusuf Kurçenli. He made his debut
feature Wish Me Luck in 2001.
filmography
1988 Bana ‘Old and Wise’ı Çal Play Me ‘Old and Wise’
(short)
2001 Bana Şans Dile Wish Me Luck
2003 Mustafa Hakkında Herşey All About Mustafa
2005 Babam ve Oğlum My Father and Son
2007 Ulak The Messenger
2008 Issız Adam Alone
2009 Karanlıktakiler In Darkness
2010 Prensesin Uykusu Sleeping Princess
night of silence lal gece
director Reis Çelik
script Reis Çelik
cinematography Gökhan Tiryaki
editing Reis Çelik
cast İlyas Salman, Dilan Aksüt, Mayşeker Yücel
Sabri Tutal, Selcan Demirkaya
production-distribution Kaz Film Production, Anıl
Çelik, İmam Adnan Sok. No: 8 Beyoğlu Istanbul
T +90 212 249 8006
[email protected]
The story opens with a lavish wedding ceremony
in rural Anatolia. A middle-aged groom with a
large moustache and his bride, covered in a red
bridal veil; guests dancing around them and
guns fired into the air: an extravagant wedding
ceremony is being held with two bands of
drums and horns. At the end of the celebrations,
which last until midnight, the bride is led
ceremoniously to the bridal chamber. The bride
and her sister-in-law are then left alone in the
room, and the sister-in-law gives the bride a
final briefing on nuptial customs. From now on,
the camera remains inside the bridal chamber.
With her face draped in a red veil, the bride sits
waiting for the groom, reacting oddly to the
noises she hears outside.
Reis Çelik (Ardahan,
1961) studied music and
drama at the Istanbul
State Conservatoire.
After a succession of
documentary films, he
made his first feature Let There Be Light in 1996.
This was followed in 1998 by Goodbye Tomorrow,
a dramatisation of the story of late 1960s student
leader Deniz Gezmiş. He made his third feature Tales
of Intransigence, an improvised docudrama about
the storytelling tradition in northeast Anatolia, in
2003.
1996 Işıklar Sönmesin Let There Be Light
1998 Hoşçakal Yarın Goodbye Tomorrow
2003 İnat Hikâyeleri Tales of Intransigence
2007 Mülteci Refugee
awards Crystal Bear, Generation 14 plus Berlinale
Best Film, Best Actor, Best Actress Nürnberg • Best
Film Würzburg
19
one day or another el yazısı
director-script Ali Vatansever
cinematography Ali Olcay Gözkaya
editing Baptiste Gacoin
music İnanç Şanver, Volkan Akmehmet
cast Cansu Dere, Sarp Akkaya, Wilma Elles, Sercan
Badur, Baran Akbulut, Kenan Bal, Salih Kalyon
production-distribution Terminal Film, Selin
Vatansever, Ömer Avni Mah. Masraf Naziri Sok. 2/1
T +90 212 292 3102
[email protected]
Set in a humble Anatolian town, One Day or
Another follows three stories on the day the
town is welcoming its very first foreign English
teacher. When an accidental tourist is mistaken
for the teacher, the winds of change begin to
blow. The first story is young Ahmet’s. He loves
a girl from the village, but faces opposition from
both the townspeople and the villagers. Today, as
he’s planning to elope with his beloved, Ahmet
is assigned to guide the foreign teacher around
town. The second story is about pharmacist
Zeynep, a woman from the big city. She’s about
to marry the town’s respected teacher Celal. It’s
today that Volkan, a drugs company rep and old
friend, arrives to do a stock-take. The wedding
news is a surprise for him. And finally there’s
Ragıp, an eight-year-old boy on a quest for his
missing love letter to Zeynep. When the letter
gets stolen during the welcome ceremony, he
follows up the clues with Sevgi, a young village
girl who has a crush on Ahmet.
20
Ali Vatansever
(Istanbul, 1981)
graduated from Istanbul
Technical University
with a B.Sc. degree
in industrial product
design and Istanbul Bilgi University with an MA
Fulbright Grant. He recently completed his MFA
degree in film production at Rochester Institute of
Technology, New York. He now teaches film art at
Istanbul Technical University. In 2003, he began
his film career directing short films. Since then, his
films have been shown and won acclaim at various
film festivals. He is the co-founder of the production
company Terminal.
filmography
2003 Duvar Wall (short)
2004 Birdenbire All of a Sudden (short)
2005 Şişenin Düşü Dream of a Bottle (short)
2005 Ağaç Tree (short)
2006 Modern Sanat Modern Art (short)
2008 Otolog Marc Marc the Autologiste (medium)
the path of the faithful bir ses böler geceyi
director-script Ersan Arsever
cinematography Aldo Mugnier
editing Mehmet Atan
music Cengiz Onural, Bora Ebeoğlu
cast Cem Davran, Merve Dizdar, Gün Koper, Rıza
Akın, Müfide İnselel, Turgay Tanülkü
production-distribution Şaman Film, Ersan
Arsever, İhsaniye, Hafız-ı Kurra Sok. 5B/15
Üsküdar 34668 Istanbul
T +90 216 310 1104
[email protected]
Süha has an accident. When he regains
consciousness, he seeks help in the nearest
village. All the inhabitants are gathered in the
cem evi, the place of worship for the alevi
muslims. Süha looks at the gathering through a
window. As the ritual goes on, four men come in
carrying a coffin. Ali Rıza stands up and asks for
a religious burial for his son Ismail. “Impossible”,
answers the leader of the ceremony, “he
committed” suicide. Ismail, explains that Ali
Rıza was training to become a perfect person,
the ideal aim of the religious path for the alevis.
Disappointed by the answers given by his elders,
he cut himself out and had visions. He didn’t
stand being taken for insane. While observing,
Süha remembers his own intricate story as a left
activist, through jail and a lost love. As the coffin
is ordered out of the cem evi, it falls down.
Süha sees himself inside it and runs to his car
shouting: “I’m not dead”. He tumbles. A truck
driver who looks like Ismail helps him up saying:
“You and I still have a long way to go”
Ersan Arsever (Ankara,
1942) studied at INSAS
(Institut national du
spectacle) in Brussels.
During his studies, he
worked for Radio Liège
and in film projects in Turkey and in Belgium. 19701972, he worked as a director for the advertising
agency Manajans in Istanbul. 1972-2004 he acted
as a director for the swiss television company SSR
(now RTS). The Path of the Faithful is an adaption of
Ahmet Ümit’s novel “A Shout in the Dark”.
21
playing the justice adalet oyunu
director Mahur Özmen, Ali Özuyar
script Mahur Özmen
cinematography Yusuf Güven
editing Hakan Akol
music Serkan Sönmez
cast Erol Keskin, Mustafa Uğurlu, Tolga Evren,
Serap Sağlar, Alp Öyken, Nihal Koldaş
production-distribution Getto Films, Mahur
Özmen, Gürbüztürk Sok. 40/9 Moda 34710 Istanbul
T +90 507 455 9398
[email protected]
Sezgin is a well-respected and now retired
judge. He loses his faith in justice and the justice
system when his son-in-law, İlker, is acquitted
of murdering Sezgin’s daughter, Belgin. Sezgin
moves out of the city to a town by the coast.
Despite İlker’s acquittal by the courts, Sezgin
is convinced nonetheless that his son-in-law
murdered his daughter. He builds a cell in the
basement of his villa, has İlker kidnapped and
locks him up in the cell. His intention is to keep
him there until the day he dies. Sezgin’s friends,
Fuat, Nedim and Erdal, and his wife, Nazan,
who are all judges, adore Sezgin. They visit
him several times a month. His friends become
suspicious when Sezgin closes the trial file on his
daughter’s murder. During their latest visit, they
decide to talk to Sezgin, worried that he may
have done something wrong. As events unfold,
they find themselves unavoidably involved in
Sezgin’s quest for personal justice...
22
Mahur Özmen (Aydın,
1962) began his
career as a lawyer
after graduating from
the Ankara University
Faculty of Law. He
lectures and leads workshops on film history and
scriptwriting. He has directed a number of short
films. Playing the Justice is his directorial debut.
Ali Özuyar (Bergama, 1971) graduated from
Ankara University with a degree in history. He has
worked as a film critic for various newspapers and
magazines, as well as writing books on cinema.
Playing the Justice is his directorial debut.
the pomegranate nar
director-script Ümit Ünal
cinematography Türksoy Gölebeyi
editing Çiçek Kahraman
music Selim Demirdelen
cast Serra Yılmaz, İrem Altuğ, İdil Fırat, Erdem
Akakçe, Şükran Ovalı
production-distribution Artı Productions, Türker
Korkmaz, Gazeteci Erol Dernek Sok. Kamil Bey Apt.
14/3 Beyoğlu 34433 Istanbul
T +90 212 293 1393
[email protected]
We are all as similar to, and different from each
other as the seeds of a pomegranate. Yet we are
still a collective whole, just like the pomegranate
itself. It’s the crust of faith that keeps us
together, the faith that we have for each other.
But what if the crust cracks? What if we begin
to doubt everything and our trust in each other?
What if we lose our sense of justice? What if we
seek our own justice? Won’t the seeds scatter
everywhere like a cracked pomegranate?
The Pomegranate tells the story of a woman
seeking her own justice. The Pomegranate
questions the justice of four people with
different beliefs in a house, in half a day and in
their own realms of faith.
Ümit Ünal (Izmir, 1965)
studied film and began
working as a scriptwriter
and assistant director.
He has written the
screenplays for
eight Turkish feature films. He began shooting
commercials in 1996 and made his feature debut as
a director with Nine which won awards at various
film festivals and was Turkey’s entry for the Best
Foreign Language Film Academy Awards in 2003.
He wrote and co-directed his second feature film
Istanbul Tales in 2004 and has made another four
features since. He currently works as a freelance
director/writer, living in Istanbul and London.
filmography
2001 9 Nine 2005 Anlat Istanbul Istanbul Tales
2007 Ara 2009 Gölgesizler Shadowless
2010 Kaptan Feza Captain Space; Ses The Voice
awards Special Jury Prize Antalya • Best Art
Director Ankara
23
present tense şimdiki zaman
director Belmin Söylemez
script Belmin Söylemez, Haşmet Topaloğlu
cinematography Peter Roehsler
cast Sanem Öge, Şenay Aydın, Ozan Bilen
production-distribution Filmbüfe Film, Haşmet
Topaloğlu, Güneşli Sok. 32/4-A Cihangir
Beyoğlu 34433 Istanbul
T +90 212 252 7255
[email protected] | www.filmbufe.com
A 28-year-old, unemployed university graduate
has divorced her ambitious husband, severed the
ties with her parents and is now being thrown
out of her flat. Mina is surrounded by troubles.
Her mind is made up: she will escape to America
like her rebellious aunt did some 20 years
ago. But how? She needs money, papers and a
visa. She applies for a job at a fortune-telling
café, lying that she has previous experience.
The young boss Tayfun finds her unusual, and
hyperactive fortune-teller Fazi needs someone
she can control; so she is welcomed. Through the
shapes emerging in the grounds at the bottom of
coffee cups, Mina expresses her own frustrations
and desire to match them with those of the
customers. Her method seems to work well.
Her hopes blossom, but the jealous Fazi and
amorous Tayfun are a confusing distraction. Will
she be able to get away from present tense and
try her luck for the future?
Belmin Söylemez
worked as a copywriter,
editor and producer
for companies like
ARD TV of Germany
(Istanbul Office) and
BBA (Independent Press Agency Istanbul). She has
directed and produced music videos and promotion
films. Her short films and documentaries have been
awarded nationally and internationally, as well
as being broadcast on TV channels such as ARTE
France/Germany, SVT (Sweden), YLE (Finland) and
SBS (Australia).
1999 Uyku Hali State of Sleep (short)
2000 Bıyık The Moustache (documentary);
ZAP! (short)
2001 Dalgalar Waves (short)
2002 Pencereler Windows (short)
2005 34 Taksi 34 Taxi (documentary)
award Best Actress Istanbul
24
the saint ayşe aziz ayşe
director Elfe Uluç
script Elfe Uluç
cinematography Emre Deniz
editing Elfe Uluç
music Pascal Lesport
cast Feride Çetin, Melikşah Yardımcı, Engin Altan
Düzyatan
production-distribution Kare Film Yapım, Elfe
Uluç, Cihangir Cad. 24/4 Cihangir 80060 Istanbul
T +90 212 251 9168
[email protected] | www.karefilm.com
A waste paper scavenger walks into the lives
of a young couple. By donating his earnings
to charity, the scavenger adds a spiritual
dimension to the garbage he collects. He also
transforms the young couple by helping them
communicate with their inner selves. The
couple are representative of a large segment of
Istanbulites... Now in his 40s and known as ‘Saint
Ayşe’, the waste paper scavenger is a former sex
worker who has chosen to live as a woman. For
some time now he’s been occupying a derelict
building rather than living on the streets.
Although freedom of a sort, this also means
being under the constant surveillance of his
duplicitous neighbours. And Ayşe is convinced
the neighbours are out to kill him to get their
hands on his home. That is, until he meets Elif...
A reporter who covers human interest stories,
Elif is greatly affected by Ayşe and his story.
She decides to shoot a documentary about him.
But the decision strains her own relationship to
breaking point.
Elfe Uluç earned both
an undergraduate
degree in history
of art and an MA in
cinema from Sorbonne
University. She currently
teaches film history at the Sociology Department
of Mimar Sinan University. She worked as a film
critic between 1996-2005. She lives in Istanbul
and France working as a producer, director and
scriptwriter.
filmography
2005 Mahçup Sad Boy (medium)
2006 Karın Ağrısı Pain in the Stomach (short)
2007 Aziz The Saint (short)
25
september eylül
director-script Cemil Ağacıkoğlu
cinematography Ali Olcay Gözkaya
editing Taner Sarf
music Doğan Duru
cast Görkem Yeltan, Turgay Aydın, Elena
Polyanska, Ayten Uncuoğlu, Serkan Keskin
www.artiproductions.com
September, the dark story of a young man named
Yusuf, presents a portrait focusing on the female
male relationships in Yusuf’s circumscribed
life. His wife, Aslı, is hospitalized with a lung
complaint. The introvert woman slides into a
state of gloom, suspecting she has cancer. Her
overwhelming fear of death and loneliness
prevents her from sharing these worries with
Yusuf and she thereby isolates him. The couple
begin to grow apart, unable to connect despite
the strong bond between them. At this point,
Yusuf and Aslı meet a young woman, Elena,
in hospital. Elena seems destined to struggle
haplessly through life, suffering at the hands of
merciless people. In fact, her hospitalization is
the result of violence inflicted by the man she
lives with. She spends two days in hospital with
Aslı, but then contacts Yusuf again a few days
later. Elena is in grave trouble and has nobody
else to turn to except Yusuf. Yusuf helps her.
Having gone through many painful experiences,
Elena finds solace in Yusuf’s calm, kind and
sensitive nature.
26
Cemil Ağacıkoğlu
(Istanbul, 1959) began
his photographic career
in 1990. He earned
the distinctions of
Artist FIAP in 1995 and
Excellence FIAP in 1998. He won the grand prize in
the black & white category in Switzerland with his
work during the 2000 World Cup, and third prize in
Italy during the 2002 World Cup. He has received
numerous national and international awards for
his photography. He has held nine solo exhibitions.
He shot his first short film in 1997, and has also
directed several music videos. September is his first
feature film.
filmography
2005 It was white (short)
2008 İz Rope (short)
2008 Polis Police (short)
awards Best Director, Best Editing, Best Sound
Design, Best Actress Adana
a serious matter memleket meselesi
director-script İsa Yıldız
cinematography Ali Utku
editing Engin Öztürk
music Mehmet Erdem
cast Ahmet Uğurlu, Füsun Demirel, Tuna Orhan,
Bora Akkaş, Kamuran İnselel, Ahmet Kural
production-distribution Asi Film, Serdal Doğan
Elmadağ Cad. Elmadağ Apt. 4/5 Taksim Istanbul
T +90 555 372 0495
[email protected] | www.aseriousmatter.com
The teacher Adil lives in a Mediterranean village
located on the skirts of Taurus Mountains
with his son Deniz, his wife Nazife and his
mother Leyla. He is an honorable, idealist and
idiosyncratic “Turkish Nomad” and primary
school teacher who has taught almost all
the middle aged and younger dwellers of the
town, including the town mayor. He has been
in exile for years since he has always been in
trouble with authorities. Looking forward to a
calm retirement, the life of Adil and his family
suddenly turns upside down with the events
that follow his being slapped by a young police
officer while trying to help a goat he meets
in the middle of the road. This event nobody
has witnessed is coincidentally recorded by
Mobese cameras. However the moment when
the teacher is slapped is missing in the records,
which makes everything harder for the teacher.
That the teacher Adil has been slapped by a
police is gossiped everywhere in the town. But
only gossiped.
İsa Yıldız (Antalya,
1976) studied Turkish
Language and Literature
at Marmara University.
He started writing in
various fanzines and
literature journals. He wrote dramas for TV during
his university years. He is also the scriptwriter of his
first feature film A Serious Matter.
award Best Supporting Actor Adana
27
ships ferahfeza
director-script Elif Refiğ
cinematography Türksoy Gölebeyi
editing Evren Luş, Wei-Hsin Yang
music Ahmet Kenan Bilgiç, Okan Kaya
cast Uğur Uzunel, Sitare Akbaş, Hüseyin Sevimli
Mert Asutay, Serkan Altıntaş
production-distribution Muhtelif Yapımlar, Elif
Refiğ, Pürtelaş Hasan Efendi Mah. Özoğul Sok.
Özoğlu Apt. 19/3 Cihangir Beyoğlu 34427 Istanbul
T +90 212 292 0426
[email protected]
Ali, a restless romantic, and Eda, a graffiti writer,
embark on a quixotic search through Turkey’s
industrial port-cities, hoping to escape the
suffocating routine of their daily lives by finding
the ship that Ali sees only in his dreams.
Elif Refiğ completed
her M.F.A. in film at
Columbia University in
New York. Her feature
screenplay, Devoted
Details, was a finalist
for the 2004 Sundance Institute Screenwriters
Lab. She received the Gestures of Reconciliation
Screenwriting Prize from the Goethe Institute with
her 2nd film, Esperanza Starring, which was bought
by ZDF in Germany. She completed her next film,
Three Bodies, with a grant from Kodak. She received
the prestigious Academy of Motion Picture Arts and
Sciences Grant twice in 2004 and 2007. Her short,
Man to Be won the Best Foreign Filmmaker Award
from the Hollywood Foreign Press Association.
filmography
2004 Bekleyolu Roadwait (short)
2005 Espreranza Starring (short)
2007 Three Bodies (short)
2009 Erkek Adam Man to Be (short)
28
snake mar
director-script Caner Erzincan
cinematography Candan Murat Özcan
editing Erkan Tekemen
music İlbeği Erzincan
cast Volga Sorgu Tekinoğlu, Begüm Kütük, Yılmaz
Şerif, Mahmut Gökgöz, Raşit Saraç, Güray Kip
production-distribution Logos Film, Mehmet
Ali Arslan, Ömer Avni Mah. Dümen Sok. 7/11
Gümüşsuyu Beyoğlu Istanbul
T +90 545 906 0396
[email protected]
A family at the ‘border’... Three men... Güven is a
snail gatherer. Going down the same path as his
older brother Yılmaz, will he be able to become a
snake hunter like him? Yılmaz is a snake hunter.
Following in his father, Hacı Halil’s footsteps,
will he be able to become a smuggler like him?
Hacı Halil: There are no more paths open to him.
They’ve already cost him one of his legs. But he’s
looking for that one last path to take, that one
last journey. Will he be able to make it through?
The script depicts these three country men:
the child, the teenager and the elder. They all
feel lonely and are all looking for love, or for a
woman to fill the emptiness inside them. They
struggle to make their lives complete. But nature
isn’t the only harsh aspect of this place: life, too,
can be brutal on these people who dream little
dreams in a little place.
Caner Erzincan
(Erzurum) studied at
the Selçuk University,
Department of Radio,
TV and Cinema. In 2006,
he started working as a
unit director in Suha Arin’s documentary workshop,
‘Kısa-ca’, within the Selçuk University, Faculty of
Communication. During this time, he focused on
making short films. He has worked as a director
of photography, editor and director in many films.
His first documentary film, When the Ice Breaks,
received many awards.
2004 Kar Tatili Snow Holiday (doc.)
2006 Suni Teneffüs Artificial Respiration (short)
2007 Buzlar Kırılınca When Ice Are Broken (doc.)
2008 Feryat The Lamentation (short)
2009 Son Oyun Last Play (short)
awards Special Jury Award, Turkish Film Critics’
Award, Best Actor Malatya
29
the stranger yabancı
director-script Filiz Alpgezmen
cinematography Özgür Polat
editing Çiçek Kahraman
music Barış Dokuzer
cast Sezin Akbaşoğulları, Caner Cindoruk, Serkan
Keskin, Xavier Clion, Selen Uçer
production-distribution Filmoda, Ali Alpgezmen,
Fener Kalamış Cad. Sinan Apt. 93/5 Fenerbahçe
Kadıköy 34726 Istanbul
T +90 216 418 2227
[email protected]
Özgür is the daughter of parents who fled to
France after the 1980 military coup in Turkey.
Born and raised in Paris, she has never visited
Turkey. Özgür is a ‘stranger’ to everything, but
most of all to herself. The story begins with the
death of Hüseyin, Özgür’s father. After reading
a letter left by her father, Özgür decides to bury
him in Istanbul to honour his final wishes. On
arrival in Istanbul, she discovers that the task
is not as easy as she imagined. And so Özgür is
drawn into a difficult struggle.
30
Filiz Alpgezmen
(Adana, 1975) won a
full scholarship to study
directing at the Bilkent
University, Faculty of
Music and Performing
Arts. Between 2002-2003, she staged plays at the
Ankara and Van State Theatres. She is currently
one of the lead writers of the Moda Senaryo Evi
screenwriters’ ensemble. The Stranger is her debut
feature.
trace iz-rêç
director-script M. Tayfur Aydın
cinematography Emre Konuk
music Mustafa Biber
cast Necmettin Çobanoğlu, Bilal Bulut, Melahat
Bayram, Ozan Diyar, Serdar Orçin
Şêristan comes down with a serious illness. Her
last request is to be buried in the village where
she was born. The thought of returning to the
village frightens Mîrza, but out of respect for
Şêristan, he agrees to her wish. Hêvî opposes the
idea from the beginning. As he sees it, there’s
no point in going back to be buried in the soil of
‘that place’. Mîrza is equally obstinate and insists
on Hêvî coming. As a result, Mîrza, Şêristan
and Hêvî set off by train. Şêristan conceals her
identity as an Armenian as well as her first
marriage. She dreams about her village and her
old husband, Arto. Her greatest wish is to get
back to her village and be buried there. Before
reaching Diyarbakır station, Sêristan dies. Mîrza
and Hêvî leave the train in Diyarbakır with her
body and continue by bus to Batman.
M. Tayfur Aydın (Bitlis,
1981) got his primary,
secondary and high
school education out of
school. He directed his
first short film To Be Her
in 2007. Besides film directing, he worked behind
camera in construction and coordination task of
different projects. Trace is his first feature film.
filmography
2007 Sen Olmak To be Her (short)
2008 İçimdeki Mezar The Ground in Me (short)
2009 Eşikte Threshold (short)
2009 Yasak Elma The Forbidden Apple (short)
2010 İç Ses The Inner Voice (short)
awards Special Jury Prize, Best Music Istanbul
31
voice of my father babamın sesi
turkey, germany, france 2012, 35mm, 88’, colour
directors Orhan Eskiköy, Zeynel Doğan
script Orhan Eskiköy
cinematography Emre Erkmen
editing Orhan Eskiköy, Çiçek Kahraman
cast Base Doğan, Zeynel Doğan, Gülizar Doğan
production-distribution Perişan Film, Özgür
Doğan, Mumhane Cad. 39/1 Karaköy Istanbul
T +90 533 770 1897
[email protected] | www.voiceofmyfather.com
Mehmet has just moved to a new house.
Amongst his belongings he has made a discovery:
a tape he recorded as a child to send to his
father, who was then working abroad. As
Mehmet listens to the tape, memories come
flooding back. He’s concerned about his mother,
Basê, living on her own in the small town of
Elbistan. Mehmet travels there to try to convince
his mother to move in with him and his wife
in Diyarbakır. In Elbistan Mehmet finds that
there’s only one thing on his mother’s mind: his
eldest brother, Hasan. Her only expectation is
that Hasan will return home and start a family.
Basê believes that the silent phone calls she has
been receiving are from him. Mehmet works in
his mother’s garden, takes care of long overdue
repairs and slowly enters his mother’s world. At
the same time he searches for the tapes which
he’s sure his father sent his mother. Basê tries to
persuade him that there are no tapes. Mehmet
doesn’t believe his mother and carries on the
search; a search that leads him to uncover his
family’s secrets.
32
Orhan Eskiköy
graduated from Ankara
University in 2004 with
a degree in filmmaking.
His first feature film
On the Way to School
had its world premiere at the IDFA in 2008, and has
since travelled to many national and international
festivals, winning several awards.
Zeynel Doğan graduated from Anadolu University
in 2001 with a degree in filmmaking. He is an
independent Kurdish documentary filmmaker. He
coordinates the Diyarbakır Media Center, and he is
also part of the filmmaker initiative Perişan Film.
award Best Script Istanbul
what remains geriye kalan
director Çiğdem Vitrinel
script Çiğdem Vitrinel, Şebnem Vitrinel
cinematography İlker Berke
editing Arzu Volkan
music Olcay Saral
cast Devin Özgür Çınar, Erkan Bektaş, Şebnem
Hassanisoughi, Burak Tamdoğan, Birsen Dürülü
production-distribution Firuz Film, Şebnem
Vitrinel, Çiğdem Vitrinel, Türkgücü Cad. Tombaz
Sok. Barış Apt. 16-8 Beyoğlu Istanbul
T +90 507 246 9469
[email protected]
Her small and safe life is shaken to the core
when Sevda learns that her husband Cezmi is
having an affair with Zuhal who is his colleague
at the hospital. The “other woman” Zuhal got
divorced a couple of years ago and is now a
single mother of a sick, 10-year-old boy. Like all
single women, she tries very hard to stand alone,
with many things taking up her time and energy.
Her office affair with Cezmi isn’t only about an
unexpected joy and sexual relief to her life, but
it’s more importantly about an expectation of
safety. Sevda, going along with her mother’s
advice, keeps up the day to day flow of their
home-life like clockwork, keeping Cezmi in the
dark even while she sets out to find Zuhal using
all the fastidiousness being a housewife has
taught her. However in a short while she realises
that Cezmi’s passion for Zuhal runs deep. With
the return of Mustafa, Zuhal’s ex-husband, who
wishes to win back his wife, the delicate balance
between the three of them is completely upset
and they are all pulled towards a violent end.
Çiğdem Vitrinel
(Karabük, 1973)
graduated from
Anadolu University,
Department of Film and
Television. She worked
as an assistant director to Mehmet Eryılmaz in his
documentary films. Later on she worked with Ahmet
Uluçay and Yeşim Ustaoğlu. What Remains is her
directorial debut.
awards Best Director, Best Actress Antalya
33
when derin falls derin düşün-ce
director-script M. Çağatay Tosun
cinematography Hakan Okumuş
editing Onur Uysal
music Cenk Erdoğan
cast Yaren Aynuz, Hakan Gerçek, Berrak Kuş
Mehmet Birkiye, Çağrı Şensoy
production-distribution Yedi Film, M. Çağatay
Tosun, Çayırçıkmazı Sok. 27/1 Beylerbeyi Istanbul
T +90 216 422 3440
[email protected] | www.yedifilm.com.tr
A seven-year old girl tries to raise herself in an
isolated yet unprotected world. Derin, who is
unfamiliar with the concept of family, is living a
life that makes it impossible to be just a child.
With the loss of Derin’s mother, Derin and Tarık
began a new life. It fell to Derin to revive a
father who had given up on everything. With
purely instinctive, unlearned emotions her ties
towards her father begin to strengthen. She
tries to step into her mother’s shoes and may
perhaps succeed. When Derin Falls is the story of
a dysfunctional family of three: Tarık, Nilay and
Derin.
34
M. Çağatay Tosun
(Izmir, 1978) graduated
from the Radio,
Television and Cinema
Department of Istanbul
University. He began
working as a director in 2005, since than he has
directed numerous television films and series. He
has written and directed two feature films.
filmography
2009 Vali The Governor
where the fire burns ateşin düştüğü yer
turkey 2012, redcam, 105’, colour
director İsmail Güneş
script İsmail Güneş
cinematography Ercan Yılmaz
editing Mevlüt Koçak
cast Hakan Karahan, Elifcan Ongurlar, Yeşim Ceren
Bozoğlu, Abdullah Şekeroğlu
production-distribution İsmail Güneş Film,
Sarmaşık Sanatlar, Baran Seyhan, Selahattin Pınar
Cad. Seyhan Apt. 22/4 Mecidiyeköy Istanbul
T +90 533 351 7212
[email protected]
Where the Fire Burns is a road story. Ayşe
suddenly falls sick and is hospitalized for an
urgent operation. Her family is hugely supportive
at first, but during the operation the girl is found
to be 14 weeks pregnant. Once recovered from
the successful surgery, Ayşe refuses to reveal
who the father of her baby is. And the family
who rallied to save her life now tries to kill her.
Her father Osman, who takes on the task of
killing her, sets off on a trip with Ayşe. While
Osman is plotting to poison his daughter, Ayşe is
blindly unaware of his intent. This trip by father
and daughter is a time of getting to know each
other, a process tinged with regrets.
İsmail Güneş (Samsun,
1961) began his
filmmaking career in
1977 as an assistant to
Natuk Baytan. He made
his first short film the
same year and went on to direct his first feature
Before the Sun Rises in 1986. His 1999 feature
Where the Rose Wilted, a drama about the violence
exerted on the individual by the powers that be,
was the first film to be banned in the country for
20 years. He followed this with Nothing Else Left To
Be Said, the second film of his trilogy on violence.
Where the Fire Burns, is the last film of the trilogy.
1986 Gündoğmadan Before The Sun Rises 1987 Biz
Doğarken Gülmüşüz We Laughed As We Were Born
1988 Ateş Böceği Firefly 1999 Gülün Bittigi Yer
Where The Rose Wilted 2005 İmam The Imam 2007
Sözün Bittiği Yer Nothing Else Left to be Said
35
zenne dancer zenne
directors M. Caner Alper, Mehmet Binay
script M. Caner Alper
cinematography Norayr Kasper
editing Jasmin Guşo
music Paolo Poti, Demir Demirkan
cast Kerem Can, Erkan Avcı, Giovanni Arvaneh
production Cam Film, M. Caner Alper Mehmet
Binay
distribution Zeyno Film, Zeynep Özbatur, Cihangir
Cad. Derya Palas Apt. 34/2 Cihangir Istanbul
Zenne Dancer is the contemporary story of three
unlikely friends: Ahmet, a hyper-masculine gay
(bear), Can, a male belly dancer (Zenne), and
Daniel, a German photojournalist. The three find
themselves up against systemic, institutionalized
and culturally embedded homophobia which
leads ultimately to the tragic death of Ahmet
at the hands of his own father. Through their
dynamic friendship and the events that unfold
around them, the film explores layers of
intolerance along masculine/feminine, east/
west and traditional/modern lines in Istanbul,
a city that is itself geographically, culturally
and historically at the very crossroads of those
divides.
One day, Ahmet and Can meet Daniel, a German
photojournalist newly arrived in Istanbul who’s
working on a coffee-table book about the city.
The three of them forge a friendship and Daniel
and Ahmet grow even closer as a relationship
begins to blossom between them.
36
M. Caner Alper
started his theatre
journey at high school
and continued to act
and direct at college
theatre plays. He wrote
in various magazines and internet sites until he
published his own humoresque stories in 2005.
He produced and co-directed documentaries with
Mehmet Binay such as Whispering Memories,
Talking Pictures and A long Journey of Freedom.
Mehmet Binay studied political science in Germany
and began his career as a diplomatic and energy
correspondent at a news channel in Turkey. He
anchored and produced weekly TV programmes
about Turkey’s troubled neighbourhoods for over
three years.
awards Best First Film, Best Cinematography, Best
Supporting Actress, Best Supporting Actor, Turkish
Film Critics’ Award Antalya • Öngören Prize for
Democracy and Human Rights Nürnberg
the blue wave mavi dalga
turkey, the netherlands 2013, 35mm & hd, 100’, colour
director Zeynep Dadak, Merve Kayan
script Zeynep Dadak, Merve Kayan
editing Çiçek Karaman
music kim ki o
cast Ayris Alptekin, Mert Fırat
production-distribution Bulut Film, Yamaç Okur
Fecri Ebcioğlu Sok. Vural Apt. 14/4 Levent Istanbul
T +90 212 287 7076
[email protected] | www.bulutfilm.com
Deniz is a high-school girl growing up in a small
town on the west coast of Turkey. She and her
close friends, Esra and Gül, dream of leaving the
town one day to go to university in a big city. All
that stands in their way is the dreaded university
entrance exam, which they will have to take in
two years. The school year begins; Deniz’s father
starts a new company as he does every two
years; her mother organizes a local fundraising
event for Deniz’s sister’s school. One day, an
accident happens during a blackout: the valuable
picture that Deniz needs to deliver safely for
the fundraiser catches fire. In the aftermath
of this mishap, she slowly drifts away from her
friends and finds herself becoming infatuated
with two men: her school counselor and a fellow
student. As if the troubles and upheavals of
being a teenager weren’t enough on their own,
a major gas outage across Turkey brings life to
a standstill. All of a sudden, Deniz is no longer
alone in navigating the stormy waters of the
outside world.
38
Merve Kayan
(Uzunköprü, 1981)
has been making
films and videos since
1999. Having spent
the last few years as a
video editor in New York, currently she is pursuing
her Master’s degree in fine arts at University of
California, San Diego.
Zeynep Dadak (1978) has been producing short
films and documentaries since 2001. Currently,
she is a doctoral candidate in the Cinema Studies
Department at New York University. She has been
on the editorial board of Altyazı, one of the two
monthly film magazines in Turkey, since 2004.
circle daire
director Atıl İnaç
script Atıl İnaç
cinematography Tobias Castroph
music Sabri Tuluğ Tırpan
production Lacivert Film, Derya Tarım, Yeni Çarşı
Cad. 21/2 Galatasaray Beyoğlu Istanbul
T +90 532 305 1064
[email protected] | www.lacivertfilm.com
Circle is the story of ordinary people in the
characters of Feramuz, Arif and Betül, who
conjure up interesting solutions to extraordinary
situations and obstacles generated by the
system. When the system we live in throws
up weird and incomprehensible obstacles
and regulations, we tend to strive to adapt to
the system instead of trying to change it. We
strive to survive by creating even more weird
and extraordinary solutions. In a way, this
attitude is hope for hopelessness, a solution
for the insoluble. A character of this nature
has always come to be worth telling. As in the
logical argument of philosopher St Augustine
“Credo quia absurdum” (I believe it because
it is absurd), the absurd has the power to be
irrefutable and indestructible. The seemingly
isolated stories about each character that tell
of their lives, needs, goals, and methods in fact
take us to the picture of a system that makes
people think and do the extraordinary.
Atıl İnaç studied
philosophy at the
University of Missouri,
Kansas City and
graduated from Boğaziçi
University in philosophy.
He continued his academic studies at Claremont
Graduate University, specializing in the philosophy
of language. From 2003 to 2007, he spent all his
time writing and directing TV films and series
for most of the major television networks. He
completed his first feature film Zincirbozan in 2007.
Inaç’s second feature film A Step into the Darkness,
shot in Iraq and Southeast Turkey in 2009, had its
world premiere at the Montreal Film Festival.
filmography
2007 Zincirbozan
2007 Yaşar Ne Yaşar Ne Yaşamaz Yasar is Neither
Alive Nor Dead
2009 Büyük Oyun A Step into the Darkness
39
come to my voice sesime gel
director Hüseyin Karabey
script Hüseyin Karabey
production Asi Film (Emre Yeksan), Mediopolis
(Alexander Ris), EZ Films (Elie Meirovitz)
Asi Film, Elmadağ Cad. 6/3 Şişli 34373 Istanbul
T +90 212 225 3944
[email protected] | www.asifilm.com
In a snowy Kurdish mountain village in eastern
Turkey, Berfé, an old woman, and Jiyan, her
young granddaughter, are troubled when the
only man of the household, Temo, the son of
one and father of the other, is arrested and
taken into custody by the local gendarmerie.
The commanding officer has received word that
the villagers are hiding guns. It is announced
that all the men of the village will be kept in
custody until their families submit and hand
over the guns they are hiding. But the problem
is there are no guns, at least to the knowledge
of these two blameless women. Despairing and
on their own, Berfé and Jiyan are faced with a
long journey in search of a gun that they can
exchange for their beloved Temo. But how can
their innocence and naivety find a way out in
a system that threatens, eventually, to drag
them into the sullied world of an interminable
conflict?
40
Hüseyin Karabey
(Istanbul, 1970)
graduated from the
Film and Television
Department of Marmara
University in 2001.
His involvement in the democracy movement in
the 90s and his background as a documentarian
have determined the style and the content of his
subsequent film work. His first feature film My
Marlon and Brando was selected for the Rotterdam
Film Festival and had its North American premiere
at Tribeca, where it won him the Best Director
award. To date, the film has been screened in 36
international festivals and won numerous awards.
Come to My Voice will be his second feature.
1996 Etruş Kampı Etruch Camp (doc.) 1999 Boran
(doc.) 2001 Sessiz Ölüm Silent Death (docu-drama)
2004 Pina Bausch Istanbul Buluşması Pina Bausch
Istanbul “Breath” (doc.) 2005 Dialogues in the Dark
(doc.) 2008 Gitmek My Marlon and Brando
dust cloth toz bezi
director Ahu Öztürk
script Ahu Öztürk
production Ret Film, Çiğdem Mater, Nesra Gürbüz,
Sofyalı Sok. Hamson Apt. 20/7 Asmalımescit
T +90 532 291 1211
[email protected]
Nesrin (30) and Hatun (37) lead very similar
lives, shuttling back and forth between Istanbul’s
slums and the bright lights of the city. Both
are cleaning women whose daily routine takes
them out of their own homes to the private
space of another and back again. Nesrin lives
in a one-room home the floor below Hatun.
While trying to find her husband who has left
her, she dreams of a better life for her daughter,
Asmin (5). As for Hatun, she finds escape from
her obligatory marriage to waiter Şero (45) and
their unpromising son, Oktay (13), in Asmin,
the daughter she never had. She also dreams
of buying a house like the ones she cleans and,
with no security or benefits in her job, saves
obsessively to this end. Ahu Öztürk (Istanbul,
1976) studied
philosophy and cinema.
In 2004, she directed
her first documentary,
Chest. In 2010, she
took part in the Festival on Wheels inspired ‘Tales
from Kars’ project, directing the short film, Open
Wound. This film has since been shown at numerous
international film festivals, among them Rotterdam,
Istanbul, Jerusalem, Sarajevo and Beirut. Dust Cloth
is her first feature film project.
Trailing between their own impoverished world
and that of the middle or upper-class, Hatun and
Nesrin are confronted with many crucial issues
from identity to class and being a woman to
perceptions of good and bad - but they give little
thought to them.
41
east & west doğu-batı
director Aydın Sayman
script Sabahattin Çetin
production Baraka Film, Tekin Barak,
Kuruçeşme Cad. Galip Sok. 2/14 34340 Istanbul
T +90 532 263 3408
[email protected]
Cemal (52) is working on an advertising
campaign that sets out to change Turkey’s image
in the West. During an impromptu drink after
work one night he meets a girl, Deniz, and ends
up in bed with her. But there’s a devastating
surprise awaiting him next morning. Deniz turns
out to be the daughter of his closest friend
from 24 years ago. Cemal dropped his former
friends and built a new life for himself. But now
he’s mortified by shame. He decides to clear
his conscience by finding where “Trotsky” was
buried. However, the Anatolian soil is heaving
with the bodies of missing persons, and to
achieve his goal Cemal has to track down the
policemen who interrogated his friend.
42
Aydın Sayman (1953)
graduated from the
Istanbul University
Faculty of Economics.
From 1970-1974,
he wrote for several
newspapers and magazines as a film critic. He also
worked at the Istanbul Cinematheque Club as an
assistant editor. He has earned AD credits on many
films and now works as a director and producer in
Istanbul. He is currently general secretary of the
Turkish Cinema Foundation.
filmography
1989 Güneşteki Leke Stain on the Sun
1992 68’den 6 Mayıs’a From 68 to 6th of May
(documentary)
2002 Sır Çocukları Children of Secret
2007 Janjan
the impeccables kusursuzlar
director Ramin Matin
script Emine Yıldırım
music Barış Diri
cast Esra Bezen Bilgin, İpek Türktan Kaynak,
İbrahim Selim, Mehmet Ali Nuroğlu
production Giyotin Film, Emine Yıldırım, Oğuz
Kaynak, Gürbüz Türk Sok. 18/5 Kadıköy Istanbul
T +90 216 450 3311
[email protected] | www.giyotinfilm.com
Çeşme, a summer resort on Turkey’s Aegan
coast. While it bustles with tourists during the
summer months, the town is calm and deserted
in May. This is when two sisters from Istanbul,
Lale and Yasemin, both in their early 30s,
have to come to Çeşme, their early childhood
playground. After five years of minimal
communication, the two women find themselves
in their late grandmother’s summer cottage
once again. Initially, everything seems fine: the
weather is beautiful, the sea pristine, and the
town basking in off-season tranquillity … But the
usual dynamics of sibling comfort and irritability
are at play. Little by little, questions are raised:
Why are these two women really here? And why
do they gradually become so emotionally vicious
towards each other? Once the burden of a
devastating secret is revealed, it’s up to them to
decide whether this will bring them closer than
ever before or push them apart forever.
Ramin Matin (1977)
graduated from the
Film Department of
Loyola Marymount
University in 1999. He
completed his master’s
degree in film studies at Istanbul Bilgi University.
He is one of the co-owners of Giyotin Film, and has
worked on numerous national and international
projects as a director and cinematographer. He
has directed award-winning short documentaries
for Discovery Channel Europe. He also lectures on
documentary filmmaking at Bahçeşehir University.
The Impeccables will be his second feature film.
filmography
1999 Ebedi Dost The Eternal Friend (short)
1999 Mahkum The Prisoner (short)
2001 Seremoni Ceremony (short)
2011 Canavarlar Sofrası The Monsters’ Dinner
43
jin
director Reha Erdem
script Reha Erdem
cinematography Florent Herry
editing Reha Erdem
cast Deniz Hasgüler
production Atlantik Film, Ömer Atay, Üst Zeren
Sok. No:2 1.Levent 34330 Istanbul
T +90 212 278 3611
[email protected] | www.atlantikfilm.com
Jin is a 17 years old girl. The film opens with
Jin running away in the mountains. She spends
solitary days and nights in the mountains and
forests. Her aim is to get to a big city and her
dreams are of wider worlds previously unknown
to her. She has chosen to rebel in order to see,
read, learn, love and laugh; in short, in order
to live. Her body small but sturdy, and her
willpower fresh but strong, she manages to
create a space for herself in the wilderness. To
make a start somewhere, she descends into the
city only to find herself faced with a series of
difficult and distressing incidents. She can’t fit in
and feels forced to run away from everything and
everyone… Her soul has been heavily wounded
much like her body. In utter despair, she returns
to her solitary existence in the mountains. Jin
searches for a way to cling to life.
44
Reha Erdem (Istanbul)
graduated from Cinema
Department of Paris 8
University. He received
his M.A. in Plastic Arts
at the same university.
He shot his first feature film Oh Moon in 1989 as a
French-Turkish co-production. He wrote all of his
films except for Mommy I’m scared, which he was
one of the co-writers. He also directed the theater
play, “Maids (Les Bonnes)” by Jean Genet. He is
now working on two new projects Jin and Singing
Women.
filmography
1989 A Ay Oh Moon
1995 Deniz Türküsü Song of the Sea (short)
1999 Kaç Para Kaç Run for Money
2004 Korkuyorum Anne Mommy, I’m Scared
2006 Ekimde Hiçbir Kere Anytime in October (short)
2006 Beş Vakit Times and Winds
2008 Hayat Var My Only Sunshine
2009 Kosmos
karnaval
director Can Kılcıoğlu
script Can Kılcıoğlu
cinematography Tayman Tekin
production DeliCe Film, Doğa Kılcıoğlu, Tarık
Zafer Tunaya Sok. 2/3 Gümüşsuyu Taksim Istanbul
T +90 212 243 6790
[email protected] | www.delicefilm.com
Karnaval is a humorous love story about a doorto-door salesman and a cake maker ‘finding each
other’ thanks to a carpet cleaner when both are
drifting after respective family blows.
In the outskirts of Izmir, Alis (36) has been living
in his car since getting kicked out of home by
his father. In the meantime, though, he has been
applying for jobs which his mother marks for
him in the newspaper. He eventually finds a job
as a door-to-door salesman for Karnaval carpet
cleaners, which leads him into an extraordinary
liaison. Demet (33) has been looking after her
father since her mother passed away. While
she makes cakes in her father’s wedding hall,
she dreams of moving to Istanbul one day and
opening her own patisserie shop. None of her
expectations in life has materialized until she
meets Alis.
Can Kılcıoğlu (Izmir,
1982) graduated
from the Galatasaray
University Faculty of
Communication and
studied film at the
University of Bordeaux in 2005. He has written and
directed four short fiction films that were widely
screened both at national and international film
festivals. More recently, he has been working on
his first feature film Karnaval. He works with the
theatre group ‘Atölye’ and gives film lectures at a
primary school. He is the co-founder of DeliCe Film
Production Company.
filmography
2003 Yanılış Mistaken (short)
2004 Masal The Tale (short)
2006 Koridor Corridor (short)
2007 Yoldaki Kedi The Cat on the Road (short)
45
king of the cotton toprağa uzanan eller
director Ömer Can
script Eda Tezcan, Ramazan Demirli
cinematography Engin Özkaya
editing Ömer Can, Emre Yıldırım
music Burak Güngörmüş
cast Ali Bilen, Zeliha Bilen, Melih Selçuk
production-distribution Ömer Can, İstasyon Yolu
Sok. 5/8 Maltepe Istanbul
T +90 532 632 3403
[email protected]
Toprak is the middle child of a family who have
gone to Çukurova as seasonal workers. Although
he’s six, Toprak has yet to start school and yet
to be issued with an identity card. His 15-yearold elder sister is forced by her father to get
engaged to a man her grandfather’s age in
exchange for a hefty bride price. Zeliha, Toprak’s
younger sister, loses her sight after contracting
polio. All the family except Zeliha work as
labourers and try to make enough money to
last for the rest of the year. However, when the
children’s grandmother dies, the family have
to take Zeliha with them to the fields. Toprak
is very protective of his blind sister and can`t
bear her getting upset; he almost plays the role
of a father to her. He has a different way of
describing the family’s problems to her. In his
fairytale world, the family must go to the land of
the Cotton King and make Zeliha a sea of cotton
in order to save the sick princess.
46
Ömer Can (Adana,
1977) began studying
at Ege University,
but then transferred
to the Istanbul
of Communication. He launched his film career
in 1996. He has worked as an assistant director,
production coordinator, executive producer and
producer in the film industry.
load yük
director-script Erden Kıral
cinematography Feza Çaldıran
editing Mustafa Preşeva
cast Tülin Özen, Nadir Sarıbacak, Tansu Biçer
production-distribution TFT, Ayfer Özgürel, Yıldız
Cad. Tevfik Paşa Konağı 49/2 Beşiktaş Istanbul
T +90 212 258 4702
[email protected]
This film is based on a true story about a man
who hid out in a mine after committing murder.
Zeynep, the leading female protagonist, is the
common denominator of the story, in which the
director explores the psychologies of two men:
Cemal, who regrets having committed murder,
and Cumali, who is pursuing the murderer with
the intention of killing him, but worries about
doing so. The woman, Zeynep, is the dominant
figure in the story. Zeynep is currently married
to Cemal, but some years earlier she had a
passionate affair with Cumali, who was married
and had a child. The story is told through
flashbacks and hallucinations, mirroring the
psychological states of the characters in the
film. Past and present, reality and illusion are
interwoven. As time goes on, Cemal’s fears are
transformed into courage. He pleads with his
hunter, Cumali, to kill him; but his pursuer no
longer dares to do so. Erden Kıral (Gölcük,
1942) studied ceramics
at the Istanbul Academy
of Arts. He has written
on film for newspapers
and magazines. He
has made nine award-winning feature films. On
Fertile Lands, won the Best European Film Award
in Strasbourg; A Season in Hakkari, received the
Silver Bear, FIPRESCI, CICAE and Otto Dibelius
Awards at Berlin; The Mirror was nominated one
of the ‘10 Best Films of All Times’ by the European
magazine. He has been a member of ‘Berlin
Akademie der Künste’ since 1984. Kıral draws on
his cultural heritage and sensitively conveys the
sociopolitical conditions of his country without
falling into the trap of exoticism. He succeeds in
addressing an international audience thanks to the
honesty of his perspective, the universality of his
concerns, and the artistic integrity of his films.
47
motherland anayurdu
director Senem Tüzen
script Senem Tüzen
cast Nihal Koldaş, Esra Kızıldoğan
production Yeni Sinemacılık, Sevil Demirci,
Turnacıbaşı Sok. 5/2 Beyoğlu Istanbul
T +90 212 244 6606
[email protected]
Nesrin (35) has just quit her office job in Istanbul
and is heading for her family’s empty village
house in rural Turkey to finish writing her first
novel. On arrival, she struggles with the wood
burning stove, clueless as to how it works, and
the whole house fills with smoke. Going to bed
with the windows flung open, she catches cold.
Her overprotective and meddling mother, Halise,
finds out and comes rushing, uninvited. Nesrin
can’t write with her mother around and wants
her to go. Driven by anger, yet held back by guilt,
she tries to reclaim her private space, but her
mother only digs in deeper.
Senem Tüzen (Ankara,
1980) holds a degree
in Cinema & Television
from the Mimar Sinan
Fine Arts Academy,
Istanbul. Her short films
have been screened and awarded in national and
international festivals. She has also worked as an
editor, cinematographer and producer on short,
feature and documentary films. Motherland has
been awarded development support by the Turkish
Ministry of Culture, recently participated in the
!F-Sundance Screenwriter’s Lab and was selected as
the best film project in the Meetings On The Bridge
Co- Production Market at the Istanbul International
Film Festival. It will be her first feature film.
filmography
2004 Ali’nin Düşü Ali’s Dream (short)
2005 Fareler Rats (short)
2007 Unus Mundus (short)
2008 Süt ve Çikolata Milk and Chocolate (short)
48
meryem
director Atalay Taşdiken
script Atalay Taşdiken
music İlhan Yabantaş
production Atyapım Film, Atalay Taşdiken
Yeniçarşı Cad. 74-1 Galatasaray, Beyoğlu
34433 Istanbul
T +90 212 251 5241
[email protected] | www.atyapim.com
Meryem, a young woman of 18, has been married
for 18 months. But after six days of marriage, her
husband left for Istanbul and hasn’t reappeared
since. As Meryem waits patiently to be
summoned to join him, a figure resurfaces from
her past, a figure she thought she’d left behind
long ago...
Atalay Taşdiken (1964)
graduated from Konya
Selçuk University with
a degree in physics. In
1991, he began working
in advertising, learning
a broad range of skills as a dark room technician,
media representative, copywriter and creative
director. Over the next 10 years, he went on to
direct over 300 commercials and serve as creative
director on some 30 product campaigns. His first
feature The Bogeyman won critical acclaim and
numerous awards at festivals all around the world.
filmography
1996 Güneş Bile Zor Ayrılır Bu Şehirden Even the Sun
is Loath to Leave (documentary)
2009 Mommo The Bogeyman
49
mold küf
turkey, germany 2012, 35mm, 93’, colour
director-script Ali Aydın
cinematography Murat Tuncel
editing Ayhan Ergürsel, Ahmet Boyacıoğlu
cast Ercan Kesal, Tansu Biçer, Muhammet Uzuner
production-distribution Motiva Film, Yeni
Sinemacılar, Cengiz Keten, Sevil Demirci, Ali Aydın
Gökçe Işıl Tuna, Emektar Sok. 24/10 Gümüşsuyu
T +90 212 293 8143
[email protected]
Basri (55) is a railway warden whose job
demands that he walk 18 km a day along the rail
tracks. If he comes across anything untoward on
the tracks, he reports it. This is the sum of the
job he has been doing for years. But Basri’s real
concern is to find his missing son. As a university
student, the young man ‘disappeared’ in police
custody 18 years ago. And five years after his
son went missing, Basri lost his wife. Although
knowing where his wife’s grave is provides some
comfort, he still has no idea of the whereabouts
of his son. So on the first and 15th day of every
month for the last 18 years, Basri has written to
the state, appealing to the authorities to find his
son. As he continues steadfastly with his job, so
he never gives up on finding his son.
50
Ali Aydın (1981)
graduated in arts
management from
Istanbul’s Yıldız Teknik
University with a firstclass degree. He has
worked as a director’s assistant in many commercial
and feature films.
my name is elif ben elif
director Andaç Haznedaroğlu
script Ayten Soykök
production Motion Films, Seçil Avunya, İstiklal
Cad. No: 229 Kat: 3 Beyoğlu 34433 Istanbul
T +90 212 292 0760
[email protected] | www.motion-films.com
Ankara, 1980... Elif, the seven-year-old daughter
of provincial parents, is determined not to
grow up. Hopeless at school, Elif buys a red
ribbon with her pocket money and pins it to
her pinafore on the way home in attempt to
convince her family that she, too, has learned
to read. Elif’s father sexually abuses her, and
her mother belittles her all the time. Her
big sister, Seval, and friend Jale are the only
people she’s close to. When Seval becomes
involved in the political turmoil of the day, Elif
finds herself without a sister. Elif attempts to
understand grown-up concepts through her
own prism. She’s introduced to the concept of
‘state’ by ‘damaging state property’ - the piano
keys she carves on her desk -, to the concepts
of ‘revolution’ and ‘prison’ through the youth
movement her sister belongs to, and to the
concept of ‘family’ when she’s abused by her
father.
Andaç Haznedaroğlu
graduated from the
Anadolu University. She
has worked in the film
and television business
since 1995, directing
many serials and films for TV. My Name is Elif is her
debut feature.
51
on the edge kıyıda
turkey 2013, hd, 90’, colour, b&w
director Murat Düzgünoğlu
script Murat Düzgünoğlu
cinematography Ercan Özkan
music Reşit Gözdamla
production Fikirtepe Film, Murat Düzgünoğlu,
Cihangir Mah. Defterdar Yokuşu 42/3 Hayat Apt.
Beyoğlu Istanbul
T +90 532 413 8580
[email protected]
Haldun is weary of family problems being out
of a job in Diyarbakir. He decides to return to
Istanbul, where he tried (but failed) to get
established during his college years, and give
it another chance. After a long and exhausting
bus ride to Istanbul, Haldun is unsure where to
go. He tries to find old friends in the city, but
has no luck. At night, he comes to the Tarlabasi
area of Beyoglu. Tarlabasi, with its population
of transvestites, drug-dealers, gypsy musicians,
Kurds, Laz people, Iranian, Iraqi, and African
refugees, is a hub of crime. All these different
cultures live here in avoidance and hatred of
each other. Haldun finally manages to find a
childhood friend, Maruf. Haldun is welcome to
stay with Maruf until he finds his feet.
52
Murat Düzgünoğlu
(1969) studied film
and television at Mimar
Sinan and Marmara
Universities. He has
worked for many years
in different fields of the film and television industry.
His short film Detachment, which he directed as
a student, was screened at the Montpellier Film
Festival. He has made many TV films for various
production companies and broadcasters. He is
currently developing the scripts of new feature film
projects.
1997 Tanrıları Giydiren Anadolu Anatolia Dresses the
Gods (documentary)
2009 Hayatın Tuzu The Salt of Life
2010 Bir Yolun Öyküsü: Aleviler The Story of a Road:
The Alevis (documentary)
orkinos
turkey, japan, france 2013, 35mm, 100’, colour
director Nur Dolay
script Nur Dolay
cinematography Michel Amathieu
editing Erwan Chabot
cast David Thornton, Mélissa Papel, Hüseyin Avni
Danyal
production-distribution Orkinos Film, Gazi
Bulvarı 95/10 Konak 35210 Izmir
T +33 6 0852 9123
[email protected] | www.orkinosfilm.com
A triangular love story transposed on a major
environmental conflict which concerns the
whole Mediterranean basin: the near extinction
of the tuna fish over-caught for the Japanese
sushi market. Sevda is a modern young girl
from Istanbul, she comes to an isolated fishing
village to accompany her sick father, a solitary
writer supporting small fishermen against big
fishing companies. Two young men fall in love
with her, Ertan, the son of a tuna company’s
owner, and Levent, a simple villager employed
as a diver in the company’s tuna cages. A film
against prejudices and consumerism, in defense
of simple joys that nature offers, with an
environmentalist approach to the problems of
globalization.
Nur Dolay studied
sociology and political
sciences in the USA and
at Sorbonne University,
Paris. She worked as
a journalist for the
French media (Le Monde Diplomatique, Courrier
International, Thalassa on France 3 TV, Radio France
International) and Turkish press for 28 years. She
has travelled all over the world and written books
on Latin America and the Caucasus, as well as
making a dozen documentary films on geopolitical
issues and marine subjects. She made her first
feature Smyrn-of in 2010.
The script received Best Environmental Drama
Award at the Monaco Film Festival, in 2011, a
project supported by Greenpeace.
53
please do not disturb lütfen rahatsız etmeyin
director Gülden Çakır
script Gülden Çakır
production Hacıyatmaz Film, Tayfur Sonkaya,
Ayazağa Oyak Sitesi 8B Blok D: 2 Istanbul
T +90 212 332 2776
[email protected]
www.haciyatmazfilm.com
Passengers of Istanbul - Los Angeles flight, miss
their plane upon a delay on Germany connection.
Being stuck at the airport, Ebru runs into her
sister, whom she has been avoiding for years.
Two sisters have to spend the night together
in the airport hotel. Esra who wears an Islamic
veil and Ebru who does not, have grown up
separately with different parents and developed
totally different worldviews. However, the night
they spend together becomes a mystic journey
through their inner selves. They have to test
their allies and enemies, approach to their
“caves” inside, grow up, learn to forgive and
fulfill their psyches. The women not only come
to terms with their psyche’s darker parts but
have to reconstruct their “womanhood”.
Gülden Çakır (1980)
studied double majors
in Communication and
Sociology at Istanbul
Bilgi University.
Her documentary
Muddy Crampons won the Competition for Young
Communication Majors. She did her MA in Film & TV
and graduated with a long feature screenplay called
Night Dive. Her award winner short film The Run was
screened at numerous international festivals. She
started her screenwriting career with Ugur Yucel
in Alacakaranlık TV series. In 2003-2012 she has
written several TV shows for TMC Film. She is still
writing for television and cinema.
filmography
2001 Çamurlu Kramponlar Muddy Crampons (doc.)
2002 Hava, Su, Toprak, Ateş Air, Water, Soil, Fire
(short)
2004 Düz Koşu The Run (short)
54
saints evliya
turkey, germany 2013, 35mm, 100’, colour
director Seyfi Teoman
script Barış Bıçakçı, Seyfi Teoman
production Bulut Film, Enis Köstepen, Nadir
Öperli, Fecri Ebcioğlu Sokak 14/4 Levent
34340 Istanbul
T +90 532 690 5636
A deadly viral epidemic has forced a town in
central Turkey into quarantine. Dr. Faruk leads
a team of volunteers at an alternative clinic
that barely thrives in the climate of government
conspiracy and paranoia.
Seyfi Teoman (Kayseri,
1977) studied
economics at Boğazici
University and then film
directing at Lodz Polish
National Film School.
He shot the short film, Apartment, in 2004. His first
feature Summer Book premiered at the Berlinale
Forum and received Best Film and FIPRESCI prize
at Istanbul Film Festival. It was also nominated for
the EFA Discovery Award. His second feature, Our
Grand Despair was selected to competition in Berlin
and won the Best Cinematography and Special Jury
Awards at Istanbul Film Festival.
filmography
2004 Apartman Apartment (short)
2008 Tatil Kitabı Summer Book
2011 Bizim Büyük Çaresizliğimiz Our Grand Despair
55
seaburners kumun tadı
director Melisa Önel
script Feride Çiçekoğlu, Melisa Önel
cast Mira Furlan, Timuçin Esen
production Bulut Film, Yamaç Okur, Fecri Ebcioğlu
Sok. Vural Apt. 14/4 Levent 34342 Istanbul
T +90 533 336 9117
The story takes place on the coast of the Black
Sea where illegal immigrants pass through. It’s
also where Denis lives with her lover Hamit.
She is a botanist and photographer, working
in the longoz forest that surrounds the shore.
Hamit is a human trafficker, which Denis
does not (yet) know. The film tells the story
of Denis’s encounters with the traces of a
group of immigrants who are to be taken on a
dangerous journey by Hamit. The film is told in
five chapters and stretches over a short period
of three days, which are not chronologically
arranged. Rather, each chapter relates a different
aspect of the events from the perspective of a
certain character.
56
Melisa Önel (Izmir,
1980) studied
International Relations
at Tufts University.
She completed her
Master’s degree in Film
Studies at Istanbul Bilgi University. She is both a
photographer and a filmmaker. She won the Best
First Documentary Award at the 46th International
Antalya Golden Orange Film Festival with Me
and Nuri Bala in 2009. She is also part of the
photography initiative RecCollective.
filmography
2007 Omega Tilki Omega Fox (short)
2009 Ben ve Nuri Bala Me and Nuri Bala
(documentary)
singing women şarkı söyleyen kadınlar
director Reha Erdem
script Reha Erdem
cinematography Florent Herry
production Atlantik Film, Ömer Atay
Üst Zeren Sok. No: 2 1. Levent 34330 Istanbul
T +90 212 278 3611
[email protected] | www.atlantikfilm.com
An unlikely group of oppressed women struggle
against the tribulations in a dark world, united
by extraordinary reserves of energy, courage,
hope and faith. As the women transform their
tragedy with songs of rebellion and life, we
follow their inspiring, humanistic journeys into
the different dimensions of existence.
Reha Erdem (Istanbul)
graduated from Cinema
Department of Paris 8
University. He received
his M.A. in Plastic Arts
at the same university.
He shot his first feature film Oh Moon in 1989 as a
French-Turkish co-production. He wrote all of his
films except for Mommy I’m scared, which he was
one of the co-writer. He also directed the theater
play, “Maids (Les Bonnes)” by Jean Genet. He is
now working on two new projects Jin and Singing
Women.
filmography
1989 A Ay Oh Moon
1995 Deniz Türküsü Song of the Sea (short)
1999 Kaç Para Kaç Run for Money
2004 Korkuyorum Anne Mommy, I’m Scared
2006 Ekimde Hiçbir Kere Anytime in October (short)
2006 Beş Vakit Times and Winds
2008 Hayat Var My Only Sunshine
2009 Kosmos
57
sivas
director Kaan Müjdeci
script Kaan Müjdeci
production Kaan Film, İşler Prodüksiyon, Özkan
Yılmaz, İstiklal Cad. 166/46 Beyoğlu Istanbul
T +90 212 245 5201
[email protected]
Aslan (11) saves the life of the sheep dog, Sivas,
when he’s left to die on the fighting field after a
bloody defeat. A strong bond develops between
them as Aslan heals Sivas’s wounds. When the
dog fighter Orhan discovers Sivas’s talent, he
takes him and Aslan’s older brother, Sahin (24),
to Istanbul for a tournament. Sivas refuses to eat
without Aslan and starts getting badly injured in
fights as his body weakens. Realizing that Sivas
can’t win the tournament without Aslan, Orhan
sends for Aslan even if it means he’ll miss school.
However, seeing how serious Sivas’ injuries are,
Aslan refuses to let him fight in the finals. When
Aslan confronts Orhan with the news, Orhan tells
him and Şahin that if they pay back the money
he has invested in Sivas for the tournament,
they’re free to withdraw from the fight. But
failing that, he has the right to make Sivas fight.
Although Aslan resists at first, both brothers
know it’s impossible to saddle their hard-up
father with a debt like this. And Sivas has to
enter the last fight.
58
Kaan Müjdeci (Ankara)
moved to Berlin to
study film directing.
With Jerry, his thesis
film from the New
York Film Academy, he
attended the Berlinale Talent Campus in 2011. His
documentary film, Fathers and Sons, drew critical
interest. He is currently working on his first feature,
Sivas, which has received production support from
the Turkish Ministry of Culture & Tourism.
filmography
2008 Freier Eintritt Free Entrance (short)
2010 Tag der Deutschen Einheit Day of
German Unity (short)
2011 Jerry (short)
2011 Babalar ve Oğulları Fathers and Sons (doc.)
somewhere in between araf
turkey, france, germany 2012, 35mm, 135’, colour
director Yeşim Ustaoğlu
script Yeşim Ustaoğlu
cinematography Michael Hammon
editing Mathilde Muyard
music Marc Marder
cast Özcan Deniz, Neslihan Atagül, Barış Hacıhan
production Ustaoğlu Film, Yeşim Ustaoğlu, Nergis
Sok. 8/7 K: 2 34430 Tünel Beyoğlu Istanbul
T +90 212 249 7644
[email protected] | www.ustaoglufilm.com
Somewhere in Between is the story of two young
people caught in a vacuum in their lives, Zehra
(18) and Olgun (18). They both work 24-hour
shifts in a large motorway service station
where they long for a chance to change and
escape their monotonous lives. Olgun dreams of
appearing on a TV game show, but is also wildly
in love with Zehra and tries tirelessly to impress
her. On a winter’s day, Zehra falls head-overheels in love with a lorry driver, Mahur (38), who
arrives at the petrol station. And the lives of
both Zehra and Olgun are turned upside down as
a result.
Yeşim Ustaoğlu
won international
recognition for her
1999 film, Journey to
the Sun, which received
the Blue Angel Award
and the Peace Prize in Berlin, among other prizes.
Her third film, Waiting for the Clouds, was awarded
NHK Sundance International Filmmaker’s Award.
Ustaoğlu’s fourth film, Pandora’s Box, which
tells the story of an old woman with Alzheimer’s
disease, won the Best Film and Best Actress awards
at San Sebastian. After screening at numerous
international festivals and winning many awards,
the film obtained theatrical release in several
countries around the world.
1992 Otel Hotel (short) 1994 İz The Trace 1999
Güneşe Yolculuk Journey to the Sun 2004 Bulutları
Beklerken Waiting for the Clouds 2004 Sırtlarındaki
Hayat Life on Their Shoulders (documentary) 2008
Pandora’nın Kutusu Pandora’s Box
59
song of my mother annemin şarkısı
director-script Erol Mintaş
cinematography George Chiper
editing Alexandru Radu
music Mustafa Biber
cast Ferit Kaya, Nesrin Cavadzade, Ercan Kesal
production-distribution Yol Sinema, Aslı Erdem,
Fecri Ebcioğlu Sok. 14/4 1. Levent 34000 Istanbul
T +90 533 263 9896
[email protected]
Nigar, an old Kurdish woman, moves in with her
son in Istanbul. Caught between an unfulfilled life
in the city and dreams of returning to her village,
she’s faced with a greater loss when her son is
arrested. On her own again, will she ever find
her way back home? Ali, a young Kurdish school
teacher, lives in Istanbul teaching Turkish during
the week and Kurdish at weekends. But after his
mother, Nigar, moves to Istanbul from their village
in eastern Turkey, he also has to struggle with her
bizarre illness. Nigar suffers from a condition her
doctors call ‘nostalgia’. Every morning, she packs
up all their belongings to move back to the village.
Some days, she gets lost in the city searching
for her late husband. Ali tries different ways of
keeping her safe at home: first, he hires a nurse,
and when that doesn’t work he takes her with
him wherever he goes; he buys her chicks to look
after to keep her busy. During one of their hospital
visits, Ali meets the young and beautiful Zeynep.
As their friendship grows, they start taking Nigar
on trips out of the city into the countryside in the
hope of curing her condition.
60
Erol Mintaş (Kars,
1983) graduated
from the Marmara
University Department
of Computer & Teaching
Technologies in 2006,
after which he began a postgraduate degree at the
Marmara University Department of Film Production.
He wrote his thesis on the cinema of Tarkovsky.
While still a student, Mintaş worked on numerous
short films as first AD and director of photography.
He realised two short films which won awards. He is
currently working on his first feature film, Song of
My Mother. The project was selected to take part in
the Meetings On The Bridge Development Workshop
during the 2011 Istanbul Film Festival, and the
Sundance Lab held by !f Film Festival in 2012.
spirit of dust toz ruhu
director Nesimi Yetik
script Betül Esener, Nesimi Yetik
cast Olgun Şimşek, Settar Tanrıöğen
production Ozminimalist Film, Ülker Sok. 8/10
Gümüşsuyu Beyoğlu 34437 Istanbul
[email protected]
Where does all the dust, the grime and dirt
in our homes go? In Metin’s magical hands, it
disappears into thin air.
Metin (35) is Istanbul’s number one male day
laborer and one of a kind. Over years of practice
he has built up a special bond with his clients.
Cleaning their houses means not just working,
but also caring for them. And since he does his
job with such zest and joy, it’s no surprise that
he’s known as the best.
Metin is a happy-go-lucky kind of guy. He has
an awe-inspiring energy that takes everyone
by surprise. He doesn’t talk much, he doesn’t
gossip. His life is so well organized that he
doesn’t have time to stop and think. The
portable radio clipped to his waist is like his
charger, and he keeps it on all the time. The
radio plays mostly arabesque tunes, and Metin
sings along to the songs. To be a singer was his
biggest dream.
Nesimi Yetik (1981)
graduated from Ankara
University with a degree
in dramatic studies.
His second short film
My Mother Learns
Cinema was selected for the 57th Berlinale Short
Film Competition and won the German Academic
Exchange Service Award.
filmography
2003 Zan Şer Hiç Surmise Wickedness Zilch (short)
2006 Annem Sinema Öğreniyor My Mother Learns
Cinema (short)
2008 Döşeğimde Ölürken As I Lay Dying (short)
61
strangers in the house evdeki yabancılar
directors Dilek Keser, Ulaş Güneş Kacargil
script Dilek Keser, Ulaş Güneş Kacargil
music Ulaş Güneş Kacargil
cast Melpo Zarokosta, Romy Vasiliadis, Cem
Bender, Gökçe Sezer, Ferit Aktuğ
production Biz Film, İşler Prodüksiyon, Özkan
Yılmaz, İstiklal Cad. 166/46 Beyoğlu Istanbul
T +90 212 245 5201
[email protected]
An Aegean seaside town in autumn in 1990s
Turkey…
Agapi, a Greek woman in her 80s, was born
and brought up in the town, but then left for
Greece during the struggle. Now, however,
she returns to find her childhood house. She’s
accompanied by her granddaughter, Elpida, who
is in her 20s. Agapi’s house now belongs to Yaşar,
a young Turkish man in his 30s. Agapi is eager
to buy the house back, but Yaşar is adamantly
against selling. The old woman and the young
man are both stubborn. The three strangers
begin to share a house together. Yaşar wants to
renovate and convert the house into a boarding
house. Agapi tries to stop Yaşar renovating the
house. Elpida doesn’t understand why they’re
in that house, or for that matter, the town.
Her grandmother’s silence confuses her. As
the days go by, she grows bored of constantly
arguing with Agapi and starts to see the ordinary
fisherman Yaşar in a whole new light.
62
Ulaş Güneş Kacargil
(Izmir, 1982) graduated
from the Yıldız Technical
of Music and Performing
Arts in 2007 with a
degree in Audio Design. He then went on to earn a
Master’s degree in Film and Television at Istanbul
Bilgi University in 2011. He has composed music for
films and videos and made a number of short films,
especially fiction and experimental. His films have
been screened at many national and international
festivals.
Dilek Keser (Istanbul, 1984) graduated from the
Istanbul University, Radio & Television Broadcasting
Program. She attended film classes at the City
College of San Francisco while working for various
film projects as an assistant director. In 2009,
she returned to Turkey and began directing TV
commercials. She is currently studying at the
Marmara University, Faculty of Communication.
thou gild’st the even sen aydınlatırsın geceyi
turkey 2013, hd, 90’, b&w
director-script Onur Ünlü
cinematography Vedat Özdemir
editing Onur Ünlü
cast Ali Atay, Serkan Keskin, Nadir Sarıbacak,
Damla Sönmez, Tansu Biçer
production-distribution Eflatun Film, Funda Ünlü,
Mevlüt Pehlivan Sok. Yılmaz Han 26/6 Gayrettepe
34349 Istanbul
T +90 212 274 9295
[email protected]
“Man is created of anxiety.”
Euripides
Life ambles on in a small Anatolian town: Cemal
is a linesman in local football matches, Yasemin
works in an egg factory, Defne sells books from
her stall in town, Doctor İrfan is busy with his
patients… This is a town of two suns and three
full moons. Cemal, who can see through walls,
despairs of life when troubles overtake him.
In his effort to deal with it all, he looks for an
answer in Yasemin, who can move entire objects
with the touch of her fingertips. But Defne, who
can stop time, is destined to muddle things up
before long. The invisible primary school teacher,
meanwhile, is trying to ease Cemal’s concerns.
But then Yasemin’s immortal boss does a bunch
of things that undermine the teacher’s advice.
Onur Ünlü went
on to complete his
MA at Marmara
University, School
of Communication
Sciences after
graduating from Anadolu University, School of
Communication Sciences. Since 1997 he has
realized many projects as screenwriter, copywriter,
producer and director.
filmography
2006 Polis Police
2007 Çocuk The Kid
2008 Güneşin Oğlu Son of the Sun
2009 Beş Şehir Five Cities
Thou Gild’st the Even is a black & white movie
about the ordinary sorrows, worries and troubles
of townsfolk with extraordinary abilities.
63
watch tower gözetleme kulesi
director-script Pelin Esmer
cinematography Özgür Eken
editor Ayhan Ergursel, Pelin Esmer
cast Olgun Şimşek, Nilay Erdönmez
production Sinefilm, Moda Cad. 6/1 Kadıkoy
34710 Istanbul
T +90 216 550 7114
[email protected] | www.sinefilm.com
In the post-production stage, Watch Tower is the
story of a man and a woman seeking refuge from
the world: Nihat at a remote forest fire tower,
Seher in her room at a rural bus station. When
their lives collide, each now has to fight their
battle of conscience before the other.
Pelin Esmer graduated
from Bogazici University
Department of
Sociology. She worked
as a first assistant
director in a number
of Turkish and foreign projects. Her first feature
documentary The Play has been screened at over
50 festivals around the world and received many
awards. Her first feature 10 to 11 was one of the six
chosen projects by Cannes Film Festival’s Résidence
du Cinéfondation in Paris. An official selection
of the San Sebastian Film Festival, 10 to 11 has
been awarded in many international festivals.
The directors of the world’s leading film festivals
selected her as one of the world’s most promising
directors in the “Take 100: The Future of Film: 100
New Directors”.
filmography
2002 Koleksiyoncu The Collector (documentary)
2005 Oyun The Play (documentary)
2009 11’e 10 Kala 10 to 11
64
winds rüzgarlar
director Selim Evci
script Selim Evci, Murat Yaykın
cinematograpy Selim Evci
editing Selim Evci
cast Yusuf Nejat Buluz, Mediha Didem Türemen,
Rüçhan Çalışkur, Zeynep Gülmez
production Evci Film, Selim Evci, İstiklal Cad. Mis
Sok. Tan Apt. D: 6 Beyoğlu 34435 Istanbul
T +90 212 249 5835
[email protected] | www.evcifilm.com
Murat, a sound recordist who lives in Istanbul,
makes up his mind to hold a photo exhibition
on the island of Imbros, home to a Greek
minority. He establishes a connection through
his recordings between a grandmother and her
grandchild. The project becomes a journey into
the family’s past, which ultimately strengthens
their ties.
Selim Evci (Istanbul,
1975) studied film at
Maltepe University
and earned a master’s
degree in film at
Beykent University,
Istanbul. He founded Evci Film Production in 2006.
He wrote, directed, produced and edited his first
feature film Two Lines, which had its world premiere
in Venice and was screened at many international
festivals. He is currently at the post production
stage of his second feature Winds which was
supported by the Hubert Bals Fund in 2010.
filmography
2000 Sen ya da Hayalin You or Your Illusion (short)
2001 Duvarın Arkası Behind the Wall (documentary)
2001 Kırmızıyı Arayan Adam Lost Red (documentary)
2008 İki Çizgi Two Lines
65
woman and man kadın ve erkek
turkey, germany, the netherlands 2013, hd, 90’, colour
director Aslı Özge
script Aslı Özge
cinematography Emre Erkmen
production Bulut Film, Soda Medya, Razor Film,
Kaliber Film, Enis Köstepen, Fecri Ebcioğlu Sok.
14/4 Levent 34340 Istanbul
T +90 532 690 5636
Woman and Man is the story of a married
couple in their fifties who suffer the emotional
claustrophobia of not being able to break up,
even though this could be the solution to their
problems.
Aslı Özge (Istanbul,
1975) graduated from
the Film Department
of Marmara University.
In 2003, she directed
her first feature film A
Little Bit of April, co-produced by ZDF/3sat. In 2009,
her feature film Men on the Bridge won awards
and premiered internationally at the Locarno and
Toronto Film Festivals. Currently she works on
her new projects, Asphyxia and Woman and Man.
Asphyxia has been awarded development funds by
the Balkan Fund and Kuratorium Junger Deutscher
Film.
filmography
2000 Büyük Harf C Capital C (short)
2003 Biraz Nisan A Little Bit of April
2005 Hesperos’un Çömezleri Hesperos’ Apprentices
(documentary)
2009 Köprüdekiler Men on the Bridge
66
!f Istanbul 16-26 February 2012 – Istanbul, Ankara, Izmir
Founded in 2001, the !f Istanbul is Turkey’s first and only
festival dedicated to independent cinema. Every February,
it hosts some 70,000 film buffs and celebrated filmmakers
from around the world. Committed to investigating new
directions in cinema, the festival is based around thematic
sections which change every year. In 2008, !f launched
an international film competition, !f Inspired, designed to
showcase emerging directors who are pioneering new ground
in film. The competition carries a $15,000 prize for the Most
Inspired Director.
Bankalar Cad. Yenikapı Sok. No: 3 Suma Han K: 1
Karaköy 34420 Istanbul
T +90 212 254 1060 F +90 212 254 1067
[email protected] | www.ifistanbul.com
Akbank Short Film Festival
19-29 March 2012 – Istanbul
Akbank Short Film Festival was established in 2004 with the
aims of encouraging short film production, delivering short
films to audiences, supporting new generation filmmakers,
and promoting amateur and professional short and feature
length film makers from various cultures and countries.
The festival presents a broad range of film section for 10
days. In addition to its “Competition Section”, it includes a
“Non-Competitive Section” and several special sections such
as “Experiences”, “From Short to Long”, “International”,
“Animated Short Films” and “Special Screening”.
Akbank Art Beyoğlu, İstiklal Cad. No:8 34435 Beyoğlu Istanbul
T +90 212 252 3500 F +90 212 245 1228
[email protected] | www.akbankkisafilm.com
68
International Filmmor Women’s Film Festival on Wheels
9 March-8 April 2012 – Istanbul, Çanakkale, Hakkari, Van
Filmmor Women’s Film Festival is held every year in Istanbul
and goes on to tour different cities at the invitation and
with the support of other women’s organizations. Festival
screenings are categorized into sections carrying themes
like ‘violence against women’, ‘honour’ and ‘body’. The
programme also focuses on the place of women’s cinema
and includes collective presentations, Q&A sessions, panel
discussions and workshops. Intentionally, there is no
competition section, a decision based on the argument that
women don’t need to compete with each other, whereas they
do need to stick together.
İstiklal Cad. Bekar Sok. 7/6 34435 Beyoğlu Istanbul
T +90 212 251 5994 F +90 212 251 6457
[email protected] | www.filmmor.org
Ankara International Film Festival
15-25 March 2012 – Ankara
The Ankara International Film Festival, held annually in
Ankara, was established in 1988 and is one of the longest
running film festivals in the country. Regarded as the most
significant film event in the capital city, Ankara International
Film Festival is dedicated to screening films that are unlikely
to be released in commercial cinemas. As a non-profit
community-based organization, the Festival has established
itself as an important forum for presenting the finest
examples of world and Turkish cinema.
Farabi Sok. 29/1, Çankaya 06690 Ankara
T +90 312 468 7745 F +90 312 467 7830
[email protected] | www.filmfestankara.org.tr
69
International Istanbul Film Festival
31 March-15 April 2012 - Istanbul
As the largest, oldest and most influential international film
event in Turkey, the Festival celebrated its 31st edition in
2012. With a National, International, and a Human Rights
competition endorsed by the Council of Europe, the festival
screens more than 200 feature films each year, awarding the
Golden Tulip as its main prize. Accredited by FIAPF in 1989,
the Festival incorporates the Meetings on the Bridge platform,
a sidebar for film professionals that includes a competitive
Feature Film Project Development Workshop, initiated in
2008 to support the Turkish film industry.
Sadi Konuralp Cad. No: 5 34433 Şişhane Istanbul
T +90 212 334 0700 F +90 212 334 0702
[email protected] | www.iksv.org/film/
International Children’s Film Festival
4-11 April 2012 – Konya, Aksaray
The 9th International Children’s Film Festival will continue
the tradition this year, welcoming young film audiences in
Konya and Aksaray. Organized jointly by Garanti Bank and
TÜRSAK (Turkish Foundation of Cinema and Audiovisual
Culture), the Festival sets out to present young film lovers in
Turkey with first-rate animation and family films from across
the world. The festival is supported by local municipalities
and aims to draw young audiences not only from the city
centre, but also from outlying towns and villages of the
festival venues.
Gazeteci Erol Dernek Sok. Hanif Han 11-2 Beyoğlu Istanbul
T +90 212 244 5251 F +90 212 292 0337
[email protected] | www.tursak.org.tr
70
International Environmental Short Film Festival
20 April-10 May 2012 – Yalova
The Festival focuses on fiction, documentary and animation
short films concerned either directly or indirectly with the
environment. As well as presenting works from many different
countries, the event includes a national competition, film
workshops, exhibitions, panel discussions and concerts.
Admission to festival screenings is free of charge, and the
producers of all films included in the programme receive
participation certificates.
Çevre Film, İncirli Cad. Bağlarbaşı Apt. 54/9 Bakırköy Istanbul
T +90 212 660 8124
[email protected] | www.cevrefilm.org
International Labour Film Festival
1-7 May 2012 – Istanbul, Ankara, Izmir, Diyarbakır
This festival’s basic aim is to bring workers‘ lives and their
struggle experiences from Turkey and all around the world to
the audiences and to encourage the production of films on
labour, workers and poor people in our country. There is no
competition and the screenings are free of charge.
İstanbul Halkevi, İstiklal Caddesi Orhan Adli Apaydın Sok.
No: 34 Beyoğlu İstanbul
T +90 212 245 8265 F +90 212 245 7010
[email protected] | www.iff.org.tr
71
International Eskişehir Film Festival
2-9 May 2012 – Eskişehir
ANADOLU ÜNİVERSİTESİ
ULUSLARARASI ESKİŞEHİR
FİLM FESTİVALİ
ANADOLU UNIVERSITY
INTERNATIONAL
ESKISEHIR FILM FESTIVAL
ANADOLU UNIVERSITY
2-9 Mayıs 2012
2-9 May 2012
http://eskfilmfest.anadolu.edu.tr
ANADOLU ÜNİVERSİTESİ
Anadolu Üniversitesi
Sinema Kültürünü
Geliştirme Birimi
The Festival is organized by Anadolu University staff and
held for eight days at the beginning of May. The Festival is
made up of different sections, including ‘Memorable Titles in
Cinema History’, Young Stars of World Cinema’, showcasing
new currents in world cinema, ‘From World Festivals’,
‘Documentaries and Shorts’, ‘Animation’, ‘Guest Cinema
School’, The Festival’s ‘’Contributions to Film Culture Awards’’
support books, articles and television programmes on cinema.
It is the only film festival in Turkey held mainly with the own
means of a university and owing to joint efforts of academic
staff and students.
Anadolu University, Faculty of Communication Sciences,
Yunus Emre Kampüsü 26470 Eskişehir T +90 222 335 0580
[email protected] | www.eskfilmfest.anadolu.edu.tr
Flying Broom International Women’s Film Festival
10-17 May 2012 – Ankara
The Flying Broom International Women’s Film Festival has
been running since 1998 with the goal of using the narrative
of cinema to raise public awareness of gender issues. From its
very first year, the Festival has screened features, shorts and
documentaries, organized panel discussions and exhibitions.
The festival has also produced documentaries on Turkish
cinema and published a number of books. A short film story
competition has been organized annually since the Festival’s
second edition in 1999. The Festival has been growing year by
year and is the only women’s film festival in the world to give
the FIPRESCI Award since 2003.
Büyükelçi Sok. 20/4 Kavaklıdere 06700 Ankara
T +90 312 427 0020 / 16 F +90 312 466 5561
[email protected] | www.festival.ucansupurge.org
72
Documentarist – Istanbul Documentary Days
1-6 June 2012 - Istanbul
Fast becoming a favourite platform for the new generation
of documentarians and aiming to present noteworthy
documentaries to the audiences in Turkey, Documentarist was
first organized in 2008. The 5th edition is going to be held in
June 2012, bringing together selected films and distinguished
filmmakers from around the world to Istanbul for six days.
Marking The Human Rights Day, Documentarist also organizes
a side event under the banner ‘Which Human Rights?’ every
year in December. From 2010 on, the festival initiated a
year-round documentary screening program called SaturDox/
Documentary Meetings.
Tütün Deposu, Lüleci Hendek Cad. 12 Tophane 34425 Istanbul
T +90 212 238 3481
[email protected] | www.documentarist.org
International Adana Golden Boll Film Festival
17-23 September 2012 – Adana
First held in 1969, the Golden Boll Film Festival is held in
Adana, a city on Turkey’s southeast Mediterranean coast, and
takes its name from the traditional crop grown in the region.
The festival, organized by the Adana Municipality, presents a
programme of full- length feature films, along with nationally
produced short and student films, thus providing considerable
support to the new-generation of Turkish filmmakers. As
of 2008, the festival broadened its scope to take on an
international dimension. Türkocağı Mahallesi Ulus Cad. Tarihi Kız Lisesi Binası Seyhan
Adana T +90 322 352 4713 F +90 322 359 2496
[email protected] | www.altinkozafestivali.org.tr
73
International 1001 Documentary Film Festival
27 September-2 October 2012 – Istanbul
Documentary Filmmakers Association (BSB) promotes
documentary filmmaking by creating innovative exhibition
channels beyond television to bring documentaries to
audiences. For fifteen years, BSB has organized the
annual International 1001 Documentary Festival, the first
international festival in Turkey dedicated exclusively to
documentaries. BSB also organizes and takes part in various
other festivals and specialized events throughout Turkey. It
organizes screenings with discussion sessions at universities,
cultural and municipal centres across Turkey, which are open
to the public and are free of charge.
İnönü Mah. Cumhuriyet Cad. Şumnu 111/3 Beyoğlu Istanbul
T +90 212 240 3001
[email protected] | www.1001belgesel.net
International Antalya Golden Orange Film Festival
6-12 October 2012 – Antalya
International Antalya Golden Orange Film Festival which
is organised by Antalya Culture and Arts Foundation in
cooperation with the Metropolitan Municipality of Antalya
will celebrate its 49th anniversary between 6-12 October
2012 in Antalya. The festival includes an International Film
Competition and a National Film Competition, as well as
National Short Film and Documentary Film Competition,
informative sections including tributes, retrospectives and
new trends in World Cinema. International competition
accepts films from Asia, Europe and Middle East countries.
Sakıp Sabancı Bulvarı, Atatürk Kültür Park İçi 07070 Antalya
T +90 242 238 5444 F +90 242 238 5273
[email protected] | www.aksav.org.tr
74
International Crime and Punishment Film Festival
27 September- 4 October 2012 – Istanbul
Initiated by the Istanbul University Faculty of Law, the
International Crime and Punishment Film Festival will be
held in Istanbul from 27 September to 4 October 2012 with
the support of the Municipality of Başakşehir. Festival-goers
have the chance to see over 100 films, among them the finest
examples of cinema addressing the relationship between
law, society and justice. The Festival also offers an academic
programme of panel discussions, debating sessions and
workshops focusing on the relationship between justice and
cinema.
Ömer Avni Mah. Prof. Tarık Zafer Tunaya Sok. Bağodaları Apt.
3/6 34427 Beyoğlu Istanbul
T +90 212 252 4924 F +90 212 245 6248
[email protected] | www.icapff.com
Filmekimi
6-13 October 2012 – Istanbul
First organized in 2002, the Autumn Film Week-Filmekimi
was conceived as a compact, one-week film festival that
takes place in October, heralding the new, upcoming cinema
season in Turkey. From 2006 to 2008, Filmekimi conducted a
film competition for digitally-shot short films. The Filmekimi
programme typically includes 20-21 films screened at one
or two movie theatres, and a gala screening each evening.
A total audience of 42,000 was attained in 2010. In 2011,
Filmekimi extended beyond Istanbul to include five more
cities where a selection of 16 films was screened.
Sadi Konuralp Cad. No: 5 34433 Şişhane Istanbul
T +90 212 334 0700 F +90 212 334 0702
[email protected] | www.iksv.org/filmekimi
75
International Izmir Short Film Festival
13-18 November 2012 – Izmir
As the biggest short film event of Turkey, the International
Izmir Short Film Festival is the only short film festival in
Turkey to present an international award scheme. Supported
by the Ministry of Culture and Tourism and the Prime Ministry,
the festival gives the Golden Cat awards to best short films
in the fiction, documentary, experimental and animation
categories. There is no restriction on genre, format or country
for film submissions.
Manas Bulvarı 295/2 Sok. No: 1 Sun Plaza B Blok
329 Bayraklı Izmir
T +90 232 466 0202 F +90 232 466 0505
[email protected] | www.izmirkisafilm.org
Festival on Wheels
30 November-16 December 2012
Can you imagine a Festival on Wheels that presents 80-90
films while travelling 3000-4000 kilometres? The Festival first
took road in 1995 with a mission to present the latest fare
from world cinema, sections dedicated to masters, new films
from Turkey, short film compilations and special screenings
raising social and cultural issues through the medium of
film to film enthusiasts in different cities. Over the last 17
years, the festival wheels have rolled in and out of the cities
of Ankara, Artvin, Baku, Bursa, Çanakkale, Drama, Eskişehir,
Gaziantep, Istanbul, Izmir, Kars, Kayseri, Malatya, Mersin,
Ordu, Samsun, Sarajevo, Sinop and Tbilisi...
Abay Kunanbay Cad. 20/11 Kavaklıdere 06700 Ankara
T +90 312 466 3484 F +90 312 466 4331
[email protected] | www.festivalonwheels.org
76
Istanbul International Short Film Festival
21-28 November 2012 – Istanbul
The Istanbul International Short Film Festival has been
organized since 1988. The Festival takes place annually
in November, presenting short films to the public in two
separate theatres over the course of a week. There are
four screenings daily and each film is shown two times on
different days and at different times. Entrance is free. The
programme covers fiction, experimental and animation films.
It is preferred that the duration of films does not exceed 20
minutes.
Hamalbaşı Cad. 4/5 Galatasaray Beyoğlu Istanbul
T +90 212 252 5700 F +90 212 249 3888
[email protected] | www.istanbulfilmfestival.com
International Rendez-Vous: Istanbul Film Festival
December 2012 – Istanbul
14th Rendez-Vous: Istanbul Film Festival will be held for
the second time with its renewed title as the new face of
TURSAK’s perennial and unique thematic festival. Istanbul
International Meeting of Cinema & History expands with the
valuable support of its sponsors and will be hosting many
more guests and films. Alongside its diverse film program,
the Festival incorporates panel discussions, extensive and
thematic Q&A sessions and exhibitions.
Gazeteci Erol Dernek Sokak Hanif Han 11-2 Beyoğlu Istanbul
T +90 212 244 5251 F +90 212 292 0337
[email protected] | www.randevuistanbul.com
77
FILM PRODUCERS’ ASSOCIATION OF TURKEY
w w w. s e - ya p . o rg. t r
We are proud of the achievements of our members who
took part at the International Film Festivals recently
Tepenin Ardı (Beyond The Hill)
Berlinale 2012
(Forum, Caligari Award, Special Mention for Best 1st Feature)
Bulut Film-Alper Film (Istanbul), 2:35 (Athens)
Lal Gece (Night of Silence)
Berlinale 2012 (Generation, Crystal Bear)
Kaz Film (Istanbul)
Can
Sundance 2012 (Special Jury Award)
Defne Film (Istanbul)
Babamın Sesi (Voice of My Father)
Rotterdam 2012 (in competition)
Perisan Film (Istanbul), Riva Film (Hamburg), Arizona Film (Paris)
Gelecek Uzun Sürer (Future Lasts Forever)
Toronto 2011 (official selection)
Nar Film (Istanbul)
Bir Zamanlar Anadolu’da
(Once Upon a Time in Anatolia)
Cannes 2011 (Grand Prix)
Zeyno Film-1000 Volt-Imaj-Fida Film-TRT (Istanbul), Prod2006 (Sarejevo)
Bizim Büyük Çaresizliğimiz
(Our Grand Despair)
Berlinale 2011 (in competition)
Bulut Film (Istanbul), unafilm (Berlin), Circe Film (Amsterdam)
79
Production Companies
+90 FILM
ALPER FILM
Asmalımescit Mah. Nergis Sok. 8/7
Tünel Beyoğlu Istanbul
T +90 212 249 7644 F +90 212 24573
[email protected] www.plus90film.com
Kemankeş Mah. Mumhane Cad. 39/39
34425 Beyoğlu Istanbul
ALTERNATIF SINEMA
AC FILM
Asmalımescit Mah. Meşrutiyet Cad. No:35
Ravanda İş Merkezi D:3 Beyoğlu Istanbul
ADAM FILM
İnönü Cad. Gözcü Apt. 35/2 Gümüşsuyu
T +90 212 244 2343
[email protected] www.adamfilm.com.tr
A.F.S. FILM
Yeniçarşı C. 88/2-3 Galatasaray Istanbul
T +90 212 292 6792 F +90 212 251 0525
[email protected] www.afsfilm.com
AGUSTOS FILM
Barbaros Mah. Denizmen Sok. 21/2 Üsküdar
34668 Istanbul T +90 216 651 8645
[email protected] www.agustos.com
Atatürk Bulvarı No: 29 Çankaya Ankara
ALTIOKLAR PRODUCTIONS
Torlak Fırın Sok. No:2 Rumelihisarı Istanbul
T +90 212 358 6006 F +90 212 358 6011
[email protected] www.altioklar.com
AMENIS FILM
Muradiye Mah. Nüzhetiye Cad. 37/6
Beşiktaş Istanbul
T +90 212 261 7523 F +90 212 259 2693
[email protected]
ANA FILM
Yeni Çarşı Cad. Gür Han 12/21
Beyoğlu Istanbul
T +90 532 544 6490
[email protected] www.anafilm.org
ANIMA
İnönü C. 77/7 Gümüşsuyu Beyoğlu Istanbul
T +90 212 292 1527 F +90 212 244 5222
[email protected] www.ajans21.com
Maslak Mah. AOS 51. Sok. No: 6 34398 Maslak Istanbul
T +90 212 346 2323 F +90 212 346 2325
[email protected] www.anima.gen.tr
AKADEMI PRODUCTION
ANKA FILM
İnönü Mah. Nizamiye Cad. Özsoy İş Merkezi
45-A Elmadağ Taksim Istanbul
T +90 212 361 5690 F +90 212 361 5694
[email protected] www.akademiprd.com
Kuloğlu Mah. Ağa Hamam Cad. 35/4
Beyoğlu Istanbul
T +90 212 245 6410 F +90 212 245 6403
[email protected] www.ankafilm.com
AJANS 21
80
ANS PRODUCTION
ASI FILM
Meşrutiyet Cad. No:27 K:3
Tepebaşı Beyoğlu Istanbul
T +90 212 252 2610 F +90 212 252 2616
[email protected] www.ans.com.tr
Elmadağ Cad. 4/5 Taksim 34373 Istanbul
T +90 212 225 3944 F +90 212 225 4941
[email protected] www.asifilm.com
ASLANYUREK FILM
ARARAT FILM
Gazeteci Erol Dernek Sok. 3/1
T +90 212 252 9124
[email protected]
Nüzhet Efendi Sok. 47/5, Rasimpaşa Mah.
Kadıköy Istanbul
T +90 532 570 1721
[email protected] www.aslanyurek.com.tr
ASYA FILM
ARES MEDIA
Araba Yolu Cad. Akıncılar Sok. Merve Apt.
4/1 Tarabya Istanbul
T +90 212 299 4090
[email protected] www.aresmedia.net
ARK PRODUCTION
Akatlar Mah. 5. Gazeteciler Sitesi No: 9
Akasya Sok. A 4/4 Beşiktaş Istanbul
T +90 212 325 0315 F +90 212 282 7671
[email protected]
www.arkproduction.com
Gazeteci Erol Dernek Sok. Erman Han
5/1B Beyoğlu Istanbul
AT PRODUCTION
Yeni Çarşı Cad. 74/1 Galatasaray Istanbul
T +90 212 251 5241 F +90 212 251 5550
[email protected] www.atyapim.com
ATADENIZ FILM
Bıyıklı Mehmet Paşa Sok. Çamlık Keskin Apt.
12/2 Etiler Istanbul
ARTI PRODUCTIONS
Gazeteci Erol Dernek Sok. Kamil Bey Apt.
14/3 Beyoğlu 34433 Istanbul
T +90 212 293 1393 F +90 212 293 0900
[email protected]
ATLANTIK FILM
ARZU FILM
AVŞAR FILM
6. Gazeteciler Sitesi Menekşe Sok.
No: 37 Akatlar Istanbul
T +90 212 270 7602 F +90 212 264 1647
[email protected] www.arzufilm.com.tr
Ömer Avni Mah. İmam Kerim Çıkmazı No: 2
34437 Gümüşsuyu Beyoğlu Istanbul
T +90 212 249 8587 F +90 212 249 8552
[email protected] www.avsarfilm.com.tr
Üstzeren Sok. No:2, 1. Levent 34330 Istanbul
T +90 212 278 3611 F +90 212 278 1971
[email protected]
www.atlantikfilm.com
81
AYDIN FILM
BEYIN FILM
Ahmet Fetgari Sok. 152/3 Teşvikiye Istanbul
T +90 212 233 7700 F +90 212 233 3675
[email protected] www.aydinfilm.com
Caferağa Mah. Hacı Hüsam Sok. Uğur Apt.
9/2 Kadıköy 34710 Istanbul
T +90 532 602 9703
[email protected]
B FILM
Kocasinan Cad. Özyurt Sok. 19/2 Çeliktepe
34413 Istanbul
BARAKA FILM
Kuruçeşme Cad. Galip Sok. 2/14 34340 Istanbul
T +90 532 263 3408
[email protected]
BASIBOZUK™ PRODUCTION
Susam Sok. No:11 İnci Apt. 4/2
34433 Cihangir Istanbul
T +90 212 251 6532
[email protected] www.basibozuk.com
BBO PRODUCTION
Nispetiye Mah. Yücel Sok. Arıcan Sitesi
B Blok 3/6 34330 1. Levent Istanbul
T +90 212 279 0025
[email protected] www.bboyapim.com
BDR FILM
Karanfil Cad. Yeşil Çimen Sok. 20 Levent Istanbul
T +90 212 282 9001 F +90 212 282 8582
[email protected] www.bdrfilm.com
BIR FILM
Sıraselviler Cad. Liva Sok. Vakıf Palas Apt.
T +90 212 251 8204 F +90 212 251 8205
[email protected] www.birfilm.com
BKM FILM
Maya Meridyen Plaza, Ebulula Cad.
D: 2 Blok K: 3 Akatlar Istanbul
T +90 212 352 1818 F +90 212 351 2168
[email protected] www.bkmonline.net
BOYUT FILM
4. Gazeteciler Sitesi Ülgen Sok. No: 43
34330 Levent Istanbul
T +90 212 270 4830 F +90 212 270 3754
[email protected] www.boyutfilm.com
BOCEK YAPIM
Çubuklu Cad. Ağaçlık Mesire Yeri D+E
Burunbahçe Beykoz Istanbul
T +90 216 680 1058 F +90 216 680 1059
[email protected]
www.bocekyapim.com.tr
BSK YAPIM
BELGE FILM
T +90 212 252 2525 F +90 212 251 3637
[email protected] www.belgefilm.com
82
Cihangir Mah. Sıraselviler Cad. Yeni Yuva Sok.
38/3 Beyoğlu Istanbul
T +90 212 292 1629
[email protected]
www.bskyapim.com
BUGAY FILM
D.F.G.S PRODUCTION
Türkgücü Sok. 35/2 Cihangir Istanbul
T +90 212 244 4741 F +90 212 245 2928
[email protected] www.bugayfilm.com
Kuloğlu Mah. Faikpaşa Sok. Stil Apt.
2/2 Çukurcuma Taksim Istanbul
T +90 532 512 1833
[email protected] www.dfgs.net
BULUT FILM
Fecri Ebcioğlu Sok. 14/4 Levent 34340 Istanbul
T +90 532 690 5636
[email protected] www.bulutfilm.com
C PRODUCTION
Abdülhakhamit Cad. No: 25 Beyoğlu Istanbul
T +90 212 256 2791
[email protected] www.cinergroup.com.tr
ÇAN FILM
Sıraselviler Cad. No:8 K:3 Bomonti Şişli Istanbul
T +90 212 230 5391 F +90 212 219 9507
[email protected] www.canfilm.net
DADA FILM
Atatürk Oto San. Sitesi 2. Kısım Ahi Evran Cad.
Rentaş İş Merkezi Kat:2 No: 99 Maslak Istanbul
T +90 212 328 3731 F +90 212 328 3732
[email protected] www.dadafilm.net
DIJITAL SANATLAR
Levent Mah. Gül Sok. No: 8 1. Levent Istanbul
T +90 212 282 7345 F +90 212 282 7339
[email protected]
www.dijitalsanatlar.com
DRAMA ISTANBUL FILM
Tomtom Mah. Örtmealtı Sok. 28/4
T +90 212 293 2192 F +90 212 291 2392
[email protected]
EDESSA FILMS
Konaklar Mah. Akçam Sok. C7 Blok K: 2
D: 5 Levent Istanbul
T +90 212 324 8708 F +90 212 324 6709
[email protected]
www.edessafilms.com
EFLATUN FILM
Nisbetiye Cad. Peker Sok. Tuğ Apt. 9/7
1. Levent Istanbul
T +90 555 288 8013 F +90 212 244 0807
[email protected] www.deyapimcilik.com
Mevlüt Pehlivan Sok. 26/6 Yılmaz Han
Gayrettepe Istanbul
T +90 212 274 9295
[email protected]
www.eflatunfilm.com
DELICE FILM
EKIP FILM
Tarık Zafer Tunaya Sok. 2/3 Gümüşsuyu
Taksim Istanbul
T +90 212 243 6790
[email protected] www.delicefilm.com
Kore Şehitleri Cad. Şerif Levent İş Merkezi
No: 23 Zincirlikuyu Istanbul
T +90 212 288 9707 F +90 212 272 1065
[email protected] www.ekipfilm.com
DE YAPIMCILIK
83
ERLER FILM
FIKRI GORSEL SANATLAR
Ertürk Sok. No: 7 Kavacık Beykoz 34810 Istanbul
T +90 216 425 1250 F +90 216 425 1266
[email protected] www.erlerfilm.com
Bankalar Cad. Vefai Han18/3 Karaköy
34353 Istanbul
ERMAN FILM
FILM KONSEPT PRODUCTION
Erol Dernek Sok. Erman Han 5/5 Beyoğlu Istanbul
T +90 212 244 3202 F +90 212 249 5186
[email protected] www.ermanfilm.com
Kuloğlu Mah. Gazeteci Erol Dernek Sok.
Yeni Melek Han 17/8 Beyoğlu 34433 Istanbul
T +90 212 244 4334 F +90 212 244 0332
[email protected]
www.filmkonsept.com
ESI FILM
Şemsettin Günaltay Cad. Oral Sok.
2/11 Kozyatağı Istanbul
ESR FILM
Şahkulu Mah. İlk Belediye Cad. 2/8
Arkadaş İş Hanı K:3 34420 Beyoğlu Istanbul
T +90 212 293 8277 F +90 212 293 8275
[email protected] www.esr.com.tr
EVCI FILM
İstiklal Cad. Mis Sok. 6/6 Beyoğlu Istanbul
T +90 212 249 5835 F +90 212 249 5834
[email protected] www.evcifilm.com
FIDA FILM
Levent Mah. Şakayıklı Sok. No: 15
34330 3. Levent Istanbul
T +90 212 325 9010 F +90 212 325 9017
[email protected] www.fidafilm.com
FILM PARK FILM
Karanfil Aralığı Sok. No: 2 Levent Istanbul
T +90 212 269 2569 F +90 212 269 2869
[email protected]
www.filmpark.com.tr
FILM POP FILMCILIK
Çilekli Cad. No:12 34330 3. Levent Istanbul
T +90 212 324 8700 F +90 212 324 8789
[email protected]
www.filmpop.com.tr
FILMA LTD.
Zeytinoğlu Cad. Sarı Konaklar İş Merkezi
A Blok D.4 34335 Akatlar Istanbul
T +90 212 352 0960 F +90 212 352 0965
[email protected]
www.filma.com.tr
FILMA-CASS
FIKIRTEPE FILM
Cihangir Mah. Defterdar Yokuşu 42/3
Hayat Apt. Beyoğlu Istanbul
T +90 532 413 8580
[email protected]
84
Merkez Mah. Halkalı yolu Atlas Sok. No: 3
Mahmutbey Bağcılar Istanbul
T +90 212 445 1053 F +90 212 445 1064
[email protected]
www.filmacass.com.tr
FILMAKAR
GETTO FILMS
İnönü Cad. Gözcü Apt. 35/2 Kat:2
34437 Gümüşsuyu Beyoğlu Istanbul
T +90 212 244 2343 F +90 212 244 7215
[email protected] www.filmakar.com
Caferağa Mah. Gürbüztürk Sok. 40/9 Moda
34710 Istanbul
T +90 507 455 9398
[email protected]
FILMALTI PRODUCTION
GEZICI FILM
Mektep Sok. No:33 Emirgan 34476 Istanbul
T +90 212 323 3638 F +90 212 323 3639
[email protected] www.filmalti.com.tr
Abay Kunanbay Cad. 20/11 K. Dere Ankara
T +90 312 466 3484 F +90 312 466 4331
[email protected]
www.festivalonwheels.org
FILMBUFE FILM
Güneşli Sok. 32/4-A Cihangir Beyoğlu Istanbul
T +90 212 252 7255
[email protected] www.filmbufe.com
FILMIK PRODUCTION
Kazancı Yokuşu 14/6 Cihangir Beyoğlu Istanbul
GIYOTIN FILM
Caferağa Mah. Gürbüz Türk Sok. Sinem Apt.
T +90 216 450 3311 F +90 216 450 3310
[email protected]
www.giyotinfilm.com
GLOBAL AGENCY
Fener Kalamış Cad. Sinan Apt. 93/5 Fenerbahçe
T +90 216 418 2227
[email protected]
Abdi İpekçi Cad. Arman Palas Apt.
7/17 Nişantaşı Istanbul
T +90 533 766 1525 F +90 212 296 6053
[email protected]
www.theglobalagency.tv
FOCUS FILM PRODUCTION
GU-FILM
Gül Sok. No: 4 1. Levent Beşiktaş Istanbul
T +90 212 269 0967
[email protected] www.focusfilm.net
Aktaş Sitesi L Blok No:6 Levazım
1. Levent Istanbul
T +90 212 275 1576
[email protected] www.gu-film.com
FILMODA
GALATA FILM
Gümüşsuyu Mah. Muhtar Kamil Sok. Onur Apt.
5/5 Taksim 34437 Istanbul
T +90 212 249 1071
[email protected]
www.galatafilm.com
GULERYUZ FILM
İstiklal Cad. İmam Adnan Sok. Çağatay İşhanı
T/ F +90 212 225 1090
[email protected]
85
GUNES FILM
IRFAN FILM
Selahattin Pınar Cad. Seyhan Apt. No: 22 D:4
Mecidiyeköy Istanbul
T +90 212 244 1163 F +90 212 252 4363
[email protected] www.irfanfilm.com
GUNEY FILM
Duatepe Mah. Avukat Cad. Şahmerdan Sok.
2/36 Şişli Istanbul
T +90 532 622 7231 F +90 212 291 0392
[email protected] www.guneyfilm.com
ISTISNAI FILMLER
Itri Sok. No: 20 34349 Balmumcu
Beşiktaş Istanbul
T +90 212 288 9500 F +90 212 288 9600
[email protected] www.ifr.com.tr
HACIYATMAZ FILM
Ayazağa Oyak Sitesi 8B Blok D: 2 34396 Istanbul
T +90 212 332 2776
[email protected]
www.haciyatmazfilm.com
ISLER PRODUCTION
İstiklal Cad. 166/46 Beyoğlu Istanbul
T +90 212 245 5201 F +90 212 245 5202
[email protected]
www.isler.tv
HAYAL AVCILARI FILM
Torlak Fırın Sok. No: 2 K: 1 Rumelihisarı
Sarıyer Istanbul
T +90 212 358 6006 F +90 212 358 6011
[email protected]
JEK FILM
Doğancılar Cad. 72/8 Üsküdar Istanbul
T +90 216 334 4350
[email protected]
www.jekfilm.com
IKI FILM
PK.139 34431 Beyoğlu Istanbul
IN WORKS FILM PRODUCTIONS
Hayriye Cad. 5/7, 34433 Galatasaray Istanbul
T +90 212 292 5538 F +90 212 292 5539
[email protected]
www.ismailnecmi-works.com
INLINE PRODUCTIONS
Sülünlü Sok. No:5, 34330 2. Levent Istanbul
T +90 212 269 8097 F +90 212 269 8098
[email protected] www.inline.com.tr
86
KAMERA PRODUCTION
Belediye Cad. İde İş Merkezi 13/2-3 Göktürk
Eyüp 34075 Istanbul
T +90 212 322 6662
[email protected]
www.kamerafilm.com
KAPLAN FILM
Süreyya Ağaoğlu Sok. Hatay Apt
No:41/7 34365 Teşvikiye Istanbul
T/F +90 212 291 2995
[email protected]
www.kaplanfilm.com
KARA FILM
KAZ FILM
İstiklal Cad. Halep Han 140/45-46
Beyoğlu Istanbul
T +90 212 244 8123 F +90 212 244 8124
[email protected]
www.karafilm.com.tr
İmam Adnan Sok. No:8 Beyoğlu Istanbul
T +90 212 293 6800 F +90 212 249 8006
[email protected] www.reiscelik.com
KARA KEDI FILM
Feneryolu Mah. Saffet Rona Sok. Kule Apt.
8/A Kuyubaşı Istanbul
T +90 216 348 8560 F +90 216 348 8590
info@ karakedifilm.com
www.karakedifilm.com
KARDEŞ SANATLAR FILM
Cihangir Cad. Cihangir Palas Apt. 11/3 Cihangir
T +90 212 293 6082 F +90 212 293 6081
[email protected]
www.kardessanatlar.com
KILIC FILM
Gazeteci Erol Dernek Sok. No:15/2-3
T +90 212 245 1584 F +90 212 244 1612
[email protected] www.kilicfilm.com.tr
KOKOSUKU FILM
Pınar Mah. Dut Sok. 36A Istinye34460 Istanbul
T +90 533 357 4141
[email protected] www.kokosuku.com.tr
KUTU FILM
Faikpaşa Yokuşu 37/6 Çukurcuma Beyoğlu
34425 Istanbul
KARE FILM
KUZEY FILM
Cihangir Cad. 24/4 Cihangir
80060 Istanbul T +90 212 251 9168
[email protected] www.karefilm.com
Kasatura Sok. No: 4 Beyoğlu 34425 Istanbul
T +90 212 252 7713 F +90 212 293 4285
[email protected] www.kuzeyfilm.com
KARINCALAR FILM
LACIVERT FILM
Firuzağa Mah. Süngü Sok. Süngü Apt. 1/2
Cihangir Istanbul
T +90 212 292 8630 F +90 212 292 7859
[email protected]
Yeni Çarşı Cad. No: 21 Kısmet Apt. Kat:1 D:2
Galatasaray Beyoğlu Istanbul
T +90 532 305 1064
[email protected] www.lacivertfilm.com
KARMA FILMS
LAVANTA FILM
Cebeci Cad. No: 81 Akatlar 34335 Istanbul
T +90 212 352 7099 F +90 212 352 8656
[email protected]
www.karma-films.com
Libadiye Cad. Göztepe Soyak Sitesi 19. Blok
D: 35 Üsküdar 34700 Istanbul
T +90 216 317 4300 F +90 216 317 1171
[email protected] www.lavantafilm.com
87
LEOPAR FILM
MAYA FILM
Kırmızı Sok. No: 7/4 Ortaköy Istanbul
T +90 212 261 9309
[email protected]
THY Sitesi C 1 Blok D:16 Ulus Istanbul
T/F +90 212 261 2968
[email protected]
LIMON PRODUCTION
MEDYAVIZYON
E. İsmail Hakkı Bey Sok. No:3 Balmumcu
Beşiktaş 34349 Istanbul
T +90 212 347 3450 F +90 212 266 1086
[email protected]
www.limonproduction.com
Cumhuriyet Cad. Pegasus Evi 26/4
34367 Harbiye Istanbul
T +90 212 296 0505 F +90 212 310 5985
[email protected]
www.medyavizyon.com.tr
LOGOS FILM
METIS MEDYA PRODUCTION
Ömer Avni Mah. Dümen Sok. 7/11
Gümüşsuyu Beyoğlu Istanbul
T +90 545 906 0396
[email protected]
Nispetiye Cad. Özden Sok. Koru 2 Apt. 18/5
Rumelihisarı 34470 Istanbul
T +90 212 287 2120 F +90 212 287 2178
[email protected]
www.metismedya.com
MANTAR FILM
Boğazkesen Cad. Hacı Mimi Sok. 21/1
Tophane Beyoğu 34433 Istanbul
T +90 212 252 0532
guneszahid@mantarfilmcom
www.mantarfilm.com
MIA YAPIM
MARATHON FILM
MINT (MADE IN TURKEY)
Sıraselviler Cad. Kuloğlu Mah. 78 D: 2
Cihangir İstanbul
T +90 212 244 8252 F +90 212 244 8250
[email protected]
Murat Reis Mah. Hacı Murat Sok. No: 9
Bağlarbaşı Üsküdar 34664 Istanbul
T +90 216 495 0560 F +90 216 495 8533
[email protected]
www.mint.com.tr
Cengiz T. Özden S. Mineli Sok. Cihan Apt.
A Blok No:1 D:12 Etiler Beşiktaş Istanbul
T +90 212 263 4447 F +90 212 263 4086
[email protected] www.miayapim.com
MAVI FILM
Kılıçalipaşa Mah. Altınbilezik Sok. No: 9/4
Cihangir Istanbul
T/F +90 212 292 7170
[email protected]
www.demirkubuz.com
88
MOR PRODUCTION
Büyükdere Mah. Hacet Sok. 12/6
Sarıyer Istanbul
T +90 535 302 4442
[email protected]
MOST PRODUCTION
NARSIST FILM
Eğlence Sokak No: 6 Arnavutköy Istanbul
T +90 212 265 4343 F +90 212 358 2270
[email protected]
www.mostproduction.com
8. Gazeteciler Sitesi, Yıldırım Oğuz Göker Cad.
A3 Blok 6, Levent 34335 Istanbul
T +90 212 284 0212 F +90 212 284 0215
[email protected]
MOTION FILMS
NBC FILM
İstiklal Cad. No: 229 Kat: 3 Beyoğlu Istanbul
T +90 212 292 0760
[email protected] www.motion-films.com
Başkurt Sok. 19/4 Ürgüp Palas Apt. Cihangir
T +90 212 249 6962 F +90 212 293 1008
[email protected]
www.nuribilgeceylan.com
MOTIVA FILM
Emektar Sok. Zenel Apt. 24/10
Gümüşsuyu Beyoğlu 34427 Istanbul
MUHTELIF YAPIMLAR
Pürtelaş Hasan Efendi Mah. Özoğul Sok.
19/3 Cihangir Beyoğlu 34427 Istanbul
T +90 212 292 0426
[email protected]
MUHTESEM FILM PRODUCTION
Levent Mah. Lale Sok. No: 17 Levent Istanbul
T +90 212 324 0245 F +90 212 325 1564
[email protected]
www.muhtesemfilm.com
NEZIH UNEN PRODUCTIONS
Boyalıköşk Sok. 5/1 Sözer Apt. D:8
34345 Istanbul
T +90 532 245 4346
[email protected]
NIS PRODUCTIONS
Bestekâr Şevki Bey Sok. 34/2 Balmumcu
34340 Istanbul
T +90 212 347 3272 F +90 212 347 3271
[email protected]
www.nisproductions.com
OFISISTANBUL
İmam Adnan Sok. 17/53 Beyoğlu Istanbul
[email protected] www.nadafilm.com.tr
Serdar-ı Ekrem Sok. 31/2 Beyoğlu 34420 Istanbul
T +90 212 292 2944 F +90 212 292 1108
[email protected]
www.ofisistanbul.net
NAR FILM
ORKINOS FILM
Caferağa Mah. Sarraf Ali Sok. Kaan Apt.
T +90 216 418 4206 F +90 216 336 2634
[email protected] www.narfilm.com
Gazi Bulvarı 95/10 Konak Izmir
T +33 6 0852 9123
[email protected]
www.orkinosfilm.com
NADA FILM
89
OYUNCULAR LTD.
PUNCTUM CREATIVE PRODUCTIONS
İstiklal Caddesi Rumeli Pasajı 48/4 Beyoğlu
Istanbul
T +90 212 245 1314 F +90 212 245 5009
[email protected]
www. oyunculartiyatrokahve.com
Ergenekon Mah. Cumhuriyet Cad. Prof. Dr. Celal
Öker Sok. 1/3 Harbiye Şişli 34373 Istanbul
T +90 212 296 9066 F +90 212 296 9014
[email protected]
www.punctumcp.com
OZEN FILM
RET FILM
Istiklal Cad. Odakule İş Merk. No: 142 K: 3
Beyoğlu Istanbul
T +90 212 293 7070 F +90 212 244 2851
[email protected]
www.ozenfilm.com.tr
Sofyalı Sok. Hamson Apt. 20/7 Asmalımescit
Beyoğlu Istanbul
T +90 532 291 1211
[email protected]
SADE FILM
Teşvikiye Cad. No: 39 Nişantaşı Şişli Istanbul
T +90 212 241 8300 F +90 212 241 8134
[email protected] www.panafilm.com
Güneşli Sok. Yeni Park Apt. 24/3
Cihangir Istanbul 34433
T +90 212 293 5094
[email protected] www.sadefilm.com
PERISAN FILM
SAMAN FILM
Kemankeş Karamustafa Paşa Mah. Mumhane Cad.
39/1 Karaköy 34425 Beyoğlu Istanbul
T +90 533 770 1897
[email protected] www.perisanfilm.com
İhsaniye, Hafız-ı Kurra Sok. 5B/15 Üsküdar
34673 Istanbul
T +90 216 310 1104
[email protected]
PI FILM
SARMAŞIK SANATLAR
Kumbaracı Yokuşu Tercüman Çıkmazı
No: 16 K: 1 D: 2 Tünel Beyoğlu Istanbul
T +90 212 292 0410 F +90 212 292 3067
[email protected]
www.pifilmproduction.com
Silahşör C. 20-22 D:5 34381
Şişli Istanbul
T +90 212 219 5335 F +90 212 219 5334
[email protected]
www.sarmasiksanatlar.com
PLATO FILM
SASIN FILM
Akyol Cad. Vişne Sok. 14/2 Cihangir Istanbul
T +90 212 252 4583 F +90 212 249 3584
[email protected]
www.platofilm.com
Ağa Hamamı Cad. No: 1 K: 3 Cihangir
T +90 533 268 3798 F +90 212 292 7758
[email protected]
PANA FILM
90
SINEFILM
TERSINE FILMLER
Moda Cad. No: 6 D: 1 Kadıkoy
34710 Istanbul
T +90 216 550 7114
[email protected] www.sinefilm.com
Cihannüma Mah. İsmaliye Sok. 7/2
Beşiktaş Istanbul
T +90 212 258 5989 F +90 212 258 5990
[email protected]
www.tersinefilmler.com
SINEGRAF FILM
Salih Omurtak Cad. No:80 Koşuyolu Istanbul
T +90 216 545 0973 F +90 216 545 0672
[email protected]
www.sinegraf.com
TFT PRODUCTION
Yıldız Cad. Tevfik Paşa Konağı 49/2
Beşiktaş Istanbul
T+90 212 258 4702 F +90 212 258 1842
[email protected] www.tftyapim.com
SUGARWORKZ
Erol Dernek Sok. Yeni Melek Han 17/6
T +90 212 244 9238 F +90 212 244 9248
[email protected]
www.sugarworkz.com
TIM’S PRODUCTION
ŞAN FILM
TMC FILM
Silahşör Cad. 20/22 D:5 Şişli Istanbul
T +90 212 219 5335 F +90 212 219 5334
[email protected]
Gazeteciler Sitesi Dergiler Sok. 29/2
Esentepe Istanbul
T +90 212 288 9260 F +90 212 288 9271
[email protected]
www.tmc.com.tr
TEMELKURAN FILM
Sinanpaşa Köprüsü Sok. 14/3
Beşiktaş Istanbul
T +90 212 236 4397
[email protected]
www.bornovabornovafilm.com
TERMINAL FILM
Ömer Avni Mah. Masraf Nazırı Sok. 2/1
T +90 212 3102 F +90 212 292 7331
[email protected]
www.terminalfilm.com.tr
Nispetiye Cad. Yücel Sok. Arıcan Sitesi
No: 3 B Blok K: 4 D: 9 1.Levent Istanbul
T +90 212 324 9986 F +90 212 324 9983
[email protected] www.tims.tv
TONAJ PRODUCTIONS
Katip Mustafa Celebi Mah. Billurcu Sok.
www.tonajproductions.com
TUTYA FILM
Turan Emeksiz Sok. 7B Blok 3 G.O.P. Ankara
T +90 312 466 8174
[email protected]
91
UMUT SANAT
YENI YAPIM FILM
Akasyalı Sok. No: 18, 80650 4. Levent Istanbul
T +90 212 325 8888 F +90 212 278 3282
[email protected]
www.umutsanat.com.tr
Cevizlik Mah. Hüsreviye Sok. 15/24
Bakırköy Istanbul
T +90 212 542 7329 F +90 212 572 4052
[email protected]
USTAOGLU FILM
YENI SINEMACILIK
Nergis Sok. 8/7 K: 2 Asmalımescit Mah.
34430 Tünel Beyoğlu Istanbul
T +90 212 249 7644 F +90 212 245 7397
[email protected]
www.ustaoglufilm.com
Turnacıbaşı Sok. 5/2 Beyoğlu 34433 Istanbul
T +90 212 245 6606
[email protected]
www.yenisinemacilik.com
YENI NESIL FILM
VENUS FILM
Mecidiye Cad. 35 A Blok D: 5 Mecidiyeköy
Istanbul
T/F +90 212 356 5776
[email protected]
YALAN DUNYA FILM
Sofya Sok. Asmalı Mescit Mah. Ilıç İşhanı
18/12 Tünel Beyoğlu Istanbul
T +90 212 245 9033 F +90 212 245 9032
[email protected]
Atıfet Sok. 18/26 Moda Istanbul
T/F +90 216 414 8392
[email protected] www.ynfilms.com
YENIDEN FILM
Karaman Çiftlik Yolu Cad. Tufan Sok. Tufan Sit.
No:6 A Blok Dış Giriş İçerenköy Istanbul
T +90 216 577 3225 F +90 216 577 3226
[email protected]
www.yenidenfilm.com
YOL SINEMA
YAPIM 13 FILM
İstiklal Cad. Odakule Karşısı Turhol Han
K: 1 Taksim Istanbul
T +90 212 251 8506 F +90 212 251 8606
[email protected]
www.candame.org
Fecri Ebcioğlu Sok. 14/4 Levent 34340 Istanbul
Z FILM
İMÇ 6. Blok No: 6609 Unkapanı 34334 Istanbul
T +90 212 512 6673 F +90 212 528 1134
[email protected] www.zyapim.net
YEDI FILM
Küplüce Mah. Çayırçıkmazı Sok. 27/1
Beylerbeyi 34676 Istanbul
T +90 216 422 3440
[email protected]
www.yedifilm.com.tr
92
Z1 FILM
Sıraselviler Cad. Bakraç Sok. 25/B Taksim Istanbul
T +90 212 293 5745 F +90 212 293 3778
[email protected]
www.z1filmatolyesi.com
ZEYNO FILM
Cihangir Cad. Derya Palas Apt. 34/2
Cihangir Beyoğlu Istanbul
T +90 212 252 4556 F +90 212 252 4557
[email protected] www.zeynofilm.com
ZEZE FILM
Şahkulu Mah. Seraskerci Çıkmazı 4/2
Galata Beyoğlu Istanbul T +90 212 249 9721
[email protected] www.zezefilm.com
ZUZI FILM
Sururi Mah. Emin Cami Sok. Emine Djami Apt.
T +90 212 238 3481
[email protected]
93
Distribution Companies
AE FILM
BESTLINE PICTURES
Menekşeli Sok. No:22 Levent 80620 Istanbul
T +90 212 324 9292 F +90 212 282 7662
[email protected]
www.aefilm.com
Muallim Naci Caddesi Işık Apt. 49/10
Ortaköy Istanbul
T +90 212 236 9292 F +90 212 236 9296
[email protected]
www.bestlinepictures.com
A.F.S. FILM
Yeniçarşı Caddesi 88/2-3 Galatasaray Istanbul
T +90 212 292 6792 F +90 212 251 0525
[email protected] www.afsfilm.com
ARES FILM
Çınarlıçeşme Sok. 7/2 Kuruçeşme
34345 Istanbul
T +90 212 287 5452
[email protected]
www.aresfilm.com.tr
BIR FILM
T +90 212 251 8204 F +90 212 251 8205
[email protected] www.birfilm.com
CALINOS ENTERTAINMENT
Gümüşşsuyu Mah. İnönü Cad. Mithatpaşa Apt.
No: 48 K: 3 D: 6-8 Taksim 34437 Istanbul
T +90 212 243 6440 F +90 212 249 7408
[email protected] www.calinos.com
AVŞAR FILM
Ömer Avni Mah. İmam Kerim Çıkmazı No: 2
34437 Gümüşsuyu Beyoğlu İstanbul
T +90 212 249 8587 F +90 212 249 8552
[email protected] www.avsarfilm.com.tr
BARBAR FILM
Kamer Hatun Mah. Hammalbaşı Cad. 28/5
Galatasaray Beyoğlu 34435 Istanbul
T +90 212 244 5159 F +90 212 244 9982
[email protected]
www.barbarfilm.com
CHANTIER FILMS
Mumhane Sok. No: 3 34345 Arnavutköy
Beşiktaş Istanbul
T +90 212 358 5959 F +90 212 358 5961
[email protected]
www.chantierfilms.com
D PRODUCTIONS
Doğan TV Center 34204 Bağcılar Istanbul
T +90 212 413 5967 F +90 212 413 5951
[email protected] www.dpro.com.tr
BELGE FILM
DENK FILM
Gazeteci Erol Dernek Sok. 3/4 34433
Beyoğlu Istanbul
T +90 212 252 2525 F +90 212 251 3637
[email protected] www.belgefilm.com
Meşrutiyet Cad. Hatay Sok No:18 Kızılay
06650 Ankara Turkey
T +90 312 425 0100
[email protected] www.denk.com.tr
94
DORUK FILM
FILM POP
İstiklal Cad. Balo Sok. 32/3 Beyoğlu Istanbul
T +90 212 251 8579 F +90 212 243 6176
[email protected]
www.dorukfilm.com.tr
Çilekli Cad. No:12, 3. Levent 34330 Istanbul
T +90 212 324 8700 F +90 212 324 8789
[email protected] www.filmpop.com.tr
FILMA LTD.
EPS FILM
Bağdat Cad No:69 Kızıltoprak
T +90 216 414 5600
[email protected]
Zeytinoğlu Cad. Sarı Konaklar İş Merkezi
A Blok D.6 34335 Akatlar Istanbul
T +90 212 352 0960 F +90 212 352 0965
[email protected]
www.filma.com.tr
GLOBAL AGENCY
Ertürk Sok. No:7 Kavacık Beykoz 34810 Istanbul
T +90 216 425 1250 F +90 216 425 1266
[email protected]
www.erlerfilm.com
Abdi İpekçi Cad. Arman Palas Apt.
7/17 Nişantaşı Istanbul
T +90 533 766 1525 F +90 212 296 6053
[email protected]
www.theglobalagency.tv
ERMAN FILM
IRFAN FILM
Gazeteci Erol Dernek Sok. Erman Han
T +90 212 244 3202 F +90 212 249 5186
[email protected]
www.ermanfilm.com
T +90 212 244 1163 F +90 212 252 4363
[email protected]
www.irfanfilm.com
FANATIK FILM / HORIZON INTERNATIONAL
LIMON PRODUCTION
Burhaniye Mah. Beybostanı Sok. 35/2
Beylerbeyi 34676 Istanbul
T +90 216 422 5350 F +90 216 422 4858
[email protected] www.filmfanatik.com
E. İsmail Hakkı Bey Sok. No: 3 Balmumcu
34349 Beşiktaş Istanbul T +90 212 347 3450
[email protected]
www.limonproduction.com
FIDA FILM
MARS PRODUCTION
Levent Mah. Şakayıklı Sok. No: 15 34330
3. Levent Istanbul
T +90 212 325 9010 F +90 212 325 9017
[email protected] www.fidafilm.com
Istiklal Cad. Mim Han 55/7
T +90 212 244 8252 F +90 212 244 8250
[email protected] www.marsfilm.net
ERLER FILM
95
MEDYAVIZYON FILM
SARAN MEDIA
Cumhuriyet Cad. Pegasus Evi 48/4
34367 Harbiye Istanbul
T +90 212 296 0505 F +90 212 310 5985
[email protected]
www.medyavizyon.com.tr
Çayırbaşı Mah. Hacı Osman Bayırı No: 65
34453 Sarıyer Istanbul
T +90 212 363 0404 F +90 212 363 0400
[email protected]
www.sarangroup.com
MFP CINEGROUP
SINETEL FILM
Levent Mah. Lale Sok. No: 17
Levent 34330 Istanbul
T +90 212 282 3002 F +90 212 282 3004
[email protected] www.cine-group.com
Ağa Camii Arkası Mahyeci Sok. Eren Han
No: 21 K: 2 Beyoğlu Istanbul
T +90 212 243 0808 F +90 212 245 6956
[email protected]
OZEN FILM
SUGARWORKZ
Istiklal Cad. Odakule İş Merkezi No: 142
K: 3 Beyoğlu Istanbul
T +90 212 293 7070 F +90 212 244 2851
[email protected]
www.ozenfilm.com.tr
İstiklal Cad. Kuloğlu Mah. G. Erol Dernek Sok.
Kamil Bey Apt. 18/2 Beyoğlu 34433 Istanbul
T +90 212 244 9239 F +90 212 244 9248
[email protected] www.sugarworkz.com
TIGLON
PI FILM
Kumbaracı Yokuşu Tercüman Çıkmazı
No: 16 K: 1 D: 2 Tünel Beyoğlu Istanbul
T +90 212 292 0410 F +90 212 292 3067
[email protected]
www.pifilmproduction.com
D:5 34433 Beyoğlu Istanbul
T +90 212 251 1696 F +90 212 251 3974
[email protected]
www.tiglon.com.tr
TILSIM DESIGN & PRODUCTIONS
PINEMA FILM
Ekinciler Cad. Ertürk Sok. Başar Ünver
İş Merkezi No: 4 K: 6 Kavacık Istanbul
T +90 216 537 7770 F +90 216 537 7775
[email protected]
www.pinema.com
R FILM
Aydın Sok. 2/6 Levent 34330 Istanbul
T +90 212 282 8329 F +90 212 282 8332
[email protected] www.rfilm.net
96
Perpa Ticaret Merkezi B Blok Kat:13
No:2422 Okmeydanı Şişli Istanbul
T +90 212 222 4271 F +90 212 222 6359
[email protected]
TMC
Gazeteciler Sitesi Dergiler Sok. 29/2
Esentepe Istanbul
T +90 212 288 9260 F +90 212 288 9263
[email protected]
www.tmc.com.tr
U.I.P.
Spor Caddesi Acısu Sok. Tahsin Bey Apt.
No: 1 K: 1 D: 7-8 Maçka Istanbul
T +90 212 227 8205 F +90 212 227 8207
[email protected] www.uip.com.tr
UMUT SANAT
Akasyalı Sok. No: 18, 4. Levent Istanbul
T +90 212 325 8888 F +90 212 278 3282
[email protected]
www.umutsanat.com.tr
WARNER BROS
Cumhuriyet Caddesi Pegasus Evi No: 26
K: 5 Harbiye Istanbul
T +90 212 219 2030 F +90 212 219 2032
[email protected]
YENI GUVEN FILM
Yeni Çarşı Cad. 18/3 Galatasaray
T +90 212 244 5894 F +90 212 251 1340
[email protected]
www.yeniguvenfilm.com
97
Post-Production Companies
1000 VOLT POST PRODUCTION
INSERT STUDIO
1. Levent Mah. Çalıkuşu Sok. 14 Beşiktaş Istanbul
T +90 212 283 1001 F +90 212 283 1003
[email protected] www.1000volt.com.tr
Osmanlı Sok. 24/2 Taksim Istanbul
T +90 212 293 9412 F +90 212 243 4119
[email protected] www.insertstudio.com
ANIMA
LACIVERT FILM
AOS 51.Sok. No: 6 34398 Maslak Istanbul
T +90 212 346 2323 F +90 212 346 2325
[email protected] www.anima.gen.tr
Cumhuriyet Cad. İnönü Mah. Babil Sok.
No: 46 Kat: 1 D: 5 Harbiye Istanbul
T +90 212 343 6451 F +90 212 343 6451
[email protected] www.lacivertfilm.com
CO PRODUCTION
Faik Paşa Cad. No:39 Çukurcuma Taksim Istanbul
T +90 212 251 3242 F +90 212 249 5857
[email protected]
www.coproduction.com.tr
MATTE POST
COMPUGRAF
MELODİKA
Itri Sokak No:9 Balmumcu Istanbul
T +90 212 274 2530 F +90 212 275 0940
[email protected] www.compugraf.com.tr
Alt Zeren Sok. No: 3, 1. Levent Istanbul
T +90 212 280 1010 F +90 212 283 3903
[email protected] www.melodika.com.tr
DIGIFLAME PRODUCTIONS
PLATO FILM
Balmumcu Mah. Dellalzade Sok. No: 32
Balmumcu Istanbul
T +90 212 288 2686 F +90 212 288 4326
[email protected] www.digiflame.com
Akyol Cad. Vişne S. 14/2 Cihangir Istanbul
T +90 212 252 4583 F +90 212 249 3584
[email protected] www.platofilm.com
Zeytinoğlu Cad. No: 79 Akatlar Etiler Istanbul
T +90 212 352 1777
[email protected] www.mattepost.com
SINEFEKT
FONO FILM
Yerebatan Caddesi No: 34 Sultanahmet Istanbul
T +90 212 519 0267 F +90 212 511 5799
[email protected] www.fonofilm.com.tr
Itri Sokak No: 34 Balmumcu 34349 Istanbul
T +90 212 275 7234 F +90 212 275 0345
[email protected] www.sinefekt.com
ŞAFAK FILM
IMAJ ENTERTAINMENT
Türkali Mah. Şehit Ali Mergen Sok. No: 9
Beşiktaş Istanbul
T +90 212 258 4000 F +90 212 258 7076
[email protected] www.imajonline.com
98
Kore Şehitleri Cad. Mithat Ulu Ünlü Sok.
No: 7 Zincirlikuyu Istanbul
T +90 212 212 2716 F +90 212 212 2720
[email protected]
www.safakstudyolari.com.tr
Equipment Hiring
33 KARE KAMERA
INLINE PRODUCTIONS
Mektep Sok. No: 33 Emirgan Istanbul
T +90 212 323 3638 F +90 212 323 3639
[email protected]
Sülünlü Sok. No:5, 2. Levent 34330 Istanbul
T +90 212 269 8097 F +90 212 269 8098
[email protected] www.inline.com.tr
EVCI FILM
INSERT STUDIO
İstiklal Cad. Mis Sok. Tan Apt. 6/6
T +90 212 249 5835 F +90 212 249 5834
[email protected] www.evcifilm.com
Osmanlı Sok. Osmanlı İş Merkezi No:24/2
Taksim Istanbul
T +90 212 293 9418 F +90 212 243 4119
[email protected]
www.insertstudio.com
EYLUL FILM
Yeşilce Mah. Donanma Sok. No: 19
Seyrantepe Kağıthane Istanbul
T +90 212 284 9951 F +90 212 284 9954
[email protected] www.eylulfilm.com
ISIK SANAT
Mektep Sok. No: 33 Emirgan Istanbul
T +90 212 323 3638 F +90 212 323 3639
[email protected]
www.isiksanat.net
FILM SOKAGI FILM STUDIOS
Atatürk Oto Sanayi Sit. II. Kısım, Ahi Evren Cad.
Rentaş İş Merkezi K: 4 Maslak Istanbul
T +90 212 286 4482 F +90 212 276 3270
[email protected]
www.filmsokagi.com
ISTANBUL KAMERA IŞIK GRIP
Merkez Mahallesi, Halkalı Yolu, Atlas Sok.
No: 3 Mahmutbey 34217 Istanbul
T +90 212 447 2000 F +90 212 447 2031
[email protected]
www.istanbulkamera.com
GRAMOFON
İnönü Mahallesi, Cumhuriyet Cad.
151/6 Şişli Istanbul
T +90 212 233 8988 F +90 212 296 7464
[email protected]
www.gramofon.com.tr
KEN MOVIE
Camekan Sok. 9-9A Galata Kuledibi
Karaköy 80020 Istanbul
T +90 212 245 3383 F +90 212 245 4483
[email protected]
www.kenmovie.com.tr
IMAJ ENTERTAINMENT
Gazeteciler Mah. Hikaye Sok. No: 9
Esentepe Istanbul
T +90 212 216 7180 F +90 212 216 7189
[email protected]
www.imajonline.com
LOKOMOTIF KAMERA
Silahşör Cad. Uğur Apt. 16/1
D: 1 Şişli 34381 Istanbul
T +90 212 219 3693 F +90 212 219 3695
[email protected] www.lokomotif.com
99
META IŞIK
İskenderpaşa Mah. Havlucu Sok.
25/A Fatih 34080 Istanbul
T +90 212 631 5136 F +90 212 631 4918
[email protected] www.metaisik.com
MTN FILM
Cebeci Cad. No: 62 Akatlar Etiler Istanbul
T +90 212 352 2430 F +90 212 352 2555
[email protected] www.mtnfilm.com
PLATO FILM
Akyol Cad. Vişne Sok. 14/2 Cihangir Istanbul
T +90 212 252 4583 F +90 212 249 3584
[email protected] www.platofilm.com
ORION
Kemerburgaz Cendere Yolu Azizpaşa Mevkii
No: 5 Eyüp Istanbul
T +90 212 360 3760 F +90 212 360 3361
[email protected] www.orion.com.tr
STM
Telsizler Mah. Zincirlidere Cad. 6/A
Gültepe, Kağıthane Istanbul
T +90 212 324 0499 F +90 212 270 7318
[email protected] www.stmsinema.com
TERMINAL FILM
Ömer Avni Mah. Masraf Nazırı Sok. 2/1
Beyoğlu Istanbul
T: 212 292 3102
[email protected]
VGS PRODUCTION
Ahi Evren Cad. Atatürk Sanayi Sitesi, Ata Center
İş Merkezi No: 1 Kat: 2 Maslak Istanbul
T +90 212 285 9736 F +90 212 285 9739
[email protected] www.vsg.com.tr
100
101
Feature Films
Clouds of May
Baks Bani
Behzat Ç. i Buried You in My Heart
Beyond The Hill
Blue Lodge
Dirt
Ecotopia
The Extremely Tragic Story (...)
Future Lasts Forever
Hicaz
Home
In Flames
Inside
Kadife-Grandmother
Labyrinth
Last Stop Salvation
Love and Revolution
My Grandfather’s People
Night of Silence
One Day or Another
The Path of the Faithful
Playing the Justice
The Pomegranate
Present Tense
The Saint Ayşe
September
A Serious Matter
Ships
Snake
The Stranger
Trace
Voice of My Father
What Remains
When Derin Falls
Where the Fire Burns
Zenne Dancer
102
Nuri Bilge Ceylan1
Cihan Sağlam2
Serdar Akar3
Emin Alper
4
Nezih Ünen
5
Yusuf Çetin
6
Yüksel Aksu
7
Onur Ünlü
8
Özcan Alper
9
Erdal Rahmi Hanay
10
Muzaffer Özdemir
11
Murat Saraçoğlu
12
Zeki Demirkubuz
13
Erdoğan Kar
14
Tolga Örnek
15
Yusuf Pirhasan
16
F. Serkan Acar
17
Çağan Irmak
18
Reis Çelik
19
Ali Vatansever
20
Ersan Arsever
21
Mahur Özmen, Ali Özuyar
22
Ümit Ünal
23
Belmin Söylemez
24
Elfe Uluç
25
Cemil Ağacıkoğlu
26
İsa Yıldız
27
Elif Refiğ
28
Caner Erzincan
29
Filiz Alpgezmen
30
M. Tayfur Aydın
31
Orhan Eskiköy, Zeynel Doğan
32
Çiğdem Vitrinel
33
M. Çağatay Tosun
34
İsmail Güneş
35
M. Caner Alper, Mehmet Binay
36
Films in Production
The Blue Wave
Circle
Come to My Voice
Dust Cloth
East & West
The Impeccables
Jin
Karnaval
King of the Cotton
Load
Motherland
Meryem
Mold
My Name is Elif
On the Edge
Orkinos
Please do not Disturb
Saints
Seaburners
Singing Women
Sivas
Somewhere in Between
Song of My Mother
Spirit of Dust
Strangers in the House
Thou Gild’st the Even
Watch Tower
Winds
Woman and Man
Zeynep Dadak, Merve Kayan
38
Atıl İnaç
39
Hüseyin Karabey
40
Ahu Öztürk41
Aydın Sayman
42
Ramin Matin
43
Reha Erdem
44
Can Kılcıoğlu
45
Ömer Can
46
Erden Kıral
47
Senem Tüzen
48
Atalay Taşdiken
49
Ali Aydın
50
Andaç Haznedaroğlu
51
Murat Düzgünoğlu
52
Nur Dolay
53
Gülden Çakır
54
Seyfi Teoman
55
Melisa Önel
56
Reha Erdem
57
Kaan Müjdeci
58
Yeşim Ustaoğlu
59
Erol Mintaş
60
Nesimi Yetik
61
Dilek Keser, Ulaş Güneş Kacargil
62
Onur Ünlü
63
Pelin Esmer
64
Selim Evci
65
Aslı Özge
66
103
104
105
106
107
This catalogue is edited by Ankara Cinema Association / Festival on Wheels.
All rights reserved.
Abay Kunanbay Caddesi No: 20/11 Kavaklıdere, Ankara Turkey
T +90 312 466 3484 - 466 4728 F +90 312 466 4331
[email protected] www.festivalonwheels.org
concept & graphic design
Punctum Creative Productions
designers
Emre Parlak & Selda Taşkın
www.punctumcp.com
print house
Pelin Ofset Tipo Matbaacılık San. Tic. Ltd. Şti.
www.pelinofset.com.tr
108

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Title of the course: Character Theory with Applications Instructor